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We missed it. The Lord Mayor’s Show!

Of course, I did not know of the Lord Mayor’s Show, I confess, so I wouldn’t have known I should have been in London this weekend to see it.
In 1215, King John granted a Charter to the people of London allowing them to elect their own mayor every year. He required the new Mayor to present himself and swear loyalty to the Crown. Each year the Mayor had to make the long journey up river from the City of London (the historic center of London that is now the financial district) to Winchester to pledge allegiance. The journey, made yearly for the last 785 years, barring plague and fire, war and insurrection, developed into a grand pageant that continues to this day.

In 1750, Canaletto painted the scene in exquisite detail.
I got to wondering what the parade would have been like in the Regency. The Belle Assemblee, 1811, gives a description:
Nov 9, being Lord Mayor’s Day, the Lord Mayor and the Corporation of the City of London appeared in their greatest state. The Lord Mayor, attended by several of the Livery Companies, took water in their respective barges, landed at Westminster, and proceeded first to the Exchequer, where the new Lord Mayor was sworn, before the Barons. Having been presented to the Judges in the other Courts, the Civic Body returned to dinner at in the following order of Procession. On the landing of the Lord Mayor at Blackfriars Bridge and so to Guildhall, Peace Officers cleared the way.
According to ancient custom:
The Royal West Regiment of London Militia of which the Lord Mayor is Colonel in field-day order 600 men
Court of Assistants of the Worshipful Company of Merchant Taylors, in their coaches;
The Banners of the Merchant Taylors Company;
Thirty seven Pensioners in the Livery of the Merchant Taylors Company carrying Spears and Shields, two and two
Three of the Lord Mayor’s Trumpeters on horseback.
Esquire in half armor with a lance; A Knight in a full Suit of Cap-a-Pee Steel Armor, on horseback; Esquire in half armor with a spear.
Ten Liverymen of the City of London, in their Gowns and Hoods;
Three more of the Lord Mayor’s Trumpeters on horseback;
Lance Esquire in half Armour; A Knight in a full Suit of Brass Armour, on horseback; Shield Esquire in half Armour;
The Lady Mayoress in her Coach and six Blood bay Horses;
The Lord Mayor’s Banners
His Lordship’s own Band of 21 Musicians in full Dress
Esquire in half Armour with a Lance; A Knight in full Cap-a-Pee Steel Armour, on horseback; Esquire in half Armour with a Spear;
Four Marshall Men on foot;
Six of the Lord Mayor’s Footmen in State Livery
The Upper City Marshal
The Lord Mayor State Coach and six Horses
The late Lord Mayor’s six Footmen in State Livery
The late Lord Mayor’s Coach and six Horses
The Alderman in their Coaches
The Sheriffs in the State Carriages

When the procession arrived at the Obelisk in Fleet Street, it was joined by the Judges, Nobility, Foreigners of Distinction, etc. At about five o’clock the cavalcade arrived in King-street. On entering Guildhall the Lord was greeted with loud and reiterated shouts
of applause.

After that, the Lord Mayor and guests partook of a lavish dinner followed by a ball.

But, alas, The Months of the Year, 1824, Mr. Constance laments:

The lord mayor’s show is now, I believe, considered to be the only stated exhibition in the metropolis that remains as a memorial of the great doings in the time of the pageants. It is now, however, but the mere shadow of what it was formerly. According to the accounts written at various periods, from the year 1575, we learn that the show then consisted of a far greater number of persons, banners, and decorations, than at the present time; and also that it was customary for the lord mayor and the nobility to stop three or four times between Blackfriars and Guildhall, to view the pageants, or plays, performed upon stages erected for the purpose.

Maybe next year I can go to London and see the parade for myself. If I do, I’ll be sure to let you know how it stacks up to the one in 1811!
What’s your favorite parade?
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Welcome back Emery Lee who is with us today to talk about her latest release, Fortune’s Son. Emery visited us last year with The Highest Stakes, an incredibly well-researched debut set in the Georgian racing world.

Lee brings the atmosphere of the Georgian era to life with lush descriptions that beg the reader to see, hear, feel and touch it all….suprising twists and turns that are reminiscient of Fielding’s Tom Jones or Defoe’s Moll Flanders — Kathe Robin, RTBookReviews
Emery is giving away a signed copy of Fortune’s Son to one lucky commenter chosen at random.
Welcome, Emery! Tell us about Fortune’s Son.
Fortune’s Son is the story of a complex and tumultuous romantic relationship between two people who despise and buck the world they live in but must maintain themselves in it nonetheless. Philip is a young adventurer, the disowned black sheep of an aristocratic family and Susannah Messingham is beautiful widow left upon her husband’s death with little means to support her extravagant lifestyle. While at an upscale gaming house she observes Philip winning at the tables and sets out to use her feminine wiles to persuade him to teach her. Philip, however, is not as malleable as she had hoped…

How did you come up with the idea for Fortune’s Son?
Philip and Susannah (Sukey to her intimates) are major secondary players in my first novel, The Highest Stakes, and characters who almost stole the book! Although part of their complex relationship is portrayed in my first book, I realized at the end of it that there was so much left to tell about them. How did they actually meet? What really drove them apart? Will they every have a happy ending? I had to write their story because they demanded that I do so!

