Today the Riskies welcome Sally MacKenzie, author of Kensington’s popular “Naked” Regency series. Sally’s The Naked Earl is in bookstores this month. Sally’s books have been praised as having a combination of humor, sensuality, and a hint of suspense. Here is what John Charles of Booklist said of The Naked Earl: “The latest in MacKenzie’s delectably sensual “Naked” historical Regencies series has plenty of sexy sizzle and charming wit.”–John Charles, Booklist
Sally is giving away a copy of The Naked Earl to one of our lucky readers who will be chosen at random Tuesday, April 10 at midnight and announced on the blog. Bertie the Beau has exerted himself to compose official Risky Regency contest rules. Please review them carefully or we will have to endure another Bertie snit!
1. Tell us about your latest book, The Naked Earl.
The Naked Earl is the third book in my Naked series, following The Naked Duke (Feb. ’05) and The Naked Marquis (March ’06). The characters continue and develop, but the books are all stand alone. This book opens with the earl fleeing naked across a portico roof to escape a marriage trap. He climbs through a handy window and into Lady Elizabeth’s bedchamber. Lady Elizabeth, as naked as he, screams–and then decides she’s had enough of being proper. She will be bold and daring just this once–of course, her courage is aided by her earlier overindulgence in ratafia. Various house party intrigues ensue as the earl and Lady Elizabeth–and other guests, as well–make their ways to happily ever after.
2. What, if anything, was “risky” about The Naked Earl?
I feel as if I’m always doing something risky with these books–if nothing else, humor is risky–but probably the most notably risky bit in the Earl is the fact that the hero has what we would call performance anxiety, or, as he puts it, “[h]is shy little organ would not perform in the presence of company.”
3. Tell us about the review of The Naked Earl in Publishers Weekly.
Ooo, how did you know I wanted to talk about that??
The review was definitely a surprise. My agent called on Groundhog Day and asked if I was sitting down. Since we were in contract negotiations at the time, I was rather hoping she was going to tell me the publisher had offered me a six figure deal. Well, a girl can dream, right? But the review was wonderful. I love almost every word. (They did get just a teeny tiny bit wrong.) Here’s the first sentence: “MacKenzie continues her spicy Naked series (following last year’s Naked Marquis) with another ribald Regency, this time centering on a country house party full of the punch-drunk loveless.” It goes on from there and concludes: “Providing plenty of heat and hilarity, MacKenzie has great fun shepherding this boisterous party toward its happy ending; readers will be glad they RSVPed.” Excuse me while I go gaze in rapture at it one more time….
Oh, and while I’m bragging, I’ll tell you that RT gave Lord Westbrooke a KISS. Here’s a quote from their four star review: “MacKenzie continues her delightfully humorous, sexy series with a nice and naughty naked hero who matches wits and wiles with an equally irresistible heroine in the author’s typically touching style.”
4. All these naked guys in your titles–what a great marketing hook. Did you plan it that way or just how did that come about?
Well, it began as dumb luck, I suppose. One of my friends, a former editor who was critiquing an early draft of my first book, told me my original title was horrible. I had to come up with something better, so I thought, hmm…a title is a marketing tool, so what sells? Sex and power, right? Power = duke; sex = naked, so–The Naked Duke! It fit, since the duke does appear naked in the first chapter. That’s how he’s, um, “dressed” when he meets the heroine, who also happens to be naked.
The Naked Duke provoked a lot of buzz, so when it was time to come up with a title for my second book, sticking with Naked seemed like a good idea. I had two other men, friends of the Duke, to write about. However, I also had a problem–too many earls! Robert Hamilton, the Earl of Westbrooke, played a role in the Duke and had to keep his title. The Earl of Knightsdale, Captain Charles Draysmith’s brother, was only mentioned in passing, so I “promoted” him to a marquis during copy edits for the Duke. Captain Draysmith inherits the title just in time to be The Naked Marquis.
5. You were one of Kensington’s “Debs.” Tell us about that.
In June 2004, Kensington started publishing one book a month by a new author. The books were offered at only $3.99 to encourage readers to take a…risk…on a new writer. (See, I was risky from the beginning!) The stories run the gamut from strict historicals in varying time periods to paranormal historicals to contemporary romantic comedy. An added benefit from my perspective was that the early “Debs” found each other online and bonded. We, and a few other Kensington writers who got their start at the same time, helped each other take our first steps through the publishing maze. We are still friends. You can find us at www.romanceunleashed.com.
