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Guest posts

This week I have Susan Broadwater visiting here. After some time off-line, she’s back on line with The Regency Library. It’s a research service for anyone who needs information about the Regency. She also runs the email list Regency Library. I was a longtime subscriber and now that she’d back, well, I’m back, too. I asked her if she’d be interested in doing an interview here because she’s been researching the period for so long, I thought Risky Readers would enjoy hearing from her.

I’m offering one commenter a year’s subscription to The Regency Library email list.

About Susan

Susan Broadwater lives in Charlottesville, Virginia. In 1996 she opened Moonstone Research and Publications and began providing private research services and Regency and Research Libraries, e-mail based subscription services. Susan is a graduate of Asbury University and holds a masters degree in Theology from Emory University. Currently she is focusing most of her time on Regency and Research Libraries.

The Questions

1. Why the Regency? What got you interested in the period?
I always loved Regency romance novels. I devoured everything I could find by Mary Jo Putney, Jo Beverley, Stella Cameron and others. Then I got involved in the online services. This was in the mid-90s when online was basically three or four services and there was no widespread access to the actual internet. By the late 90s this changed and I became involved with Carmel Thomaston’s Painted Rock Writers Colony to provide research materials. At that time there was very little to be found online regarding the Regency period so I began to accumulate materials in order to provide them to writers who needed them. After Carmel’s death I basically took the regency part of the materials I had collected and began Regency Library. For other time periods and materials Research Library was created.

2. Where do you find your materials? Did you just have a big pile of stuff at your house?

I live in Charlottesville, Virginia and worked for the University of Virginia for 16 years. They have one of the best libraries in the country and what they don’t have they can get it for you. I used a lot of their materials at first. Then I discovered right across the street from the library in a little alley an antiquarian book store, which had a good selection of 18th and early 19th century materials. I began buying as I could afford the books. Later there was E-bay and I even met (through a now defunct list) a university professor who was giving his collection away. He knew what I did and sent me about 400 books which included Gentleman’s Magazines, European Magazines and half a year (1814) London Times among other goodies. I’m still going through this stuff. Eventually I had to distribute the collection over three rooms of the house and turned one bedroom into an office and another into a library.

Sometimes you come across things in very unusual places.  When I was dropping off my taxes to be done the receptionist was still at lunch so instead of waiting in my car I went to a pawn shop that is located next to the tax preparer’s to look for CD’s and DVDs. Instead of that I found an 1812 Ackermann’s Repository—with all its plates—price $50.00. I asked the pawnbroker  how he had come to have this in his shop and he said that he paid 15.00 for it and usually didn’t take such things but felt sorry for the person pawning it. I bought it and asked him why he hadn’t researched it online to see what it was worth. He said he had tried but could not find a full volume on E-bay. I distributed some of the plates from this last week to the Regency Library. Of all places to obtain Ackermann’s this was the one I never would have thought of in a million years.

I got another year of Ackermann’s in the meantime. I left a number for the pawn broker and he called me up and told me he had another set — cost more this time but wasn’t too bad and well worth it.

3. What’s the most surprising/unusual thing you’ve come across? Anything that made you laugh?
I am currently getting an exhibit together for the regency library website that involves Ladies Court Costume and court etiquette. I came across a description of one worn to the Queen’s birthday that was decorated with fossils! Had to read it twice because I couldn’t believe it. There is also a picture of the Princess of Wales in a court dress that was published in La Belle Assemblee in 1807. Just looking at that dress and her in it makes me laugh every time.

4. One thing I’ve noticed is when you spend a significant amount of time research a certain subject, one day you realize that your knowledge has become a resource in itself — you know that x and y happened, but you’re able to make connections between all the various sources. I imagine you as this treasure trove of knowledge retained from your work. Can you talk a bit about your view of the Regency period and how it’s changed (or not) over time?

