Amanda is off dealing with computer stuff, so I am filling in today!
Amanda is off dealing with computer stuff, so I am filling in today!
Hi Everyone,
It’s always a treat to visit the Riskies . . . and it’s especially fun this time as my new book, TOO WICKED TO WED, is all about taking a risk. Or more precisely, taking a gamble.
Now, we all know that the Regency was mad about gambling. It wasn’t just an amusement—it was a passion! Gentlemen wagered on everything, from horse races and boxing matches to marriage match-ups and how many bottles of port they could drink in one sitting. And of course, there is the famous story of two club members betting on which rain drop would be the first to slide down to the bottom of a windowpane (after tossing back quite a few glasses of that port, I would guess.)
But games of chance—cards in particular—were perhaps the most popular “risk.” And betting on card games was not a solely masculine vice. Ladies played with equal abandon—Georgiana, Duchess of Devonshire, was notorious for her high-stakes gambles and was constantly in debt (a fact she tried to hide from her husband and the Spencers.) With few funds of her own, she borrowed heavily from friends and acquaintances—and brokered her influence for money. It’s said she got funds from Thomas Coutts of Coutts bank for the promise of introducing his daughter into Society. On her death, she left debts totaling nearly 20 thousand pounds. When told, the Duke supposedly said, “Is that all?”
The turn of a card figures prominently in TOO WICKED TO WED. My heroine, Alexa Hendrie, is a very smart, sensible, practical young lady. But she’s also a little exasperated over the fact that ladies have so many rules governing their behavior, while gentlemen get to go out and play.
So when her cousin suggests that she disguise herself as a man and accompany him to a less-than-respectable gambling soiree, she throws caution to the wind for just one night, and decides to see if she can beat the men at their own game . . . (here’s a short excerpt)
Approaching the smoke-shrouded table, the Earl of Killingworth nodded a greeting to the players. “Who’s the puppy,” he growled, his gaze lingering for a moment on Alexa.
Ducking her head even lower, she made a show of studying her cards.
“Lars—he’s a friend ‘f Sir ‘Enry,” answered Gryff, sloshing more brandy into his glass.
“Lars appears to be a lucky lad,” remarked the Wolfhound, flicking a quick look at the pile of banknotes piled in front of her.
“Nipping at our balls, that’s for damn sure,” muttered Quincy. “Next he’ll be gnawing on my prick.”
Leaning a hip against the back of her chair, Connor crossed his arms. “How very embarrassing,” he drawled. “I, for one, would never dream of letting such an inexperienced mouth anywhere near my privy parts.”
The remark elicited a round of guffaws.
Alexa was suddenly hot all over. Her cheeks flamed, her fingertips burned. But the worst of the flames seemed to be licking at a small spot just below her left shoulder. Beneath the layers of her clothing her skin felt scorched.
The Wolfhound shifted slightly and the fall of his trousers grazed against her.
Dear God. Dear God. As if she needed any reminder that he was a distinctly male animal.
“Your turn to discard, Lars,” chided Quincy.
She threw down a random card.
“Ha! Knew it!’ With a slurred smile, Gryff scooped up his winnings. “Lady Luck’s finally going to kiss my hand.”
“Kiss my arse,” grumbled Quincy.
“Perhaps, you ought to quit while you are ahead,” said Connor softly, eyeing the pair of empty bottles by his friend’s side.
Making a face, Gryff replied with a rude oath.
“Suit yourself,” murmured the earl.
Alexa felt the Wolfhound’s big, muscled body shift again, and silently prayed that he was taking his leave. A trickle of sweat teased its way down her spine, leaving a trail of liquid sparks.
“What’s the matter, puppy?” he snapped. “Am I making you nervous?”
She shook her head, not daring to speak.
“Then stop squirming.”
Her limbs tensed and she held herself very still. This was dangerous.
Oh-so dangerous.
But it wasn’t just fear that was coursing through her blood like hot buttered rum. It was something far more potent—a heady mixture of excitement, elation and some emotion she couldn’t quite define.
After several long moments of silence, the Wolfhound moved away, but only to stand by the marquess.
“Do you wish to pull up a chair and join the game?” asked Gryff.
Holding her breath, Alexa ventured a peek from beneath the brim of her hat.
