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Greetings!

It is I, everyone’s favourite Regency time-traveler, Bertram St. James.

(I am also known by a certain name which some of my intimates insist on using for me, Bertie the Beau. Of course, I have never encouraged this habit. After all, I am modesty personified!)

(Or…do I mean humility? I can never remember which is which. Though, come to think of it, what have I to be humble about? So perhaps I do mean modesty.)

Ahem.

Today, I am going to talk about what holiday gifts are certain to please any true gentleman of your acquaintance, and which would be destined only to be passed off immediately to the servants.

If you are on a tight budget, these gloves are a thrifty yet delightful gift. They are lined with cashmere, of course, because no real gentleman has skin that can withstand anything rougher. And how delightful — they only cost $200! So you can buy several pairs to “stuff” (as modern folks so vulgarly put it) the silk stockings of your favorite gentleman.

(I confess, I have not yet quite grasped the need to ruin a good pair of stockings every year by filling them with presents, but as you see, I am trying to adapt myself to the customs of the year 2007.)

Here is what not to get for a gentleman, or, indeed, anyone with any claim to elegance.

Is this not the ugliest thing you have ever seen?

What grace? What beauty? What possible redeeming feature does this “watch” have?

Of course, all “wrist-watches” are inherently repellant, when it comes to aesthetic considerations. I have no idea why they were created.

If you must give a gentleman a watch, it should look like this. Graceful, pleasing, and made of precious metals.

Of course, no watch can have true elegance.

After all, why in the world would one need to know the time?

Very well, one might if one had agree to meet one’s fellows at one’s club at a certain time. But one could always rely on one’s man to send one off in time for that.

(Unless one’s man is a hedgehog, but that’s another matter entirely.)

Think about it. Whenever you see a man with a watch, you immediately know that he is some kind of clerk, rushing off to do things with papers and money and other tedious and decidedly middle-class inventions.

This is by far the best thing to give to any gentleman.

A gigantic-screened TeleVision Device.

Heavenly.

And, yes, it is rather distasteful to look at. But only when it is not turned on!

This, by the way, is what a certain Beau of your acquaintance would prefer to be given this year.

And if I receive multiple copies of this “item” — then all the better! I can watch several of my favourite “shows” at once.

Here is another example of what not to give a gentleman of elegance — the most recent “cinema” version of Miss Austen’s novel.

(Do I hear some shocked murmuring out there? Very well, I admit that there are rumours floating about here and there that Keira Knightley and I are secretly pledged to each other.

But let me assure you — those stories were all put about by my eternally embarrassing aunt, and have no relation to earthly reality. For, as much as I respect Mlle. Knightley’s dramatic talents, and envy her cheekbones, I must confess there have been no promises made between us. And if I have even met the young lady, I refuse to either confirm or deny.)

No, my prejudices against this Movie are all because of the disgraceful coiffures displayed therein.

Of which this is but one example. (Private note to K.K.: what were you thinking? The next time we see each other, I shall insist you buy yourself a comb.)

There you have it! Your shopping made simple. Yes on cashmere gloves and enormous TeleVision Screens, perhaps on gold pocket watches, and an emphatic no to wristwatches and Mlle Knightley’s tangled mane.

Yours in elegance,

Bertram St. James, Exquisite

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Hello, everyone! Amanda here, sitting in for Megan on this cold, gray Friday. Most of you out there are probably contemplating shopping or baking or decorating, but the next few days hold a variety of interesting anniversaries in History Land (which seems to be where I live most of the time!). Since I’m tired of shopping and baking et al, I thought I’d just share a few…

December 8th is both the birthday of Mary Queen of Scots and the anniversary of the premiere of Beethoven’s Symphony #7 (the birthday of Beethoven is also coming up on December 16–I’m sure everyone has their treble clef-shaped cakes ordered!).

Mary Stuart was born at Linlithgow Palace in 1542 to James V of Scotland and Marie of Guise. Her father, who was very ill, heard of the birth and declared “The devil go with it! It came with a lass, it will pass with a lass” (just as with Elizabeth I and her Hatfield oak tree, I’m not sure this is true, but it sounds good all the same. Very dramatic). Mary became queen when she was 6 days old, though of course she didn’t exactly rule for some time–the Earl of Arran and then her mother served as regents.

