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Hello from the midwest! My son and I are on our annual two-week visit to Minnesota, on the shores of Lake Minnetonka, to be exact, so he can attend sailing school.

(Whenever I say that, I am hit by liberal PC guilt, as though it’s entitled and all for me to talk about sailing school. Which is run by the Minnetonka Yacht Club, fer chrissakes. And it is all entitled and stuff, but it’s a great opportunity for him, so I gotta just feel guilty and move on).

So I’ve been without son for at least seven hours every day, sometimes longer, depending. Bliss!

But, as I know better than anyone, I can procrastinate like nobody’s business. So today, my friend Liz Maverick and I had a virtual writing date: We got onto IM, I set a timer for 20 minutes, IMed “20 minutes–GO!” and we both wrote, not letting distractions like email or random cups of tea get in the way. It was an amazing way to work, and we were both stunned by our productivity. I wrote 1800 words, good words, too, which is almost twice what a ‘good’ writing day is for me.

When we are in the same state, Liz and I do the same thing at one of our houses; we set our laptops opposite each other, set a timer in-between (mine is painted like a ladybug, and I try not to set the ladybug butt opposite Liz, ’cause that bothers her), and we write for designated periods.

I think this method works for us because we are both competitive (as in, “I don’t want that bitch to have written more than me/I can sit in this chair pounding at the keyboard for longer than her”), both like companionship and if one of us is stuck on a plot point or something, we can just wave a hand and take a time-out. It’s really great, especially if you work alone most of the time, wich most writers do.

Today, actually, Liz and I brainstormed on IM about my hero’s backstory, and just a few minutes of back and forth conversation really helped me understand him. And hey, surprise, he looks like a cross between Clive Owen and Richard Armitage. Seriously, if I were any more predictable I’d be a Barbara Cartland novel.

I am back to writing a Regency-set historical, and I am loving it. It’s got the most “me” voice I’ve ever tried, besides my first book, which took three tries to get the voice right. Here’s a peek, as it stands now:

This was quite possibly the most boring evening he’d spent since he’d had his first drink, James thought as he walked into the room. The same dull people gossiping about other dull people, the same petty intrigues and scandals only obfuscating the inevitable ennui that enveloped every member of Society within a few years.

No wonder he’d bought a commission so many years ago. Yes, there was the threat of dying, but at least he wasn’t bored.

My hero, in case you couldn’t tell, has a dark soul. My favorite kind.

So how do you combat procrastination? If you’re a writer, do you have a writing buddy? And where are you going/did you go on vacation?

 

Posted in Writing | Tagged | 14 Replies

It’s been a tough week for me at the Riskies. First I had to stave off the claims of canine ancestry — folks, this is not the blog where I talk about werewolves for crying out loud. Unless they’re hot Regency werewolves and that’s not what today’s post is about. Everyone else got cool ancestors and I get . . . a dog? Then Risky Janet implied in a comment that I’m not housebroken. Well, if no one Googled me before inviting me to join the Riskies, whose fault is that?

I’ve been working on The Next Historical and I keep forgetting how much I love/hate the early part of novel writing. Nothing sucks yet because I haven’t written it. The future is bright and shiny. THIS book will rock! It will be easy, I know exactly what’s going to happen. Yay!

And then I start writing and my hero and heroine typically spend an inordinate amount of time pretending they’re in different novels. I have to be very careful not to write too far ahead of myself because until the hero and heroine agree to be in the same book, I’ll just have to delete those scenes.

And the writing, oh, the writing is thin and weak and there’s either not enough dialogue which means there’s way too much boring narrative or there’s too much dialogue and no details. They’re all just talking heads floating around bumping into random things.

I end up freaking out over being behind on my word count and getting hives, and looking for anything that’s more fun than writing, which, lucky me, is just about everything.

Invariably, as I’m slogging through the early bits, deleting crap, trying to find the emotional core of the two characters, I’ll write a scene where I go, ooh. That’s it. And then my hero and heroine are in the same book in that scene and I adjust everywhere else and then I get to worry more about plot.

It doesn’t matter how detailed a synopsis I wrote– and I can tell you that the synopsis for this story is long out the window but for the hero and heroine’s names– until I get the characters on the page in actual writing I don’t know what the story will be about.

In happy news, I’m about to write the doorknob scene.

But I leave you with this, Werewolf-news.com
Because Janet is right. I’m not housebroken.

Posted in Writing | Tagged , | 5 Replies

Does anyone want to discuss Roger Michell’s film PERSUASION? (It was released as a television film in the U.K., and as a theatrical release in the U.S. — which may make it unique!) I call it “Roger Michell’s PERSUASION” because he was the director — but of course screenwriter Nick Dear deserves as much credit as Michell for this understated, heartfelt adaptation.

