Monthly Archives: April 2014

Gail’s Winners and Lord Langdon’s Kiss Giveaway!

Updated on April 11, 2014 by Elena Greene

First of all, Gail would like to thank everyone who participated in the fantastic discussion of epilogues last week. She also asked me to announce the winners of her giveaway. Congratulations to Beth Elliott and Linda, who have won Kindle or Nook versions of The Captain’s Dilemma, the Regency romance which Gail has recently reissued with a lovely new epilogue.

This week I’m celebrating the reissue of my Regency, Lord Langdon’s Kiss, which unlike The Captain’s Dilemma, needed a lot more work than the addition of an epilogue. Lord Langdon’s Kiss was my first book, and although I’m proud that it sold, I’ve learned a lot in the fifteen years that have passed since I wrote it. In this version, I tackled an issue I’d shied away from the first time around and found that it helped me torture the hero a little more. That’s always a good thing. I also pruned out a lot of redundant introspection, cutting about 17,000 words. Maybe I can make a novella out of the chopped bits.

Anyway, I feel very happy about the revisions and I’m pretty sure I kept everything that people enjoyed about it the first time around. I’m hoping my favorite review is still true.

“Lord Langdon’s Kiss is a fine Regency romp that will satisfy lovers of the genre like ice-cold lemonade on a hot afternoon. This is what Regency romance is all about.” (Four hearts) — The Romance Reader

I think the digital revolution has been a wonderful boon to the traditional Regency genre. It’s helped make many previously published Regencies available to new readers, and also opened up a market for new traditional Regencies, filling the void left when the major publishers ended their Regency lines.

Have you discovered or rediscovered any good traditional Regencies lately? Please share, for the chance to win a copy of Lord Langdon’s Kiss on Nook or Kindle.

Elena

a Rafflecopter giveaway

Posted in Giveaways, Risky Book Talk, Winners announced | Tagged Elena Greene, Gail Eastwood, LORD LANGDON'S KISS, The Captain's Dilemma | 12 Replies

Invitation to a Tournament

Updated on April 8, 2014 by Sandra Schwab

You are invited to a tournament. In Scotland no less! There will be a few men in kilts, lots of people in medieval costume, knights in shining armor, and a multitude of shawls and bonnets that are, alas, neither waterproof nor color-proof. (Btw, you might want to bring an umbrella!!!)

“A tournament?” you might wonder. “Are we talking medieval romance now?”

Nope. We are talking about a tournament in 1839. That summer ten thousands of people — ultra-conservative members of the British aristocracy and gentry as well as people from all around the world — flocked to Ayrshire in Scotland and overran several small, sleepy villages (the traffic jams in the area were dreadful and unlike anything anybody in Ayrshire had ever witnessed) in order to watch young Lord Eglinton’s medieval spectacle. He and some of his friends were to don medieval armor (commissioned from Messrs. Pratt in Bond Street, London) and joust like medieval knights. You know, just like the characters in Sir Walter Scott’s Ivanhoe!

The noble knights had rehearsed for weeks in the garden of the Eyre Arms in St. John’s Wood (the “dress rehearsal” was watched by about 2000 people, which gives you some indication of the interest the tournament elicited), and they had given themselves proper chivalric names; names like The Knight of the Dragon (= the Marquis of Waterford) or The Knight of the Dolphin (= the Earl of Cassillis) or even The Knight of the Burning Tower (= Sir F. Hopkins). Lord Eglinton was Lord of the Tournament, and his stepfather Sir Charles Lamb acted as Knight Marshal of the Lists. As every tournament needs a Queen of Beauty to crown the victors, this role was given to Lady Seymour, who was allegedly one of the most beautiful women in all of Britain.

But why would anybody want to give a tournament in 1839?

From the late 18th century onward, the Middle Ages had garnered new interest in Britain. The upper classes put medieval follies and fake ruins into their gardens or built themselves castles. Many of these neo-gothic buildings were invested with political symbolism, for medieval architecture became increasingly regarded as a symbol of Old England, where democracy was an unheard of thing. In addition, there was a flood of studies on all aspects of medieval life; portraits of people in medieval armor became all the rage; and Regency ladies amused themselves by painting medieval scenes on blinds.

But to spark the frenzy for all things medieval which emerged in the 19th century, it needed something more. It needed fiction written by an author who filled the imagination of his readers with images of noble knights and heroic deeds and whose imitators would feed and ever-growing audience with ever more glorious tales of the days of old when knights were bold. This author was Sir Walter Scott.

