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Category: Reading

Posts in which we talk about reading habits and preferences


A week ago, I challenged all brave people to read five highly-recommended Regencies (that is, highly recommended “traditional” Regencies). I know you’re all hugely busy this time of year, but if any of you have any progress to report, I’d love to hear it! Megan, Nicole, Janet, Todd, and Laurie all accepted the challenge, in whole or in part — and who knows, maybe we have some more willing readers, lurking about!

Megan has already talked about one book she’s read (thanks, Megan!) How about the rest of you? Which books have you chosen? Have you read any yet? What are you liking about what you read?

For more suggestions of what Regencies count as “highly recommended” — here’s a list of all the Regencies that have won the prestigious Rita Award:

2005 — A Passionate Endeavor by Sophia Nash
2004 — Prospero’s Daughter by Nancy Butler
2003 — A Debt To Delia by Barbara Metzger
2002 — Much Obliged by Jessica Benson
2001 — A Grand Design by Emma Jensen
2000 — The Rake’s Retreat by Nancy Butler
1999 — His Grace Endures by Emma Jensen
1998 — Love’s Reward by Jean R. Ewing
1997 — The Lady’s Companion by Carla Kelly
1996 — Gwen’s Christmas Ghost by Lynn Kerstan and Alicia Rasley
1995 — Mrs. Drew Plays Her Hand by Carla Kelly
1994 — Deirdre and Don Juan by Jo Beverley
1993 — An Unwilling Bride by Jo Beverley
1992 — Emily and the Dark Angel by Jo Beverley
1991 — The Sandalwood Princess by Loretta Chase
1990 — The Rake and the Reformer by Mary Jo Putney
1989 — Brighton Road by Susan Carroll
1988 — Sugar Rose by Susan Carroll
1987 — Lord Abberley’s Nemesis by Amanda Scott
1986 — The Beauty’s Daughter by Monette Cummings
1985 — The Lurid Lady Lockport by Kasey Michaels


Have you read any of these? Which did you particularly like? Are there books by some of these authors that you like better than the ones which actually won the Rita? Are there any other Regencies you’d particularly recommend for beginning Regency readers? Please share! All opinions welcome!

Cara
Cara King — www.caraking.com
My Lady Gamester — out now from Signet Regency!

Posted in Reading, Regency | Tagged | 17 Replies


There are far too many people in this world who’ve never read a “traditional Regency.” (Ooh, hate the name. Do you think it’s the name? I think it might be. “Traditional” — who wants to read a “traditional” anything?)

Actually, once upon a time our genre was just called “Regency” — and that’s the name it had for decades. But then the historicals came along, and eventually the Regency historicals were part of it….and one day some readers of Regency historicals (were they mischievous? ignorant? or possibly the forefront of an alien invasion?) started calling the books they read “Regencies” — and ever since, we’ve been stuck with the awkward designation of “traditional Regency.” Not a great name for a genre.

So I’m just going to call them “Regencies,” because that’s the better name, the name they went by for decades, the name that doesn’t scream “old-fashioned” without meaning to.

As I was saying…far too few people read Regencies anymore. In fact, some of the Risky Regency authors themselves, from what I can tell, rarely read Regencies! Now that’s just sad. Really sad. Little-kid-whose-ice-cream-dropped-on-the-ground sad.

So I challenge you: read a Regency! In fact, read more than one. Go read five highly-recommended Regencies, and see if you don’t fall in love with the genre! Oh, Regency historicals are all very well, but they can’t do everything. They can’t be everything. (When’s the last time a Regency historical washed your car for you??? Huh???)

Who will take the challenge? Is there anyone brave enough? Tough enough? After all, I’m asking you to read five Regencies. Wow. That’s a lot of books. And who likes books? Oh, you do? Great! Then take the challenge! Read five highly-recommended Regencies, and see if you aren’t won over to be a dedicated Regency reader! When you’re done, come back here, and tell us if you liked them, and why! (And yes, I’m extending this challenge both to readers of this blog, and to the authors on it too! You know who you are…)


So, what makes a Regency highly recommended, you ask??? Good question. Winning the Rita counts. (If people want, I could post a list of all the Regency Rita winners.) Having friends tell you “you have to read this book!” counts. And I also have a list here of books that I heartily recommend. (There are of course far far more great Regencies, including many books by my fellow bloggers….) I went mostly with older books, now out of print (but available in any good used book store), some of which are recognized classics of the genre, and some of which are hidden gems…in chronological order.

