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Secretly Bound to the Marquess – Diane’s latest!

An emotional Regency reunion story

One passionate night
A seven-year-old secret…
Widowed Lady Eliza Varden must endure one more ball before she can politely return to the country. Only her last dance brings her face-to-face with Nathaniel, the new Marquess of Hale. It’s been years since their steamy encounter, but the spark between them is as alive as ever. Yet Eliza knows it’s not just their mutual attraction that binds them now… But is she ready to risk her independence with the truth?

From Harlequin Historical: Your romantic escape to the past.

My latest, Secretly Bound to the Marquess, was released October 25 and had received some very nice reviews. Here’s a sample:

Gaston (Lord Grantwell’s Christmas Wish, 2021) puts her own deftly crafted spin on the popular secret-baby trope in her latest cleverly conceived Regency historical, and her insightful way with characterization will win over readers who like their romances served up with a generous measure of historical realism. John Charles, Booklist

Five Stars! In her latest historical romance, Diane Gaston lets doubts and schemes repeatedly cause heartache for a woman and man who only want to be loved….. SECRETLY BOUND TO THE MARQUESS is packed with believable situations, very interesting characters, and a noteworthy storyline filled with colorful descriptions.— Amelia Richards, Goodreads

Four Stars! Diane Gaston, much to the delight of her readers, knows scandal. Once again, this wicked author has written a tale that kept me glued to the pages, wondering how the main characters would save face. (Reputation means everything in the Ton.) The story was worth losing sleep for. A lovely tale, villains to enjoy hating, a child to lighten moods and give you an occasional smile, and an unending love. What more could you ask for in a romance? And all of it unfolds in such a way that only Diane Gaston can tell. Excellent! — Detra Fitch, Huntress Reviews

What the reviews and back cover blurb do not tell is that this completely heterosexual reunion and secret baby romance also gives the reader a glimpse into what it must have been like to be gay during the Regency (even though the crucial gay characters never actually appear in the book). Homosexuality in the Regency was considered a sin and a crime punishable by hanging. Just a rumor of being gay could ruin a man and his family.

I must give credit to Louisa Cornell. It was her 2020 workshop given to the Regency Fiction Writers that inspired and informed the history in this book. I’ve told her her workshop was worthy of a college course!

What do you think? Is touching on the topic of  the Gay Regency in a Regency Romance welcome or too much of a risk?

 

Finally in Audio!

Over the years, I’ve been asked frequently if my books were available in audio, and to date I’ve always had to apologize and say no. Neither of my previous publishers ever issued my books in audio, even though they held the rights to do so.

Well, that changes today! After getting the rights back to my first books, I reissued them with fantastic new covers, and then I sold the audio rights to Scribd. Today the first one came out! It’s narrated by Dan Calley (who I think has an absolutely lovely voice), and I’m dying to know what readers think!!!

You can find Sin Incarnate here. And they offer a 30 day free trial for those who want to check out everything that’s available. And yes, Scandal Incarnate and Temptation Incarnate are both on their way.

New Release!! LORD OF HER HEART

A charming village, a struggling hero, a woman who risks heartbreak for a second time….

Some stories write themselves. Some stories fight you.  I posted about this back in April (here) as I struggled with reworking LORD OF HER HEART. Optimistically, I hoped then the book would be out in June. Ha. Even after I revised it, it still needed so much editing! Yikes, I began to think it would never make it out into the world. But as of today –it’s out!!

LORD OF HER HEART is the start of my new “Tales of Little Macclow” series. “Book Two” in the series is already out—my Christmastide holiday story, LORD OF MISRULE, inspired readers to ask for a series set in the fictional village where there may (or may not) be a bit of magic. The story actually takes place eight months after the action in the new book, so if you haven’t read LOM yet, I would say you’ll enjoy it even more if you read the new one first!  The stories stand alone, but there is a continuing chronology that is going to link the series together.

Here is the blurb for LORD OF HER HEART:

An unexpected return. A new risk for old friends.

As Little Macclow prepares to celebrate May Day, Tom Hepston’s arrival stirs expectations and speculation. Tom left the village fourteen years ago. Now he is back, but he hasn’t come willingly and he has no plans to stay. While he’s proud of the naval career he has left behind, he believes the physical and mental wounds that ended it have made him a madman no woman could—or should—love. Can he leave again before everyone sees the broken man he has become?

Sally Royden’s young heart broke when Tom left the first time. After years of hoping for his return, she now leads a full life caring for her sister and serving as the village seamstress. Tom’s experiences have changed him. Can Sally dare hope for renewed friendship? Or more? Or will her heart be broken twice—by the same man?

Little Macclow—tucked away and maybe touched by magic…. Village tales of love’s triumphs.

I’ve done “wounded heroes” before and bad memories are necessarily a part of them. (If you love this trope, I hope you’ll love Tom Hepston!) But I’ve never attempted one struggling with true PTSD before, which is so much more and can be so complex. I took an entire course on PTSD and did a lot of additional research in order to attempt writing Tom’s character. I had to learn some of the ways it is treated now—so I could figure out ways Tom might recover in a time period when the disorder didn’t even have a name, never mind any sort of therapy. Part of the proceeds from sales of LORD OF HER HEART will be donated to the Wounded Warriors Project and other non-profit organizations that support those struggling with the challenges of PTSD.

Do you like the wounded warrior trope? How about second-chances, and friends-to-lovers? One thing that makes this book different is that the main characters are not aristocracy. They’re not even gentry. Are you willing to read about characters who aren’t wealthy, and never will be? Tom & Sally are at the opposite end from those millionaire dukes who are so popular. I hope you’ll see that their HEA future is just as solid as those earned by those wealthy, high-ranked kinds of characters. And I hope you’ll want to visit Little Macclow again for more books in the series!