I recently helped with Noel Ivor Hume’s biography of Belzoni as a literary researcher. This is when I realized that there was a connection between the actual facts of the history of that time and that literature could provide extra facts and clues to help illuminate the history and in this case it actually brought a clearer picture of Belzoni’s wife Sarah through Lady Morgan’s writings (both fiction and non-fiction) and even through the fashions of the day. There was actually a fashion plate in a Lady’s Monthly Museum showing the Belzoni fabric that was fashionable. Sometimes you go on one quest and end up somewhere you really didn’t expect to go and learning about someone that had basically been pretty much overshadowed by her husband.

I’ve learned a lot since I started with Regency Library not only about the facts of the history of that time but also a lot about the human side of the people who lived at that time. My view of it is that it’s not too different than our own when it comes to the human nature and foibles.

5. Do you read fiction? What kind?
I read historical romance—just about any time period but love Regencies and Westerns. I also read classics like the Bronte’s. I like mysteries also. My favorites are Ann Perry’s Monk series. If a book is good or sounds good from the back cover I’ll try it out. We do have a used book store here and that’s the only place I can find the old gothics so I buy some Victoria Holt and Phyllis Whitney when they have them—which is rarer and rarer now.

6. If you won a bazillion dollars, I know you’d buy me a fancy house, but what’s the second thing you’d buy?

A full, complete set of Ackermann’s Repository. Saw one at ABE for a mere 27,000! Was in great condition though.

7. Favorite Regency outfit?

Susan's Favorite Outfit

Susan’s Favorite Outfit

I like that hat.

8. You have an email-based group called Regency Library. Can you tell us a little bit about about what it is?

The Regency Library distributes both primary and secondary research documents weekly to subscribers. The documents range from late 18th century to 1830 and come from a wide variety of resources. I try to select documents that shed light on the manners and customs, basically the everyday life of the people who lived during this time period. I try to include fashion plates from one of the periodicals La Belle Assemblee, Ackermann’s, Ladies Monthly Museum and Lady’s Magazine. When I go looking for something to include in the week’s distribution I try to find something that is interesting, informative and sometimes funny. I lately came upon a book (found it through a review in one of the above mentioned periodicals) that was published in 1821 and was used for evening entertainments at home. It got a particularly bad review because the forfeit for losing some (actually more than one) of the games included too much kissing! I had to have a copy of this book and found one through ABE Books and bought it. It will be serialized this year on the list. Subscribers receive approximately 30 or 40 documents a month and we do serialize entire books/periodicals so it’s a good way for people to have searchable copies of materials without having to pay the price for owning the entire book.

9. What do you have planned for the Regency Library over the next few months?

I’m going to serialize that game book. We’ll also continue with one of my favorite research projects which are travel accounts of foreigners to England during the time period. I’m also delving into accounts of English travelers to the US during the time period because they tend to compare manners and customs in England with American manners. I want to begin making a list of what I intend to distribute during the month and send it to all subscribers with some alternative documents listed, and if they want to opt out of some of the regular things, they can substitute from the alternatives or put in an individual request. I want to tailor the list as much as humanly possible to the subscriber’s needs. I announced this to the list and the only exception would be if a request is really off the wall and I couldn’t fill the request. I’ll try to look for what is requested but if I can’t find it then it would not be done. In all the years of doing this there have been only two instances where I could not find an answer for a question either because the records had been destroyed or were in private hands in England.  I’m also going to distribute tips for doing research—like reading the reviews in some periodicals to find some real gems. Last but not least, I want to begin distributing a puzzle game weekly—crosswords, riddles, etc. that center around the Regency time period.

The Contest – Rules and Such

Void where prohibited. Must be 18 to enter. No purchase necessary. Winner will be chosen at random. Multiple comments do not increase your odds of winning. Odds of winning depend on the number of entrants and your ability to follow the rules.

To enter, leave a comment to this post by midnight Pacific March 29, 2013.

Interview with Sandy Schwab — With Book Giveaway!

The Riskies are thrilled to interview Sandy Schwab at the blog today. She helped fill in for Ammanda while she was out, so I’m sure you recall her wonderful posts here. Sandy and I are friends, and you-all know my friends are awesome. After some time away from writing while she was finishing up her PhD, she’s now back with some wonderful new books for us to read. She’ll be giving away a copy of The Bride Prize to one lucky commenter so be sure to check the rules and enter!

