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Now that I’ve finished reissuing my old “Three Disgraces” trilogy, I’m looking at the remaining two titles in my backlist. I’m pretty sure I want to reissue my novella “The Wedding Wager” which first appeared in the anthology HIS BLUSHING BRIDE, as it is. Although it’s different in style than my later books and may need a different cover to match, it should please readers who like sweet, traditional Regency novellas.

I’m not so sure about my first published Regency, LORD LANGDON’S KISS, which I recently glanced through. To put it as kindly as possible, I have improved a great deal as a writer since then! Some readers and reviewers loved it, but it garnered about 3 stars on the average (which is probably about right). One reviewer talked about the “increasing depth of characterization” in the book and now I understand what she meant. The first half or so could use some work.

The question I’m pondering now is whether to reissue the book at all. I don’t want readers who happen to read this title first to be put off trying my later books. If I do reissue it , should I try for a do-over?

This is the cool thing about reissues. I was tickled when Janet announced that a new edition of her debut Regency, DEDICATION, is coming out from LooseId. Not because the original wasn’t fantastic already, but because this time Janet says it will have “all the sex I really wanted to put in the first time around but which was just inferred”. What’s not to love?

What do you think about do-overs? Any books you would like to rework or see reworked?

Elena

www.elenagreene.com
www.facebook.com/ElenaGreene

P.S. Next Saturday, I’ll be interviewing Mallory Jackson, author of THE PENWYTH BRIDE, a haunting paranormal romance set in 18th century Cornwall. Visit and comment for the chance to win an e-copy!

To be honest, I am not the best researcher out there (I know! Color you all surprised).

What I am is a good mimic. I cut my teeth on Regency-era romance, and spent a lot of my formative years alone, so a lot of my language and vernacular was formed by what I read. For example, I use “disguised” to mean drunk, as Heyer did. I always say a lady is “mutton-y” (as in mutton dressed like lamb) when she is wearing clothing too young for her age, think (in my head, at least) that they’re mushrooms if they’re aspiring above their station in an aspirational way, and also use phrases like ‘cut my teeth’ (see above).

I also love language, and vernacular, and how idioms come about. We all know what we mean when we say something has “jumped the shark,” but the first time someone used it, they were likely met with puzzled stares (as I recall, it is the example of Happy Days when Fonzie was out waterskiing and literally jumped a shark, which was the precipitous downfall of the show’s quality). I think my love of language has made it possible for me to write in the Regency period, even though I might not know what exactly happened during certain years (not to mention the whole title thing–oy! I stink at that!)

Do you have any favorite phrases? What Regency-era terms delight you?

Megan

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I attended a Twelfth Night Ball last weekend (a bit late, but who among us really tracks these things?) at Riversdale House Museum. It was fab, I wore my new feathers, and after talking to fellow guests my ladies maid (husband) and I retired to insert my feathers to their upright position. The secret? When you twist your scarf into a turban, you pin in your feathers and use the twist to hold it into place. It will remain upright for some time even after vigorous dancing. If your feathers remain erect for more than four hours, you must seek immediate medical help…

And here’s a video of how to twist a scarf into a turban. And doesn’t this lady in the center, who used this technique, look great?

The ball was a lot of fun with dancing and supper. One interesting thing was that at the beginning we seemed to have more men than women and then toward the end many of the men mysteriously disappeared and so we actually had a distaff set for one of the later dances. In Regency/Federal times they would have retired to drink and smoke, but since this is a fragile historical building, this was not an option. I think they went for a quiet sit down, exhausted by female energy.

Here we are dancing in a room that was originally the house’s stables and carriage house. It’s actually the west wing of the house and went through various incarnations over the past two hundred years and the walls are hung with copies of portraits of the Lords Baltimore, the founders of Maryland (like no one ever lived here before?). The first owner of the house, Rosalie Calvert, married into the family, although she was a Belgian with sophisticated European tastes who had fled to the New World to escape Napoleon.

If you’re in the Washington DC area you must visit Riversdale. Come this Sunday and you’ll meet me–I volunteer as a docent. Coming up on February 11, we have a program on chocolate, Tasting the Past: A Chocolate Sampler, which explores the history of chocolate in America. I definitely plan to attend that one! For a full schedule of events throughout the year, go here.

Other news I have to share today include our own Risky Elena guestblogging at Writer Unboxed on her successful comeback in the age of digital publishing. Go Elena! And you go on over there and say hi!

I linked earlier in the post to turban-tying instructions at American Duchess. This is a wonderful site, with lots of how-to stuff, solid historical research, and a source for historical footwear. If you love Downton Abbey (and who doesn’t, with the exception of me) you have surely noticed the clothes. Even I like the clothes. This is her latest offering, these glorious Astoria shoes from that period. The way it works is that the Duchess must receive pre-orders to go into production and if you put in an order early (now) you’ll receive a discount. Yum.