I think Ciaran Hinds is very real as Wentworth — and a swoony romantic hero at the same time. Amanda Root is so true and so subtle as Anne that I don’t think I could ever picture anyone else in the part.

The silences in the film are amazingly powerful. This is an incredibly internal film.

The supporting performances are also great. I particularly adore Simon Russell Beale as Anne’s cheerful (but perhaps not too bright) brother-in-law Charles Musgrove, and Fiona Shaw as Mrs. Croft, the Admiral’s resourceful wife. (I once saw Simon Russell Beale portray Guildenstern in Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD, and Fiona Shaw play King Richard II in Shakespeare’s play, but I assure you I am quite unbiased!)

So, which were your favorite parts of the film? Or what didn’t work for you?

Cara
Cara King, www.caraking.com
MY LADY GAMESTER, Signet Regency 11/05

Jane Austen was born Dec 16, 1775, in Steventon, Hampshire, England, a day for us all to celebrate; however, we Riskies are celebrating Jane Austen ALL week.

We want you to celebrate with us. There will be prizes. We’ve managed to scrape up Jane Austen-related prizes to send to one lucky commenter chosen at random next Sunday after Amanda’s Saturday blog finishes our week.

What was your first introduction to Jane Austen?

I first read Pride and Prejudice in college, but I cannot say my love of Austen hit me then. At the time, I loved everything about English Literature, enough to focus on English Lit as an English major. The real impact of Jane Austen came later for me and not through her books but through a movie.

Shortly after I’d first started writing, my critique group went to see Persuasion in the movie theatre, the Amanda Root-Ciaran Hinds version. There on the big screen the world of the Regency came alive in front of my very eyes. I’d just started reading traditional Regencies at the time and the beautiful houses, the clothing, the lush countryside, the sea coast, Bath, were all before me to experience as if I were really there. I loved the performances in the movie. I loved how Amanda Root as Anne began the movie looking like a dowdy spinster and ended up beautiful when the love she’d lost came back to her. I loved how Ciaran Hinds as Captain Wentworth was not movie-star handsome, but seemed like a real man from that era. All the characters in the movie seemed perfectly cast and the scenery was unsurpassed. Look here for the movie trailer and you will see what I mean.

I still didn’t return to reading Austen at that time. That came later when I decided to try writing a Regency Historical. To help me develop a “Regency Voice” I listened to Jane Austen’s novels in audio book form over and over. Persuasion was still my favorite. I loved the “second chance” aspect of it.

You can hear a sample of that audio recording here.

Through the audio versions of Jane Austen’s novels, I truly began to appreciate her storytelling mastery. It is no wonder that librarians chose Pride and Prejudice as their number one favorite novel of all time…and Persuasion as number 82.

For more about Persuasion look here

For Cara’s Jane Austen Movie Club discussion of the 1995 movie Persuasion look here.

Tell us, did you love Jane Austen at your first exposure or did it happen later? Did you start with a movie or a book?

Don’t forget, we’re giving away Jane Austen-related prizes in honor of her birthday, so make a comment today and all week.

Come visit my website and enter my contest by Dec 20 for a chance to win Mistletoe Kisses.

 

Oh, by the way, here’s a photo of my son’s graduation. He really did it!!
The little arrow is pointing to him. If you can see a bearded face, my son is right behind him.

I blame it all on Azteclady who made the suggestion in the discussion following Pam Rosenthal’s recent appearance here. She suggested LOLRegencies, after we talked about the implied silliness of the Elgin picture at right, a marvelous mixed bag of a portrait that begged for a caption. Or several.

So I indulged in a little time-wasting.

And here’s my idea. Send me your LOLRegency (as a low-res jpg) and I’ll post them for Thanksgiving Day. I have a couple of copies of the English edition (pink!) of The Rules of Gentility to give away to my favorites. Please let me know what form of your name to put with your artwork. Also, don’t make your art too big or too small–that said, I’d suggest you make them about the same size as the ones here, whatever that may be.

The email address is riskies@yahoo.com. Put LOLRegencies in the subject line, and send your efforts to me before midnight (EST) on Wednesday, November 26.

Update following Diane’s questions: if you don’t have photoshop, or some such (I used Appleworks), send me the pic and the caption(s). And I’m hoping to assemble these early on Thanksgiving morning, hence the deadline of late Wednesday, because I know so many of us will be dealing with a rock-hard frozen turkey and a hairdryer late at night…

Here’s a LOLRegencies insight into Jane Austen’s creative process:


and an insight into mine:

Looking forward to seeing much silliness and creativity….

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