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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

Watching the red carpet show before the Oscars and seeing some of the actresses reminded me that we’ve done a lot of discussion on models and inspiration for our heroes, but not much about heroines.

Like many writers, I use pictures of actors, not only to send to the art department in the valiant hope of an accurate cover, but also to help me visualize my characters. I choose people who look right but also–at least in some fleeting cinematic moment I happened to catch despite my chronic tired mommy state–capture some aspect of my characters.

Right now, I’m using a slightly younger version of Laura Linney as inspiration for the heroine of my current mess-in-progress. She has a way of looking stressed out and lovely at the same time which is good for this particular heroine.

Also on the red carpet was Keri Russell, who happened to be the inspiration for my very first heroine: Nell, from LORD LANGDON’S KISS. Keri looked gorgeous on the red carpet and didn’t appear much older than in the photo I sent in eight years ago! I find it amusing that the hairstyles look similar, at least from the front.


This is Liv Tyler, who has the moody sort of beauty I wanted for THE INCORRIGIBLE LADY CATHERINE. They gave her the Obligatory Regency Cover Smile but it was all right for the scene depicted and the artist captured the eyebrows. I was less happy with the hero–in my mind I saw him as looking like a sexy blacksmith (though in gentleman’s clothes). I’ll spare you the result…


I sent in a picture of Gwyneth Paltrow for Juliana in THE REDWYCK CHARM. In the cover, her hair is red because she had dyed it at that point in the story. In any case, it’s not a bad likeness. I think the hero looked pretty handsome though that flip of his hair is a bit odd.


Sorry about the graininess of this picture; I can’t find the original one of Jo Anderson I sent in as a likeness for Penelope in SAVING LORD VERWOOD. It was hard to find a red-haired actress who fit the part. As it turns out, I need not have bothered because they somehow transformed her into a blonde. I’ve heard of authors changing their manuscripts to fit the cover but as Pen had already appeared in the two previous books as a redhead I wasn’t going to do it! Anyway, this cover was actually one of my nicest with a dishy looking hero, so I won’t complain any more.


For LADY DEARING’S MASQUERADE, I chose Michelle Pfeiffer. Like Michelle Pfeiffer’s character in THE AGE OF INNOCENCE, Lady Dearing is the Wrong Woman–or more correctly, thinks she is, because of course she does get her happy ending. The cover image for this book was absolutely tiny but the heroine looks more or less right. The hero is absolutely wrong–not only does he NOT look anything like Colin Firth but he’s also got a pretty awful mullet. I’m glad the image was tiny!


So how well do you think these covers depicted my heroines? Which actresses do you use or would you like to see as inspiration for heroines?

Elena
www.elenagreene.com

I beg your indulgence today. I’m going to sound a little bit grouchy, so please forgive me, and assume it’s all because

(1) Johnny Depp, Amy Ryan, and the green dress didn’t win the Oscars they deserved;

(2) I spent so long caring for my sick husband (days! maybe even a week!) that my mind has irretrievably gone;

(3) I’ve secretly been a grump all along, and have finally lost my ever-so-thin veneer of niceness due to normal wear and tear;

(4) I’m suffering from severe lack of tea; or

(5) I’m currently being forced (by a secret government agency) to read a book lacking in either proper grammar or any respect for history, and am the worse for it.

My post today is, you see, on how to be sharp.

SHARP WRITERS:

SHARP WRITERS don’t develop a pathological fear of either adverbs or the past perfect tense. And if they do, they don’t start using the simple past tense in place of the past perfect, or adjectives in place of adverbs.

SHARP WRITERS never write any of the following: alot, alright, “he drug her down the stairs” (believe it or not, I’ve seen this nonexistent verb tense several times recently, in published books!), Jane Austin, Lizzie Bennett (Austen spells it “Lizzy Bennet”), or “here here!”

SHARP WRITERS find out what words actually mean before using them. (Yes, words like literally, embark, pigtails, castle, and unique do have actual meaning.)

SHARP JANE AUSTEN MOVIE FANS

SHARP JANE AUSTEN MOVIE FANS may enjoy learning that the following actresses, all of whom have appeared TV or film versions of Austen’s works or of other Regency-interest works, were all just nominated for Olivier Awards (the most respected award for London Theatre):

Kelly Reilly, who played Miss Bingley in the 2005 PRIDE AND PREJUDICE, was nominated for playing Desdemona in OTHELLO at the Donmar Warehouse.

Anne-Marie Duff, who played Louisa in the TV miniseries ARISTOCRATS (1999), was nominated for playing Joan in SAINT JOAN at the National Theatre.

Penelope Wilton, who played Mrs. Gardiner in the 2005 PRIDE AND PREJUDICE, was nominated for playing Ella in JOHN GABRIEL BORKMAN at the Donmar Warehouse.

Fiona Shaw, who played Mrs. Croft in the 1995 PERSUASION, was nominated for playing Winnie in HAPPY DAYS at the National Theatre.

Speaking of Austen adaptations, please join us next Tuesday (March 4) to discuss the Olivier/Garson version of PRIDE & PREJUDICE, and March 24 to discuss the Kate Beckinsale EMMA!

There you have it!

Question for the day: What would you like to add to my “Sharp Writers” list? (All answers welcome!)