“The stakes aren’t high enough to tempt me.” The Wolfhound appeared to have lost any interest in the players or the card game. As he turned to survey the room, his gunmetal gaze skimmed over her as if she weren’t there.
Alexa knew she should be relieved, and yet . . .
She wins—and wins big. When the last card has fallen, she fins that she is now half owner of one of London’s most notorious gambling hell. And her new partner is none other than the infamous Earl of Killingworth.
Now how, you might ask, is this going to play out? Well, the game is far from over.
Speaking of playing cards, it was fun to do a little research into the subject as I wrote the book. It’s speculated that the first sets came into Europe from Mamluk, Egypt in the late 14th century. The Mameluke deck was made up of 52 cards, and four “suits”—polo sticks, coins, swords, and cups.
The earliest European cards were painted by hand—there is a record from 1392 of Charles VI of France paying for “the painting of three sets of cards.” Like devotional cards, and other early ephemera, playing card decks were soon printed from woodcut blocks, with the colors often added by stencils, which allowed a “mass” distribution. Engraving, a much more expensive technique, was also occasionally used. Hearts, Bells, Leaves and Acorns became popular for the four suits (there were sometimes five suits in early play) The four suits now used most commonly throughout the world—spades, hearts, diamonds and clubs— originated in France in the late 15th century.
Most of England’s early playing cards came from France, but in 1628, Charles I granted a charter to the “Company of the Mistery of Makers of Playing Cards of the City of London” and all future importation of playing cards was forbidden.
So, what about you? Are you a “gambler” in life? Or do you err on the side of caution? And I’m also curious—do you enjoy cards? Bridge? Poker? “21?” I’ll be giving away a signed copy of TOO WICKED TO WED to one randomly chosen commentator. (U. S. mailing address only, please.)
The Riskies welcome back Cara Elliott to the blog, to tell us about the story behind her new release To Tempt a Rake! Comment for a chance to win a copy…
Hi everyone! I’m so delighted Amanda invited me to stop by and visit with the Riskies today. I’m celebrating the release of my latest Regency-set historical romance, To Tempt a Rake, since it’s always a Cause of Joy to finally see a story hit the shelves. However, with all the dreary winter weather up where I am, I confess it’s been hard to feel in a real party mood. Looking like the Michelin Tire Man in sheepskin boots and layers of thick fleece sweatpants and tops does not make a girl feel very glamorous.
But knowing the fashionistas here, I figured this was a perfect place to add a little sparkle to the grey days by talking Regency glitter and bling, Vienna style!
Part of my story is set at the Congress of Vienna, the grand Peace Conference that convened in the fall of 1814 to reorder Europe, now that Napoleon was safely (ha!) exiled to the isle of Elba. Royalty from all over the continent were invited to the city on the Danube, and together with the leading statesmen of the day, they set themselves the task of hammering out solutions for a vast range of political and social questions. All very laudable, of course. But with such a scintillating array of celebrities gathered in one place, the work quickly turned into play. As David King notes in his book Vienna 1814, the movers and shakers had come to make love as well as peace!
It is a truth universally acknowledged that rich, powerful men attract beautiful, scheming women–and Vienna in 1814 was no exception. Some of the notable females included the Duchess of Sagan, the “Cleopatra of Courland,” who was carrying on a passionate affair with Prince Metternich, the Austrian head of the conference…but then she needed a favor from the skirt-chasing Russian tsar…only to become enamored of a handsome cavalry officer–you get the picture. One needs a scorecard to keep track of who was sleeping with whom. Her rival in holding the most influence with men at the conference was Princess Bagration, the Russian “Naked Angel of the North,” who wore only white muslin (well dampened) to cling to her svelte form.
So trust me, Vienna turned into the party town of the time. Masked balls, medieval jousts, outdoor balls danced under a blaze of fireworks, sumptuous sleigh rides, complete with a traveling orchestra–the daily entertainments were dazzling in the extreme. And of course, a lady has to dress for the occasion, right?
Here are a few of my favorite fashion tidbits:
–At the Emperor of Austria’s Welcoming Ball, one of the “decorations” was having the Duchess of Sagan and 23 of her friends come dressed as the Four Elements: Six ladies dressed as Water, wearing blue and green dresses festooned with pearls, coral, and seashells. Six wore bright red dresses and carried torches to represent Fire. Six wore thin, nearly transparent gauzy dresses and wore wings to be Air. And lastly, representing Earth, the duchess and her group wore brown velvet dresses and headdresses made out of golden baskets filled with jeweled fruit!
