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Happy Columbus Day here in the USA.

Of course, in the Regency, the British didn’t celebrate Columbus Day, so for once a Monday holiday does not give me a blog topic.

Now, if I my blog would have been last Friday, I would have had a ready-made topic. Friday was Jane Eyre Day, the anniversary of the release of Jane Eyre in 1847, under the pseudonym Currer Bell. Just Saturday a week ago, Megan asked us all about our favorite movie version of Jane Eyre. If Megan could anticipate Jane Eyre Day, then maybe I can celebrate it after the fact.

I remember reading Jane Eyre when I was a girl. Athough it was not and never has been a favorite of mine, it is a story that has always stayed with me. I mean, who could forget the interrupted wedding day when, at the altar, Jane learns that Rochester has a mad wife in the attic? All the gothic spookiness of the fire and Grace Poole then makes great sense. Or the message wafting telepathically from Rochester to Jane? Or the miraculous cure of his blindness?

Unfortunately, I also remembered that Jane fell in a ditch and quite amazingly wound up on the doorstep of cousins and discovered she was an heiress (not exactly how it happened in the book, but that was how I remembered it). Even as a dreamy, romantic kid, I felt that was too contrived. I also thought that Rochester was much too mean to Jane and I never understood why she fell in love with him.

But, even all that stayed with me through the years until I read the book again and watched countless adaptations. That proves Jane Eyre’s greatness as a novel, in my mind. It is unforgettable.

My next book, Born To Scandal, coming to bookstores Nov 13 and as an ebook Dec 1, is an homage to Jane Eyre. It also is a story of a tortured hero who hires a governess with her own troubled past. It is also full of secrets.

On Friday, Jane Eyre Day, a quote appeared in my email (I’m signed up for a daily Inspirational Quote) that could have been the motto for my book:

“Life appears to me too short to be spent in nursing animosity or registering wrongs.” — Charlotte Bronte.

It is a quote from Helen Burns to Jane. Helen was my favorite character in Jane Eyre, especially as personified by the child Elizabeth Taylor in the 1943 movie version.

What is your favorite quote from Jane Eyre or your favorite part of the story or your favorite character? How did you celebrate Jane Eyre day and how are you celebrating Columbus Day?

I have a new book out!
Born to Scandal is my homage to Charlotte Bronte’s Jane Eyre. It’s the story of a governess and a lord complete with secrets and betrayal.

From the back cover:

“People talk as if there is something wrong about Lord Brentmore. Something about his past.”Lord Brentmore–half Irish peasant, half English aristocrat–grew up under a cloud of scandal. Even money and a title aren’t enough to stay the wagging tongues of the Ton. But he’s vowed that his children will never experience the same stigma.
After the death of their infamous mother they need a reputable governess. Anna Hill is too passionate, too alluring, but she fills Brentmore Hall with light and laughter again–and its master with feelings he’d forgotten.
But a lord marrying a governess would be the biggest scandal of all!

I’ve received some reviews!

5 Stars! “Beautifully written, with a delicious romance, Born to Scandal by Diane Gaston was written to be savored and enjoyed as we do with all fine wines.” — Debby, Cataromance

4 Stars! “Like the original, Gaston’s homage to Charlotte Bronte’s Jane Eyre is a story about lies and betrayal with a governess at the center. This one is well written, brimming with emotion and populated with characters readers will come to care about and root for. And, best of all, the governess gets her happy ending!” — Maria Ferrer, RT Book Reviews

We often ask our guests where the idea for their books came from. I am not sure where the idea for Born to Scandal came from. In fact, I can’t remember writing the first chapter. My friend Julie brought back a full manuscript of mine that she had in her possession. Loose inside it was this first chapter. I didn’t even remember it. After reading it, I did remember my idea for the story, my desire to tell a governess story, like Jane Eyre.

So when I needed a new story idea, I went with this one.

Another thing I liked about it was the challenge of writing a story where not much happens except the hero and heroine working out their relationship. There’s no villain, no battle scenes (sigh!), no road trip–except a short one.

To celebrate the release of Born to Scandal, I’m giving away one signed copy to one lucky commenter.

What do you remember about the first time you read Jane Eyre?

 

(n) Gothic romance (a romance that deals with desolate and mysterious and grotesque events) — from the Princeton University website

My introduction to Gothic romance was in high school, where I first read Jane Eyre and got sucked in by all the classic Gothic romance elements: a romantic but dangerous setting, an innocent and vulnerable heroine, a hero with Secrets. Later (having gone to an all-girl Catholic school) I also read Rebecca, a more modern Gothic that fascinated me and many of my classmates.

I suspect a lot of Gothic romance authors have been inspired by Jane Eyre, but Charlotte Bronte was by no means the founder of the genre. During the Regency, readers enjoyed Gothic romances such as those published by the Minerva Press. It was Ann Radcliffe who made them popular with examples like The Mysteries of Udolpho, which inspired much of the foolish behavior of Catherine, the heroine of Northanger Abbey. Although Jane Austen poked fun at Gothics, I suspect she enjoyed reading some of them herself. BTW I find this cover for Northanger Abbey very funny!

