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Today is Easter Monday and a Bank Holiday in the UK and a day of many festive holiday customs. I’ve written before about “Ball Monday” and the Hallaton annual “Hare Pie Scramble and Bottle Kicking match.” Here is another Easter Monday custom: The London Harness Horse Parade.

The London Harness Horse Parade, unlike other Easter Monday customs, is a rather recent event. Its origin dates back to 1885 when the first London Cart Horse Parade was held to encourage the humane treatment of London’s working cart horses. In 1904 another annual parade began. The Van Horse Parade had the similar objective of promoting humane treatment of the animals. In the 1960s the two parades were merged into the London Harness Horse Parade.

When the first parades were held, harness horses were crucial to the transport of people and goods throughout the UK, but with the advent of the automobile, harness horses diminished in use. The early Easter Monday parades had, at their peak, over 1200 horses participating. Now the parade consists mainly of hobbyists who come to display their horses and vehicles. There are some “working” horses, such as Harrods’ Fresians, those of Cribbs Undertakers, and the Shire horses from the Youngs and Fullers Breweries.

I wish I was there to see all the horses and their vehicles, everything from donkeys to the Clydesdales or Suffolks.

Here’s the next best thing!

You can even buy a video of the event! (and I’ll provide the link as soon as my internet stops being wonky)

I’m returning from Williamsburg and an Easter visit with my in-laws. What are you doing this Easter Monday? Where do you wish you could be?

Today we welcome debut author Emery Lee. Emery’s The Highest Stakes is set earlier than the Regency, in the 18th century racing world. I first “met” Emery when she sent a frantic email asking for advice. An editor had made an offer for the very first book she wrote. I’m not sure if my advice is responsible, but that book is here!

Read what some reviewers say:

The Highest Stakes is a rich and rewarding read, with the history of
the times neatly sewn in. The real meat of the book, though, is its
relationships: not only between Charlotte and Robert, but between
Robert and Phillip Drake, and a handful of lesser players. Emery Lee
lays it out cleverly, sometimes humorously, with period sensibility
and restrained sensuality–A Historical Novel Review

Emery will give away a signed copy of The Highest Stakes to one lucky, randomly-chosen commenter.

Welcome to the Riskies, Emery! The Highest Stakes is your debut novel! Tell us about it.
The Highest Stakes is a tale of drama, danger, thwarted love, and retribution set in the high stakes gentleman’s world of 18th century horseracing, when racing and breeding were the obsession of the uppermost elite, and a match race might replace a duel in settling a point of honor.

Charlotte Wallace leads a cold and lonely existence a sympathetic stable groom takes her under his wing and teaches her everything about horses and horseracing. Robert Devington’s singular desire is to claim the girl he has loved since he first spied her riding hell-for-leather over the Doncaster heath, but these star-crossed lovers are destined to be thwarted at every turn. Determined to have Charlotte at any cost, Robert risks everything in a wager …for love.

Throughout this story the history of the English Thoroughbred is also told, from its creation by mares imported as part of a queen’s dowry, to the breed’s perfection through the progeny of the Byerley Turk, the Darley Arabian, and the Godolphin Barb. From Doncaster’s Cantley Common to Newmarket’s Rowley Mile, and across the Atlantic to the American Colonies, the English blood horse emerges from the stables of the powerful elite to dominate the turf.

We love debut authors! Tell us about “The Call” when you found out someone wanted to publish your book.
Shockingly, The Highest Stakes is the first and only novel I have ever written, and it was begun at the tender age of forty-three! I wrote the novel during an extremely turbulent year that included the accidental deaths of four beloved animals, my father succumbing to lung cancer, and the loss of my job. Although the details are now hazy, I may have been in the process of sticking my head in the gas oven when “the call” came!

Seriously, “the call” came at a very pivotal moment in my life. I had finished The Highest Stakes with the intention of entering a major writing contest. I mailed off my manuscript with a kiss and a prayer that somehow my masterwork might fall into an admiring editor’s hands. Being a somewhat obsessive/compulsive woman of action, however, I couldn’t just sit and wait. I began firing off query letters to literary agents left and right, with rejections following on every last one of them. I then discovered two publishers who still accept unagented queries and decided to give it a go.

Deb Werksman at Sourcebooks replied with a request for the full manuscript, and called a couple of weeks later with an offer. I was thrilled…dumbstruck… and mostly terrified. I knew absolutely nothing about publishing, and needed someone experienced to guide me. I frantically emailed a group of author bloggers asking for help. One kind soul referred me to my present agent Kelly Mortimer of Mortimer Literary. The rest, as they say, is history.

What inspired you to write about horseracing and horses?
I have loved horses for as long as I can remember, and like most young girls, always dreamed of
owning my own. This dream came true at age thirteen, when I managed to save five hundred dollars and secure a steady baby-sitting job that paid just enough to cover the cost of board.

