“Dangerous Lord, Innocent Governess was an entertaining historical romance with a gothic touch, a plot with some twists and turns and a nice romance…”–The Bookaholic Cat“I enjoyed this book…It was sexy, dark and satisfying. 4 stars.”–Red Hot Books
Welcome, Christine! Tell us about Dangerous Lord, Innocent Governess.
In Miss Winthorpe’s Elopement, my hero, Adam, had an unfortunate past with his best friend Tim’s wife. I think I had half a plan that Tim and Claire would rekindle their relationship in a second book and live happily ever after. But the more I learned about her, the more natural it seemed for her to die in a mysterious fall down the stairs, and for Tim to be the prime suspect in her murder.
I wanted to do a Gothic, with a governess heroine and a brooding hero. And if possible I wanted to work in as many of the old conventions, with Daphne sneaking around an old dark house, barefoot and in a nightgown, in the thrall of a hero who might kiss or kill her. But I wanted a heroine who wasn’t quite as spineless as the ones I remember from my youthful reading. I was plotting it out about six months before I could work it into the writing schedule, and had a lot of fun creating my version of the stories I read back in the 70’s.
It’s really a pretty dark story, and the characters are not always likeable. I know that Tim Colton has a marshmallow center, and loves his kids. But he’s pretty messed up through most of the book, bitter, suicidal, and definitely capable of murder. Although Daphne grows to be a better woman by the end of the book, she’s been listening to the advice given by the faithless Claire, and begins as a shallow, willful brat. The first love scene between them can hardly be called that. But I don’t think either one of them is capable of love at that point.
My hero is a botanist, and I assumed he would have his own glass house. But I wasn’t totally sure what that entailed, or what would be grown there. I learned that English gardening was a pretty sophisticated pastime, with fruits forced out of season, all the way back in the time of Queen Elizabeth I. John Nash, a popular architect of the Regency period, did some very nice conservatories and orangeries and Thomas Hopper redid the conservatory at Carlton house.
Tim Colton’s imaginary glass house is a bit more functional then that. But it would have had a glass ceiling and some very nice cast iron columns to support the windows.
This month’s UK book is Lady Drusilla’s Road to Ruin. It’s the second book in the Ladies in Disgrace trilogy which will be out in the US in spring of next year. John Hendricks was personal secretary to the hero in the first book, Lady Folbroke’s Delicious Deception, and he’s leaving London broken hearted, drunk and unemployed.
I’ve just started working on a new book with an actor hero. Jack, who is a bit of a con man, is pretending to be a member of the nobility, trying to marry an heiress for her money. He ends up with Cynthia, who thinks she is tricking him into marriage and is trying to get his nonexistent fortune.
They end up joining forces against common enemies, and repairing the fortunes of both their families by any conniving and underhanded means possible. They are both totally devious. I think they make a lovely couple.
Anyone still have a taste for Gothics? Do you have a favorite? And what can be done to buck up all those too stupid to live Gothic heroines of the 70’s?