When she was 6 months old, the Treaties of Greenwich were signed, promising Mary would be married to Henry VIII’s son Edward, but Marie of Guise was strongly opposed to this plan (being French and all) and hid with the baby at Stirling Castle, where plans were made for Mary’s coronation. This took place at the Stirling chapel in September, when she was 9 months old. She was dressed in heavy, miniature crimson velvet robes trimmed with ermine and a jeweled satin gown. She could sit up but not yet walk, and thus was carried to the throne and held there by Lord Livingston. A cardinal put the Coronation Oath to her, to which I presume she replied “Goo gah” and anointed her with holy oil, when she began to cry and fuss. Then, wearing the crown balanced on her tiny head, she accepted the oaths of fealty from various earls and prelates. After years of warfare with the English, she was sent at the age of 5 to France, where she spent more than 13 years.

To skip ahead a few hundred years, in 1811 Beethoven was going through a hard time. His music was popular, but his health was not so good, so he went to the spa city of Teplitz for a break. There he met the writer Goethe, and was inspired to start work on his Seventh Symphony. He conducted the premier in 1813 at a Vienna concert to benefit Austrian and Bavarian soldiers wounded at the Battle of Hanau (on a side note, this concert also was the premier of a short piece titled “Wellington’s Victory,” which I believe is rarely performed now). Beethoven himself called the 7th his “most excellent symphony” (and I doubt he was ironically quoting Bill and Ted…), and one music critic declared it “the richest melodically and the most pleasing and comprehensible of all Beethoven’s symphonies.” On the other hand, Carl Maria Von Weber found in it evidence that Beethoven was “now quite ripe for the madhouse”, and Friedrich Wieck, father of Clara Wieck Schumann, said it could only have been written by someone seriously intoxicated.

In later years, the symphony found a fan in Wagner, who said the music was “the apotheosis of the dance…if anyone plays the Seventh, tables and benches, cans and cups, the grandmother, the blind and the lame, aye, the children of the cradle fall to dancing.” It’s said Wagner himself once danced to the Symphony, played by his father-in-law Liszt at the piano. That is something I would have paid good money to see.

And December 10 is the birthday of Emily Dickinson, born in her family’s home in Amherst, Massachusetts, where she lived almost all her life (and which is now the Emily Dickinson Museum). At last count, she wrote some 1,789 poems, though in her own lifetime they were not widely known at all, except perhaps by her dog Carlo and he wasn’t talking. Despite, or maybe because of, her eccentric style and sometimes strange metaphors (I still can’t figure out that “hope is the thing with feathers” thing!) she is one of my favorite poets (along with Yeats, Keats, and Wallace Stevens, among many others).

Happy Birthday, Mary and Emily, and Happy Symphony Day, Beethoven! Who are some of your favorite poets and musicians (and monarchs, too)? And what would you celebrate today?

This is very belatedly in a response to a question someone asked when I or Jane Lockwood was guest blogging (and before I forget, you can enter Pam Rosenthal’s contest to win a copy of Jane’s book Forbidden Shores–the dirty one with the bodiceripper cover). The question was, who would I invite to dinner if I could have anyone from any time?

Great question, and it opens up all sorts of possibilities. As far as real people go, I’d like to invite Brummell, Byron, and Jane Austen, and watch her have fun with them both, possibly aided and abetted by Harriet Wilson. I think I’d serve shish kebabs… definitely something on skewers, to be followed by raspberries.

If you open it up to fictional characters, you could have a lot of fun mixing and matching characters–the Miss Dashwoods meet Toad of Toad Hall, for instance. The Bennett sisters enjoy rat pie and chips with the Watch of Ank-Morporkh, while one of Cut-Me-Own-Throat Dibbler’s sausages has a profound effect (but not the usual one) on Proust. Sir Walter Elliot and Mr. Micawber dine (on food bought on credit, cooked and served by servants who haven’t been paid in months) and discuss matters of economy.

What do you think? Who would you invite to your literary (or otherwise) feast, and what sort of food and drink would you serve? Which characters would you like to mix and match for a dinner party?

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National Novel Writing Month ended last Friday, with a total of 1187,931,929 words being written worldwide. All over the internet people are blogging about their experiences. My friend Kathleen Bolton at Writer Unboxed is happy she created some good prose even though she didn’t reach the 50,000 word NaNoWriMo goal. I’m happy too but in a different way. I did reach 50K though I’ll admit most of the scenes will require heavy duty revisions.

