Back to Top

Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

Sometime in the 90s I discovered THE VAMPIRE VISCOUNT, by Karen Harbaugh. It was the first Regency I’d ever read with true paranormal elements, and at first I was afraid it was going to be gimmicky. But the good writing, the very real, memorable characters won me over. Perhaps it should’ve been no surprise that a smooth, elegant vampire–dressed to the nines, appearing only at night–fit in quite well with Regency society. And the story was so refreshingly different.

For the time, it must’ve been a risky thing to do a vampire Regency. As it turns out, I heard later from an editor at Zebra that they’d gotten complaints from book club members when they did a vampire Regency anthology. But THE VAMPIRE VISCOUNT ended up with a number of impressive credits, including America Online’s Romance Reader’s Board, Best Regency, 1995.

When I picked up THE PERFECT BRIDE, by Eileen Putnam, I didn’t even realize there was anything paranormal about it. The title I thought rather bland, and the cover didn’t have much hint of paranormal elements, except for the rather odd expression in the heroine’s eyes. Maybe it was an attempt to hint at the delightful and witty ghosts that helped the romance along, though neither hero nor heroine were every really aware of them.

Anyone else have some favorite paranormal Regencies to share?

Elena
LADY DEARING’S MASQUERADE, an RT Top Pick
www.elenagreene.com

I’ve just returned from a busy but fun vacation that ended with two lovely days with my dear friend and fellow Regency author Gail Eastwood. We spend the first of those days touring just a few of the famous homes in or near Newport, Rhode Island.
We began with the Breakers, the home of Cornelius Vanderbilt II, commissioned in 1893 and the most imposing of all the Newport mansions. Here Gail and I are posing on the terrace overlooking the water. And here’s a picture of the Great Hall by CC-BY-SA-3.0/Matt H. Wade at Wikipedia. 
 
I found the tour very interesting, but I have to admit the style of the Breakers did not appeal to me. Although I like ornamentation, I prefer designs that allow some resting places for the eye. At the Breakers the goal seems to have been to give every available surface some sort of special treatment.  It just seemed like Too Much. But the Gilded Age was the era that coined the phrase “conspicuous consumption”.
Comparing the Breakers with homes I’d toured in England, my impression is that the goal of houses like the Breakers was more the display of wealth than taste. In my favorite English homes, I like to think the designs were inspired not only by a desire to demonstrate good taste but a genuine love of beauty as well. 
Gail told me I’d probably find many of the other Newport mansions gaudy, so she suggested we visit Rosecliffnext. According to the online guide, “Commissioned by Nevada silver heiress Theresa Fair Oelrichs in 1899, architect Stanford White modeled Rosecliff after the Grand Trianon, the garden retreat of French kings at Versailles.” We agreed that the more restrained style was more elegant but also very romantic.
Our modern sensibilities still don’t easily embrace the idea of a family living in a home vastly greater than their needs, with an army of servants to keep it up.  It does make more sense if one considers the scope of their entertaining. In fiction, the house party stories like Gail’s recent reissue, An Unlikely Hero, need this sort of grand setting.
I don’t have problems with fictional heroes and heroines living this lifestyle as long as they treated those who lived and worked on the estate kindly. To have them question this arrangement would feel anachronistic without the right setup, perhaps an unusual upbringing that would have been considered revolutionary (probably not in a good way).  
Nevertheless, I’m glad that famous houses in England and elsewhere are now opened up as museums. I’m glad they’re also used as public spaces for concerts, weddings and other functions.  It seems right to me that those without the means to live in such over-the-top settings can still enjoy them now and then.
Our final stop was Green Animals. The house is relatively modest, decorated in Victorian style but cozy rather than overdone. The real star of this property is the garden populated with topiary animals. We were lucky to make it there for the last hour and tour the garden, bathed in late afternoon sunshine, though we heard rumbles of thunder from the north.
Learn more about the Newport mansions and other estates at www.newportmansions.org.
Have you ever toured the Newport mansions or anything similar? What did you think?

The day after our tour of some Newport mansions, friend and author Gail Eastwood and I enjoyed a day at this lovely Rhode Island beach.

At 65 degrees, the water was brisk but refreshing and we had a nice swim. If this were the Regency, we would still have been able to go in the water. But instead of wearing modern bathing suits and running in (OK, wading in slowly), we would have had to enter using a bathing machine, possibly drawn by a donkey or pony, and we would have worn period-appropriate bathing gowns.

Instead of the sexes mingling freely on the beach, areas would have been dedicated to ladies and to gentlemen. However, some ogling may have occurred, as there are accounts of gentlemen employing telescopes to view ladies entering or exiting the water. Not sure why–perhaps the bathing dresses got a bit clingy when waterlogged?

After our swim, Gail and I went for a walk on the beach, happily barefoot. A fellow Regency writer once pondered the question as to whether a lady might do that during the Regency. I don’t have a definitive answer. I would guess not on a busy beach, since it would entail untying a garter and removing stockings in public. On the other hand, if it were a very private beach, perhaps on the hero’s coastal estate, and hero/heroine were alone… I will leave what clothing might be removed to your individual imaginations.

Some Regency ladies would have collected seashells and pretty stones, as we did. Here’s my trove, including what Gail told me is a “lucky stone”, since it has a contrasting band going all the way around it. Perhaps it bodes well for my mess-in-progress?

