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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

Since I’ve been working hard on finishing my balloonist story and can’t read romance while trying to write it, I’ve been catching up on books in other genres, especially those recommended by friends. Of these, my favorites were The Red Tent by Anita Diamant and Year of Wonders: A Novel of the Plague by Geraldine Brooks. To me, there’s something moving and deeply satisfying about each of these.

I’ve also read some outstanding YA novels with my daughter. These had me totally engrossed: the first two books in Mary Jo Putney’s Dark Mirror series and Jane George’s The Mumbo Jumbo Circus. Although settings and styles of these books are very different, both weave in great writing, intriguing characters and magic.

Although it’s not a book or movie, another exciting discovery was hearing up-and-coming pianist Shai Wosner play Beethoven’s 4th piano concerto with the Binghamton Philharmonic. Although he has immense technical talent, he plays with loving attention to every note and phrase, allowing the music to speak, never just showing off. I’ve added a clip of him playing Schumann’s “Carnaval”.

Continuing in the spirit of trying new things, my family and I will once again cook together on New Year’s Eve, trying recipes we’ve never made before. One year we tried making individual Baked Alaskas—a science experiment that sort of blew up but the debris was rather tasty! This year should be easier. The menu is herb stuffed mushrooms to start, bacon wrapped scallops as the main course and for dessert, lemon poppy-seed cake with glaze.

What were your discoveries of 2011? Are you planning anything special for New Year’s Eve? Whatever it is, I hope you have fun and that 2012 brings you much joy!

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

I recently read this article by Alison Barnes in History Today. It describes how Queen Charlotte (Prinny’s mother) introduced the Christmas tree to England by setting one up at Windsor in 1800. It was decorated with “bunches of sweetmeats, almonds and raisins in papers, fruits and toys”. I wish I could locate a picture!

The article lists several examples of Christmas trees during the Regency and states that the tradition was “firmly established” by 1818, although information I’d read before indicated that Christmas trees were not that common during the Regency. The article goes on to say that by 1860 nearly every family of means had one. This makes me think that Queen Charlotte started the custom but perhaps it was Victoria and Albert’s famous tree of 1846 that made it universal.

Our own tree is a hodge-podge. At one time I had this vision of a designer tree and so I started a collection of blown and cut glass ornaments and made a bunch of crocheted snowflakes. But life evolved and so did the tree. I still enjoy my glass ornaments and my snowflakes, but I’m happy to let them share space with others: stuff my children have made (Q-tip snowflakes decorated with craft store “jewels”, Vaguely Identifiable Things made out of pipe cleaners and beads), my husband’s sports ornaments (featuring the Mets, Giants and Rangers), and a Star Trek shuttlecraft that plays a holiday greeting from Mr. Spock. It’s all good and I don’t miss the designer tree at all. 🙂

Do you have a Christmas tree? What are your favorite decorations?

Happy Holidays!

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

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As far as I can recall, Jane Austen never used the term “rake” in her stories, but it’s my understanding that during her time, it had a different spin than we put on it in modern historical romances. Jane’s villains tend to be what might have been called rakes; their common trait is they take advantage (or try to) of women in the stories. Her heroines always end up with the good guys.

Jane’s bad boys aren’t all equally villainous and I have a little more sympathy for some than others. Actors’ interpretations can bring out nuances, too.

Frank Churchill from Emma is the lightweight, more selfish puppy than dark schemer. I can’t remember enough of other portrayals of Frank Churchill to judge, but here’s Ewan McGregor in the 1996 (Gwyneth Paltrow) version.

At the other extreme, Pride & Prejudice’s Wickham is pretty loathsome. Here are Adrian Lukis and Rupert Friend, from the 1995 and 2005 versions, respectively. I think Lukis’s Wickham is a little too obvious to fool Elizabeth. Friend, on the other hand, has a gaunt look about him that makes him seem more vulnerable and thus more deceptive.

William Elliot from Persuasion is another villain without redeeming qualities, but at least Anne sees through him pretty quickly. Here’s Samuel West, from the 1995 film that is my favorite adaptations. Honestly, I can’t remember other portrayals. I need to watch more Austen movies over the holiday break!

Willoughby (Sense & Sensbility) is more interesting. Dominic Cooper in the new version seemed kind of a toad; I prefer Greg Wise’s portrayal in the 1995 (Emma Thompson) version. He gives the sense that he will regret giving up Marianne for the rest of his life. Though perhaps he deserves his fate, I can’t help feeling a little sorry for him.

I also find Henry Crawford from Mansfield Park intriguing. Although I haven’t yet seem a film version of MP that I liked, here’s Alessandro Nivola in the 1999 version.

Although I find these last two the most well rounded as villains, they’re still not quite the reformable rakes of historical romance, who may get around but don’t treat women as badly.

So what do you think of Jane’s bad boys? Which do you find most interesting? Which actors did the best job with them? What do you think of good guys versus rakes in historical romance?

Comment for the chance to win either the annotated copy of Pride & Prejudice or Persuasion. Our Jane Austen Week winner will be announced on Monday.

