Richard Cerqueira returns to tell us more about being a Romance cover model. Below is the picture that is our contest prize! On the right is Comanche Temptation, Richard’s first and favorite cover.
1.Can you walk us through a photo shoot for a romance cover? How much direction are you given? How much is up to you to invent?
Sure, I get a call from the booking agent asking about my availability and the length of my hair. Sounds funny but the hair length is often a deciding factor whether you are right for the hero or not. Once that’s determined I am given an idea as to what kind of shoot it will be, that is will I be an aristocrat in a tuxedo, or a cowboy out on the range, or some Tarzan like figure saving the damsel in distress. One reason we are made privy to this information is that we often use some of our own clothes for a book cover shoot. In the instances that we need to be bare-chested or even more scantily clad we get to know if we need to be tan, and maybe watch the salt consumption the day before to be nice and lean for the camera.
So, come the day of the shoot, the female model and I get into our costumes if so required, and we are shown some pictures and/or sketches made by the artist or art director to give us an idea of what they will be looking for. At the shoot, there may be as little as two people (photographer and a model) or there may as many as eight people (two models, photographer, photographer’s assistant, art director, book author, and the artist). We shoot typically in front of a plain photographic paper backdrop; it’s up to the artist to add in the scenery. The photographer then sets up the lighting using a light meter and sets up a fan in the instances where they need wind tousled hair. Once that is all set up we assume our positions, the photographer then tells us to adjust ourselves to make the best use of the light and a test shot is taken. Before the advent of digital photography, this test shot was done with a Polaroid, now a digital camera can have the shot for all to see instantaneously on a large computer monitor and it can also be seen by an artist or art director across the globe in real time. That test shot will let everyone know if the lighting is right, once that is in check we go at it.
Again, since I started modeling things have changed for the better thanks to digital photography. In the past we took at least three rolls of film to make sure we got the shot, now we might take five pictures and get what they are looking for. It is up to us, the models, to play with the decided pose to capture the shot. The photographer, artist and/or art director will often guide us if they are looking for something special. Sometimes they end up doing something that is nothing like what was originally conceptualized and it turns out being the winning shot; at times, the models come up with the pose. Working with models that are more experienced makes the shoot go much quicker. Typically a book cover photo session takes no more than an hour, but there have been times that it has taken as long as two. It might not seem like much time, but in order to get those hot photos you often have to put yourself in to some unnatural positions and hold them there for long periods of time; I have often left a shoot feeling pretty worn out.
2. What do you think constitutes a good romance cover? What standard are you aiming for when you step in front of the camera?
The models chosen should accurately depict the books heroes. I have done more than one cover where I am not so sure that I was the right man for the job, I did it anyway, and the clients were happy, so that’s all that matters. I think that in the case of a couple they have to look good together, they have to make a good and convincing couple. Then there is the lighting, in art, lighting is everything, a book cover’s image is no different. When I do a cover I try to convey as much passion as I can, the covers usually need a hero who is both strong but human, it’s up to me as a model to pass that along to the photograph. The less the photographer has to direct me the better job I am doing; it’s what I strive for.
3. Tell us what is next for you. Do you have anything exciting coming up for yourself?
Actually, I do have something very exciting coming up, my brother and I participated in a reality show called Bullrun that will start to air on Spike TV March 13th @ 10 pm EST. The show is based on super exclusive road-rally across the USA. We are up against eleven other teams and are all competing for a $200,000 cash prize. The contestants were required to rally across America as well as compete in challenges that tested our cars, skills, and wits; think The Amazing Race meets The Cannonball Run. We shot for 3 weeks and covered over 4000 miles through nine states.
It was an unforgettable experience and I can’t wait until it airs! Its like nothing that has ever been done before, we had a crew of over 200 people and enough equipment rigs to fill a town! Spike TV has already begun running promos and the advertising campaign blitz will be soon to follow. The Spike TV website has information, pictures, and videos of us and the other contestants. www.spiketv.com. I have also made a Myspace page with some info about me, nothing very elaborate but it has some home pictures of me and some stuff from the upcoming show. www.myspace.com/xjguy
Thanks for you and your reader’s interest in me.
Richard
Bullrun premieres on Spike TV March 13 at 10 pm
Prize winner will be announced tomorrow. The prize may take some time to be delivered. Richard broke his thumb in a skiing mishap and can’t sign his name!–He’s been doing our interview with a broken thumb!
