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Category: Risky Regencies

I came across an essay with that title recently in an old copy of Persuasions, the publication of JASNA (Jane Austen Society of North America), and it made for some fascinating reading. One of the major themes of Austen’s books is money–who has it, who doesn’t, what size house can they afford, and can they marry, should they marry, must they marry?

Naturally I now can’t find that issue and the article,* but fortunately I took notes, and I also came across this wonderfully useful site, www.measuringworth.com where you can translate the value of the pound from the thirteenth century into modern (2006 British pounds) currency, based on the retail price index. If you double that figure, you get, more or less, today’s $ value. As a rough guide, for calculating yearly incomes, for instance, multiply by one hundred.

Quick currency lesson/refresher: 12 pennies (d for denarius) make a shilling; 20 shillings (sh or s) make a pound (can’t find the symbol on blogger, but it’s a curly L for libra). Then there are guineas, which are a pound and a shilling, and used for some items–wages, horses, carriages, gambling debts–mainly luxury items. Sometime I’d like to research what was priced in guineas and what wasn’t. Anyone know? These are both sides of a golden guinea from the first decade of the nineteenth century.

The article took some prices from Jane Austen’s letters of 1810 and I translated these into the modern equivalent (rounding them up to the nearest 50c). Jane liked silk stockings which cost her 12s a pair or about $65–what you’d probably pay now for silk stockings by Prada (yes, it was an excuse to go onto ebay). She had a cloak made for 10s, about $54, which seems quite cheap for tailor-made clothes. Meat was 8d a pound ($3.50), butter a shilling a pound ($5), cheese 9 1/2d a pound ($4)–fairly close to our prices. But fresh salmon was a whopping 2s 9d a pound for a whole fish, $14–presumably because of the expense of shipping it (anyone know which rivers were the salmon rivers then? I’m guessing the Avon–I think the Thames, coming back now as a salmon river, was too polluted). A copy of Pride & Prejudice cost 18s–$94! She paid 30 guineas for the piano at Chawton, or $3,282–about what you’d pay now for a superior upright.

The most telling figures I found, however, were for the price of a quartern, the four pound loaf, which cost 11 3/4 d (eleven and three farthings) in the period 1800-1804, but by 1810 the price had risen to 2s 6d (half-a-crown), or from $6 to $13. This was the staple food of most common people and laborers made probably only a few shillings a day–life was very hard at the bottom of the social scale.

And now it’s question time. What’s your favorite money-related scene in something you’ve read or written?

Feldman, James, “How Wealthy Is Mr. Darcy–
Really?” Persuasions, 1990, Vol. 12.

Sign up for the Riskies newsletter at riskies@yahoo.com and learn how to spin straw into golden guineas. Or not. But put NEWSLETTER in the subject line.

I recently found out that a Dutch translation of LADY DEARING’S MASQUERADE is being released!

It’s my first international sale. I’m delighted about the nice little sum I got from the foreign rights sale, which will help keep me in paper and print cartridges as I work on finishing mess-in-progress. But mostly I just think it’s very cool.

I googled around and found the cover and blurb at www.chasingdreams.nl. You have to scroll down about halfway to find it.

Though I wish it were larger I think I like the cover–better than most on the site which lean heavily (and I mean heavily!) toward man-titty. The dress looks a bit off but Livvy and Jeremy look right.

I used an online translator to figure out the title. “Reputatie op het spel” translates literally to “Reputation on the game” which I think probably means something like “Reputation on the Line” or “Reputation at Stake”. Either way it sounds right for the book, which I’ve heard isn’t always the case with translations.

Now for the part that drove me a bit crazy. In my googling I also ran across a Dutch message board where (I think) readers were discussing the book. I felt the temptation to run their comments through the translator but then decided I’d better not blow writing time to discover they hated the thing. Oh well, there were lots of emoticons of all sorts in one of the posts so at least the book sparked a reaction.

So anyway, friends, what do you think of the packaging? Which cover do you like better?

And do you think I should go figure out what those Dutch readers think of my book or just get back to my mess-in-progress? OK, I think I know the answer to that one!