Cara
Cara King, who once saw Fiona Shaw play Richard II

Posted in Uncategorized | Tagged , | 26 Replies

With apologies to ZZ Top–I couldn’t resist! Anyway, I’d like to share some more tidbits from LIFE IN WELLINGTON’S ARMY, with thanks to Antony Brett-James for helping us all create our hot military heroes.

This time it’s about the uniforms. Wellington, nicknamed ‘the Beau’, dressed well himself. “Larpent says he had the skirts of his coats cut shorter in the Peninsula to make them look smarter, and one day in 1813 he found Wellington discussing with his servant the cut of his half-boots and suggesting alterations.” However, Wellington didn’t fuss about his army’s attire. Grattan of the Connought Rangers wrote: “Provided we brought our men into the field well appointed, and with sixty rounds of good ammunition each, he never looked to see whether their trousers were black, blue or gray; and as to ourselves, we might be rigged out in all colours of the rainbow if we fancied it. The consequence was, that scarcely any two officers were dressed alike! Some with grey braided coats, others with brown; some again liked blue; while many from choice, or perhaps necessity, stuck to the ‘old red rag’.”

I was interested to learn that some regiments wore kilts, which “did not always prove to be practical garment for campaign life. While advancing to the heights of Puebla during the Battle of Vitoria, the 92nd had to cross ditches so thickly lined with thorns and briars that the blood ran trickling down many a soldier’s leg.” By 1814 the Black Watch was the only regiment still wearing the kilt.

Wear and tear and dust played havoc with uniforms. One day in 1808 Captain Landemann of the Engineers and Major-General Henry Fane were riding side by side and observed there was little difference between their coats; the former was originally blue, the latter red. Another observer described how red coats deteriorated to something “as ragged as sheep and as black as rooks.”

Here is Captain Mercer’s description of the troops parading in Paris after Waterloo:

“The colour had faded to a dusky brick-dust hue; their coats, originally not very smartly made, had acquired by constant wearing that loose easy set so characteristic of old clothes, comfortable to the wearer, but not calculated to add grace to his appearance.”

A French student watching the same review wrote: ‘Oh! It was really like being defeated twice over, bis mori, to have been beaten by an army so badly turned out as the English army was…How could one be a good soldier under that little sugar-loaf of a peak, with the inelegantly cut red jacket, those grey trousers clinging to knock-knees?”

As for me, I’m not so turned off by a scruffy exterior. On the other hand, there’s nothing wrong with a dandy hero either—dandies have an understanding of pleasure and luxury that can be very sexy. I like variety in my fantasy men. I’ve got one dandy in my idea file. Still, I’ve got a slight preference for heroes who are active and look it. And I’d mend Richard Sharpe’s shirts any time! 🙂

How about you? Do you prefer your Regency heroes nattily turned out or on the rugged side?

Elena
www.elenagreene.com

Posted in Uncategorized | Tagged , , | 9 Replies

Hello, and happy Tuesday!

First, a NOTICE: I have now twice mis-stated the date on which Risky Regencies’ JANE AUSTEN MOVIE CLUB will discuss the Olivier/Garson Pride & Prejudice! (Careless. Sorry.)

The correct date is Tuesday, March 4. (I kept saying Tuesday, March 3, which doesn’t exist. In this universe, anyway.)

(For those of you joining us for the first time: the Jane Austen Movie Club meets here the first Tuesday of every month, and sometimes on other Tuesdays, to discuss various Jane Austen TV and movie adaptations. Please join us!)

Second, a CLARIFICATION: Those of you who get our brilliant newsletter might have received the implication that our discussion of this same Olivier/Garson Pride & Prejudice will follow the airing of it on PBS.

Sadly, this is not the case. They’re not airing it. (Though if you ask me, they should just stop showing all that other silly stuff and become the All Jane Austen All the Time network…) So if you’d like to participate in our discussion, you can either do it from memory, or track down a copy of the DVD or tape within the next two weeks… Or just stop in and say hi!

Third, a QUESTION: The BBC Emma (with Kate Beckinsale) airs March 23. I had originally not scheduled it for discussion on the following Tuesday (March 25) because if we run through too many Austen adaptations too quickly, we’ll run out of things to discussion in the Club and the Club will have to end sooner.

Then again, we could always talk about adaptations of the Scarlet Pimpernel, Sharpe, Hornblower, etc… And the advantage of discussing it on March 25 is that it will be fresh in everyone’s minds…that is, if they’ll be watching the showing on PBS.

So: what’s your vote? Beckinsale Emma on March 25, or not?

And now, fourth, so that this post won’t be entirely full of information and other tedious stuff, here is part of an actual 1804 NOTICE OF HORSES FOR SALE:

TO BE SOLD AT LEWES, ON THE FIRST OF AUGUST

Being the vacant Day between BRIGHTON and LEWES races.

LOT 1: THE Stallion, Waxy, by Pot8o’s, out of Maria, by Herod, her dam, Lisette, by Snap, out of Miss Windsor. He is sire of Mr. Wilson’s colt, that was second for the Derby Stakes.

LOT 2: Kezia, by Satellite, out of Waxy and Worthy’s dam, &c. &c. with a colt at her foot by Waxy, and covered by him again.

Long live the Regency!

Cara
Author of MY LADY GAMESTER, in which the horses had slightly less strange names than Pot8os)

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