Numerous adaptations of Scott’s novels as well as his imitators increasingly presented audiences with an indealized version — a Disneyfied version, if you like — of the Middle Ages. The feudal age was transformed into a happy, glorious time when everybody knew their place and men were still men (hey, those knights fought against evil! and all kinds of monsters!! DRAGONS!!!!) and women stood helpless around, waiting to be rescued by a noble knight.

So when the old king died and a new queen was about to be crowned, everybody was looking forward to those age-old customs: the public state banquet for the Peers in Westminster Hall after the coronation service and that most wonderful ceremony of the King’s Champion riding into Westminster Hall and challenging all present to deny the queen’s right to the throne. It was going to be wonderful! Fabulous! And Sir Charles Lamb (Lord Eglinton’s stepfather) as Knight Marshal of the Royal Household was to marshal the Champion for Queen Victoria.

But then, alas, it was announced by the Prime Minister, Lord Melbourne, that the young queen was to be crowned without antiquated medieval pomp and circumstance. There would be no banquet. No Queen’s Champion.

The Tories were incensed. There were protests in the House of Lords against this “Penny Coronation,” yet despite heated arguments, the Prime Minister stood firm. Poor Sir Charles and his whole family were utterly disappointed. To cheer Lord Eglinton up, one of his acquaintances suggested that he should add some kind of medieval party to the next annual private horse race at Eglinton Park. And soon a rumour spread like wildfire: Lord Eglinton was going to give a tournament at his country estate in Ayrshire! How romanti! How exciting! And because Lord Eglinton was a bit of a young fool, he finally announced that the rumour was true and thus embarked on what Ian Anstruther has called “the greatest folly of the century.”

——

You’ll hear more about the Eglinton Tournament next month when I’m going to launch a new series of novellas set in the early Victorian age. In the first story, THE BRIDE PRIZE, my hero and heroine are going to meet at the tournament. In medieval costume, of course, but sans umbrella, alas.

Posted in Guest, History, Research | 9 Replies

The Duke of Wellington Tour

Updated on April 6, 2014 by Diane Gaston

The Duke of Wellington Tour
September 4 to 14, 2014

Diane: It is my pleasure today to welcome Kristine Hughes and Victoria Hinshaw of the fabulous blog, Number One London. Kristine, Victoria and I go way back. We became close during a tour of the UK, called The Romantic Road North tour, where Kristine was the tour’s historical expert (because she’s the author of The Writer’s Guide to Everyday Life in Regency and Victorian England from 1811-1901) and Victoria and I were Regency authors soaking up research material.

We also came together as admirers and researchers of the Duke of Wellington. I’m delighted to have them with us today to discuss their upcoming Duke of Wellington Tour scheduled for September of 2014.

In honor of the Duke of Wellington tour, I’m giving way a (very abridged) biography of Wellington by Elizabeth Longford to one lucky commenter, chosen at random.

Kristine and Victoria, can you tell us more about the tour?

Kristine: The Tour features sites associated with the life and times of the Duke of Wellington. As you well know, the Duke played significant roles during the reigns of four monarchs – George III, George IV, William IV and Queen Victoria, for well over half a century. Because of that, we’ve been able to put together a great itinerary. In addition to London, we’ll be visiting Kent, Brighton, Reading, and Windsor.

Diane: And we can bet you’ll come up with some unique adventure! Remember the Highwaymen who held up our coach at Belvoir Castle?

Kristine: Who could forget it!

Victoria: Don’t worry, we’ve include lots of unique opportunities on this tour, as well – a guided walking tour of St. James’s, a private dinner at the Grenadier Pub in London, a stop at the White Cliffs of Dover, luncheon at Wellington’s country home Stratfield Saye (below), and a river boat cruise in Windsor. Of course, we can’t tell you everything we’ve planned or they wouldn’t be secret.

Kristine: Yes, and it seems that the itinerary keeps changing, as well. We got an email from a curator at the Tower of London letting us know that they’ll be mounting a special exhibition on the Duke and his influence on the Tower that will be running at the same time as our visit, so we’ve substituted that for St. Paul’s.

Diane: How did you come up with the idea for the Duke of Wellington tour?