6. Why do you write in the Regency era?
I discovered Georgette Heyer at my local library when I was still in grade school and fell in love with her books. I loved the story conventions and the plots, the Regency wit and language. (I even sometimes talk in “Regency-isms.” When I used “brangle” in a conversation, my husband gave me a blank look–that’s how I realized the word is archaic.) And I’m sure it is very un-American of me to say so, but I think there is something very sexy about the aristocracy and landed nobility. I used to wish that I lived during the Regency. Of course, being mostly Irish, I’d probably have been a scullery maid. And really, who wants to live without antibiotics, anesthesia, and modern flush toilets?!!
7. Did you come across anything new or interesting when you were researching The Naked Earl?
I found some interesting objects when I was trying to furnish my dungeon, learned how cue sticks developed in billiards, and stuck my toe into the landscape gardening debate, somewhat of a hot topic in the Regency.
8. Are there more naked guys to come? What’s next for you?
I’ve already handed in The Naked Gentleman, scheduled for May 2008, and I’ve just accepted a contract to write three more books, so I think I’ll be hanging out with Naked guys for a few more years!
Thank you so much for visiting with us, Sally! The Riskies wish The Naked Earl every success and we can hardly wait for the next Naked guy.
Sally will attempt to stop by, so all comments and questions for her are welcome (and will enter you in the contest).
Short post today and I don’t have great excuses, just TAXES. I procastinated. Again. And I as I sorted through the myriad of boxes where I put the records, not in anything like organized folders, I swore that next year will be better. Again.
Anyway, I have a 10:30 am appointment with the accountant so I gotta rush.
As I was searching for all the receipts of books I’ve purchased in the last year, a goodly number of those being research books, I recalled that I’m supposed to write an article for next month’s Wet Noodle Posse Ezine
called “Ten Tips on Feeding Your Muse.”
I have a few ideas about this, like getting a good night’s sleep (something taxes do not fascilitate) or going to see Washinton DC’s Cherry Blossoms in the Tidal Basin (they peaked yesterday!) I’m not sure I have ten of them, and if I do they are probably in a dozen different boxes upstairs.
So Risky Regencies readers, what are your favorite ways of feeding your muse, that creature who goes on a hunger strike once in a while and leaves you staring blankly at the computer monitor, hands unmoving on the keyboard?
Gotta go. (Yipes, I’ll probably be late!) When I get back, I’ll be looking for at least ten tips on how you feed your muse. I promise to give Risky Regencies credit!
Yesterday the RITA and Golden Heart finalists were notified so it was a day of joy for many who received “the call” themselves or whose friends excitedly made their announcements.
The RITA and Golden Heart are Romance Writers of America’s highest awards for excellence in the romance genre. The RITA is for books published in 2006 and the Golden Heart is for unpublished manuscripts from aspiring romance writers. The winners of the awards are announced in July at a glitzy ceremony at the annual Romance Writers of America annual conference. I am so lucky to have experienced this excitement at its absolute fullest – winning the Golden Heart in 2003 and the RITA in 2006, so I know exactly how wonderful this recognition can be.
There was no RITA category for Best Regency this year, but Regency era romance did very well anyway! In the Long and Short Historical categories, I am figuring all but two were set in the Regency era, and one of those was set in 1750, pretty close.
Very special congratulations to Pam Rosenthal, one of our frequent visitors to Risky Regencies. Pam’s The Slightest Provocation is a RITA finalist for Best Long Historical. Hooray, Pam!!!
Another pal of mine, Tracy Anne Warren is a Long Historical finalist, as well, for The Husband Trap. The Husband Trap is also up for a RITA for Best First Book. What a thrill for Tracy!
Mary Jo Putney is also a finalist for Best Long Historical for The Marriage Spell. Mary Jo was one of the first published authors I met when I started writing and she has always been very encouraging and helpful to me.
Julia Quinn is there in Long Historical, too, for On the Way to the Wedding. I had the pleasure of sitting next to Julia at an RWA booksigning. She has hoards of very loyal fans, let me tell you!
Eloisa James’ Taming the Duke is a finalist in the Best Short Historical category. Eloisa is another author who has always been friendly and nice to me, ever since I met her years ago at the RWA conference when her first book created such a splash.
Here are the Historical finalists for the RITA:
Long Historical
Surrender by Pamela Clare
Lady of Sin by Madeline Hunter
The Marriage Spell by Mary Jo Putney
On the Way to the Wedding by Julia Quinn
The Slightest Provocation by Pam Rosenthal
The Husband Trap by Tracy Anne Warren
Short Historical
The Barefoot Princess by Christina Dodd
She’s No Princess by Laura Lee Guhrke
A Duke of Her Own by Lorraine Heath
The Taming of the Duke by Eloisa James
Devil In Winter by Lisa Kleypas
Scandal In Spring by Lisa Kleypas
The Book of True Desires by Betina Krahn
The Devil’s Waltz by Anne Stuart
You can’t receive a higher romance award than the RITAs, in my opinion, but the Golden Heart contest is special in its own right. When you are trying so hard to break into publishing, there are few high spots. Mostly you endure a series of rejections until that magic moment when “the Call” comes that an editor wants to buy your book. Finaling in the Golden Heart is a huge boost. It doesn’t always lead to a sale, like it did for me, but it helps you get closer and it lets you know you do write excellent stories!