And congratulations to the following winners of the Kindle ebook of THE REDWYCK CHARM. Please send your email address, and if you wish, the email address of a friend who might enjoy a copy, to elena @ elenagreene.com (no spaces).

Virginia
Beebs
Bibliophile
Na
Barbara E

Happy holidays!

Elena

www.elenagreene.com
www.facebook.com/ElenaGreene

During the Regency, farces were short comic plays, generally performed after a full length drama on the same evening. But I’ll admit I’m not as familiar with Regency farces as I am with modern ones.

When I saw a TV rerun of the 1968 film version of “A Flea in Her Ear”, written by George Feydeau in 1907, with Rex Harrison and Rosemary Harris, I loved it: the mistaken identities, the timing, the sheer silliness. Since then I’ve seen a few live farces. The funniest of them is “Noises Off” by Michael Frayn, what he called a “farce from behind”, in which a troupe of actors stumble catastrophically through a farce and their mistakes are funnier than what was originally intended.

I like Regency romps too: romances that take some of those elements of farce and combine them with a love story. I’d call many of Georgette Heyer’s Regencies romps. Barbara Metzger did a great job with this type of story. In historical romance, Julia Quinn and Loretta Chase have written some fantastic Regency romps. It’s this sort of blend of romance and humor that I aimed for in THE REDWYCK CHARM, the second book in my “Three Disgraces” series, in which the heroine masquerades as an opera dancer and the hero pretends to be a rake.

Do you enjoy farces and romps? What are some of your favorites?

I’ll be giving away 5 Kindle copies of THE REDWYCK CHARM to commenters chosen at random. If you win, you can also nominate a friend to receive a free copy. Void where prohibited. You must be over 18. No purchase necessary. Post your comment by midnight EST on December 16. I will post an announcement on Saturday, December 17, so please check back to see if you have won.

And here’s a clip from the South Coast Repertory Company’s production of “Noises Off”.

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

In the past, I’ve taken the Unplug the Christmas Machine workshop, designed to help people focus on what is personally meaningful during the holidays, rather than burn out trying to do it all. For me, music is essential. Last week, I attended the “Lessons and Carols” concert with our local Madrigal Choir, who often perform older, less well known carols. If like me, you are tired of “Carol of the Bells” being used to sell cars and electronic gadgets, you might want to check out some of these videos for a taste of an earlier, less commercialized Christmas.

The first Christmas carols to appear in English were in a 1426 work by John Awdley, who listed 25 “caroles of Cristemas”. Carols were sung by wassailers who went from house to house and also as part of mystery plays. The carols were often only loosely based on the Christmas story and considered entertainment more than a religious practice.

Here’s an example, “The Cherry Tree/10 Joys of Mary” performed by Nowell Sing We Clear, a group devoted to preserving these early Christmas carols. I’ve seen them and they put on a great show.

Here is a performance of the Coventry Carol by the Westminster Cathedral Choir. This is part of a 16th century mystery play, depicting the Massacre of the Innocents when Herod ordered all male infants in Bethlehem to be killed. It makes me cry, but I believe stories like these are an important reminder to be compassionate during this season.

Cromwell and the Puritans tried to suppress the singing of carols, but not surprisingly, did not succeed. Carol singing survived into “our” period and carols continued to be composed and recorded. “God Rest Ye Merry Gentlemen” was first listed in a 1760 broadsheet and is probably older than that. Here’s a performance at King’s College, Cambridge.

By the Regency, many Christmas customs were considered rustic and weren’t practiced by the upper classes. Our Regency romance characters gathering around a Christmas tree to sing carols, though not impossible, wouldn’t have been the common thing. While Queen Charlotte did have a Christmas tree at Windsor in 1800, that custom and the singing of carols (especially in church) were more a Victorian thing.

But the process did begin during the Regency. Already, some people longed for simpler, bygone traditions. Some began to create collections of Christmas carols, Davies Gilbert with “Christmas Carols” published in 1822 and William Sandys with “Christmas Carols Ancient and Modern” published in 1833. During that period and later, old carols were revived and many new ones composed.

Here’s “Gaudete” performed by the John Brown University Cathedral Choir. “Gaudete” is from “Piae Cantiones”, a compilation of Finnish and Swedish sacred songs which was published in 1582 but only came to England in 1853. So it’s not Regency at all but I’m including it because I love it!

Another favorite of mine is “Masters in this Hall”. I thought it was older, being fooled by the fact that it is based on an old French dance tune, but the lyrics were written by William Morris in 1860.

What do you think of these? What are your favorite carols? How do you try to “unplug” Christmas?

And congratulations to the following winners of the Kindle ebook of THE INCORRIGIBLE LADY CATHERINE. Please send your email address, and if you wish, the email address of a friend who might enjoy a copy, to elena @ elenagreene.com (no spaces).

Jacqueline Seewald

Keira Soleore

Margay

Shelley Munro

librarypat

Happy holidays!

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

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