Victoria: The Duke of Wellington was an obvious choice for our first Number One London tour. We called our blog Number One London, the original address of Apsley House, because the Duke’s lifetime stretched across the periods of British history that we’re most interested in – Georgian, Regency and Victorian.

Kristine: The tour includes all the best bits from each of the historic periods. Most of the sites, such as the Tower of London, Brighton Pavilion and Windsor Castle will appeal to a wide range of people with varied interests, from medieval prisons to Edwardian dollhouses.

Victoria: Yes, and then there are the stately homes we’ll be visiting, Apsley House, Basildon Park, the Regency Town House, and Highclere Castle — all have elements that run through various periods of British history.

Diane: What part of the tour are you most looking forward to?

Kristine: Hands down, Stratfield Saye. I’ve wanted to visit the Duke’s country house for years, but it’s very rarely open. I’m looking forward to seeing the house itself, the portraits of the Duke’s favourites in the dining room and I’m especially looking forward to visiting Copenhagen’s grave. But I’m also looking forward to revisiting sites I’ve been to before, this time with the emphasis on their connections to the Duke of Wellington.

Victoria: I want to stand in Highclere Castle (below) and just take in all that magnificence. I have a real love/hate thing going with the story of Downton Abbey, but I have unconditional admiration for the costumes and settings. Can’t wait to see the Van Dyke and Reynolds portraits, for example, not to mention the museum of Egyptian antiquities from the Earl of Carnarvon’s expeditions. We’re to be given a private guided tour through the house and we’ve also included lunch on the grounds.

Diane: What part of the tour was the hardest to arrange?

Kristine: Highclere Castle, without a doubt. Due to the popularity of Downton Abbey, they’ve been inundated with requests for visits, which they now have to fit in against filming schedules, so “open” days have had to be reduced. I believe they’re booked up a year or two in advanced just now, so we were really lucky to have been able to schedule our visit around the Tour dates.

Victoria: We’ve also arranged for private, guided tours at other sites, as well, such as Apsley House. We’re trying to keep the tour numbers small enough so that we can see things that aren’t typically open to the public.

Diane: This just sounds wonderful. I can hardly wait. Of course, Kristine, you and I have an ongoing rivalry regarding “dear Artie.” What makes you think he’ll prefer you above me?

Kristine: Well . . . . (sniff, sniff) I have dedicated the last thirty years to researching the life and times of the Duke of Wellington, dear. Seriously, Diane, I look upon the two of us as the modern day Mrs. Arbuthnot and Lady Shelley. Each of us adores the Duke in her own way, though I perhaps have taken that admiration to a greater extreme than you have.

Victoria: Wait a minute – not only to extremes, but to fixation! Both of you are downright obsessive over the man. Which puts you in excellent company, by the way. Speaking for myself, I think my more measured approach would be far more appealing to the Great Man.

(Kristine and Diane exchange glances and sniff in unison)

Diane: I cannot recommend this tour highly enough! I’m hoping to come and I’d love to have some Risky Regencies friends accompany us. Remember to comment for a chance to win Wellington by Elizabeth Longford–Who wouldn’t want to win Wellington? (hmmm, Kristine???)

Email Kristine and Victoria with any questions or to make reservations at london20@aol.com

Or ask your questions here! Kristine and Victoria will be stopping by.

Click here for complete Tour details.

Join The Duke of Wellington Pinterest Page

And the Facebook page

Posted in Guest, Research | Tagged Duke of Wellington, Number One London | 16 Replies

The Toilet of Flora

Updated on April 4, 2014 by Myretta

The Toilet of Flora

The Toilet of Flora is “a collection of the most simple and approved methods of preparing baths, essences, pomatums, powders, perfumes, and sweet-scented water with receipts for cosmetics of every kind, that can smooth and brighten the skin, give force to beauty, and take off the appearance of old age and decay.” published originally in 1779.

I thought it would be fun to take a look at a few of the receipts provided therein so that we may, god forbid, take off the appearance of old age and decay.

Let’s start with a remedy for Corns on the Feet (as you do). Roast a Clove of Garlic, or an Onion, on a live coal or in hot ashes; apply it to the corn, and fasten it on with a piece of cloth. This softens the corn to such a degree, as to loosen and wholly remove remove it in two or three days.

How about A Coral Stick for the Teeth? Make a stiff paste with Tooth Powder and a sufficient quantity of Mucilage of Gum Tragacanth: form with this Paste little cylindrical Rollers, the thickness of a large goose quill, and about three inches in length. Dry them in the shade. The method of using this stick is to rub it against the teeth, which becomes cleaner in proportion as it wastes.

