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Category: Research

Posts in which we talk about research

The Word Wenches recently discussed the appeal of the Regency, touching on the popularity of “Regencyland” or “Prinnyworld” as a lovely escape from 21st century stresses.

Which it is. If I’m pampering a wretched cold or for any other reason looking for a light and/or comforting read, I’ll reach for a Georgette Heyer (stories like FREDERICA or COTILLION), a cozy trad, or a sexy Regency-set historical romp.

But that post also made me think about a comment from one of my CPs on a draft of LADY DEARING’S MASQUERADE. Much of the plot revolves around London’s Foundling Hospital, pictured above. (There’s a great book on the subject called CORAM’S CHILDREN by Ruth K. McClure). Anyway, I wrote about the fate of unwanted children in Regency London, how they might be abandoned in parks to die of exposure or cast into the Thames. My CP noted that this was very sad; her way, possibly, of making me consider whether I wanted to include such grisly facts.

I pondered it a while. I know many readers want to escape into a lush Regency where nothing worse happens than maybe expulsion from Almack’s. But for this story, I wanted to show the stakes, for the foundlings who appear in the book and for the hero and heroine who care about them. I decided to not pull my punches and left that bit in.

I also included other facts I learned in the course of researching the book that I found interesting and yes, heart-wrenching, such as how many of the children were born to servant girls impregnated and abandoned by their masters or their sons, the real rakes of the Regency, unlike the charming scoundrels many of us write (I’ve written them too). I wrote about how the Foundling Hospital, for lack of room, turned away 1 in 5 infants brought to them. I used the fact that mothers left tokens behind to help them reclaim their children if they were ever in a position to care for them.

As I was writing, I kept worrying that I was going too deep into harsh reality. But that’s where this story took me. I’ve written lighter Regencies, too, like THE REDWYCK CHARM. As far as reading tastes go, it depends on my mood. I enjoy excursions into “Prinnyworld” where I can enjoy gorgeous clothes, beautiful settings, witty dialogue. But I also appreciate authors who have gone for some gritty reality. Mary Balogh and Carla Kelly come to mind. I like seeing Regency romance push some of these boundaries. Lots of interesting areas to explore: the Napoleonic Wars, the Luddites, etc…

What do you think? Does reality spoil the Regency experience for you? How real is too real? If you like the boundaries pushed, where?

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice Award for Best Regency of 2005
www.elenagreene.com


There are little things that pop into my head when I go back and forth between the US and England. Here are a few of them — and please share any you may have had! (Mine, of course, are affected by the fact that I’ve lived most of my life in Southern California. New Yorkers, for example, will have somewhat different impressions, I am sure.) 🙂

THINGS I SOMETIMES THINK WHEN I VISIT ENGLAND

1. Wow, things cost so much here! (Especially books, restaurant food, and anything involving transportation!)

2. Everyone walks so much here! I should walk more when I’m at home. I really should. And I will, this time. I will really walk more when I get home.

3. The roads are so narrow! How can those drivers go so fast without constantly scraping things?

4. Okay, I have to change my vocabulary over now so I don’t make mistakes. (Mental reminder: wheat bread = brown bread, water = tap water, gas = petrol, pants = trousers, bathroom or restroom = loo or toilet or ladies’, eggplant = aubergine or courgette, I never can remember which one, the other is rutabaga I think, anyway I don’t like either one so it doesn’t much matter…)

5. Walk faster. Walk faster. You used to know how to walk fast. Come on, it will all come back, right?

THINGS I SOMETIMES THINK WHEN I RETURN TO THE U.S.

1. Wow, things are so cheap here! (Especially produce, gasoline, books, and…everything else, pretty much. Except tea, which is cheaper in England.)

2. Waiters are constantly refilling my water-glass! That’s so cool!

3. Why can’t restaurants figure out how to make a decent cup of tea?

4. Wow, everything’s so big! And so empty! And the sky is so blue!

So, what thoughts have you had upon going to England, and coming back to the US? (Or, if you live in England, upon going to the US, and coming back to England?) All opinions welcome!

Cara
Cara Kingwww.caraking.com
MY LADY GAMESTER — Holt Medallion Finalist for Best Regency of 2005!

Posted in Research | Tagged | 11 Replies

I bought a new research book!

This is not exactly a surprise, because I often buy research books, sometimes because a Risky recommends them.

Coaching days coverI first saw this book for sale in an antique shop in Middleburg, Virginia. The cost, as I recall, was about $300 (but you can buy it for as little as $11.07). That was a bit too much, even for my research book obsession! This weekend, though, my friend (and book-pusher) Mary Blayney offered me her copy.

Actually she said, “Would you like a coffee table book? It is as big as a coffee table.” All I had to do was buy her dinner.

The book is Coaching Days of England (1966) by Anthony Burgess, and it is full of color and black and white prints from the 18th and 19th centuries.

You can get an idea of how big it is by the ruler I placed on the cover.

