She was busily searching through the neighbourhood for a proper situation for her daughter, and, without knowing or considering what their income might be, rejected many as deficient in size and importance.
“Haye Park might do,” said she, “if the Gouldings would quit it — or the great house at Stoke, if the drawing-room were larger; but Ashworth is too far off! I could not bear to have her ten miles from me; and as for Purvis Lodge, the attics are dreadful.”
For the past few months, I’ve been busy selling my current house and looking for a new home, and like Mrs. Bennet in the quote above from Pride and Prejudice, I have been thinking about locations and room sizes. If I were as unrealistic about my means, I might also be dreaming of a stately home in England. Googling around, I found this list of stately homes for sale at the Telegraph: “Buy Your Own Downton Abbey” (I couldn’t find a date for this, but if you’re in the market for a stately home, I guess you could inquire!)
I rather like Mynde Park Estate, in Herefordshire, parts of which date from the 11th to the 18th century. Can’t you just picture coming up this drive in an elegant carriage?
By Roger Cornfoot, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=67645180
Langham Hall, in Norfolk, is also very pretty. And it has an orangery!
By Bob Jones, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=14339309
Since I am not, in fact, as unrealistic as Mrs. Bennet, I managed to find a nice house within my budget. Although the wheels are still turning on both house sales, it looks like this will be my new home. Although it does not boast an orangery, it does have a cute porch!
Have you had any interesting experiences house hunting? What would be your fantasy home?
Lately, I’ve been downsizing, but as well as donating things, I’ve been replacing a few of them with pieces that I like better. This weekend, I found this cute teapot at a local Thrifty Shopper. It’s from Grindley, an English pottery, and is part of the “Scenes After Constable” series.
It’s a nice addition to my growing collection of intentionally mismatched blue-and-white transferware. Since I don’t care about the age and want everything to be in good, usable condition, the vast majority of my pieces are relatively new and inexpensive. I like that because I don’t want to have to worry about it if someone breaks a dish, but I also love that many of my finds are reproductions of patterns from around the Regency era.
Wanting to learn more about transferware, I found the Transferware Collectors’ Club. According to their website, transferware is “the term given to pottery that has had a pattern applied by transferring the print from a copper plate to a specially sized paper and finally to the pottery body.” It was developed in the middle of the 18th century as an alternative to the more expensive hand-painted ware that was also popular at that time. So it could easily have been used by characters in our stories.
The earliest patterns were copies of Chinese blue and white designs, but soon the English potteries began producing other designs including florals, English landscapes, classical scenes, and the like, and have continued to do so. For instance, Enoch Wedgwood came out with a “Liberty Blue” series in 1976. Although most of my collection is of English scenes, I have a few of these, as well as some of the popular “Blue Willow” pattern.
Blue and white is still very popular (and my favorite) but transferware can also be found in red, green, purple, and brown.
Here’s one of my plates that is of Regency interest. It’s one of the “Byron’s Views”, part of the Spode “Blue Room” collection. This design came out in 1833. Mine is a reproduction, of course. You can learn more about transferware and other types of pottery at the Spode and Wedgwood museum sites.
And here’s where I keep my china and crystal inventory, so I know what I have and what I’m still looking for (cereal and soup bowls, mostly).
I’m into comfort TV. To me, that includes series with likeable, quirky characters who rub against each other in interesting and funny ways—series like Northern Exposure, Parks & Rec, Grace and Frankie.
My most recent go-to comfort TV is an older comic mystery series called Lovejoy, which I watched on BBC while I was living in the UK. It was also on A&E.
The title character, played by Ian McShane, is a shady antiques dealer who is also a “divvy”—someone who can spot a genuine treasure amongst less valuable items. Lovejoy is the quintessential charming rogue, a bit of a con man but with redeeming characteristics. The series is based on books by John Gash (which I haven’t read) but I’ve read that the books were darker and Lovejoy less likeable.
For much of the series, he works with Lady Jane Felsham (Phyllis Logan), lady of the manor and interior decorator. They are professional partners and dear friends. There’s also an ongoing sexual tension, but they don’t end up together (and shouldn’t). He has other love interests, but it’s even stated at one point that he is more in love with the idea of romance than any one woman.
Here’s a clip of his first meeting with Jane.
The appeal to me and possibly other Regency romance fans is more the British setting, the stately homes, the countryside, the language, and of course, the antiques. Many of the items featured are pre-Victorian so they are things Regency characters might have possessed. I can call it research!
A deeper theme is that of the genuine versus the fake. Lovejoy has a deep appreciation for beauty, history, artistry, and craftsmanship. He may scheme to make money, but it’s not just about the money. He also has that appreciation for people. His affection for Jane is, I think, in part because he recognizes that she is what an aristocrat is supposed to be: cultured and honorable. He also values good-hearted people of any social status. Sometimes he gives up profit in order to help such people. The ones he usually cheats are either shallow and pretentious or coldly materialistic—people who value antiques only for their monetary value or status appeal.