I’ve never done anything with my finds but display them in glass jars. But as I started googling around to see what Regency ladies might have done with them, I became intrigued. Although shellcraft become even more popular in the Victorian era, the idea of creating decorative objects or even decorating walls and furniture with shells began earlier, definitely by the Georgian period.

Mary Delany (1700-1788) was an English Bluestocking and artist. Her first marriage was unhappy; she wrote that “Why must women be driven to the necessity of marrying? a state that should always be a matter of choice! and if a young woman has not fortune sufficient to maintain her in the situation she has been bred to, what can she do, but marry?” Her second marriage was happier and she spent much of her time gardening, painting and decorating interiors with shells. Later in life she began to make paper flower “mosaicks” some of which are at the British Museum. I would have liked to have known Mary Delany. Unfortunately, it was hard to find images of her shellcraft in time for this blog.

Jane and Mary Parminter, two spinster cousins, returned from their Grand Tour late in the 18th century. They had a 16-sided house,  A La Ronde, built for them and decorated it with many of the treasures from their travels.  Here is an image of the shell gallery they created.

Regency folk could have indulged in various forms of shell craft, from decoration of glove boxes and trinket boxes to the creation of romantic shell grottoes.

I used to associate shell art with the silly sorts of things you get at tourist shops. But as I googled around this week, I saw many artistic and beautiful creations. I am not personally that excited about some of the extravagant Victorian creations, things like vases of shell flowers under glass domes. Although I appreciate the craftsmanship and time involved, my personal preference is for art that shows off the natural beauty of the shells rather than making them look like something else.

I found some lovely examples of shell art at Fine Shell Art Blog.  Through that blog, I discovered the work of shell artist Peggy Green.  Here’s just one example of her exquisite work.

Through the Fine Shell Art blog, I also discovered a gallery of shell art so tacky that some of it is downright scary. You can check it out here but don’t say I didn’t warn you!

In any case, do check out the lovely items on Peggy Green’s site, www.shellartist.com.

So what’s your favorite thing to do at the beach? Are you into shell collecting? What do you think of shell art?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Last week, I had painters in sprucing up my kitchen, the master bathroom and the hall. I chose relatively quiet colors for the latter two. Pale blue for the bathroom to match the adjoining bedroom, a color I find very restful. A warm, slightly caramel cream for the halls, because I think a neutral color gives the eyes a resting place in between more colorful rooms. (My kids’ rooms are very colorful.)

I got bold with the kitchen. When we first bought the house, the walls were covered in a hideous 70s avocado green textured wallpaper that didn’t suit our Colonial style house. We got rid of that but then my husband and I couldn’t agree on what to do next. I found a botanical border that went well with the Portmeirion china we’d bought at the seconds shop in England and I wanted to paint the walls green, with stripes. Having been raised in a home that was all neutrals, I really wanted to try some color but my husband balked at so much green. We ended up using the border but leaving the walls white. It looked bland from the start and got worse over time. I do NOT recommend painting a kitchen white if you are a messy cook or have kids! Anyway, this summer I finally got my way and I’m very pleased with the result.

Although white was very popular for clothing during the Regency, it was very rare for it to be used on walls. As it turns out, people during the Regency weren’t afraid of color either.

One of my favorite books on Regency décor, Regency Style by Steven Parissien has a chapter on “Colours and Coverings”. He writes that “In spite of the increasingly large number of colours available, however, one colour was predominant in the principal interiors of Regency Britain: red.” D. R. Hay, in his Laws of Harmonious Colouring wrote that ”a proper tint of crimson is the richest and most splendid colour for the walls of a room”. It was often used for dining rooms and was also considered “the best ground for pictures”. Here’s the famous red dining room designed by Sir John Soane.

Green was also popular and much used in drawing rooms and libraries. Here’s a room I like very much: the Morning Room at Pickford’s House, a late Georgian house in Derby.

Bedrooms were supposed to be “light, clearing and cheerful” and were often blue, so my pale blue bedroom is very much in the Regency spirit. I also like the bedchamber below, from  Royal Crescent No.1 in Bath.

According to Parissien, yellow was controversial although it was sometimes used. ‘Drab’ colors (more subtle shadings of green, gold and brown) were also popular. Now, those sound like 70s colors to me!

So how about you? What are your favorite Regency colors or interiors? Which colors do you like best for decorating? Have you experimented with color, and how did it turn out?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Hello!
I meant to have a carefully written and hopefully interesting post up today but there are painters in the house today, sprucing up our hall, kitchen and the master bathroom. Yesterday, as I was preparing for them, we had to scoot to the basement because of a tornado warning (fortunately one did not touch down in our neighborhood, though it wrought massive havoc in the town of Elmira, not too far away).  Then our power was out for hours, so I couldn’t write the post nor could I properly prepare for the painters.

So today I’m scrambling. They’re in the house now and although they are good guys who have done good work for us before, it is still chaos.  I wish this could be done by magic wand instead!

So anyway, I wish I were at RWA. The last time I went was in 2008 (see Risky picture above). However, I will soon have a nicer-looking house and I am looking forward to going to the New Jersey conference in October, so I have both of those to look forward to!

So how are you spending your weekend?  Those of you at RWA, please take lots of pics and be ready to tell us all about it!

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Posted in Writing | Tagged | 3 Replies
Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com