Here’s a peek at what I purchased!

Color Prints

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IMG_0674

North-Country Mails at the Peacock, Islington

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The Duke of Beaufort Coach

I’m not the only one who loves this book. Somebody actually made a YouTube video about it.

Have you ever seen this book? Do you think it was worth the price of a dinner?

Check my website this week for my new book cover and a sneak peek!

Because I am jet-lagged, this post will be weird. I apologize in advance.

I’m having my morning tea right now. This will hopefully help my jet-lag. (I just returned from England, which means an eight-hour time difference). Plus, the night before the flight, I only got about three hours sleep. Why? Tea. I had a lovely afternoon tea at Richoux in London, but I guess the afternoon caffeine was too much for my system. So tea hurteth, and tea cureth. Tea giveth, and tea taketh away.

Did I mention this post will be weird? Yes, it’s a tour of things Cara drank while in England. Or, in some cases, didn’t drink.

When I was in England, I drank a lot of cider. I love hard cider. I don’t know why. I can’t drink wine (it gives me migraines.) I hate beer. I never liked hard liquor. But cider is just beautiful. Cider dances in the brain and on the tongue.

I did say I was weird today, right???

Speaking of things Cara didn’t drink…

On the flight back, for some reason the flight attendants tried to dehydrate me. And this was on Virgin Atlantic, which in that past I’ve always been very impressed by!!! But this time, instead of coming around frequently to give us liquids to drink, they instead came around with food accompanied by NOTHING to drink. No water. No soda. No nothing. And no liquids in between. They did this multiple times. I still have the headache.

So, what gives, Virgin Airlines??? Did you suddenly decide that water costs too much???

I did complain. The flight attendants took this as a personal criticism (which I found very odd) and just told me that there was water in the galley. They told me this eight hours into the flight. Telling me this earlier would have been nice. And they never did tell me where the galley was. Or explain the logic behind giving one a tray full of food, and then expecting one to somehow get up (which is impossible with the tray table down, of course — and where am I supposed to put the food???) and get water from the galley. And if we all did this, think of the chaos!!! No, not a workable system.

And so I say again: what gives, Virgin Atlantic??? Are you trying to make me switch my loyalties to British Airways or American Airlines, despite your cool seatback entertainment systems with twenty movies to choose from??? Because it’s working. Watching movies is cool, but having no headache is still cooler.

Cara (who had a very good time in England, actually)

Posted in Research | Tagged , | 10 Replies


Oh, happy days! Sharpe has come to BBC America, Saturday nights at 9 pm, right after one of my favorite shows, Cash in the Attic.

Richard Sharpe, for those of you who may not know, is a fictional soldier in the Napoleonic War, created by Bernard Cornwell in a wonderful series of books, now spanning his early years with Wellington (then Wellesley) in India to beyond Waterloo. Sharpe is a marvelous character and Cornwell does a masterful job of giving us such rich detail about the war, so that you actually feel as if you are there, experiencing it with Sharpe.

The BBC Sharpe is played by Sean Bean, a very sigh-worthy choice.

Here is what Sean Bean’s Sharpe website http://www.shipofdreams.net/seanbean/sharpe/index.htm
says about the BBC series:

“The films are based on the Napoleonic campaign novels, and follow Sharpe and his “Chosen Men” (riflemen who are trusted crack shots). Sharpe has been promoted from the ranks, very unusual in its day, so he has the resentment of the “gentlemen” officers, and also that of the men, who assume he is no better than them. He is promoted after saving Wellington’s life, and is often sent on dangerous missions, along with the Chosen Men, due to his skills and bravery.

In the first film, Sharpe’s Rifles, we are introduced to the Riflemen who will become the Chosen Men, and Sharpe has to forge both respect and friendship with their soon-to-be Sergeant, Patrick Harper. The later films show how cohesive a fighting force these few men become, they think and act as one. The last film to be made was Sharpe’s Waterloo, depicting the great battle.”

I was first introduced to Sharpe through the Chivers Audiobook versions. William Gaminara narrated, and his deep, sexy voice truly enhanced the experience. I can still him say, “Sharpe swore.”

Sean Bean is not the Sharpe I visualized while listening to the audiobooks. In fact, almost all the cast of the BBC version are not the people Cornwall gave to my imagination. Furthermore, I think of the BBC shows as “Sharpe Lite.” The shows meld elements of several of the books into one story, but cannot give the richness of detail that is in the books. Another point–these were not high budget productions, so rather than a cast of thousands, you get a cast of….dozens.

Cornwell also is no romance novelist. His Sharpe is actually quite stupid in love, which is quite frustrating, but even unsatisfying romance elements were not enough to keep me from loving the books, the character, the life of the Napoleonic soldier.

And the Sharpe films, for all their not being the Sharpe of my imagination, are still wonderful. If you don’t get BBC America, you can also rent the Sharpe films from Netflix or purchase them online.

Enjoy!
Diane

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