In 2003 when I was a Golden Heart finalist a yahoo loop was started for all the finalists as it is every year. But in 2003, the group just bonded in a special way and remain a strong support for each other even now, four years later. We named ourselves The Wet Noodle Posse. The Wet Noodle Posse made a great showing in the announcements yesterday!
Terry McLaughlin’s Make Believe Cowboy is a RITA finalist for Best Long Contemporary.
Stephanie Rowe’s Date Me Baby One More Time is a RITA finalist in Best Paranormal.
Mary Fechter’s Beneath the Surface is a Golden Heart finalist for Best Contemporary Single Title Romance.
Ramona Thompson’s Accidental Truth is a Golden Heart finalist for Best Inspirational.
Theresa Ragan’s Return of the Rose is a Golden Heart finalist for Best Paranormal
Trish Milburn’s Coven and her The Wishing Tree are Golden Heart finalists for Best Young Adult Romance.
What a happy happy day!! Congratulations to all the finalists and may you enjoy well-deserved recognition of fine work!
Diane won the 2003 Golden Heart for the manuscript that became The Mysterious Miss M and the 2006 RITA for Best Regency for A Reputable Rake.
What does the movie 300 have to do with the Regency period? Other than my eager anticipation, that is. I’ve now seen the move THREE times and, needless to say, I LOVED it. Not only was it visually stunning (and I’m not referring to the Spartan abs; one quickly accepts the undress as costume), it was marvelously acted (Gerard Butler was superlative. He totally inhabited the role of Leonidas), and quite emotional.
It also was very violent. I talked my friend Katie in to seeing the movie with me by saying, “The violence is so stylized, Katie, it won’t bother you.” Then watching the movie with her, I suddenly saw the blood and carnage. There are reasons it is rated R.
For those who may not know, 300 is based on a graphic novel by Frank Miller. It tells the story of the Battle of Thermopylae in 480 BC, when 300 Spartans sacrificed their lives battling the largest Persian army ever assembled. This battle is considered a pivotal event in history preserving Western Civilization. The movie was filmed against a blue screen; the setting and special effects were computer generated, making it a whole new movie-going experience.
This is, however, a Risky Regency blog. So what does 300 have to do with the Regency?
1. Regency education included studying Greek and Roman texts. I could imagine Regency boys reading Herodotus’s history of the Battle of Thermopylae and being as enthralled as the young guys in the movie theater. After the movie, one of them said, “That was awesome!”2. I also imagine that military men in the Regency studied the Battle. King Leonidas chose the High Gates, a narrow passage through the mountains, as the best place on which to fight the Persians. The terrain gave the massively outnumbered Spartans enough advantage to cause huge Persian losses. Wellington also used terrain to advantage. He picked the location of Waterloo for its advantage and at a crucial moment in the battle hid his troops behind a hill, surprising the French and helping to turn the battle around to victory.
3. The Spartan’s use of the phalanx formation, forming a line of shields and spears that made them impenetrable by the attacking Persians. In the Napoleonic Wars, when infantry formed squares, they were similarly impenetrable. At Waterloo, Wellington’s squares held over onslaught after onslaught by French cavalry.
4. After the Persian King Xerxes won at Thermopylae, his army pillaged Athens and destroyed its temple. The Parthenon replaced that temple. During the Regency, Lord Elgin rescued (purloined??) the marble friezes and took them back to England hoping in vain, to earn a fortune for them. The Elgin Marbles remain in the British Museum, and, coincidentally, 300 premiered in London March 14.
5. In 1823 Lord Byron traveled to Greece to join the movement for Greek independence from the Ottoman Empire. Before he could participate in battle, though, he died of fever. In his Don Juan canto, he wrote about Thermopylae:
Must we but weep o’er days more blest?
Must we but blush? — Our fathers bled.
Earth! render back from out thy breast
A remnant of our Spartan dead!
Of the three hundred grant but three,
To make a new Thermopylae.–Don Juan, Canto iii, Stanza 86On March 20 on the Wet Noodle Posse blog and the Warner Women blog, I’m going to talk about what the movie 300 can teach us about story-telling.
About love scenesAbout minor characters
About theme
Have you seen 300 yet? What did you think? Can you think of any other connection to the Regency?
Remember this day, men, for it will be yours for all time–King Leonidas
Diane