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Look Sharpe!


I posted this press release on my own blog a few days ago, and thought it was newsworthy enough to post here, too (and there are questions for you to answer at the end):

SPEND A SHARPE, ACTION-PACKED SUMMER WITH BBC AMERICA

-Romantic war saga stars Sean Bean

Every Saturday night this summer, BBC AMERICA takes viewers on a sweeping two-hour journey to a new land, a new battle, and a new set of potential love interests with the epic romantic war saga Sharpe. Created by novelist Bernard Cornwell and starring Sean Bean (North Country), Sharpe chronicles the victories and loves of the legendary fictional Napoleonic war hero, Richard Sharpe. BBC AMERICA is showing the complete fifteen-episode series from the first episode, Sharpe’s Rifles, through to the U.S. premiere BBC AMERICA co-production, Sharpe’s Challenge, shot in India. Sharpe’s Rifles premieres Saturday, May 27, 9:00 p.m. ET/10:00 p.m. PT.

Sharpe’s Rifles begins in 1809 when Sharpe is a scrappy Sergeant. After bravely saving the life of a distinguished Captain, he is quickly promoted to Lieutenant and charged with a company of men slated for a rescue mission in Portugal. Throughout June, BBC AMERICA features channel premieres Sharpe’s Eagle, Sharpe’s Company, Sharpe’s Enemy and Sharpe’s Honor. In July and August, BBC AMERICA features channel premieres, Sharpe’s Gold, Sharpe’s Battle and Sharpe’s Sword and the brand-new, never before seen U.S. premieres Sharpe’s Regiment, Sharpe’s Siege, Sharpe’s Mission, Sharpe’s Revenge, Sharpe’s Waterloo and Sharpe’s Justice.

September brings the U.S. premiere of BBC AMERICA co-production, Sharpe’s Challenge, shot entirely in India. The fate of an empire rests in one man’s hands in Sharpe’s Challenge. Two years after the battle of Waterloo, dispatches from India warn that a local Maharaja is threatening British interests. Wellington sends Sharpe to investigate on what turns out to be his most dangerous mission to date.

For up-to-the-minute information on BBC AMERICA, forthcoming U.S. premieres, art work and news from the channel, log on to www.press.bbcamerica.com.

Seeing this made me think of many, many questions. I love reading the Sharpe series (and have never seen the series, so I am way excited), not so much for its time period (Regency), but for the amazing way Bernard Cornwell has with a battle scene, and his ability to throw in some surprising twists even through the course of what appears to be a normal action-packed novel. His writing is so fluid, and so compelling, I learn history without even noticing it. I’ve read his books set in the Middle Ages also, and he has a Civil War series I’ve gotten a few books of, but haven’t read yet.

So–have you read Cornwell? Do you like his writing? If you’ve read the Sharpe series, is Sean Bean a good Sharpe? What other series (historical or otherwise) would you like to see made into movies? Do you find that once a book has been translated to film that it limits the way you imagine the characters? What’s the best book to film adaptation have you seen? And the worst?

Thanks for answering–

Megan
www.meganframpton.com

Links!

Please note our sidebar now contains all sorts of great links: Riskies’ author websites and blogs, interviews, other writers’ and readers’ blogs, review sites and delicious Regency sites in which one can lose oneself and not wish to be found again.

Thanks to everyone who has given us links from their blogs and websites. We are delighted to finally return the favor!

Elena

P.S. Kathleen Bolton and Therese Walsh at Writer Unboxed have posted the article they co-wrote with Elena on “Lessons from the Lord of the Rings”. Read it for lots of geeky analysis of what writers can learn from the choices made in adapting the trilogy for film, along with only a teensy bit of gushing over Sean, Viggo, Orlando, etc…

P.P.S. The image above is of part of a Georgian emerald paste parure at www.georgianjewelry.com. In case you have $8550 just lying around…

The Jane Austen Dating Game, pt. 1

As some of you know, I’ve never thought that Marianne Dashwood of “Sense and Sensibility” deserved Colonel Brandon, or was a good match for him. Now, after years of complaining, I’m finally going to do something about it! (With your help, of course.)

We are going to find a new woman for Colonel Brandon! Who gets your vote?

How about Anne Elliot? She’s smart, she’s kind, and she isn’t a teenager. She doesn’t fall in love with cads. On the other hand, both she and Brandon are a bit brooding. Are they too much alike? Would their marriage be a depression made in heaven?

Jane Bennet is much more mature than Marianne, but just as blonde and pretty. And she doesn’t fall in love with cads either. She might not be up to his intellectual weight, though. Would Brandon soon tire of Jane’s sweet nothings? (Pretty much anything she says is a sweet nothing, after all.)

Elizabeth Bennet is smart, and she and Brandon could have invigorating discussions. Or is she too sharp for him? Does he fall in love with teenagers because he’s secretly insecure? Elizabeth might not have the flattering tongue he needs… Or is he confident in himself, and man enough for our Lizzy?

