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Category: Research

Posts in which we talk about research

No, I am not reviewing one of my fellow Risky Regency bloggers’ books–that wouldn’t be risky, would it?
Instead, I thought I’d write about a book I received from my dad, the Enthusiastic Bibliophile, as a birthday gift (note: my birthday was in August, but my dad just sent this. A Timely Enthusiastic Bibliophile he is not).
Anyway. For anyone who’s gotten interested in the Regency period because of the clothing (Amanda? Cara? And I bet the rest of us, too), this is a find. The book is titled Fashion: A History from the 18th to the 20 Century, and it is drool-worthy.

Before even opening the book, let’s talk about the presentation. Taschen, a company that’s produced many coolly chic coffee table books, produced this version of the book which costs a lot less than it did in previous editions–follow the link here to get the details. The book is compiled and collected by the Kyoto Costume Institute, which takes its show on the road to museums near you.

The volumes are soft-cover, but are contained within their own little holder, and the cover is just gorgeous. You can see it above, but to see it live is much more impressive.

Then open the book. Volume 1, which is the volume relevant to us: 18th and 19th Century Fashion. Ohmyword. The pictures are huge, clear, and have succinct descriptions, with dates, to give you a clue about what you’re seeing. And you really SEE the clothes here, not just a little tiny picture pulled from some period magazine that doesn’t give you the FEEL of the clothes.

There are men’s and women’s fashions here, and you can track the gradual changes in fashion through the ages. The pictures I’ve posted here are primarily from 1810, although the reticule is 1815. The black outfit is a riding habit–imagine a heroine wearing that as she’s trying to beat the hero in a neck-or-nothing race. The red coat is a redingote, an outer garment that would doubtless keep the heroine (and her muslin gown) free of drafts when she was outside.And in case you thought the current trend for short shrugs was just this century, take a look at the white jacket above–that is as short as anything I’ve seen in Mandee’s lately.
I haven’t spent a lot of time with this fabulous two-volume set yet, but I will be (thanks, Dad!), as much because I am a fan of fashion as I am of the Regency period. Just like our own books (you knew I’d get back there eventually, right?), the Fashion: A History from the 18th to the 20th Century books make the period come alive.

Something to look at when I’m wondering just which pair of jeans to don. What was your favorite period for women’s clothing? And is it because your figure is more suited to that style, or for more altruistic aesthetics?

Megan

Remember, remember the fifth of November,
Gunpowder, treason and plot,
We see no reason,
Why gunpowder treason,
Should ever be forgot!
In just a few days the English, that tolerant and staid race, will let off fireworks and burn Catholics in effigy to celebrate the miraculous delivery of the House of Parliament and King James I in 1605. In that year, a group of conspirators, including one Guy Fawkes, planned to blow up the above in protest of the continued persecution of Catholics. Or did they? One revisionist theory is that the group were set up by the government to turn the public against Catholics and in favor of the new and unpopular Scottish king (who apparently was also a bit of an old queen).
One of the conspirators, Guy Fawkes, was discovered on November 4 in the vaults of the Houses of Parliament with a large amount of gunpowder, and depending upon whom you read, either the stuff was too old to do any damage or there were many times as much as was needed. Below is a computer simulation of what would have happened if the plan had been successful. See more at telegraph.co.uk.
Although he wasn’t the ringleader, it’s Fawkes’ name that is associated with this band of fanatics. James I decreed that the day after the discovery of the plot, November 5, was to be celebrated as a day of deliverance. Traditionally a “guy,” an effigy, is displayed in the weeks before the holiday, and children beg money to buy fireworks. Then the guy is burned on a bonfire, fireworks are set off, and various disgusting foods (like potatoes roasted in the embers, black on the outside, crunchy on the inside) are consumed. The trend nowadays is to encourage inside parties and official fireworks celebrations to keep the hospital emergency rooms clear.
For background and real information on the gunpowder plot, visit http://www.gunpowder-plot.org/
Janet

I’ve always wanted to try out a Regency recipe. I rather rashly promised to do a book signing (at an old-fashioned bookshop in a historic town) with the theme of a Regency Tea, so this seemed like a good opportunity to experiment. In LADY DEARING’S MASQUERADE, I had a housewifely 9-year-old make something called Banbury cakes, so I decided to try making them myself.

Here’s the original recipe, from THE COMPLETE SERVANT, by Samuel and Sarah Adams, first published in 1825. (A neat reference, with guidance on the duties of every servant imaginable, and some interesting recipes. I found a nice 1989 reprint from Southover Press.)

Take a pound of dough made for white bread, roll it out, and put bits of butter upon the same as for puff paste, till a pound of the same has been worked in; roll it out very thin, then cut it into bits of an oval size, according as the cakes are wanted. Mix some good moist sugar with a little brandy, sufficient to wet it, then mix some clean washed currants with the former, put a little upon each bit of paste, close them up, and put the side that is closed next the tin they are to be baked upon. Lay them separate, and bake them moderately, and afterwards, when taken out, sift sugar over them. Some candied peel may be added, or a few drops of the essence of lemon.

Here’s my very loose interpretation. Puff pastry dough would be more accurate but I opted to make something more like a filled cookie, as I thought it would transport better.

