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I live in Virginia, a state area steeped in history, from the first English settlements to the homes of our founding fathers, to, most tragically, the American Civil War.

Our state is filled with Civil War battlefields and historic sites. Our highways are dotted with historic markers: Mosby’s Midnight Raid, Battle of Ox Hill, J.E.B Stuart at Munson’s Mill. Right down the street from me is St. Mary’s Church where Clara Barton nursed the wounded from the Second Battle of Manassas and was then inspired to found the American Red Cross.

This past Saturday, my husband and I went with our friends, Helen and Eugene, to their neighborhood historic site, Blenheim (the Fairfax, VA one, not that Blenheim), for Civil War day.

Blenheim is a unique Civil War site. It’s house was built in 1859, and its plaster walls had not yet cured enough to be painted or papered when Union soldiers were billeted there in 1861. The walls became the soldiers’ canvas for graffiti. When the house and property was acquired by Fairfax City, the house was restored to the original plaster to reveal this historic graffiti.

As we watched the reenactors or listened to the band play Stephen Foster songs, I wondered why the Civil War had never captured my interest as a romantic time period. Why had I picked Regency England instead?

We have some basis for finding the American Civil War romantic: Gone With The Wind, North and South (the Patrick Swayze 1985 version, not the Richard Armitage one), a whole list of Romance novels . But it certainly does not seem to have the same appeal as the Regency.

Most obvious for me is the difficult issue of slavery, a dark blot on our country’s history. It is hard to craft a Civil War story without somehow touching on the issue of slavery. Even if you can demonize the Yankees, like in Gone With The Wind, can you really make the Rebels heroic if they support owning slaves? How do you pick the good guys and the bad guys in the Civil War? It’s impossible!

Then there is the matter of uniforms. Let’s face it, a Civil War soldier, whether Union or Confederate, is no match for a man in Regimentals!

Do you have a favorite Civil War novel or movie? Can you see any other differences that make the Regency a more popular historical period for romance than the American Civil War era?

Speaking of men in Regimentals, I’ll be giving way a signed copy of Gallant Officer, Forbidden Lady to one lucky commenter on my Diane’s Blog this week. Diane’s Blog will appear every THURSDAY starting this week.

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With apologies to ZZ Top–I couldn’t resist! Anyway, I’d like to share some more tidbits from LIFE IN WELLINGTON’S ARMY, with thanks to Antony Brett-James for helping us all create our hot military heroes.

This time it’s about the uniforms. Wellington, nicknamed ‘the Beau’, dressed well himself. “Larpent says he had the skirts of his coats cut shorter in the Peninsula to make them look smarter, and one day in 1813 he found Wellington discussing with his servant the cut of his half-boots and suggesting alterations.” However, Wellington didn’t fuss about his army’s attire. Grattan of the Connought Rangers wrote: “Provided we brought our men into the field well appointed, and with sixty rounds of good ammunition each, he never looked to see whether their trousers were black, blue or gray; and as to ourselves, we might be rigged out in all colours of the rainbow if we fancied it. The consequence was, that scarcely any two officers were dressed alike! Some with grey braided coats, others with brown; some again liked blue; while many from choice, or perhaps necessity, stuck to the ‘old red rag’.”

I was interested to learn that some regiments wore kilts, which “did not always prove to be practical garment for campaign life. While advancing to the heights of Puebla during the Battle of Vitoria, the 92nd had to cross ditches so thickly lined with thorns and briars that the blood ran trickling down many a soldier’s leg.” By 1814 the Black Watch was the only regiment still wearing the kilt.

Wear and tear and dust played havoc with uniforms. One day in 1808 Captain Landemann of the Engineers and Major-General Henry Fane were riding side by side and observed there was little difference between their coats; the former was originally blue, the latter red. Another observer described how red coats deteriorated to something “as ragged as sheep and as black as rooks.”

Here is Captain Mercer’s description of the troops parading in Paris after Waterloo:

“The colour had faded to a dusky brick-dust hue; their coats, originally not very smartly made, had acquired by constant wearing that loose easy set so characteristic of old clothes, comfortable to the wearer, but not calculated to add grace to his appearance.”

A French student watching the same review wrote: ‘Oh! It was really like being defeated twice over, bis mori, to have been beaten by an army so badly turned out as the English army was…How could one be a good soldier under that little sugar-loaf of a peak, with the inelegantly cut red jacket, those grey trousers clinging to knock-knees?”

As for me, I’m not so turned off by a scruffy exterior. On the other hand, there’s nothing wrong with a dandy hero either—dandies have an understanding of pleasure and luxury that can be very sexy. I like variety in my fantasy men. I’ve got one dandy in my idea file. Still, I’ve got a slight preference for heroes who are active and look it. And I’d mend Richard Sharpe’s shirts any time! 🙂

How about you? Do you prefer your Regency heroes nattily turned out or on the rugged side?


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