In one of the episodes he says you can’t con an honest person. I interpret this as meaning a person who doesn’t expect a deal that is too good to be true.
I like shopping at shows and stores that feature antiques, collectibles, and secondhand items, but to me, a treasure is a reasonably priced item that will make me happy when I look at or use it. Provenance doesn’t matter to me.
I’ve already blogged about my attraction for Georgian and Regency era inspired furniture. I’ve collected some nice reproductions made in the early 1900’s—elegant and better made than most new furniture is now, and I don’t mind a few signs of wear.
I feel the same way about dishes. I’m downsizing, so I want to get rid of the rarely used “fine china” set that I never really liked that much, and my rather tired everyday stuff. I am replacing it with a growing collection of mismatched, used blue transferware. I had a few pieces already and it’s been a blast to find more. Here’s a picture of my haul from the Madison Bouckville Antique show last August.
Such dishes are often reproductions of designs from the Regency through Victorian eras. They are inexpensive (I’ve been averaging about $3 a piece) and I think they look more interesting mismatched. So I can have friends over and if someone drops a plate, we can just laugh about it and I can have fun hunting down a replacement.
How about you? Do you like shopping for antique and vintage items and what do you look for?
Have you seen Lovejoy? What do you think of the show? What is your comfort TV?
Lately, I’ve been busy reworking some furniture to suit the new life I’m creating for myself. Although I’m more sure about my taste than I used to be, I’m still drawn to design that evokes something of a Regency or neoclassical feel.
A while back, I bought a set of dining chairs that are early 20th century reproductions of earlier styles. Here’s one of them, followed by the image of an English chair c.1780.
My newer projects include restoring some vintage items that I got inexpensively due to condition issues. Again, the lines remind me of late Georgian design. Here’s a dresser I got which I believe is in the style of Duncan Phyfe, an American designer in the Federal (neoclassical) style, who was inspired by English designer Thomas Sheraton. For comparison, it’s followed by a Duncan Phyfe sideboard.
Although most of the dresser is in good shape, the top was quite damaged. Here, just for bragging purposes, are three of the stages of the restoration. I still have to do the final finish, but I’m happy with the progress!
I’ve also been remaking some furniture I already had, including this armoire. The nice people at the Purple Painted Lady helped me with materials and instructions. I had to custom mix the paint, and it was only after I was finished that I realized that it was Wedgewood blue, reminiscent of Jasperware created by Josiah Wedgewood.
Here’s a late 18th century jasperware scent bottle so you can see how close I got, without knowing that I was trying! In person, the color contrast of the blue and white is a bit stark, but I have to give it a dark wax glaze which should soften the contrast and bring out some of the details.
Anyone else find themselves decorating with elements of earlier styles? Anyone else try refinishing or painting furniture, and how did it go?
I took a look and realized that this will be the fifth year I’m posting about holiday music. So be it!
I love singing carols and attending holiday concerts. However, some holiday music (more what’s played in stores rather than the concerts I attend) strikes me as cloyingly cheerful, too materialistic, or just not in the spirit of light and love. Some of my least-favorites:
“Santa Baby” yes, I know it’s supposed to be funny. Oh well.
“Grandma Got Run Over by a Reindeer” ditto, and it traumatized my daughters when they were young.
“I Need a Little Christmas”–just a little avoidant?
As an antidote, I like to browse Youtube to find lovely and unusual music that appeals to me. Here are some of this year’s finds:
“The Coventry Carol” dates from the 16th century. It was suppressed for a time, but Coventry antiquarian Thomas Sharp published a transcription in 1817, so perhaps this may have been sung during the Regency. It is sad and incredibly beautiful. I’m going to be singing it with my UU church’s choir this Christmas Eve, likely with tears pouring down my face, but that’s just as it should be. Here’s a version by Anuna.
“Gaudete”, also from the 16th century, is one of the more popular of my favorites. Here’s an interesting arrangement from the Mediaeval Baebes.
I first heard “Riu Riu Chiu” at a Twelfth Night performance by the Binghamton Madrigal Choir and loved it. It’s also 16th century, but from Spain so it probably wouldn’t have been familiar to Regency characters. Later I found a delightful version by none other than the Monkees. This year, I found another delightful version performed by Dagilelis (“Little Thistle”), an excellent boys’ choir from Siauliai, Lithuania, which is not far from where some of my ancestors lived.
The other piece my choir will sing on Christmas eve is “Ding Dong Merrily on High”. Although the tune dates from the 16th century and it sounds like something people might have sung during the Regency, the lyrics (by English composer George Ratcliffe Woodward) were first published in 1924. I like this version from London Contemporary Voices.
If you’d like to check out my earlier posts, here’s the list.