Clare Darcy: LADY PAMELA (1975)
Joan Smith: ESCAPADE (1977)
Joan Smith: IMPRUDENT LADY (1978)
Joan Smith: TALK OF THE TOWN (1979)
Joan Smith: SWEET AND TWENTY (1979)
Patricia Veryan: NANETTE (1981)
Joan Smith: PERDITA (1981)
Kasey Michaels: THE RAMBUNCTIOUS LADY ROYSTON (1982)
Patricia Veryan: MARRIED PAST REDEMPTION (1983)
Sheila Simonson: LADY ELIZABETH’S COMET (1985)
Kasey Michaels: THE PLAYFUL LADY PENELOPE (1988)
Carla Kelly: MRS MCVINNIE’S LONDON SEASON (1990)
Barbara Metzger: AN EARLY ENGAGEMENT (1990)
Carla Kelly: LIBBY’S LONDON MERCHANT (1991)
Barbara Metzger: MINOR INDISCRETIONS (1991)
Alicia Rasley: POETIC JUSTICE (1994)
Karen Harbaugh: THE VAMPIRE VISCOUNT (1995)
Gail Eastwood: THE LADY FROM SPAIN (1997)
Nonnie St. George: THE IDEAL BRIDE (2003)

And if any of you are enthusiastic Regency readers, please comment here and suggest your own recommended reads!!!

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — out now from Signet Regency!!!

Posted in Reading, Regency | Tagged | 19 Replies


On Tuesday, Cara blogged about laugh-out-loud Regencies. As an author who tries, in her own modest way, to get people to laugh, it made me think about where my humor comes from. Some of it is unique to me: a father who loves language so much he’s got a wall full of word books (and, by the way, owned a copy of the 1811 Dictionary of the Vulgar Tongue long before I knew what a cully was), an abiding love for the Marx Brothers, stoked by frequent afternoon visits to the Harvard Square Theatre, not to mention devouring Scooby-Doo at an early age. Oh, those meddling kids!

But probably the most formative source was P.G. Wodehouse. Like most everything else I read when I was young, I found his books in the room we called the library, but was really the place we threw all the books in the house (Bookcases were optional). I started with a Jeeves book, I’m fairly certain, and was immediately entranced with Wodehouse’s dextrous way with language. Simply put, the man is incredibly dry, terribly witty, and flat-out hysterical.

I grabbed a recent stoop sale find, A Wodehouse Bestiary, and opened it randomly to find this little gem:

“You’re what I call a rabbit.”
“A rabbit!”
“There is no stigma attached to being a rabbit,” said Sir Joseph, pacifically. “Every man with a grain of sense is one. It simply means that you prefer a normal, wholesome life to gadding about like a — like a nonrabbit. You’re going out of your class, my boy. You’re trying to change your zoological species, and it can’t be done. Half the divorces today are due to the fact that rabbits won’t believe they’re rabbits till it’s too late. It is the peculiar nature of the rabbit–”
“I think we had better join the ladies, Uncle Joseph,” said Roland, frostily. “Aunt Emily will be wondering what has become of us.”

Dry as a bone. I love it.

I’ve read every Wodehouse I could lay my hands on. And since he published ninety-six books, I’m fairly certain there are some I have missed–a treat I’ll save for my golden years. His Jeeves & Wooster books were turned into a miniseries, but even actors such as Hugh Laurie and Stephen Fry in the titular roles aren’t able to translate Wodehouse’s delicate touch from the page to the screen.