Critics of the NaNoWriMo process question the point in writing madly to meet a quota. For me, it’s not a matter of quantity versus quality because during my early drafts my goal isn’t really to generate words so much as ideas. Quantitative goals keep me tackling scene after scene, concentrating on characterization and plotting and leaving stylistic issues for the rewrites.

I’ve been known to call my rough drafts primordial ooze. But they can also be likened to an artist’s sketches. Consider this Da Vinci study for “Virgin and Child with Cat”. Note the different positioning of head, limbs. The fluidity, the testing of ideas. OK, maybe it’s pretentious to compare my scribblings to efforts of creative minds like Da Vinci. But I find it reassuring that their work went through messy phases–though sketches like this (unlike my rough drafts) have a beauty of their own.

Another artistic genius whose process fascinates me is Beethoven. A few years ago a librarian found the lost manuscript for a piano version of Beethoven’s Grosse Fugue (the last movement in the string quartet in B flat major, Op 130). According to article in the Guardian the manuscript “shows the extent of Beethoven’s reworkings and includes deletions, corrections and deep erasures – occasionally the paper is rubbed right through leaving small holes – smudged alterations and several pages pasted over the original or affixed with sealing wax.” It even looks like there’s blood on the page–don’t we all know that feeling?! (The articles says it’s red crayon.)

The Grosse Fugue is one of Beethoven’s most innovative compositions, challenging to performers and listeners. Originally given a cool reception, it’s still the sort of piece that requires concentration and reveals more each time one hears it. I took my budding violinist to a performance by the Guarneri Quartet and we were both blown away.

I personally find it reassuring to know that even great creative works sometimes go through an ugly birthing process. But I suppose it could be scary as well. What do you think? Or would you rather enjoy the final result without knowing about the messy bits? Are there any artists (of any sort) whose methods or process inspire you?

Elena
www.elenagreene.com

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Welcome to the Jane Austen Movie Club, where like-minded people get together (virtually, if not always virtuously) to chat about, cheer for, or chastise a different Jane Austen movie or television adaptation on the first Tuesday of every month. Newcomers always welcome!

This month: the 2005 feature film of PRIDE AND PREJUDICE! Also known as:

(1) the one with Keira Knightley;

(2) the one with Matthew however-he-spells-his-last-name- oh-I-love-that-brooding-picture-of-him;

(3) the one with, you know, the, um, pig;

(4) the most-ranted-about Austen pic since Rozema’s MANSFIELD PARK…

(Yes, I know we talked about this P&P when it came out, but that was SO long ago!) 🙂

To make discussion easier, here are some names to help jog memories:

CAST LIST:

Keira Knightley — Elizabeth Bennet

Rosamund Pike — Jane Bennet

Talulah Riley — Mary Bennet

Jena Malone — Lydia Bennet

Carey Mulligan — Kitty Bennet

Donald Sutherland — Mr. Bennet

Brenda Blethyn — Mrs. Bennet

Claudie Blakley — Charlotte Lucas

Sylvester Morand — Sir William Lucas

Simon Woods — Mr. Bingley

Kelly Reilly — Caroline Bingley

Matthew Macfadyen — Mr. Darcy

Rupert Friend — Mr. Wickham

Tom Hollander — Mr. Collins

Judi Dench — Lady Catherine de Bourgh

Rosamund Stephen — Miss de Bourgh

Penelope Wilton — Mrs. Gardiner

Peter Wight — Mr. Gardiner

The DIRECTOR is JOE WRIGHT, who also directed the upcoming film “Atonement” (also starring Knightley), plus a TV miniseries about Charles II (starring Rufus Sewell — wish I’d seen that!)

DEBORAH MOGGACH is the SCREENWRITER, and as far as I can tell it was her first screenplay for a feature (she has multiple television credits, including the 2002 version of “Love in a Cold Climate,” in which Rosamund Pike [Jane Bennet] co-starred.)

In the past, I’ve often put some questions here to help start the discussion, but somehow I suspect that there is absolutely no need for them this time. 🙂

So, what do you think?

Casting, costumes, screenplay, anachronisms, scenery, houses, bonnets, gloves, hair, accessibility, humor, etc?

Let the discussion begin!

Next month, we’ll be discussing the BBC NORTHANGER ABBEY from 1986!

Cara
Cara King, author of My Lady Gamester and frequent hat wearer

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