One of the other reasons this period is so popular right now, other than PBS, is that this April is the 100th anniversary of the Titanic and there’s a lot of historical reenactment connected with it. It’s also the 200th anniversary of the war of 1812, something Riversdale is involved in since the inglorious Battle of Bladensburg took place very near the house, followed by the sacking of Washington. Are you taking part in any events or planning to attend as an observer?

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So last weekend was my birthday! I got many lovely gifts, including the books Vauxhall Gardens: A History (thanks to Diane for the rec!), Versailles: A Private Invitation, and The Empire’s New Clothes: The Russian Fashion Industry 1700–1917. These will all keep me busy for quite a while. But what I really love about birthdays is cake!!

The Regency period wasn’t a big one for elaborate birthday celebrations, though there might be a special meal and small gifts of books and embroidered handkerchiefs and things like that, but even then people did like their cake. They probably didn’t have one like mine (which was this “Princess and the Frog” model), so I went to consult my bookshelves to see what they might have had. I pulled out Ian Kelly’s fascinating book, Cooking for Kings: The Life of Antonin Careme, First Celebrity Chef.

Careme is said to have invented the chef’s toque as well as the souffle, and he lived in remarkable times, being chef for the French royal family as well as Napoleon (he made the Emperor’s wedding cake when he we Queen Marie Louise!) before moving on to the Russian court, the Prince Regent’s household, and the Rothschilds. I found this recipe for Genoises Cakes a La Maraschino in the back of the book. (The historical note states that it was made at the Bighton Pavilion and Carlton House around 1817: “Maraschino, the Prince Regent’s favorite liqeur, was used repeatedly by Careme to flavor Brighton Pavilion recipes”).

I don’t quite have Carolyn’s dedication to hands-on research, so I can’t vouch for how this tastes! If you try it let me know how it turns out…

4 ounces almonds
Half an egg white
2 whole eggs
6 ounces flour
6 ounces pounded sugar
6 ounces butter
Zest of one orange
Maraschino brandy
Salt
Cochineal

Pound together 4 ounces of sweet almonds, half an egg white and then add six ounces of flour and six ounces of pounded sugar. Mix and add the zest of an orange, two whole eggs and a spoonful of brandy, a grain of salt and a splash of cochineal. Stir this for a full six minutes with a spatula, then take six ounces of butter, softened in the mouth of an oven, stir it a little, and then put it in the corner of a tureen, mix it with a little of the paste, and then more, stirring the whole for 4 or 5 minutes longer. Spread on a baking tray to the thickness of half an inch and level with a knife. Put in a slack (???) oven and as soon as the genoises are firm, cut them in all kinds of shapes, after which put them back in the oven to crisp

What is your favorite kind of cake? What would you choose for your birthday if you lived in the Regency? (And I love this Brighton Pavilion-shaped cake…)

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Today we honor Martin Luther King, Jr., the civil rights leader who, with nonviolent protest, reminded our country and the world that “all men are created equal”and should be treated as such. Here in the Washington, D.C. area there will be special events and celebration of Dr. King’s life at the new memorial dedicated to him.

What if Dr. King had not lived? How would the course of the civil rights movement been changed? What if his life had not been so tragically cut short? What other great accomplishments might he have made?

That’s my theme today. What if? Regency-style.

Today is also the anniversary of the death of Sir John Moore. On this date in 1809, the British army in Spain was in retreat from French forces, reaching the sea in Portugal where transport ships were due to arrive to take the soldiers back to England. Sir John Moore commanded the British forces and gained a tactical advantage over the French which enabled the British army to escape. During the fighting, Moore was struck by cannon shot and, after several hours of suffering, died from the wounds.

Moore had a distinguished army career that began with the American Revolution, included the Irish Rebellion and establishment of several army reforms, culminating with the Napoleonic war in Spain.

But it seemed to me that his death was also one of those pivotal events in history. If Moore had not been killed, the course of history might very well have been altered.

Moore was commanding in Spain at that time, because three senior commanders had been recalled for inquiry after allowing the defeated French army to evacuate their troops, with all their materials, supplies, and plunder, without further conflict. One of those recalled was Sir Arthur Wellesley, who was commanding forces at Vimeiro. Wellesley, who would, of course, become the Duke of Wellington, had been vehemently against the evacuation and he was ultimately cleared of any wrong doing.

After Moore’s death Wellesley was appointed to head all the forces in Portugal. What if Moore had not been killed? Would he have retained the command? Could he have accomplished all that Wellesley accomplished in Spain? Would Moore have been in command at Waterloo? Could he have brought about that victory?

One more interesting note about Sir John Moore. While he was dying, he is supposed to have said to his friend, Stanhope, “Remember me to your sister.” The sister was Lady Hester Stanhope, the colorful and adventurous Middle Eastern traveler. Some thought Lady Hester and Moore might have married. What if that would have happened?

Can you think of other pivotal moments in history? Do you ever wonder “What if?” about an event in your life?

Check my Diane Gaston blog today for my January 15 website contest winner.

And spare a moment today to think about Dr. Martin Luther King, Jr.

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