What is risky about Fortune’s Son?
Honestly everything! Philip and Sukey are gamblers – people who rely on Lady Luck for even their daily bread. They are so very different yet mirror one another in many ways. She harbors a secret scandal and Philip is constantly at war with his family. She’s a widow with a social position to maintain and eight years older than Philip, who is virtually penniless, yet, the attraction between them is undeniable. Although clearly evident from their first meeting, they both fight it tooth and nail, but it is bigger than they are. In the end, however, love prevails and they are both shown to make tremendous sacrifices for one another.

Did you come up with any interesting research while writing this book?
Tons of stuff and almost all of it is in the book! I wanted to build the Georgian world as it has never been depicted in a romance novel – the sights, the sounds, the places and events that were part of my characters daily lives. This included everything from the play house to pugilism matches. I also incorporated many real historical figures into all of these scenes to make them more vivid. Two of my favorite scenes are Philip and George at the cockpit and the scene where Lord March tells Philip and George about his famous carriage race, a true event that I used in the resolution of my story.

You really love the Georgian period. Can you tell us why?
My very long answer to this question can be found in my blog post “Why I Love the Georges”, but the short and sweet response is:

“Why the clothes, dahling!”

What is next for you?
My very next release is actually an erotic historical romance novella, A BREACH OF PROMISE, from Ellora’s Cave. I’ve written it under the pseudonym Victoria Vane because it’s so unlike any of my other work in tone, style and sensuality level. It’s very light and witty but also very sexy, a story I like to think of as kind of Heyer-esque but with lottsa heat! My next Emery Lee project (PG13 again) is very exciting. It’s a full length romantic historical novel, working title, CHASING VENUS. Set in the mid- Georgian period, it involves science, discovery and high seas adventure between a couple who could not be more diametrically opposed to one another if they tried. For readers who relish conflict in a romance – it’s sure to deliver!

Diane, here, again. You’ve all read lots of historicals. Name any game of chance that was popular during the Georgian period. Or ask Emery a question. Make a comment for a chance to win a copy of Fortune’s Son.

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This is the time when my family and I put together our holiday wish lists. We always put extra items on the list, so that what is finally chosen can be a little bit of a surprise. We also tend to keep it simple. Books and chocolate figure heavily.

I usually ask for something Austen or Regency-related. The Republic of Pemberley’s Cafe Press store has a lot of fun and affordable goodies. Some past gifts I still enjoy are my “I blame Jane” T-shirt and the “Intolerably Stupid” magnet.

The Jane Austen Gift Shop has some cool items this year. I’m drawn to the “Cooking with Jane Austen” because I love cookbooks. There’s also a set of perfumes themed according to the different novels–fun!

While looking for something else, I stumbled across a number of CDs of English country dance music. I already have some good Regency-related music. My favorite is “Jane’s Hand”: music from Jane Austen’s own songbooks performed by Julianne Baird. But these country dance CDs might be just the thing for writing ballroom scenes.

Have you started shopping? Run across anything interesting? Have anything special on your own list?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

It’s Veterans’ Day, and is also 11/11/11, which is mystifyingly wonderful for people who believe the Julian calendar means something other than a random way to mark time (I don’t mean to be dismissive, or maybe I do, but in either case I think it’s silly).

Veterans’ Day, though, is important. Like all of us, I’m sure, I have relatives who served in the military, and I honor those people who fought so that we wouldn’t have to. I wish there was a more meaningful and helpful thing to do other than say “Thank you,” but that’s all I’ve got.

So thank you.

Megan

PS: Props to Diane, whose cover soldier is the art for today.

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I’m disgracefully late with my blog post today but we still have time to wish William Hogarth a happy birthday. I’m going to give you a few interesting facts about Hogarth who I find such a wonderful, sympathetic sort of person, well ahead of his time in some respects, an artist with a social conscience and sympathy for the underdog–for instance, he was an early proponent of the humane treatment of animals, possibly because he was brought up in Smithfield, London, which was the area where livestock were slaughtered.

Things I love about Hogarth:

  1. His house in Chiswick has just been restored and opened to the public yesterday. Another place to go to!
  2. He included his pug in his self portrait.
  3. He eloped to marry Jane Thornhill, daughter of the artist Sir James Thornhill (I found this online somewhere yesterday and now I can’t find it again. Possibly I made it up because I found it romantic).
  4. He was a party animal: cofounder of The Sublime Society of Beefsteaks, a gentlemen’s club dedicated to the celebration of British beef and liberty, and the Rose and Crown Club, “a bawdy assembly of younger artists and cognoscenti,” who met to discuss art in a pub.
  5. When visiting France shortly after the tenuous Peace of Aix-la-Chapelle he was arrested and proved he was an artist and not an English spy by drawing some very rude cartoons of Frenchmen. Surprisingly he was released.
  6. He was a founder of the Foundling Hospital which I blogged about here along with some other interesting online sites, but do check out the heartbreaking Threads of Feeling exhibit, an online collection of scraps of fabric left with abandoned infants.

Here are a couple of Hogarth’s paintings I really like–his study of his servants and the amazing oil sketch The Shrimp Girl. Which of his paintings/engravings do you like? Any more fun facts about him?


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