Hugh Laurie, who portrayed Jeeves in the British miniseries, writes about Wodehouse (full text by following this link):

To be able to write about P. G. Wodehouse is the sort of honour that comes rarely in any man’s life, let alone mine. This is rarity of a rare order. Halley’s comet seems like a blasted nuisance in comparison.
If you’d knocked on my head 20 years ago and told me that a time would come when I, Hugh Laurie – scraper-through of O-levels, mover of lips (own) while reading, loafer, scrounger, pettifogger and general berk of this parish – would be able to carve my initials in the broad bark of the Master’s oak, I’m pretty certain that I would have said “garn”, or something like it.

(As a sidenote, both Laurie and his partner, Stephen Fry, who played Wooster, are also published authors in addition to being actors. Stephen Fry talks about Wodehouse here).

Humor is so hard to convey. Too much, and you’re doing slapstick; too little, and all you get is a wan smile. P.G. Wodehouse achieved the perfect (dry) balance in most of his writing.

Have you read Wodehouse? If not, there are plenty of short story collections that’ll give you a taste of his style. If so, do you like him? What other humor authors, outside of romance, do you like? What’s your favorite kind of written humor?

Me, I’m dicing back into “Something Squishy” from A Wodehouse Bestiary.

Megan

Posted in Reading | Tagged | 8 Replies


It is a fact universally acknowledged that when discussing the works of Jane Austen, the topic of who is her successor comes around. Who do you think has filled her unfillable shoes? I propose Stella Gibbons, author of Cold Comfort Farm, a classic that has this quote from Mansfield Park in its frontispiece: Let other pens dwell on guilt and misery.

It’s the story of Flora Poste, a young woman who likes to have order and sense in her world. When she is orphaned, she goes to live with her distant relatives, the Starkadders of Cold Comfort Farm. There, Flora, whose mission in life is to collect material for a book she will write three decades later in the style of Jane Austen, finds the Starkadders in dire need of not only sense and sensibility but persuasion too. She sets to work reforming her relatives, channeling their peculiar energies into rewarding occupations. Even though Gibbons is satirizing the earthy, elemental novels of Mary Webb, wildly popular in the 1920s and 1930s, it doesn’t matter if you haven’t read them–the book is still as funny as a rubber crutch. Particularly purple passages are marked with asterisks like a travel guide.

There’s Amos, the preacher who leads the Quivering Brethren; Seth, who goes a-mollocking when the sukebind hangs heavy in the hedgerows, but whose real passion is the movies; Mad Aunt Ada Doom who saw something nasty in the woodshed when she was little; Elphine, who likes to flit around the countryside wearing artsy clothes and reciting poetry; and a rich cast of non-Starkadders like Mr. Mybug, the sex-obsessed intellectual who’s writing a book proving Branwell Bronte wrote all of his sisters’ novels.

The BBC made a film of Cold Comfort Farm (1996) directed by John Schlesinger with a wonderful cast, including the lovely and talented Rufus Sewell as Seth, Kate Beckinsale as Flora Poste, and Ian McKellen as Amos.

Any other contenders for the title of the 21st (or 20th) century Jane Austen?



Which are your favorite laugh-out-loud Regencies?

Here are ten of mine, listed in approximate chronological order of publication:

— PRIDE AND PREJUDICE, by Jane Austen
— NORTHANGER ABBEY, by Jane Austen
— THE CONVENIENT MARRIAGE, by Georgette Heyer
— FRIDAY’S CHILD, by Georgette Heyer
— IMPRUDENT LADY, by Joan Smith
— SWEET AND TWENTY, by Joan Smith
— THE PLAYFUL LADY PENELOPE, by Kasey Michaels
— AN EARLY ENGAGEMENT, by Barbara Metzger
— MINOR INDISCRETIONS, by Barbara Metzger
— THE IDEAL BRIDE, by Nonnie St. George


Which funny Regencies do you like? Which do you think are the funniest?

Which funny Regencies do you think succeed the best as novels (or romances)???

By the way, here are four very different covers for Georgette Heyer’s FRIDAY’S CHILD! (Aren’t covers weird???)

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — in stores now!

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