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Happy Tuesday, everyone! Hope your holiday shopping is almost done, and your errands complete (I’m planning to take the dogs to have their Santa photo taken this week, but other than that I’m done. I think). My Undone story, The Maid’s Lover, is still on eHarlequin if you’re in the mood for a Christmas story, and I just found out I have a new title for my next Undone (out in March 2010!)–To Bed a Libertine. I think that about says it all.

When I was trying to find a topic for today’s post, I came across the fact that Eliza Poe (actress and mother of Edgar Allen) died on December 8, 1811, and I remembered a book I found once at a library sale, The Brief Career of Eliza Poe (by Geddeth Smith, Fairleigh Dickinson University Press, 1988). I had to go and dig through my boxes in search of it, and found that aside from her famous (and famously weird!) son, Eliza had an interesting life of her own.

She was born Elizabeth Arnold in London in 1787. Her mother, also Elizabeth, was an actress in London until she married Henry Arnold and gave birth to her daughter. Henry died in 1789, and mother and child moved to Boston in search of a new life. Eliza made her debut at the age of 9, a character named Biddy Blair in a farce titled Miss In Her Teens by David Garrick, and received a good review in the Portland Herald, “Miss Arnold exceeded all praise. Although a miss of only nine years old, her powers as an actress will do credit to any of her sex of maturer age.” Later that year her mother married again, to a musician named Charles Tubbs, and they joined with a manager named Mr. Edgar to form their own troupe, the Charleston Comedians. Elizabeth senior died not long after this, probably as the company toured through North Carolina in 1798.

Eliza junior stayed with the troupe, traveling with them from city to city. She was a hit at the Chestnut Street Theater in Philadelphia, a large theater seating over 2000. Over the course of her career, she played over 300 roles, including her best-known parts of Juliet and Ophelia.

In the summer of 1802 she married Charles Hopkins, who died of yellow fever 3 years later, leaving her an 18-year-old widow. Six months after this untimely loss, Baltimore-born David Poe saw her performing in Norfolk, Virginia and fell deeply in love with her on sight. He abandoned his family’s plans for him to study law and joined her troupe. They married in 1806, and traveled throughout New England, playing to acclaim in Philadelphia and an outdoor summer theater in New York City before settling in Boston, where they stayed for 3 straight seasons in a theater of about 1000 seats. Besides her acting skills, reviews noted her “sweetly melodious voice” and “interesting figure.” Times were financially difficult, but they had 2 sons, William (born in 1807) and Edgar in 1809. (Eliza performed up until about 10 days before giving birth to him, in a boarding house near Boston Common). They moved to New York in summer 1809, where Eliza was praised for her talent while her husband was subject to harsh criticism (possibly suffering from crippling stage fright). He took to drinking heavily and became more and more hot-tempered. His exact fate is not known, but he’s thought to have died around December 1811. Eliza had one more child, a daughter Rosalie, born in 1810 (Rosalie is thought to have been mentally impaired in some way).

In autumn 1811, while staying at a boarding house in Richmond, Virginia for performances, Eliza began coughing blood, and by October she ceased performing altogether. Her last appearance was October 11, 1811, as Countess Wintersen in The Stranger. Other actors took care of the children while she was ill, and many in the theatrical community of Richmond took an interest in the family. On November 29, the Richmond Theater held a benefit performance on her behalf, announcing, “On this night, Mrs. Poe, lingering on a bed of disease and surrounded by her children, asks your assistance and asks it for perhaps the last time.” (Got that? The last time! Plus this theater burned down 3 weeks after Eliza died)

She died of tuberculosis on December 8 at the age of 24, her children at her side, and was buried at St. John’s Episcopal Church there in Richmond. The exact spot is unknown, though there’s now a memorial marker to her there. After this her 3 children were split up, William living with his paternal grandparents in Baltimore, Rosalie adopted by William and Jane Mackenzie in Richmond, and Edagr staying in that city also with adoptive parents John and Frances Allen. It’s speculated that this early loss of his mother (and also his young cousin/wife years later) inspired Poe’s favorite theme of dying women in Gothic circumstances.

Along with the Smith book (which has some great details of Regency-era theater life), there’s info about Eliza Poe in Jeffrey Meyers’ Edgar Allen Poe: His Life and Legacy.

Do you have any favorite Poe stories? When I was a kid, I found a copy of his complete works on my parents’ shelves and scared myself silly with them. (Until my parents took it away so I would quit waking them up in the middle of the night because I was sure someone who was un-dead was knocking on my wall…)

My interview went up a bit late yesterday so today I thought I would just do a commercial (Ha! bet you thought it would be an Addendum!)