Maybe you’d like you’re worried about your child having excess hair on his forehead. Try A Simple Depilatory. All you need is Oil of Walnuts frequently rubbed on a child’s forehead to prevent the hair from growing on that part.

If you have a hankering to Change your Eyebrows black, First wash your eyebrows with a decoction of Gallo Nuts; then wet them with a pencil or a little brush dipped in a solution of Green Vitriol, in which a little Gum Arabic has been dissolved, and when dry, they will appear of a beautiful black colour.

And I leave you with a remedy for that ever-troubling problem, Moist Feet: Take twenty pounds of Lee made of the Ashes of the Bay Tree, three handfuls of Bay Leaves, a handful of Sweet Flag, with the same quantity of Calamus Aromaticus, and Dittany of Crete; boil the whole together for some time, then strain off the liquor, and add two quarts of Wine. Steep your feet in this bath an hour every day, and in a short time they will no longer exhale a disagreeable smell.

You’re on your own to find sources of Calamus Aromaticus and Dittany of Crete. Let me know how you do.

Do take a look at Toilet of Flora. It’s all there on Google Books. Yes, most of these receipts are hilarious from where we sit, but some of them might be useful, if not for moist feet, then for authorial purposes. Enjoy.

Posted in Risky Regencies | 9 Replies

A Glimpse of the HEA

Updated on April 3, 2014 by Gail Eastwood

How do you feel about epilogues? Does it seem to anyone else that there’s a “current trend” going on to include them at the end of every story? I think every recent book I’ve picked up lately has had one. Is it a fad, or a change in readers’ tastes and expectations? Or is having that extra glimpse into the characters’ happy-ever-after ending something readers have always wanted all along? Do romances always need to have one?

I have been noticing and thinking about this, because I decided to add an epilogue to The Captain’s Dilemma while re-editing that book for reissue. TCD (my third book, published in 1995) is out now, I’m excited to report, on Amazon for Kindle and B&N for Nook, and also for Kobo and other formats through Smashwords. This is my “prisoner-of-war” romance. Read on below for details on the giveaway!

Meanwhile, back to our topic. I used to feel that a good romance that ended properly shouldn’t need an epilogue. If all the obstacles were overcome, the loose ends were tied up, and the hero and heroine finally figured out they were in love, admitted it to each other, and committed to a future together, that certainly seemed very satisfying to me! “Trail off into the sunset” endings were considered bad form.

Yet I think we all enjoy thinking of the characters we come to know and love during a good story as continuing on with lives that last beyond the pages of the book. So the question becomes, do you want the author’s view of it, or would you rather imagine it for yourself? And has this changed over time?

I used to call the lovely but inaccurate Allan Kass cover for my second book, The Persistent Earl, a “visual epilogue”, explaining that it showed the artist’s vision of the hero and heroine together after the story was over. (The heroine, a young widow, wears half-mourning throughout the book, but as you see here, on the cover she is in a beautiful gold satin gown.) Readers always thought that made perfect sense! Can you imagine the rest of this scene without having the words? I consider reading a collaborative process, and even though as an author I give the reader the specifics of my story, each reader brings some of her own imagination into the mix as she reads. I think that’s one of the great pleasures of reading, and one of the (many) reasons movie adaptations of our favorite books don’t always succeed –one director’s view of the story may not match up well with the personal version we have envisioned in our own heads. Ah, but that’s another entire topic.

My decision to write the Captain’s Dilemma epilogue was fairly easy –I never felt the book quite ended with all the loose ends tied up. More information about how the future was going to work for my French hero and English heroine was needed, but for the old Signet Regencies we had some strict length restrictions, and I had no room to add more back then. It has been great fun revisiting my characters and adding the extra scene they so deserved!

So what do you think? Are we seeing a “trend” for epilogues in romance now? Do you like them? If you are a fan of story epilogues, have you always been one? Is the abundance a recent phenomenon, or have I just become more aware of it lately? I’m going to give away a copy of The Captain’s Dilemma to someone randomly chosen among those who comment, and if we get a lot of comments, I’ll give away a second one! Keeping it simple. Please jump in. I’ll be very interested to hear your thoughts!

And if you want to know more about TCD, you can click here to see it on my web site. Or you can click here to see it on Amazon.