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Author Archives: Janet Mullany

Here are a few discoveries from around the web today.

First, two of the few remaining seventeenth century houses in London have been given Grade II listings. They’re on Denmark Street in Soho, and would first have been middle class dwellings, then in the Regency, part of the notorious St. Giles Rookery. Later in the nineteenth century, they became used for industry, metal working and shops. They retain a lot of their original features–look at this wonderful doorway:

7-denmark-st-p1110772exterior-6-7-denmark-st-p1110713And here’s a view from the street. Now, there’s an interesting factoid associated with the listing of these houses. Soho in the mid-twentieth century became associated with London’s musical life, (and other things too, such as the sex industry and good restaurants). In the mid 1970s an outbuilding of 6 Denmark Street was used as a recording studio by none other, wait for it, the Sex Pistols. Some of their graffiti still survive. And the buildings have been recognized in a year which coincides with the 40th anniversary of Punk. Yes, Punk is now an institution, recognized by none less than the British government.

For more about the houses and for a good timewaste, visit historicengland.org.uk

Another wonderful site if you’re in a spending frame of mind is the British Library shop.

cakestandMany terrific, literary-themed goodies are here, including some truly gorgeous Alice in Wonderland items such as this cake stand. I have lustful dreams about this cake stand. Thank goodness I don’t bake and thank goodness it’s out of stock.

There are also some very lovely items  connected with the library’s 2013 Georgians Revealed Exhibit. And of course if you absolutely have to do some research, there’s all this stuff.

Now on to think locally if you’re in the Washington DC area. A couple of great events are coming up, both on the same day, April 2, but you have time in between to put your feet up and then stuff them into your dancing shoes.

First, JASNA-DC presents Lizzie + Darcy 4Ever: All About Jane Austen Fan Fiction, a panel discussion with some JAFF authors. It’s free, in Bethesda Library starting at 10:30 am. Details here.

Then in the evening, the Spring Ball at Dumbarton House takes place. The dances will be called with walk throughs and you don’t have to put on your Regency drag unless you want to/have some. Admission includes three glasses of wine (I can just hear Jane Austen asking, “Only three?”).

Found anything good online recently, or do you have plans for fun activities?

TWaLH_1600Today I’m very excited to welcome debut author Ingrid Hahn to the Riskies with her book To Win a Lady’s Heart. Welcome, Ingrid and congratulations!

England, 1811. When John Merrick, the Earl of Corbeau, is caught in a locked storeroom with Lady Grace, he has but one choice—marry her.

He cannot bear to tarnish any woman’s reputation, least of all Lady Grace’s.
Lady Grace Landon will do anything to help her mother and sisters, crushed and impoverished by her father’s disgrace. But throwing herself into the arms of her dearest friend’s older brother to trap him in marriage? Never.

Corbeau needs to prove that he loves her, despite her father’s misdeeds. After years of being an object of scorn, not even falling in love with Corbeau alters Lady Grace’s determination to not bring her disrepute upon another. However, if they don’t realize that the greatest honor is love given freely without regard to society’s censure, they stand to lose far more than they ever imagined.

What was the original impulse/inspiration for this book?

An idea had been floating around my mind for some time—a woman going into a storeroom single and coming out again engaged. I started studying tropes and was drawn back to the idea of a forced engagement. But I didn’t know what came next! Not being a plotter was something I used to struggle with, but I decided to embrace it. I decided to start writing to see what happened. So I did. And what happened was much more fun than anything I could have plotted.

Was there any special research you needed to do?

There’s a careful balance with research, isn’t there? “Here is my research, let me show you it” vs not enough period detail to evoke era.

I’m always researching clothing. First, I can’t remember what men’s pants/trousers/breeches were doing in any given year. I look it up, I find something I hope is reliable, I use it, I forget. Regency was a flux time for the lower half of men’s fashions. Sometimes I just pick something and hope it’s not too egregious an error (although I know enough not to use pants, in case you were worried). Yes, obviously we want pants/trousers/breeches OFF our heroes, but sometimes he does have to be around his mother, and she would like them to be ON, thank you very much. Second, I like the names for regency colors. I was pleased to work Pomona into this particular story because green is my favorite color. Browsing at the fashion plates imagining my characters wearing this or that is very fun for me, which is weird, because I’m not really a clothes person.

I also did some research on Regency Christmases. Eventually, though, the Christmas theme took more of a backseat to the rest of the story, so I have a very few light touches here and there, but I pulled back from going into too much detail about the food and other customs.

