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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

langdonJust as Janet has released A Certain Latitude, I’m starting to rework my first book, Lord Langdon’s Kiss, on the opposite end of the heat spectrum, though.

Lord Langdon’s Kiss is my only totally “sweet” traditional full-length Regency. (Even though I’m not comfortable with the idea that “sweet” and “hot” are opposite ends of a spectrum–you can have emotional warmth and sensuality at the same time–I use the terms because everyone understands them.) I haven’t reissued it yet because I suspected it needed some rework to meet the standard of my subsequent books.

When I first talked about the idea of a Do Over, Carolyn suggested it might turn into a completely different story. Now that I’m getting into it, I don’t really see that happening. I like the characters pretty much as they are (with some tweaking I’ll describe further down) and I’d have to really change them in order to send the story in a different trajectory, like making it sexier. I’ll keep the same title, because it’s going to be very much the same traditional Regency, but better. I hope.

It’s not a story I would write now. Instead, I’m pretending to be the older, wiser critique partner of my younger self and giving her advice on how to improve the story she imagined.

As I’m reviewing the manuscript, I can see that my suspicions were right. The hero is a blockhead. That was intentional, and still is, but I need to better set up the reasons why he’s a blockhead at the start, and he needs to get a clue sooner. The initial conflict goes on for too long.

The other thing is the introspection. I love introspection, but in my later books I think it’s much more in balance with everything else. In Lord Langdon’s Kiss it really goes on and on! A lot of the older Regencies have that, but it doesn’t suit modern tastes and I actually think the story will benefit from tightening.

Has anyone else ever dusted off and reworked an old project? (It doesn’t have to be a book.) Do you smile or cringe at what your younger self produced? Have you been happy with the results?

Elena
www.elenagreene.com

Last week I talked about the Regency pianofortes I saw at the Museum of Fine Arts in Boston. Here are a few more intriguing items from their collection of musical instruments.

violadamoreMy daughters play violin, so they were wondering about this. It looks like a violin or viola but instead of the usual four strings, it has twelve! It turns out it’s a viola d’amore, which can have twelve or fourteen strings. The top set are played in similar fashion to a regular violin or viola; the lower set vibrates sympathetically.

The viola d’amore was popular in the Baroque period. It probably wasn’t played much during the Regency, except perhaps at Concerts of Ancient Music put on by the London Concert Society (1776-1848).

Here’s the Vivaldi Concerto for viola d’amore and lute with soloists Enrico Onofri and Luca Pianca. The viola d’amore comes in at about 1:10. I love this performance!

lyreguitarThis beautiful instrument is a lyre guitar, circa 1810, clearly showing the classical influence popular during the Regency. The plaque dismissively calls it a “fad” but a Regency heroine could definitely have played one. In this video, John Doan provides a history of the instrument, illustrated with some period portraits. At around 2:50 you can hear him play.

ditalharpThis instrument was labeled the dital harp, circa 1820. I’ve also seen it called a harp/lute. This is another instrument that could have been played by a Regency lady. I was able to find this charming video of Sarah Deere-Jones singing a popular Regency song, “The Last Rose of Summer”, in Regency garb, and accompanying herself with a Regency era harp/lute. Enjoy!

Did any of you know about these instruments before? Do you have any favorite unusual instruments?

Elena

www.elenagreene.com

Since Amanda is busy moving (hope it’s all going well, Amanda!) I promised to switch days with her. And promptly forgot, in the havoc of getting back from the New Jersey Romance Writers conference and trying to get the family and household back on track!

BroadwoodpianoAnyway, I’m here now. Back in the summer, I had the chance to visit the vast and wonderful Museum of Fine Arts in Boston. There were many highlights to the visit, but an unexpected one was their varied collection of musical instruments. I’ve been meaning to blog about it ever since, but it went onto the back burner as I was finishing Fly with a Rogue and taking my oldest on college visits.

One of the most striking pieces in the collection is this superb grand piano. It was made in 1796 by John Broadwood & Sons for Manual de Godoy, ambassador to King Carlos IV of Spain. The decoration was designed by Thomas Sheraton and the jasperware cameos are by Josiah Wedgewood. I took some pictures of the details. Apologies for the fuzziness, but you can get an idea anyway.

Broadwood2

Broadwood3

 

 

 

 

 

 

 

 

 

 

 

This is certainly the sort of instrument one could imagine in the house of one of our fictional dukes.

squarepianoAt the other end of the room, there was this square piano, made around 1770 in England by Johann Christoph Zume and Gabriel Buntebart. At about 5 octaves, this was the first type of piano to be commercially successful and became very popular. A vicar’s daughter type heroine could have afforded to play a piano like this one.

Here is Vladimir Pleshakov playing Bonifacio Asioli’s 1795 Sonata on a 1795 Broadwood grand. According to the comments, the pianoforte pictured is actually of a later date, unfortunately.

Next week I’ll post about some of the more esoteric instruments in the collection.

Can any of you picture yourselves playing these instruments? I can–in my Regency fantasies!

Elena
www.elenagreene.com

Congratulations to the following winners of the Lady Dearing’s Masquerade audiobook!

Robin Greene, Lesley A, bn100, Julie, Jane A, Sheila C, Melody May, Cassie P, Billie Jo M, and Stacy

I will email you your download codes this evening, when I get back from the New Jersey Romance Writers conference. If you don’t get an email by Monday, please contact me at elena @ elenagreene.com (no spaces) and I’ll send it again.

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