Q: Tell us about yourself, Sandy! In 3rd person, please.

Sandy Schwab

Sandy Schwab

Sandra Schwab started writing her first novel when she was seven years old. Thirty-odd years later, telling stories is still her greatest passion, even though by now she has exchanged her pink fountain pen of old for a black computer keyboard. Since the release of her debut novel in 2005, she has enchanted readers worldwide with her unusual historical romances.

She lives in Frankfurt am Main / Germany with a sketchbook, a sewing machine, and an ever-expanding library.

THE BRIDE PRIZE: ALLAN’S MISCELLANY 1839

Cover of The Bride Prize by Sandy Schwab

Cover of The Bride Prize by Sandy Schwab

It’s 1839, and Lord Eglinton’s tournament in Scotland is the most anticipated event of the year: he and some of his noble friends will don medieval armor and joust like knights of old.

Does this mean a revival of true chivalry? Miss Florence Marsh thinks it might.

Or is the tournament mere tomfoolery and the greatest folly of the century? Mr. Robert Beaton thinks it is.

But when Flo and Robbie meet at Eglinton Park, they’ll soon learn that a dash of romance can make the greatest differences look rather small and that true love might find you in the most unlikely place.

Read an Excerpt

Click here to read an excerpt

The Interview

1. Tell us more about your book.

THE BRIDE PRIZE is the start of a new series set in early Victorian England. In recent years much of my academic research focused on Victorian periodicals, and I thought it would be fun to use this research for my creative work as well. So the heroes in the new series are all artists and writers working for ALLAN’S MISCELLANY, a (fictional) magazine.

In the first story ALLAN is is only a few months old, and the staff consists of a grand total of two people: William MacNeil, editor and writer, and Robert Beaton, writer and chief — well, only — artist. Robbie knows that they need a big break if the magazine is to survive, and so he drags Mac to what must have been one of the strangest (and quirkiest!!!) events of the period: the Eglinton Tournament of 1839.


2. You probably get this question all the time but I’m going to ask it anyway. English is not your first language and you are German and living in Germany. What made you decide to write in English?

I’ve written stories since — well, since forever, and I’ve always wanted to become a published author. When I was 19, I started to seriously pursue publication, and for years and years and years, I tried to find a publisher. Many submissions and many rejections later, I finally realized that I didn’t write the kind of books that a German publisher would buy from a German author.

But I wasn’t quite prepared yet to give up on my dream, so I decided to try switching languages, and English was the only other language I could speak sufficiently well to make this work. This was 14 years ago, and it was the best decision of my life!

3. How is the above an advantage or disadvantage, or is it completely neutral?

Writing in English is a big advantage: it gave me access to this wonderful community of fellow authors. Over the years, I’ve met so many great people and have made so many friends I would have never met if I had continued to write in German. Moreover, I can now reach readers all around the world, and my stories travel to far away places I will never see myself.

Last but not least, love scenes are so much better in English than in German!

4. Why Romance?

When I switched languages, I also switched genres (I had been writing fantasy fiction). At the time, I loved the Outlander series by Diana Gabaldon, and I was dreaming of going to Scotland on a student exchange program (didn’t work out; I went to Galway, Ireland instead). So I started to write this lovely contemporary romance about a young German student (who looked uncannily like myself…) who goes to Scotland (the Highlands, of course!!!) as a teaching assistant and meets this tall, gorgeous (but rather annoying!) vet called Rory MacDonald. There’s much drama, several misunderstandings, a lot of rain, a small owl who can’t fly, and a teddy bear called Hermann Bear. And kilts. Because, SCOTLAND!

I had a lot of fun writing this, yet I also realised that writing contemporary romance presented challenges to my English that I probably wouldn’t be able to fully overcome. Given my love for history, it was only natural that I eventually turned to historicals.

What I love about romance as a genre is its inherent optimism. I’ve always loved historical novels, but I was turned off straight historical fiction by the high number of main characters dying in horrid ways, by exploding wax babies, and ghastly sex scenes (I hit rock bottom with a historical novel that included goat sex scenes — there was more than one goat and more than one such scene — waaaaaargh!!!!! *runs away and hides*).