Thanks, Richard!!
Hey Richard, Bullrun sounds like it’s going to be fun watching! I’ll have to check it out and I hope you win the prize.
Richard, I can certainly see why Comanche Temptation is your favorite. It is a wonderful, classic romance cover, what we call a “clinch” cover, but a clinch cover at its finest, in my opinion.
Diane
I will never look at another romance cover in the same way. Bless you, Diane, for doing this, and thanks to Richard for taking the time, despite the discomfort, to give a peek into a world I knew nothing about.
Thank you so much, Richard, for sharing all those fascinating details! And how interesting about how digital cameras have changed things so much… I mean, once you think about it, it seems logical, but I’d never thought about it before. 🙂
And I was interested to hear that the models sometimes wear some of their own clothes… I’m guessing that’s just with books set nowadays, though! If you check in again today, I’d love to hear a tiny bit about the costumes for the historical shoots… Do they come from rental houses? Who chooses the costumes?
Anyway, thanks for being here, and best of luck with Bullrun!
Cara
Greetings Richard! Thanks for sharing a day in the life of…
I’ve had a few ‘Oh, so that was you moments!’ seeing the covers you’ve been on.
I’ll have to keep my eye out for “Bullrun”. Do you get interviewed in it and, if so, did you say what you did for a living or rather the three or four things you do for a living?
Thanks again for stopping by. Sorry I missed your interview from yesterday.
Santa
Changing her tag line from: sbmbslt to smbslt (exchange books for blogs)
Thanks for talking to us, Richard, with a broken thumb no less! Those are some interesting insights into the process. I wonder if those zippers we occasionally see on Regency covers are due to models having to provide their own clothing. Falls have been out of style for some time… 🙂
Only for you, Richard, would I watch Spike TV! LOL
The trailer, unfortunately, doesn’t show up that clearly on my monitor.
Great interview!
thanks for stopping by Jeanne!
Diane
Richard, thanks so much for sharing what goes on during a cover shoot. I found the whole process fascinating. I was surprised that you sometimes where your own clothes. Does the opposite ever happen, where you get to take home a costume?
Um, that should be “wear your own clothes”, not “where”. Sheesh!
Thank you again for the warm reception.
The costumes we use do come from a rental house, there is a couple that supplies all of the costumes for all of the NYC based photographers. Some photographers have been in business for so long that they have amassed quite a collection themselves so they do not need to rent for every shoot.
We never get to take home a costume, they need them for other shoots, sometimes several a day, I have actually worn a sweaty costume after another model used it for a shoot previous to mine….yuck!. Now with digital photography colors are altered with a click of the mouse….as is my hair, I have been a blond on at least one book cover!
Thank you all again for your support, the Bullrun TV show is not just racing (or rallying) there is drama, there are interviews, its real, it was tough and it looks to be very, very exciting. I think that even if you are not a car guy or gal, you will find it enjoyable. Here are some sites with some more information:
http://www.Bullrun.com
http://www.Spiketv.com
http://www.myspace.com/xjguy
Article from the current Queens Courier: http://queenscourier.com/articles/20…uzz/news01.txt
Take care!
Richard
Richard, Thank you SO MUCH for joining us and we wish you the very best luck with BULLRUN. We’ll be rooting for you and your brother to win!
And may you also have many more romance covers! Our books need you!
And thank you everyone who visited with Richard these two days. It is almost time for me to pick a winner!
Diane
Diane
Argh! Blogger ate my comment. I’ll try again…
Hi Richard! It was so interesting reading about the photography process when creating a romance novel cover. I had no idea so much was involved. I watched ANTM last fall and they did a phot shoot to create romance novel covers. They seemed quite different than the experience you’ve described (plus, they were rather tacky and clichéd), so it was nice to have an inside perspective from someone who actually does it.
It definitely will make me look twice at the covers of some of the novels I’m buying from now on.
Élodie
I’m really late here catching up on missed posts of the week.
Diane, thank you so much for arranging this interview.
Richard, I’ve learned so much from your interview about covers and models. You’ve increased my respect for and interest in the process of cover design many-fold. This couldn’t have been an easy interview, and I sppreciate your honesty. Wish you ALL the best for BULLRUN. And I hope you will continue to grace many romance novel covers to come.
I *loved* the before/after picture. That was so illustrative of how things must be done behind the scenes. Thanks so much for the wonderful interview. I hope your thumb heals quickly!
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