Like Sarah Palin, I’m going on a book tour, but my tour is virtual, my schedule less demanding, and my visitors, undoubtedly, fewer.

Here’s my schedule:

Dec 9 Interview on Harlequin Historical Authors Facebook page
Dec 9 Article on Regency Art on Harlequin Historical Authors MySpace page

Dec 11 Article on Regency Theatre at Romance Dish
Dec 16 eHarlequin’s Holiday Open House
Dec 27 Interview at Romantic Crush Junkies

I hope you all stop by!


I was lucky enough to have Megan and Carolyn come up with questions for my interview yesterday. Weren’t they creative asking how many research books I own? I really think they thought I would go upstairs, trip over the boxes and other junk, and count every last one of those books. Not me! I did Math. I estimated.

When I have to make up questions I lack such creativity, though. So my challenge for you today is to tell us what questions you want us to ask our guest authors. If you want me to answer any of these questions I will, but mostly I want to know what you want to know!

Don’t forget to leave a comment on yesterday’s interview blog for a chance to win an autographed copy of Gallan Officer, Forbidden Lady. I’ll choose a winner after midnight tonight.

Today, the Riskies are delighted to present an interview with one of our own, Diane Gaston. Her newest book Gallant Officer, Forbidden Lady is out now. A random commenter on today’s post will win a copy of Diane’s new book!

Welcome, Diane! Tell us about Gallant Officer, Forbidden Lady:

Gallant Officer, Forbidden Lady is the first book in my Soldiers Trilogy. Three soldiers—an ensign, a lieutenant, and a captain—share a ghastly and distressing experience after the battle of Badajoz, an experience they agree to keep secret. It affects the rest of their lives.
Battle-weary soldier turned brooding artist, Jack Vernon, is hired to paint London theatre’s newest sensation, Ariana Blane. As this stunningly beautiful actress ignites feelings Jack thought destroyed in battle, another man has Ariana in his sights.

You’ve got such a deft touch with your historical details; just how many research books do you have?
Omigosh, I’ve never counted them. I estimate I have about 700. I would love to catalogue them and organize them better. For Christmas I want this BOOKCOLLECTOR software!

What inspired the story?
When I was groping for story ideas my friend Julie suggested I watch the 1935 Gary Cooper, Franchot Tone movie, Lives of the Bengal Lancers, a story about three soldiers who go through hardships and adventures together in British India (Julie loves watching old movies!). What I took from the movie was the idea of three soldiers sharing an experience during the war, something that affects the rest of their lives. I also took from the film a tough Colonel (although I made him a General) who has a weak son under his command. This formed the basis of the trilogy.

What did your editor say when you said you wanted to write about two people, neither of whom had titles?
This is my niche at Harlequin Historical. They want me to write about the seamier side of the Regency, or, as they wrote on the back cover copy of my first book, The Mysterious Miss M, “The Regency Underworld- sex, scandal and redeeming love.”

How hard was it to be a virtuous actress at that time? How many actresses went on to get titles and make their way into Society?
I think it must have been very hard to be a virtuous actress during the Regency. I imagine women in the theatre would expect to become some man’s mistress. They’d hope to attract the attention of a wealthy man to supplement their income, so to speak.
One actress managed to marry a man with a title. Elizabeth Farren, who has a lovely portrait by Sir Thomas Lawrence in the Metropolitan Museum, married the Earl of Derby in 1797. Because she had the patronage of the Duke of York (one of the king’s sons), she managed some sort of acceptance in Society. There may have been other actresses who made good, but I can’t think of any at the moment.

It’s easy to really feel for what Jack went through; what true accounts, if any, did you read to get the feel of Badajoz and Jack’s subsequent PTSD?
I bought a book (to add to the 700), Badajoz 1812: Wellington’s Bloodiest Battle by Ian Fletcher, and pored through the brazillion Napoleonic War books I already own, as well as looking online. As for Jack’s PTSD, I just transferred what I knew about the diagnosis into how a soldier during the Regency would experience it.

What risks did you take with this book?
I thought the artist hero was a risk, because it was a challenge to keep him “hunky.” For the whole series, I think it is a risk to begin each book with the same scene. The challenge is to make the same scene different in each of the books.

Did you learn anything new?
I learned a lot about paint! (I bought a book about that, too – Techniques of the World’s Great Painters by Waldemar Januszczak). I learned to paint in oils while still in elementary school, but that was a long time ago. Not long enough to be similar to the Regency, so I had to learn about paint before it came in tubes. For example, I learned that Gainsborough used a pure white pigment called Cremora White. So Jack did, too.

Thanks, Diane! And congratulations on Gallant Officer, Forbidden Lady‘s release. What questions do you have for Diane? And don’t forget to visit her website at DianeGaston.com.

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