[Carolyn: Boggles]

When I discovered historical romance, it was a revelation: neither hero nor heroine die at the end of the novel; the sex scenes are fun; there are no exploding wax babies; and most importantly: NO GOAT SEX SCENES!!!! And there’s a happy ending! What’s not to love?

5. Dragons. Who’s your favorite? Pictures if you have one.

Dragon!

Dragon!

I adore the work of Richard Doyle, who worked for the satirical magazine PUNCH in the 1840s, and I love the dragons and dragonslayers that appear in several of his initial letters.

As to literary dragons, I think I might have to go with an old childhood favorite: Fuchur, the luck-dragon from Michael Ende’s NEVERENDING STORY (the book is a million times better than the films, btw!)

6. I love your artwork. Love it. What’s up with all the talent? Links? Pictures? Do you ever take requests?

Awww. Thank you! 🙂 I started to sketch again in early 2012, and took my sketchbook (instead of my camera) on several trips I made that year. The trips to Berlin and to Potsdam in particular were a revelation: So many people would just stop and talk to me while I was sketching.

Potsdam Collage

Potsdam Collage

And it’s not just people: when I visited the Berlin Zoo last year, I was doing a quick drawing of a small armadillo, when I suddenly became aware that somebody was watching me. I looked up and found those two small monkeys staring at me in utter amazement. That was the sweetest thing.

Sandy's Sketch of the Berlin Zoo

Sandy’s Sketch of the Berlin Zoo

 

[Carolyn: gets all teary] That is so CUTE!!!

A selection of my drawings can be found on Flickr: https://www.flickr.com/photos/scribblingsandy/

[Carolyn: You should visit her flicker stream. So pretty!!!!!]

As to requests: Nobody has ever made any. 🙂

[Carolyn: Expect to hear from me]

7. If you were forced to reveal who you think is the most handsome man on the planet, who would you name?

Richard Armitage. It’s not just that he is good-looking, but he also appears to be a rather wonderful man. And that voice!!!! *swoons*

8. Favorite shoes?

I’ve got these really cute, red El Naturalista shoes that look fantastic together with jeans.

9. When you come to the US, do you get as confused as Americans about Celsius and Fahrenheit? Is 20 C cold or hot? I literally have no idea.

It’s horrible, isn’t it? I just tend to guess when I’m in the US. (20 C is 68 F, so it’s just warm enough to ditch the cardigan.)

10. What’s next for you?

In the course of the next three months I will release three more novellas in the ALLAN’S MISCELLANY series. I’m having so much fun with this series, with exploring the fate of my fictional magazine, with diving into real period magazines in order to find bits of real news to include in my stories (= excellent excuse for getting more period periodicals!)

Next up is FALLING FOR A SCOUNDREL, in which hard, cynical Jack Fletcher travels to the north of England in order to report on the murder of a gamekeeper. Sophy, the heroine, is the polar opposite of him: she has led a very sheltered, privileged life. She only realizes how very limited this life has been when she meets Jack and he makes her question everything she has ever known.

Where to buy the book!

Plain edition:
Kindle US | Kindle UK | Kobo
B&N will follow soon

Enhanced edition:
Kindle US | Kindle UK
Kobo and B&N will follow soon

Where to find Sandy

Website: www.sandraschwab.com
Facebook: SandraSchwab.Author
Twitter: @scribblingSandy

Giveaway!

Rules: Must be 18 to enter. Void where prohibited. No purchase necessary. Winner chosen at random from among qualifying entries. The Riskies, relatives of the Riskies, Sandy and her relatives are not eligible to enter.

To enter, answer one, two,  or all of the following questions, and/or compliment Sandy in the comments no later than 11:59:59 PM on Friday, May 16th, 2014 according to the time at this blog– which is in the EASTERN time zone.

1. What was your reaction to the goat sex book revelation?

2. If you had a dragon, what color would it be?

Go.

Today, The Riskies welcome a guest post from historical romance author Georgie Lee. In addition to her fascinating post, she’s offering a giveaway, so make sure you enter!