At the very last minute, I realized I needed to do some research on Regency stables, but between my baby and needing to do a quick turn around after the copy edits, I had to cut part of a line rather than risk another flub.

What’s difficult is sometimes not knowing what you need to research. “Nope,” ended up in this book, which wasn’t used until much later than 1811, but it wasn’t caught until the galley stage (copy editor didn’t catch it, she might not have known either). This is why it’s important to have multiple read your book before delivering to your editor, and at least some of those readers should have some knowledge of your historical time period. Sometimes you just have to accept an error, hope readers will forgive you, and do better next time.

What do you love about the Regency?

I absolutely love the Georgian era. It was a lively time, a lot was being discovered, there were wars here and wars there that add a lot of personal drama and heartbreak in a quickly changing world. The class system was still very much in place (think of Anne Elliot’s objection to Mrs. Clay marrying her father, Sir Walter—and Anne didn’t even very much like her father), so there is a lot to play with between different classes that can help drive up the conflict in a romance novel.

For the regency in particular, I love the fashions—especially earlier, with the gauzy white fabrics, and I love the Grecian hairstyles—and I love the classically inspired interior design. Plus, it doesn’t terrify me. Anything before about 1750 seems dark and incomprehensibly frightening. Everyone seems to have been mad, violent, drunk, filthy, and diseased. The Tudor and Elizabethan eras terrify me. Anything earlier—absolutely not. Nope. No way, no how. I’m a pampered modern woman too used to good dentistry and modern medicine. I like those eras, but I will leave them for other writers to write about so I can keep my cleaned-up fantasy version. Having to do the research myself would put me off them entirely.

What do you hate about the Regency?

Lack of rights for women, lack of equality among people, the idea of having to use a chamber pot (or worse), slavery and conquest in America, war, revolution in France, colonialism in other parts of the world, smallpox, tuberculosis, barbaric childbirth practices (no, please, wash your hands!)…lack modern of dentistry.

Who’s your casting dream team for the movie version?

o-jennifer-connelly-labyrinth-facebookOh! Well. Even though physically she’s not as I imagine my heroine, Grace, I would want a young Jennifer Connolly. Nobody can do unassumingly powerful and secretly vulnerable like Jennifer Connolly. She’s probably a little too beautiful to be Grace, not the Grace isn’t beautiful, but we could let that point slide.

Silhouette_of_man_facing_left_no_4For my hero I’d want a complete unknown. Someone highly trained on the stage who can do incredible acting with minute expression changes and through his eyes. I’d want the glossy magazines to all be crying in outrage: ‘They cast WHO to play John Merrick?’ and ‘Our list of who we would have cast.’ And then for him to become a huge, iconic star always best known for his breakout role in the movie made from my book.

ltroyFor the Landon Sisters’ mother, Lady Bennington, there is no question. She’s one part Mrs. Bennet, one part —Deanna Troi’s mother in Star Trek: The Next Generation. So she’d definitely have to be played by the (very beautiful) late Majel Barrett.

What do you like to read?

Everything! Well, not true. Without question, I adore historical romance. But romance is where genre fiction begins and ends for me. I’m not a huge fan of crime, thriller, or mystery. I’m too daunted by the doorstops of fantasy to even try (plus I’m a very slow reader). I dabble in historical fiction, capital-L Literature, a few classics. I’m all about voice. Voice to me is huge. HUGE. Jane Austen, in my book, no pun intended, has the very best voice in English literature—not that I’ve read all of English literature, of course. For period voice, I love Patrick O’Brian, although he wrote much later. I like his characters, too. When I (finally) read All the Pretty Horses by Cormac McCarthy, I practically got drunk on the beauty of the language. I followed it up with The Road and was blown away all over again. The story made me cry on the plane, but the language was heaven. I like sharp imagery, reinvented clichés, and having tired, old, everyday things made new and fresh—which makes me the perfect Terry Pratchett fan. Doesn’t hurt that he’s written some of the best characters I’ve ever read, either.

Thought I’m crazy about voice, I’m not really into poetry. I like Mary Oliver, Keats, and Shakespeare, but I find most poetry jarring, inelegant, and trying much, much too hard to be inaccessible. I dabble in poetry in fits and starts, and I have found a few modern poets I like, like Traci Brimhall, and, to some extent, Charles Wright.

What’s next for you?

I am thrilled beyond expression to be working with Entangled again—especially my lovely editor, Erin Molta. My current set of books follow a family, mostly sisters, through the time they fall in love while they’re still grappling with the outfall from their infamous late father’s scandalous downfall. I’m contracted for two more and I have the option of doing the final two if the first three sell well. I’ve had nothing but a wonderful experience with Entangled. I hope my books sell very, very well because I could see myself working with Entangled for quite some time. I’ve had nothing but a 100% positive experience.