The book is available for Kindle and in print through Amazon and in other ebook formats through Smashwords.

Hello and e-book sale!

Hi!  I haven’t been around for a while, due to life challenges and some health issues—I’ve had a serious problem with my right eye, which is still a bit wonky. I also haven’t been working on romance recently, though I have been working on other things.

Since people may be in more need of books to read right now, I’ve decided to put all my ebooks on sale for the next few months. Most are 99 cents, and my novella, The Wedding Wager, is free. So this is a good time to check out my books if you haven’t already, and if you enjoy my books, let others know. All my titles are listed on the Book List on my website.

I also promise you that I hope to return to romance writing. I still believe in romance. Even though I was saddened by the recent turmoil in the Romance Writers of America (you can Google it if you don’t know what happened) I am now hopeful that the organization is refocusing and moving again towards greater inclusivity. Everyone deserves love, and everyone deserves to be able to read stories with characters they relate to.

I believe in love, and in people working through problems and becoming stronger together. The best romance novels don’t do this by the characters compromising, which to me means having to give up something important to them. The way I see it, and the way I try to write it, lovers figure out solutions that are a win/win, where no one has to give up their health or happiness or change who they are just to fit in with the other’s needs. They might learn that what they thought they wanted at the beginning of the story isn’t what they really need. They might have to let go of old ways of thinking and doing things. They grow in ways that might be uncomfortable, but they become more who they were meant to be.

I also believe that at the end of a good romance novel, things don’t settle down and go back to where they were. Things get better. The love between the characters benefits everyone around them: their friends and family and their communities.

I believe this is true in our lives. There’s a lot of division and strife in our world, but we’re not going to solve it if we believe there are winners and losers. We’re not going to solve it by compromises with ideas like racism or homophobia that mean some people have to suffer so others can benefit. We’re going to solve things by understanding and working toward answers that don’t leave anyone out. I believe that in the Biblical story of the loaves and the fishes, Jesus taught people that if we share, there will be enough. This is the sort of world I want to work for, where love rules rather than fear.

Please take good care of yourselves, and keep on loving.

Elena

www.elenagreene.com

When Books Go Wrong!

Annoyed-looking girl stares out at us (front-view), cheek resting against her hand while an open book lies on table in front of her.

Let’s face it, writing isn’t easy. It LOOKS easy, to our readers, and that’s because we authors work hard to make sure what we eventually deliver to them is seamless, smooth prose that tells a logically believable (and well-researched) tale that’s also emotionally satisfying. But how many drafts did we go through to get there?

Granted, some books are easier than others. Sometimes a story is so clear to us that it very nearly writes itself. Some authors are blessed with many of those. But in my experience anyway, that is rare.

“Think of Olympic athletes,” I often told my students years ago when I was teaching romance writing. “Don’t they make their respective sport achievements look easy?” I used the analogy to provide some perspective, as they often came in thinking the writing would be easy. “Think of how smooth and graceful they are, how effortlessly they seem to flow through the motions of their sport. Watching them is like reading a finished story. Then think of the years of practice and study, the repeated successes and failures, the continued drive to keep getting better that they have invested to achieve that apparent ease. That is also the struggle behind most successful stories (and their authors).”

Pair of Olympic swimmers shown in simultaneous action in parallel pool lanes via underwater camera.

The writing does get easier the longer you’re at it. Practice helps just about anything! Yet every book seems to present its own challenges. Just when you think the process is getting comfortable, the next story comes along with its own unique twist you’ve never needed to handle before. New learning curve, every book.

Not to mention there are so many ways a book can go wrong. And I’m not even talking about the marketing part, here. Bad cover? Bad blurb? Oh, no. I’m only talking about the story here. Every aspect of a story, from the tone to the characters, the plot, the emotional arcs and the structure, the pacing, the dialogue–even the balance of those elements, or the choice of point-of-view characters in scenes, and more –all of these can make or break the successful telling of the story. Readers don’t see this, because we hope that all of those issues are smoothed out before they ever see a page.

You may have guessed I am in the throes of revising a book that has “gone wrong” and that’s the inspiration for this blogpost. Yup. I have been working for ages on a prequel to LORD OF MISRULE and had it at least ¾ done, maybe more. But something wasn’t working. Sent it to several critique partners, and it was clear from their comments that I was right, something wasn’t working. But none of them could quite put a finger on it. Their multiple views did help me to do so, I think!

Sometimes when books go wrong, it’s not just one big thing, but an accumulation of many small things. Kind of like dropped stitches in knitting. You might not notice them when they happen, but later as you look back at the completed rows, there they are. A character’s attitude is wrong, the tone is off or someone’s emotional reaction is missing. Some plot developments may happen in the wrong order. And as in knitting, there’s nothing to be done except unravel it back to the rows that were intact, and redo it.

I hate having to delay this book even longer, but I won’t release a book that I know isn’t right. That’s not to say my books are perfect, but I hope they are as good as I am capable of offering at the time they come out. Alas, I am a “pantser” (meaning I have to discover the story as I go along), so that usually means multiple drafts to sort things out. I have unraveled a big chunk of this book and am busily “re-knitting” it as fast as I can. I hope now to have it repaired and out by June at least. Maybe with a miracle, sooner. But it won’t be in April as I had planned. (sigh)

Have you read books that you thought the author should have “re-knitted” but didn’t? (please don’t name specific titles or authors) If you’re a writer, which would you say happens for you more often, easy ones or hard ones? Do you find there’s any one specific way books most often go wrong for you? If you are a plotter instead of a pantser, what still goes wrong sometimes even though you are following your thought-out plan?

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