Before we get started, here’s a little bit about Georgie:

About Georgie Lee

Head Shot of Georgie Lee. She is smiling, has blonde hair and is wearing a spiffy black dress

Georgie Lee

A lifelong history buff, award winning author Georgie Lee hasn’t given up hope that she will one day inherit a title and a manor house. Until then, she fulfills her dreams of lords, ladies and a season in London through her stories. When not writing, she can be found reading non-fiction history or watching any movie with a costume and an accent. Please visit georgie-lee.com to learn more about Georgie and her books.

Where to Find Georgie

Facebook | Twitter | Goodreads | Blog | Website

The British Sea Service Pistol

In my latest novel, A Debt Paid in Marriage, a pistol plays an important role in both the beginning of the story when the heroine sneaks into the hero’s house and threatens him, only to discover him naked in the bath, and in the turning point at the end, which I won’t describe since I don’t want to spoil it. The pistol in question is a Royal Navy issued flintlock pistol known as the British Sea Service pistol. The army had its own version of this pistol which contained only minor variations.

The Board of Ordinance oversaw the manufacture and distribution of these pistols which were issued from the early 1700s until 1815. The pistols were assembled in the Tower armory but the pieces came from various sources. Made of brass, steel and wood, the user loaded it by ramming the ball and black powder down the nine or twelve inch barrel. The length of the barrel depended on the year it was made, with earlier versions being longer and later versions being shorter. It was a solid weapon meant for use in close fighting during boarding. However, the user only got one shot. Afterwards, it was pretty good for whacking the enemy but not much else, unless a seaman could find a place to hunker down and reload, which, in the heat of battle, wasn’t likely.

The fact that the pistols were government issue did not mean that they were accurate or safe. They weren’t. Flintlocks had a bad habit of misfiring and the harsh sea air aboard ship could wreck havoc on their springs and hammers. The phrase “a flash in the pan” came about in reference to misfires. A flash in the pan is when the flint ignites the gunpowder, or charge as it was known, in the pan but does not fire the ball. With the enemy bearing down on you, this would not be a good thing.

Officers usually had their own weapons especially made for them, but many weren’t above using the standard issue Sea Service pistol. In the painting Nelson Boarding the ‘San Josef’ at the Battle of Cape St. Vincent by George Jones held at the National Maritime Museum, Greenwich http://collections.rmg.co.uk/collections/objects/11984.html) you can see Admiral Nelson holding a Sea Service pistol. Thousands of the pistols remained in circulation for decades after they were no longer issued and it wasn’t just the British who used them. The weapon ended up in several countries, including America, as various enemies captured British supply ships during the numerous wars. Even the East India Company preferred the pistols.

The heyday of the Sea Service pistol would come to an end in the mid 18th century when flintlocks were replaced by percussion cap pistols. However, the Sea Service still remained as many were changed into the less hazardous, but no more accurate percussion cap design. The pistol was a workhouse and a staple of life aboard ship. One of these pistols also plays an integral part in the plot of A Debt Paid in Marriage. After learning about the history of this firearm, I hope you will check out A Debt Paid in Marriage, my March 1, 2015 release from Harlequin Historical.

A Debt Paid in Marriage by Georgie Lee

Harlequin Historical March 1, 2015

Cover of A Debt Paid In Marriage by Georgie Lee

A Debt Paid In Honor

Laura Townsend’s plan to reclaim her family’s merchandise backfires when she creeps into moneylender Philip Rathbone’s house and threatens him with a pistol, only to find him reclining naked in his bath!

The last thing she expects is to see this guarded widower on her doorstep a couple of days later armed with a very surprising proposal. A marriage of convenience may be Laura’s chance to reclaim her future, but she won’t settle for anything less than true passion. Can she hope to find it in Philip’s arms?

Where to Get A Debt Paid in Marriage

Amazon | Barnes & Noble | Harlequin

To thank Risky Regencies for allowing me to join them today, and to thank you for stopping by, I am giving away an ebook copy of Rescued from Ruin. This is the book where the hero from A Debt Paid in Marriage first makes his appearance. Just follow the instructions on the Rafflecopter widget below to enter. It is open to international entries. Good luck!