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice for Best Regency Romance of 2005
www.elenagreene.com

Today is Memorial Day, the day set aside by the US after the Civil War to honor military personnel who have lost their lives in service to their country. Memorial Day is particularly poignant for Americans this year, with so many of our soldiers making the ultimate sacrifice.

As the daughter of an Army officer, I have a particular regard for soldiers. Some of the heroes of my books are soldiers, and in all my books the war with Napoleon is mentioned. I love my Regency soldiers. I secretly yearn to write some Napoleonic war romances, sort of like Bernard Cornwell’s Sharpe series, except love stories. I own a brazillion books on the Napoleonic war and its soldiers. It seemed fitting today to tell you about one of them: Intelligence Officer in the Peninsula Letters and Diaries of Major The Honorable Edward Charles Cocks 1786-1812, Julia V. Page, editor (1986, Spellmount Ltd)

Major Cocks served in various capacities in the Peninsular war. He was attached to the regular Spanish army for a time and also with the 16th Light Dragoons. He worked as an intelligence officer behind enemy lines, performed special missions for Wellington, and was a field officer commanding soldiers. His family wanted him in Parliament, but Charles, as he was called, loved soldiering more than anything else. He was the consummate professional soldier, very much in his element in the war in Spain.

In a letter to his uncle, Charles wrote:

Few regard soldiers in their true light, that is as a body of men giving up many individual pleasures and comforts for a general national advantage, coupled certainly with the hope of personal fame and at the same time preserving more individual independence than any class of men….Men unused to war and ignorant of its ways regard slodiers as pernicious characters because they always figure them as intent on the desruction of their enemy, but a soldier only meets his foe now and then and he is every day engaged in reciprocal offices of kindness with his comrades….for my part I think there is much less ferocity in putting your foe to death when you see him aiming at your life, than in coolly rejoicing in your cabinet at home at successes purchased by the blood of thousands–Your dutiful and affectionate nephew, E. Charles Cocks

On October 8, 1812, Charles was acting as a field officer in the seige of Burgos. In the hours before dawn he led his men up a slope to regain the outer wall. When he reached the top, a French soldier fired straight at him. The ball passed through his chest, piercing the artery above his heart. He died instantly.

That morning Wellington strode into Ponsonby’s office, paced to and fro without speaking for several minutes. He started back toward the door, saying only, “Cocks is dead” before he walked out. Later Wellington wrote, “He (Cocks) is on every ground the greatest loss we have yet sustained.” When Wellington stood at his graveside, ashen-faced and remote, none of his officers dared speak to him.

Admiration for valor, gratitude for sacrifice, grief at loss. Today is not very different than 1812.

My father, Daniel J. Gaston, pictured here circa 1940s, was not called upon to make a soldier’s ultimate sacrifice. He reached an advanced age, long enough to see his daughters well-situated and happy, and his grandchildren grown. He died peacefully in 2001 before my writing career took off.

Do you have a soldier, real or fictional, who deserves tribute?

Would you like more war romances?

Can you think of any Napoleonic war romances (Heyer’s An Infamous Army comes to mind and one of Mary Jo Putney’s, featuring a blood transfusion–title fails me)?

To all our soldiers……Thanks
Diane

Andrea Pickens started writing books at the age of 5 (or so her mother tells her!), with a Western tome lavishly illustrated with crayon drawings of horses. Since then she has moved from the Wild West to Regency England, with numerous titles for Signet, Pocket, and now Grand Central Publishing (nee Warner). She graduated from Yale University, and now lives and works in New York City as Creative Director of a magazine.

Commenters to the interview will be entered to win a copy of The Spy Wore Silk! Be sure and check out the Official Rules of Entry here. Winner announced on Tuesday!

Welcome to the Riskies, Andrea!

