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Tag Archives: Capability Brown

With some pride I can claim I’m ahead of the curve here. Next year, 2016, is the 300th anniversary of the birth of the famous landscaper and designer Lancelot “Capability” Brown, who transformed the grounds of English stately home. Today, however, is the anniversary of his death in 1783. You can visit for lots of information and plans for next year.

An anonymous obituary of Capability Brown reads: Such, however, was the effect of his genius that when he was the happiest man, he will be least remembered; so closely did he copy nature that his works will be mistaken.

And that’s pretty much true. We have come to associate his hallmark “Serpentine” style–gentle undulations of land, curving rivers and drives, circular clumps of mature trees–as what we expect to see when visiting an English historic house. Brown never saw his completed work, trusting to nature and time to finish the job.

He is thought to have worked on over 170 gardens in his 35-year career. He began his career as undergardener and then head gardener at Stowe, one of his most famous creations:

stowe_grecian_vale_originalHere’s his plan for Bowood House, with the Grecian temple on the right (east) point and how it looks today:

bowood_plan_originalBowood-House-Foto-WikipediaBlenheim Palace:

blenheim_palace_originalPetworth House:

petworth_house_garden_originalAnd talking of Capability Brown (his nickname came about from assuring his clients that their estates held great capabilities), let us not forget Terry Pratchett’s fictional Bergholt Stuttley “Bloody Stupid” Johnson from Discworld:

His efforts in landscape design are especially noteworthy, and the Ankh-Morpork palace gardens are considered to be his greatest accomplishment. It is here that we find such creations as the hoho, which is a fifty foot deep ha-ha, the gargantuan beehive currently used as a pigeon coop in the absence of ten foot long bees, a structure referred to only as the “Johnson Exploding Pagoda”, iron patio furniture that melted and crazy paving that committed suicide, and the chiming sundial that also tends to explode around noon. In the palace grounds is also a maze so small that people get lost looking for it. Another notable feature is the ornamental trout lake, built long, but, sadly, only one inch wide. It currently houses one trout that is quite content provided it doesn’t want to turn around. “Perfect for the dieting fish”. At one point there was also an ornate fountain which, upon being turned on, did nothing but groan ominously for several minutes before firing a small stone cherub a thousand feet into the air. Read more

I’m wondering if there are any books with landscape designer heroes or heroines. Enlighten me! Or tell me which historic homes you’ve visited, or would like to visit, in England.

There are so many horrific events in the news I decided we need to focus on happiness today.

The Romance genre celebrates happiness. After all, isn’t that what the “happily ever after” ending is all about? We’re such optimists, we romance writers and readers. We believe that love conquers all. We relish stories where the hero and heroine face seemingly insurmontable barriers to happiness, but, through love–and the ability to change–they achieve their happy ending.

The Regency period lends itself very well to the these ideas of love conquers all and happily ever after. The idea of marrying for love was a relatively new concept by the Regency period. Before then, people married for advantage or security or power, but the concept of the individual and individual happiness was a new idea. I think this was partly what made Jane Austen successful in her time period. Her books, especially Pride and Prejudice, juxtaposed the old concept of marriage for advantage with the new ideas of love and personal happiness.

Not only is the concept of happiness relatively new, the concept of beauty changes in the 1700s and early 1800s. More natural beauty became desirable. The formal gardens of the 1600s were torn down to create the “natural” landscapes of Capability Brown. The powdered wigs, brocades, lace, and voluminous skirts of the 1700s gave way to more natural silhouettes. Men’s clothing, influenced by Beau Brummell, became simplified and form-fitting. Women’s dresses, with empire waists and filmy fabrics also showed off the female body from top to toe.

When wars closed Europe for the Grand Tour, it became fashionable to tour the British countryside, searching for the “Picturesque.” Touring the Lake District, visiting ruins (or building faux ruins on your country estate) became the thing to do. Taking pleasure in the natural became a new source of happiness during the Regency.

Who of us doesn’t smile when we see beautiful clothes or a beautiful landscape? Enjoyment of beauty is a part of happiness.

Love, happiness, beauty….that’s my idea of the Regency. And I love escaping “real” life by spending my reading and writing time in such a lovely place.

What part of the Regency makes you happy? What else makes you happy? I challenge you to think of 5 things that make you happy. Then go out and smile at someone today.

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