Author Photo in GreenIngrid Hahn is a failed administrative assistant with a B.A. in Art History. Her love of reading has turned her mortgage payment into a book storage fee, which makes her the friend who you never want to ask you for help moving. Though originally from Seattle, she now lives in the metropolitan DC area with her ship-nerd husband, small son, and four opinionated cats.

Find Ingrid online at
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Interestingly, the tagline for To Win A Lady’s Heart is

She has lost everything but her dignity…

So, you know what I’m going to ask, don’t you. Yes.

Tell us about an undignified episode in your life.

You know, getting locked in a storeroom with an aristocrat and having to eat your way out. If you dare. Or ask Ingrid questions about herself and her book. The winner–and you don’t have to make any embarrassing revelations, although I really, really hope you will, there are other ways, see the rafflecopter options–will receive a free download of To Win A Lady’s Heart. The contest runs through midnight EST on Saturday and I’ll announce the winner on Sunday.

a Rafflecopter giveaway

Bizarrely shown on three cable channels, A&E, Lifetime, and History, the BBC’s  adaptation of War and Peace seems to have come and gone without much notice. And it deserves a lot of attention because this is one of the most dazzling series I’ve ever seen.

Here’s one reason why it’s so brilliant:

I had never read it before but was blown away with what a wonderful story it is. I thought it would be daunting and oppressive, but you just love the characters. It feels modern and fresh – funny and sexy, even. It’s mostly about these exciting young people on the threshold of their lives… really it’s the most fun I’ve had since Pride and Prejudice.

That’s Andrew Davies, who wrote the screenplay for the 1995 P&P and who tackled Tolstoy’s huge masterpiece, which tells the story of three interwoven families plus a zillion secondary characters, against the backdrop of the Napoleonic wars. More from this interview with him and the cast from Harpers Bazaar.

Everything about this is superb–the acting: it stars a lot of familiar faces, such as Lily James as Natasha who was pretty much wasted in Downton Abbey, and was great (but not as great as in this passionately nuanced role) in P&P&Z; Edward Norton, Jim Broadbent, Stephen Rea, Paul Dano, Gillian Anderson, and many more. There’s a list here at bbc.co.uk where the actors talk about their characters.

borodinoIt was filmed on location in Russia, Lithuania and Latvia, with lots of extras. There were extraordinary battle scenes (lots of blood), and a military advisor who’d seen action advised on these, so they had an amazing documentary sort of feel.

paul danoThe retreat from Moscow was  horrific and harrowing.

p039wyrg And the clothes, oh lordy the clothes (because if you visit this blog you know it all comes down to the clothes).  Since we’re on the subject of warfare, I’ve never seen such splendid uniforms, embroidered, gilded, tasseled, and their wearers bursting with testosterone.

g.andersonOne of the few costume fails was the designer’s attempt to express Gillian Anderson wearing an ooh la la French number. Really? Could the costume historians among us chime in? Because somehow, oh, I don’t know, I think this looks more high school prom than anything else. One shoulder?!!

Most of the clothes were gorgeous. War-_-Peace-lily_3539884b

 

To really get an idea of the clothes, and the quality of the production, you can see some selected scenes (but the longer clips can’t be viewed in the US) on the BBC’ s site:

http://www.bbc.co.uk/programmes/p039wcdk/clips

You can take a quiz on your knowledge of the background of the book (I’m sad to say I failed miserably. Well, I did read it last in high school and that was a long, long time ago):

http://www.bbc.co.uk/guides/zw7cj6f

And here’s a truly swoonworthy excerpt of Natasha and Andrei (James Norton) dancing. He has truly humungous epaulettes.

Have you seen it? What did you think?

I don’t know about you but I’ve become a bit jaded about Pride & Prejudice retellings. All that marital bliss, all that Darcy-Firth-wet shirt angsty goodness, but none of the wit and snarkiness of our dear Jane’s original. Until that is, I was offered, and read, an advance copy of Prejudice & Pride by Lynn Messina. Reader, I loved this book. It has style and wit and funny stuff in spades, and it’s just plain clever. As the blurb says:

PPYou know Darcy: rich, proud, standoffish, disapproving, one of the greatest romantic heroes of all time. But you don’t know this Darcy because THIS Darcy is a woman.