Q: First things first! Tell us about your new release…
A: The Spy Wore Silk is my first book with Grand Central Publishing! It’s the start of a Regency-set trilogy featuring a secret school for female spies. The students at Mrs. Merlin’s School for Select Young Ladies are streetwise orphans, who are trained in the arts of seduction and swordplay. They’re England’s ultimate secret weapon, dispatched to handle only the most dangerous assignments. It’s due out June 1, and I’m very excited about it! So far the feedback has been positive–it was a June Top Pick at Romantic Times, and received a nice review at Publishers Weekly, so I hope the readers enjoy it.

Q: What gave you the idea for the Merlins? What are the next stories for us to look forward to?
A: I love the swashbuckling fun of Pirates of the Caribbean, but found myself wishing Keira Knightley would do more arse-kicking of her own! So I started thinking–and decided it would be fun to make the heroine the secret agent, capable of beating powerful men at their own game. I also liked the challenge of having my heroes come to grips with women whose physical skills and intellect are as finely honed as their own.

The series features 3 roommates–Siena, Shannon, and Sofia. Each is assigned her own perilous mission, starting with Siena in The Spy Wore Silk. She must unmask a clever traitor lurking among an exclusive club of Society rare book collectors. Seduced by a Spy, due out in Spring ’08, follows Shannon to Ireland and the Scottish Highlands as she seeks to parry the attack of a French assassin. And Sofia’s story, as yet unnamed, follows her through the ballrooms and back alleys of London as she untangles a web of deceit.

These women are as close as sisters, but they each have very different personalities, with their own strengths and weaknesses!

Q: You had some great (and very unusual!) Regencies from Signet before you broke into the single title market. Which was your favorite of these books, and how do you think they differ from your new titles?
A: I think I’ve always been intrigued by trying to find a little twist to convention! One of my favorite Signet Regencies to write was A Diamond in the Rough, a golf story, where I had the hero forced to learn the game in order to win back the ancestral estate his father gambled away. The heroine is the best golfer at St. Andrews, but of course she has to play disguised as a boy. A friend asks her to teach the hero the game, so, acting as his caddie, she takes on the assignment. At first, it may seem sport and Regency romance don’t seem an ideal match. Which is probably what made me think “Oh, this could be fun!”

As to how the Signet stories differ from the new books, I would have to say they both explore ideas about unconventional heroines in unusual situations. The historical format allows a longer word count, so the stories can be a little more complex.

Q: Were there any challenges in researching the Merlins books? Any new or interesting historical facts you discovered?
A: I love research, so I’m always reading obscure books and poking around in used bookstores and antique shops for inspiration!

For The Spy Wore Silk, I found a wonderful resource by attending a lecture on using technology to teach Medieval history. There’s a section of the British Library’s website called “Turning the Pages.” It lets you actually thumb through rare medieval manuscripts and books and zoom in on details, so it was perfect for researching the illuminated psalters that play a part in the story.

In researching Shannon’s book, I found a great resource on gunpowder! So I fear the reader is going to be bombarded with a lot of little facts I found.

Q: What is it about the Regency period that makes you want to write about it?
A: I love how the era is so richly romantic. It was a world aswirl with silks, seduction, and the intrigue of the Napoleonic Wars. A time when old ideas were constantly clashing with radical new ones. What better place for an unconventional heroine?

Q: Who are some of your favorite authors/influences?
A: Well, I’ll start with you, Amanda! I love your books, and am really looking forward to your first Harlequin Historical! And of course I’m a big fan of Diane Gaston, Mary Jo Putney, Loretta Chase, Barbara Metzger, and Lynn Kerstan.

Q: The title of our blog says it all! We’re proud of our “Risky” Regencies. Tell us what’s “risky” about your stories?
I find the parallels between the Regency and today so intriguing, in that both societies confront elemental challenges to traditional ways of thinking. The upheavals in science, literature, music, technology, and social structure are so similar, and thus individuals–especially women–ask the same sort of questions about their basic sense of self. I try to play with modern sensibilities within Regency conventions, hoping the blend will strike a chord with today’s readers and still be historically authentic. I love historical romance to be alive and relevant, not some stuffy story we can’t relate to!

Q: Can we look for you at any appearances or booksignings soon?
A: I’ll be at RWA in Dallas, doing the Literacy signing, so please stop by and say hello!

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