Since then, I have owned about thirteen different horses of various breeds. I have shown, trained my own mounts, and taught all of my family members to ride. These days my schedule only allows for pleasure riding, and I own two geldings, a gorgeous grey Arabian, and a palomino Quarter horse.

I have always heard that one should write what one knows. I also believe one should write about one’s passion. I know horses and they are one of my passions.

Did you come across anything in your research that surprised you?
Absolutely! I am such a geek that I have spent a great deal of my life researching things just for the fun of it – simply because something piqued my interest.

I admire horses, and have owned several different breeds. I am, however, most partial to the Arabian for his gentleness, beauty, and perhaps in part, to his ancient lineage. A long time ago, I learned that the thoroughbred racehorse actually descended from the Arabian. I was curious to learn more and began digging.

It was fascinating to learn that the Thoroughbred was created specifically for racing in 18th century England. Another little-known fact is that nearly all of the Thoroughbreds in existence can still trace their blood lines back to three specific Eastern bred stallions. This is how the premise of the novel came about.

Here at Risky Regencies we’re all about risky. What is risky about The Highest Stakes?
Although The Highest Stakes is unquestionably a love story, it is not at all in the traditional mode.

Although I am an unapologetic romantic who devours historical romance novels by the bucket load, I just knew that traditional romance was not my writing style. I have always been most drawn to stories with a darker side, heavily empathizing with the “tortured” characters in some my favorite novels – Rebecca, Jane Eyre, and Wuthering Heights. I also believe these kinds of characters work best with a foil. In my world, Robert Devington could not exist without Philip Drake.

My other “risks” were to attempt what I felt was a grand-scale love story with not one, but several antagonists, whose Machiavellian moves against Robert and Charlotte would tug on the readers’ heartstrings. Lastly, I wanted to tap into the excitement and adventure of horseracing.

Although these elements are seemingly at odds, I hope my readers will find it a winning combination.

What’s next for you?
Professionally speaking –
Although The Highest Stakes is already a big read, I can’t help feeling the story is still only half told! I am very pleased to say that Sourcebooks recently concurred with me, and the second novel is well under way. Fortune’s Son (Philip Drake’s story), should be released late 2011.

On a more personal note –
I am celebrating the publication of my first novel by realizing a lifelong ambition – to attend The Kentucky Derby. I’ll see y’all soon at Churchill Downs!

Are you ready for a good horse story? Did you devour horse books as a child? Ask Emery questions or make a comment for a chance to win a signed copy of The Highest Stakes.

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Last week during Megan’s post on historical accuracy Cara and Kalen both talked about errors regarding horses, like the Bionic Horse that can gallop for hours nonstop. It got me thinking about some of the other howlers I’ve read.

Here are just a few.

Errors in terminology. The heroine who referred to the strap that held the saddle on as a cinch. That would be OK if she were a cowgirl but in English riding it’s called a girth. The words phaeton and curricle used interchangeably for the same carriage. A phaeton (left) has four wheels; a curricle (below) two.

But these are really minor gaffes compared to the abuse of terms for horses themselves.

Confusing a pony with a baby horse. A baby horse is called a foal (or colt if male, filly if female). This is a foal. No one in his right mind would put a child or small adult on its back.

Ponies are a type of horse that are small even at maturity. They are generally longer-lived and hardier than horses. This is a pony. As you can see it is not a baby. 🙂

(Image from RIDING ACADEMY, by Norman Thelwell.)

Sex changes. Yes, I’ve read more than once where a mare turned into a gelding or stallion during the course of a ride. It’s as if the authors just looked in a thesaurus to find alternatives to “horse”. Even if these were mistakes of the oops variety, where were the copy editors?

Testosterone gone wild. Most male horses were and are gelded, to make them more manageable and to preserve only the best for breeding.

Still I can’t deny there are few more virile and beautiful images than that of a powerful stallion and I understand why so many historical romance heroes ride one. Stallions can be extremely trainable and responsive mounts. While I was in England I was lucky enough to see Jennie Loriston-Clarke riding her glorious stallion, Dutch Courage. The rapport between those two was a wonder to behold.

However, stallions generally do require more expert handling than other horses. So I couldn’t help raising my eyebrows on reading about a hero giving the heroine her first ever riding lesson on his stallion or about the hero who kept teams of black stallions stabled along every major roads in England. My feeling is these authors are trying a little too hard with the sexual imagery!

OK, time to share. What are your favorite horse bloopers from Romanceland?

And which authors do you think get horses best?

My favorite has to be Julia Ross. The best horse scenes I’ve ever read are from her MY DARK PRINCE (read more at


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