In Prejudice & Pride, Lynn Messina’s modern retelling with a gender-bendy twist, everything is vaguely familiar and yet wholly new. Bingley is here, in the form of Charlotte “Bingley” Bingston, an heiress staying at the Netherfield hotel on Central Park, as is Longbourn, transformed from an ancestral home into a perennially cash-strapped art museum on the edge of the city. Naturally, it employs an audacious fundraiser with an amused glint in his eye called Bennet.

And about the author:Lynn Messina is the author of 14 novels, including Fashionistas, which has been translated into 16 LM headshot 12_15languages, and The Love Takes Root series of Regency romances. Her essays have appeared in Self, American Baby and the Modern Love column of The New York Times. She’s also a regular contributor to the Times Motherlode blog. Lynn lives in New York City with her husband and sons. You can find her on Facebook and Twitter.

Lynn, welcome to the Riskies. You’ve written Regency Romance and several other genres, but why did you take on P&P?
Because I had the idea. When I saw Bride and Prejudice, I was struck by how rude and unpleasant the Elizabeth character was. It seemed to me almost as if the writer had swapped the characters. And when I noticed how neatly their names flipped—Fitzwilliam Darcy becoming Darcy Fitzwilliam—I got really excited. I went home and immediately wrote up a pitch for my agent, who just as quickly shot it down. So I put the idea aside and honestly forgot about it. That was in 2004. Then, recently, I had a nice run with Regency romances, and remembered the idea and thought, Hold on, I can do it myself now.

Which is your favorite character in Austen’s? And in your own?
Elizabeth because she’s so clever and undaunted. As someone who’s sometimes clever and frequently daunted, I admire those traits greatly. In my version, Bingley is easily my favorite. She was an absolute delight to write—funny and frivolous yet smart and astute. In the early drafts, that was actually a problem—she was a little too likable. Obviously, she has to be more amiable than Darcy, but I couldn’t have every reader, including myself, wondering why Bennet doesn’t fall in love with her.

How have die-hard Austen purists responded?
For the most part, the response has been very positive, so I have to assume no die-hard Austen purists have weighed in yet. In 2010, I wrote a mashup of Little Women and vampires, and a woman posted on her blog that when she’d heard about the book, she wanted to chop off my fingers. So I’m prepared for the worst.

What have you learned most from Austen about writing?
Honestly, the thing I learned most was to relax a little. When Austen’s characters speak to each other, they just speak. That is, they converse back and forth without the insertion of attributions or what I like to call tasks. In my books, one character is always doing something while she’s talking—say, pouring tea—and the conversation is interspersed with descriptions of this process. I can’t tell you the hours I’ve lost trying to come up with new tasks. (This partly explains my affinity for historical romance: It’s always teatime in Regency England.)

And about relationships?
That they’re always more complex than I give them credit for and that sometimes in order to remain emotionally true to a character you have to deny yourself a little emotional satisfaction. Naturally, I’m talking about Wickham and how genteelly and calmly Elizabeth registers her disgust of him when they meet after the wedding. I want her to pop him in the nose or at the very least give him a cutting set-down, but it’s not just about her. It’s also the complex web of familial relationships.

Which is your favorite Austen?
I want to say Persuasion because I identify so much with Anne Elliot and the scene where Captain Wentworth writes her a letter while listening to her conversation is one of my most favorite moments in any book ever. But I’ve been reading and rereading Pride & Prejudice at regular intervals since I was thirteen, so clearly that’s the sentimental favorite.

Would you consider another modern interpretation?
I would never say no to anything if I got an idea. But I’m been ransacking the classics for a while now. After Little Vampire Women, there was an updated version of Dickens’s Bleak House, which replaced the court case that never ends and ruins every life it touches with a movie option that never ends and ruins every life it touches. (Um, can you tell I had a movie options that went on for almost a decade?)

What’s next for you?
Omigod, I ask myself that every day. I’m really not sure. I have an idea for something modern that rifts on Emily Post’s Etiquette book from the 1920, which I read because etiquette stuff fascinates me. But the book also gave me an idea for another Regency, so maybe I’ll work on that next. But I’ve had an idea for a screenplay kicking around in my head for a while, so maybe I’ll do that.


Lynn is giving away three digital copies (US only) and one hardback copy (worldwide) and you have various options to win a copy by participating. Easy, fun, and probably even Catherine de Bourgh, assuming she had the taste, could manage it. Please ask Lynn questions, or, since it’s (still, just) December, and we celebrated Jane’s birthday on December 16, answer the question I asked Lynn: What have you learned from Austen about writing and/or about relationships?

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