The Fanny Dashwood in the dreadful movie of “Mansfield Park” (which doesn’t deserve to be called a Jane Austen movie, but that rant’s for another time) definitely deserved a better fellow than Edmund! He’s a wimp, and falls in love with female cads! But is this Fanny too contaminated by Patricia Rozema’s movie to truly satisfy Brandon? How about the Fanny of Austen’s book? Would Brandon bring her out of her shell? She’s very young, but perhaps she needs a better defender than indecisive Edmund! And we know Brandon likes teenagers… 🙂 Then again, wouldn’t he be a much better grandfather to Jane Austen’s Fanny?

How about Jane Fairfax? Surely she can do better than that semi-cad, Frank Churchill! She’s quiet, just like Brandon — but is that a good thing or a bad thing? Would they both just sit around all day like lumps? Is she too perfect for him? Surely any woman who’s too perfect for Mr. Knightley would be too perfect for our Colonel Brandon! After all, anyone who falls for Marianne is clearly not looking for a flawless woman. (It could be argued he’s not looking for a woman at all, but that’s another rant for another time.)

Some of you seem to think that Duck-face Miss Bingley can be saved. Who better to do it than Colonel Brandon! Would true love transform her shallow desperation into warm maturity? Or would he end up a grump behind his newspaper like Hugh Laurie’s character?

Or, of course, you may choose to match Brandon up with Marianne if you wish, or with someone not listed here!

Who do you think Colonel Brandon should marry?

Cara
Cara Kingwww.caraking.com
MY LADY GAMESTER — Holt Medallion Finalist!

My First Time by Diane Gaston Perkins

(My first time blogging to Risky Regencies, that is. What were you thinking?)

Julia Ross is a hard act to follow but I’ll try. I thank Janet Mullany for my interview of last week. It gives a good idea of my writing life, my split personality, and the books I have out (and my A Reputable Rake coming in May!)

One thing Janet did not ask was why I chose to write in the Regency time period. I suspect my fellow Riskies have discussed this before. I have not searched all the previous blog entries, so I don’t know for certain. I may belabour this topic over the next few weeks, so this is just an overview, adapted from my Author! Author! article on the Warner website.


First of all, the Regency was a beautiful time period. The lovely Classical architecture and decor of the Georgian age became more varied and colorful, but avoided the excesses of the Victorians. The Regency was a time of great wealth, of beautiful Country houses and gardens, of lovely, elegant fashions. Gone were powdered hair, white wigs, and heavy make-up of the Georgian age. Regency women wore beautifully draping empire-waist silks and muslins, dresses that would still be considered lovely today. Men’s clothing also became more like our modern clothing, the bright-colored brocades and laces of the 1700s giving way to the simplicity, cleanliness, and perfect tailoring Beau Brummell insisted upon. Men and women rode though Hyde Park in fine carriages drawn by perfectly matched horses. The titled elite gathered in exclusive places like Almack’s and White’s. Men sported at Gentleman Jackson’s Boxing Saloon or Tattersal’s. Ladies made “morning calls” in the afternoon, and made their curtsey to the Queen in opulent gowns.


Exciting people lived during the Regency. My favorite is the truly great but imperfect Duke of Wellington, the man who defeated the Emperor Napoleon, but there is also the Prince Regent (“Prinny”), Lord Byron, Beau Brummell, Jane Austen, Caroline Lamb, Harriette Wilson (who Amanda wrote about in her April 15 blog about courtesans), and so many more fascinating people.

The Regency time period echoes our World War II era in my mind, a time of great courage, honor, and drama, and one that eventually led into great social change. The drama of the long war with Napoleon, culminating in Waterloo, a battle still discussed, written about and fictionalized today. Also occurring at this time was the War of 1812, less victorious for the British, events in India, and the humming of impending social change, the beginning of the decline of the upper classes and the growth of wealth from industry and trade, social unrest nipping at the heels of the class system.

The Regency is a transitional period between the decadence of the 18th century and the repression of the Victorian Age. As such there are elements of both, providing rich opportunities for dramatic conflict. For example, it is an age when the idea of marrying for love came to the fore, and yet, marriages of convenience still took place. Women–married women, that is–were still allowed to enjoy a sexual relationship, although more discreetly than did their Georgian mothers. Their poor Victorian daughters were not so lucky. Roles and behavior were more fluid in the Regency, less defined than the eras before or after, allowing the novelist great license to explore.


The Regency is an accessible period: Distant enough to provide an escape from every day life into a world of beauty and conflict, but familiar enough to be able to imagine ourselves living in it.

I love going into the world of Regency England every time I sit down to write. It often becomes as real to me as if I truly lived there. I aspire to bring the Regency vividly alive in my books so readers might love it as much as I do.


It is great to be among this wonderful group of authors who feel that same love of the Regency and that same desire to explore it in new, exciting, and “risky” ways.

Cheers! Diane

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