3 cups all purpose flour
½ tsp baking soda
½ tsp salt
1 cup butter, softened
1 cup sugar
1 egg
3 Tbsp milk
1 tsp vanilla
12 oz jar blackcurrant preserves
1 tsp brandy

1. Combine flour, baking soda and salt in a medium bowl.
2. In a large bowl, beat butter and sugar together until fluffy.
3. Add egg, milk and vanilla and beat well.
4. Add dry ingredients, mix thoroughly.
5. Cover and chill for about half an hour or until dough is easily rolled.
6. Mix blackcurrant preserves and brandy for filling.
7. Flour surface and rolling pin well (dough is very sticky) and roll out fairly thin (a little thicker than 1/8 inch). Cut out 3 or 4 inch rounds, as desired. Put a little filling (not too much so you can close it) in the center and gently crimp the edges together. (Don’t worry if a few break or some filling oozes out. Just be careful to, um, destroy the evidence!)
8. Bake on ungreased cookie sheet at 375 degrees F for about 15 minutes, until golden in center and lightly browned on the edges.
9. Dust with confectioner’s sugar.

This makes about 24 large (using 4 inch rounds) or 36 small (3 inch rounds).

As I said, not quite accurate, but rich and buttery, the currants adding a nice tartness. My kids even liked them, so I hope visitors to my booksigning will, too.
And I do solemnly promise Mr. St. James that there will be no iced or fruit-flavored beverages served!

Elena 🙂
LADY DEARING’S MASQUERADE, an RT Top Pick!
www.elenagreene.com

When I was searching for a blog topic I found this on  Hillman’s Hyperlinked and Searchable Chambers Book of Days for today. It is Georgian, so one must imagine the parents of our Regency heroes and heroines telling about what they did in their youth on a visit to Bath.

After a Grand Tour of Italy, Lady Miller of Batheaston, an amateur literary figure,  brought back an elegant antique vase which she prominently displayed on an altar in their home and formally dedicated to Apollo. Assigning herself the role of high priestess, she invited her guests to assemble twice a week to play homage to Apollo. These salons were popular and, because of the proximity to Bath, any number of important people partook of the ceremonies and refreshment after.
Here’s how it went:

“The worship of Apollo was conducted by each candidate for fame dropping a votive offering, in the form of a short piece of poetry, into the urn, as the whole assemblage marched round it in solemn procession. A lady was deputed to take the pieces one by one out of the urn, and hand them to a gentleman, who read them aloud. The merits of the poems were then considered, and the prizes adjudged, the blushing authors of the four best compositions being presented to the high-priestess, Lady Miller, and by her crowned with myrtles, amidst the plaudits of the company.”

Just picture that….adults in Georgian dress, powdered hair and brocades, marching around in a solemn procession….

I guess it is no worse than playing Pictionary…..

And then:

“The meetings lasted for several years, till at length they were put an end to by a most unwarrantable breach of good manners and hospitable confidence. Some unknown person disgracefully and maliciously contaminated the sacred urn with licentious and satirical compositions, to the great annoyance of the ladies present, and the chagrin of the host and hostess. The urn was thenceforth closed, and the meetings were discontinued for ever.”

One of the poems was included in this account:

Addressed to Lady Miller, on the Urn at Batheaston.
‘Miller, the Urn in ancient time, ’tis said,
Held the collected ashes of the dead:
So thine, the wonder of these modern days,
Stands open night and day for lifeless lays.
Leave not unfinished, then, the well-formed plan,
Complete the work thy classic taste began;
And oh, in future, ere thou dost unurn them,
Remember first to raise a pile, and burn them.’

When my friend Helen has a Halloween party, each of the costumed guests are expected to perform. Some do a reading; some play music. I read from one of my books once. But that is as silly as it gets for any party I’ve attended lately.
What is the silliest thing you’ve done at an adult party? (Refrain from any risque sharing, if you please!)
And……

This is the last week for the Harlequin Historical Author Beach Bag Giveaway. Click HERE for instructions on how to enter for the daily prizes and many chances to win the Grand Prize of a Kindle Fire!

My part of the contest is open now. My official day is this Thursday. I’ll choose my daily winner of a $25 Amazon gift certificate and a copy of A Not So Respectable Gentleman? on June 29, the last day of the whole contest! Click HERE on how to enter.

First of all, to start off my week I got a brand new cover!  This book is coming out in October, a sort of sequel to The Winter Queen set at the court of Mary Queen of Scots (I loved doing the research for this one!).  She has a lot of hair, but just like with my last Harlequin cover I wanna steal her dress…

And when I was searching around for something  for today’s blog, I found out that June 26 marks the anniversary of the opening of the V&A museum in its current location!  The Victorian Albert is the world’s largest museum of decorative arts and design, with 4.5 million objects over 145 galleries covering 12.5 acres.  Their collections cover design objects from all over world and in every medium imaginable.

The origins of the museum were in the Great Exhibition of 1851, objects from which formed the nucleus of the first collection.  (Prince Albert was always very keen to promote English arts and design).  It was called the Museum of Manufactures and opened in May 1852 at Marlborough House.  The cornerstone of the current Aston Webb-designed building was laid in May 1899, the last official public appearance of Queen Victoria.  It was officially opened to the public by Edward VII and Queen Alexandra on June 26, 1909 and has undergone numerous extensions since then (including right now).

Just a few of their objects are the Great Bed of Ware (mentioned in Shakespeare plays, see pic below); Henry VIII’s writing desk; the complete Music Room from Norfolk House, 1756; a costume collection of 14,000 objects from 1600 to the present; jewels such as Marie Antoinette’s bracelets and the Beauharnais emerald necklace, given by Napoleon to his stepdaughter; the 13th century Sicilian Tristan quilt; and so, so, so much more.  Plus great shops.

Recently the Oklahoma City Museum of Art hosted a great traveling exhibit of objects from the V&A, including clothes, George III’s walking stick, silver and porcelain, furniture, and a writing table belonging to Marie Antoinette.  It was a small but beautifully selected exhibit, and I visited it several times!  (One of my favorite things they had was this portrait of Madame de Pompadour):

To see explore the museum a bit yourself, visit them here!

Have you been to the V&A?  What was your favorite thing there?  And what do you think of the cover??

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