–At the Carousel, the recreation of a medieval joust, there were 24 Queens of Love appointed to cheer for their champions. Each queen wore an elaborate velvet dress with lace trim, and vied to have the most elaborate display of jewels adorning it. Princess Esterhazy’s gown was reputedly worth 6 millions francs, and one of the other ladies proclaimed, “We shall wear every pearl and diamond to be found in Hungary, Bohemia, and Austria!” Indeed one Prussian officer was moved to exclaim that 3 military campaigns could have been fought with the riches on display that night. (In keeping with the “bling” spirit of the evening, Lady Castlereagh wore her husband’s Order of the Garter as a tiara)
As you can imagine, this real-life history made a colorful backdrop for my fiction. I had a ball weaving some of the details and people mentioned here into Kate and Marco’s adventure–for me, research of what helps make a story come alive.
So, have you any favorite parties from history? And speaking of gala parties and fashion, the Oscars are coming up–who will have the most fabulous dress? (Amanda and Megan will have the skinny on this!) Please chime in! I’ll be giving away a signed copy of To Tempt a Rake to someone who leave a comment here…
I do not at all pretend to be scholarly and I am way too boring to be scandalous, but I’ll use these words to write about what has captured my interest these last couple of days.
First, take a look at this article in the New Haven Register, They’re Teaching a Romance Novel Course at Yale But It Is Not What You Think
The course is being taught by our Regency Pals and Yale alumni, Andrea DaRif (Andrea Pickens/Cara Elliott) and Lauren Willig.
Description of the course from the college syllabus: The Regency romance tradition from the works of Jane Austen to modern permutations of the genre. Discussion of novels in textual, historical, and sociological context through examination of changing tropes and themes.
The romance community has known about this course for some time (follow links in Andrea/Cara’s website), but it is fun to see it getting wider press. A Google search shows that lots of sites are picking up on the Register article.
Sarah at Smart Bitches mentions the course, as well as a documentary film in progress about the making of romance novels being made for PBS’s American Experience (Can’t wait to hear more about that one!).
One of the things I love about the Yale course is that it is focussing on REGENCY Romance, which I think is a first in the small but growing trend to include study of romance novels in Engligh programs. It is the first Ivy League school to have such a course. Apparently 80 people tried to sign up for the course, which only had 18 spaces.
I was an English major in college and I would have loved to take such a course. I always thought reading my way through my major was the cushiest way to earn a degree, but it would have been even better to read what I loved. Even more, it would have been a delight to discuss the books I love in a serious, scholarly way.
We’ll have to check in with Cara and Lauren at the end of the course to see how it went.
While we are on the subject of academia, I also learned about a blog by a George Mason University Jane Austen scholar about Grace Dalrymple Elliot, the subject of Jo Manning’s wonderful biography, My Lady Scandalous. Moody both lauds Jo’s achievement, yet is dismayed by the book’s title and presentation, which seems to me to be designed for popular consumption.
Moody particularly objects to the use of the word “scandalous” in the title, making the point that it depreciates Elliot as a strong woman of her time by defining her in terms of her sexual history rather than her own achievements. I’m sure I’m not representing her opinion accurately, but it was an interesting blog and and interesting debate with Jo Manning in the comments section.
I do think it a truth that women of the late 18th-early 19th century who wound up as courtesans were considered scandalous at the time. Freedoms we modern women take for granted – being able to leave destructive marriages, having the freedom to have a sexual life, the right to earn a living and keep custody of our children – were not available to women in Regency times. Yet strong women like Grace Elliot still existed and managed to live amazing lives.
If you were designing a course in Regency Romance what authors would you have the students read?
Do you have a pet peeve about how historical women are viewed by us today?
Visit Risky Regencies this Saturday, Feb 6, when our own Cara King returns to tell us about her Regency Ball!
Check my website for my latest news, like the fact that The Wagering Widow, re-released in a double book, Regency High-Society Affairs Vol. 12 (free shipping from Book Depository and a discount, too). Plenty of time to enter my contest for a chance to win two copies of The Marriage Bargain, my Diane Perkins book.