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I’m recycling a post from a few years ago about Mary Shelley, whose birthday it is today.


Mary Wollstonecraft Shelley was born on this day in 1797, the daughter of radicals Mary Wollstonecraft and William Godwin. Well-educated and not particularly happy at home (there was some friction between Mary and her stepmother Mary Jane Clairmont), it was only natural that when a handsome young poet showed up, she’d fall in love and run off with him. Mary’s step-sister Claire Clairmont, who later had a torrid affair with Byron, accompanied them to Europe.

Shelley already had a wife, Harriet, but these were the heady days of sex, opium, and the sonata form. Godwin, his radical sexual politics put to the test, became estranged from his daughter.

In the summer of 1816, Shelley, Mary, and Byron were in Switzerland and it was there, in response to a challenge to tell the best ghost story, Mary started to write Frankenstein. After Shelley’s death in 1822 she returned to England and supported herself as a writer until her death in 1851, penning short stories, essays, poems, and reviews, and several other novels.

I’m not doing justice at all to Mary’s adventurous, unconventional, and sad life, so I encourage you to read a book that does–Passion by Jude Morgan. It’s about the women who became entangled with Byron, Shelley, and Keats, beautifully written, and with a wonderfully strong sense of time and place. It’s also a very sad book–if you know anything at all about these people, you’ll know everything ended badly, particularly for the women.

Have you read this book or any other book, fictional or biographical, about the Godwins, Mary, Shelley, Byron et al? Do you have any recommendations?

In blatant self promotion, you can enter a contest at Goodreads to win a copy of Hidden Paradise, which recently got this wonderful review at Heroes and Heartbreakers. Go for it.

Posted in Regency, Research | Tagged | 5 Replies
A few days ago I went into DSW to the clearance section looking to see if I could replace some everyday sandals that have gotten a bit ratty this summer. I didn’t find my sandals, but I came out with these. They begged me to take them home with me; they fit, they’re my favorite color and they’re sparkly. Just right for running around Price Chopper!
I don’t know if I would have had a shoe thing during the Regency. Ladies’ shoes tended to be simple, kind of like ballet flats we might wear now. Here is an example from the Northampton Central Museum, found on the footwear page at Jessamyn’s Regency Costume Companion (one of my favorite online resources on Regency costume). These shoes are circa 1810 and leather, so not quite as delicate as they might look. Styles became plainer (and more round-toed) as the era progressed. Although flats are cute, there is just not enough variety for me to want to collect them.
I suspect that hats were the accessory vice of choice for many Regency ladies. However, many styles of hat that I like on other people don’t look good on me. So I rarely wear hats, but when I do, I have a simple crocheted wool hat for winter and a straw cloche for summer. I wouldn’t be able to pull off any of these elaborate styles from 1811. I’d end up wearing something small and simple. Cute, but one or two would be enough.
So my vice of choice would probably be jewelry. I probably have even more pairs of earrings than shoes, though that isn’t as expensive as it  sounds. I like costume jewelry best; it’s often as pretty as the “real” stuff and I don’t have to fret about losing it.
During the Regency, I think I would be happy with paste and pinchbeck. Paste was the term for a type of glass that was cut to resemble gemstones. It takes a better eye than mine to distinguish the stones in these earrings from diamonds.
Pinchbeck was an alloy of base metals that looks enough like gold to please me. I’ve long admired this set of earrings from www.georgianjewelry.com, one of my favorite places to window shop for my heroines.
Do you have any accessory vices? If you were a Regency heroine, how would you spend your pin-money?
Elena

I’m thrilled today to welcome Syrie James, one of my favorite Austenesque authors. Syrie is giving away a copy of her latest book, The Missing Manuscript of Jane Austen, to one person who comments today.

SSyrie JamesAuthorPhoto2011 - Credit William Jamesyrie James is the bestselling author of eight critically acclaimed novels, including The Missing Manuscript of Jane Austen, The Lost Memoirs of Jane Austen, The Secret Diaries of Charlotte Brontë, Dracula My Love, Nocturne, Forbidden, and The Harrison Duet: Songbird and Propositions. Her books have been translated into eighteen foreign languages. In addition to her work as a novelist, she is a screenwriter, a member of the Writers Guild of America, and a life member of the Jane Austen Society of North America. She lives with her family in Los Angeles, California. Connect with her on her website, Facebook, and Twitter.

Syrie’s talking about a subject close to the Riskies’ hearts today–research. Take it away, Syrie….

The Missing Manuscript of Jane Austen by Syrie JamesI had done a great deal of Austen and Regency era research when I wrote my novel The Lost Memoirs of Jane Austen, an education which has been enhanced over the years by additional reading and by JASNA’s many fun and informative conferences and meetings. I’d visited England many times including a wonderful, self-guided Jane Austen tour several years before.

To add to that background, I paid great attention to the story structure, character types, character arcs, locations, situations, and themes of Austen’s novels, to ensure that the book would fit within her canon, and be the kind of novel she might have written. I immersed myself in research about life in the Regency era. I pored over the annotated versions of Austen’s novels edited by David M. Shapard, finding valuable information about the world and the language in the annotations themselves. I re-read Jane Austen’s letters again and again, because they are full of a wealth of small details.

The novel also required research into a variety of additional subjects related to specific aspects of the story. I found a friend and Londoner who was kind enough to research obscure facts for me, such as clerical stipends and the cost of nineteenth-century bell forging. She also read the first draft of the manuscript to make sure it didn’t contain any egregious Americanisms.

For the modern day story, I worked with a doctor to hammer out and verify the medical details, such as Mary I. Jesse’s condition, the subplot regarding Samantha’s doctor boyfriend, and the back story regarding her mother’s illness. I worked with a university Special Collections Librarian to understand Samantha’s current occupation, and with an English professor to gain insight into Samantha’s teaching background.

I contacted Oxford University for details regarding their doctoral program. I researched the sales records for the most expensive manuscripts ever sold. I studied the way sales are conducted at Sotheby’s Auction House. And of course I continued to re-read Austen’s novels the entire time I was writing, to keep her voice in my head!

Question of the day–what’s YOUR ideal research trip?

Update: Entries open until Saturday 12 midnight EST.

Currently, I’m working on a Regency-set historical featuring the Most Stunning Man Alive and a woman who is–not. In fact, she is renowned for her bad clothing sense, so much so the MSMA has problems speaking properly when he is near her.

It’s so much fun! And it allows me to indulge in all those color combinations I’m pretty sure I rocked back in the ’70s–teal and fig, for example, or many bright patterns.

Tom-Hardy-Wuthering-Heights

My hero isn’t quite Beau Brummell, but he is not as outrageous as the heroine.

One of the best parts about writing something like this is the etymology–I found I was able to use the word ‘oxymoronic,’ while I couldn’t say someone was in the limelight (1826, so close!).

I love language, a love no doubt fostered by my dad, who had Francis Grose’s 1811 Dictionary of the Vulgar Tongue around the house when I was growing up, long before I knew what the Regency was or that I would one day be a writer.

So I’m off to get some more words in on the current book, but am wondering–do you have a favorite word or words? Do you have words you misuse? (mine are brackish and miasma).

Megan

 

 

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