Gothics can go awry. I think the concept of the TSTL (Too Stupid to Live) heroine arose with romances in which the heroine runs off in her nightie, holding nothing but a candle, to investigate an eerie sound in the attic or cellar where dire events are suspected to have occurred.

I still like Gothic romance and I happily suspend disbelief to follow the characters into situations that are wildly unlikely in real life. I played with some of these elements in my recent reissue, SAVING LORD VERWOOD. I haven’t read many recent historicals like this (though I’m admittedly way behind in my reading) but dark paranormals provide the same thrill. A well-written romance with Gothic elements is like a piece of luscious chocolate. Who cares if it’s good for you?

Do you enjoy romance with Gothic elements? What are some of your favorites, classic or modern?

I’ll be giving away 5 Kindle or Nook copies of SAVING LORD VERWOOD to commenters chosen at random. If you win, you can also nominate a friend to receive a free copy. Void where prohibited. You must be over 18. No purchase necessary. Post your comment by midnight EST on January 13. I will post an announcement on Saturday, January 14, so please check back to see if you have won.

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

In honor of Charlotte Bronte’s birthday and as a followup to last week’s post about the latest movie version of Jane Eyre, I’m recycling a post from 2005 about the book.

Even people who haven’t read Jane Eyre know what it’s about. They know who Mr. Rochester is, they know about the mad wife in the attic, they know the heroine is a friendless governess. I found this out after writing an alternative erotic novella based on JE (called Reader, I Married Him, one of the book’s most famous lines)–and I showed it to a few other writers for critique. They immediately knew what it was about whether they’d read JE or not. (In my version, btw, it’s Mr. Rochester who’s chained up in the attic.)

[Update: I did finally publish Reader, I Married Him, and it’s a finalist in Passionate Ink’s contest for pubbed books, The Passionate Plume. Huzzah!]

It’s not my favorite Bronte–that’s Villette, also by Charlotte Bronte, a real kick-ass book that is even more brave, puzzling, difficult, and frustrating than JE.

I hate the fact that JE runs away from Rochester because he wants her to become his mistress–the fact that he’s lied through his teeth to her and taken advantage of her lowly status and lack of connections doesn’t really seem to bother her as much. The sexiest part of it is not the love scenes with Rochester (which I find cringeworthy), but life at Lowood. I remember reading it during adolescence and getting all steamed up in the early part of the book and bored with the rest of it, and couldn’t really understand why. Wasn’t it Mr. R who was supposed to float my boat? Although I have to admit that first meeting with the hound and the mysterious figure on horseback has a wonderful, mythic quality to it. The first sentence of the book is extraordinary for an era that specialized in purple prose (in which Charlotte Bronte did pretty well)–blunt, atmospheric, spare:

There was no possibility of taking a walk that day.

Very fitting for a book that is about repression, choices made from necessity, and the lack of opportunity for action.

My daughter, a tough, cynical sophomore (and English major) [in 2005] told me she was quite shocked by JE. Why? Well, there’s all that talk about mistresses, she said. It is an extraordinarily frank book in that regard–although of course all of Mr. R’s messing about took place on the Continent, where Englishmen went to behave like, well, foreigners. That makes it all the more shocking when he sets out to entrap Jane into a bigamous marriage. As for the fate of the first Mrs. R, it does make you wonder how many mentally ill female family members were quietly tucked away under the eaves. Better than sending them to a mental hospital, of course, but the same treatment could be meted out to disobedient or eccentric wives.

JE may be the first historical regency gothic. It was published in 1847, and is placed somewhere in the regency period. There are a few hints–a reference to a novel by Walter Scott, for instance–that place the novel anywhere in the first twenty-five years of the nineteenth century. I think Bronte is being deliberately obscure–it’s set in that period when England hovered on the brink of change that came about with the 1832 reform bill. It was a period that fascinated the Victorians–much of Dickens and George Eliot is set in the late 1820s–because afterward, everything was different. She’s writing about a time that is now history, from the perspective of the present, deliberately manipulating fact to fit fiction.

So, I really can’t avoid this: JE as a great love story. Well, yes, but… There’s Jane’s capitulation and surrender (on an emotional, not physical level) to Mr. R–almost–she’s always holding herself back, playing it safe, exercising caution and control. Jane is constantly reminding us of Mr. R’s brooding physical presence, his size, and ugliness, a Beast she cannot tame. It’s only when he’s debilitated by the fire that he become safe enough to domesticate. I don’t necessarily agree with the favorite theory that it’s more than his arm and eye that got damaged in the fire (and then how on earth did Jane get pregnant–I mean, I wonder anyway, but really, that’s just dumb…), but now Jane is the strong one, the heroine who makes the choice to begin her journey with him.

Comments, anyone?

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