Cover of Restored From Ruin by Georgie Lee

Cover of Restored From Ruin

Enter the Contest!

a Rafflecopter giveaway

TWaLH_1600Today I’m very excited to welcome debut author Ingrid Hahn to the Riskies with her book To Win a Lady’s Heart. Welcome, Ingrid and congratulations!

England, 1811. When John Merrick, the Earl of Corbeau, is caught in a locked storeroom with Lady Grace, he has but one choice—marry her.

He cannot bear to tarnish any woman’s reputation, least of all Lady Grace’s.
Lady Grace Landon will do anything to help her mother and sisters, crushed and impoverished by her father’s disgrace. But throwing herself into the arms of her dearest friend’s older brother to trap him in marriage? Never.

Corbeau needs to prove that he loves her, despite her father’s misdeeds. After years of being an object of scorn, not even falling in love with Corbeau alters Lady Grace’s determination to not bring her disrepute upon another. However, if they don’t realize that the greatest honor is love given freely without regard to society’s censure, they stand to lose far more than they ever imagined.

What was the original impulse/inspiration for this book?

An idea had been floating around my mind for some time—a woman going into a storeroom single and coming out again engaged. I started studying tropes and was drawn back to the idea of a forced engagement. But I didn’t know what came next! Not being a plotter was something I used to struggle with, but I decided to embrace it. I decided to start writing to see what happened. So I did. And what happened was much more fun than anything I could have plotted.

Was there any special research you needed to do?

There’s a careful balance with research, isn’t there? “Here is my research, let me show you it” vs not enough period detail to evoke era.

I’m always researching clothing. First, I can’t remember what men’s pants/trousers/breeches were doing in any given year. I look it up, I find something I hope is reliable, I use it, I forget. Regency was a flux time for the lower half of men’s fashions. Sometimes I just pick something and hope it’s not too egregious an error (although I know enough not to use pants, in case you were worried). Yes, obviously we want pants/trousers/breeches OFF our heroes, but sometimes he does have to be around his mother, and she would like them to be ON, thank you very much. Second, I like the names for regency colors. I was pleased to work Pomona into this particular story because green is my favorite color. Browsing at the fashion plates imagining my characters wearing this or that is very fun for me, which is weird, because I’m not really a clothes person.

I also did some research on Regency Christmases. Eventually, though, the Christmas theme took more of a backseat to the rest of the story, so I have a very few light touches here and there, but I pulled back from going into too much detail about the food and other customs.

At the very last minute, I realized I needed to do some research on Regency stables, but between my baby and needing to do a quick turn around after the copy edits, I had to cut part of a line rather than risk another flub.

What’s difficult is sometimes not knowing what you need to research. “Nope,” ended up in this book, which wasn’t used until much later than 1811, but it wasn’t caught until the galley stage (copy editor didn’t catch it, she might not have known either). This is why it’s important to have multiple read your book before delivering to your editor, and at least some of those readers should have some knowledge of your historical time period. Sometimes you just have to accept an error, hope readers will forgive you, and do better next time.

What do you love about the Regency?

I absolutely love the Georgian era. It was a lively time, a lot was being discovered, there were wars here and wars there that add a lot of personal drama and heartbreak in a quickly changing world. The class system was still very much in place (think of Anne Elliot’s objection to Mrs. Clay marrying her father, Sir Walter—and Anne didn’t even very much like her father), so there is a lot to play with between different classes that can help drive up the conflict in a romance novel.

For the regency in particular, I love the fashions—especially earlier, with the gauzy white fabrics, and I love the Grecian hairstyles—and I love the classically inspired interior design. Plus, it doesn’t terrify me. Anything before about 1750 seems dark and incomprehensibly frightening. Everyone seems to have been mad, violent, drunk, filthy, and diseased. The Tudor and Elizabethan eras terrify me. Anything earlier—absolutely not. Nope. No way, no how. I’m a pampered modern woman too used to good dentistry and modern medicine. I like those eras, but I will leave them for other writers to write about so I can keep my cleaned-up fantasy version. Having to do the research myself would put me off them entirely.

What do you hate about the Regency?

Lack of rights for women, lack of equality among people, the idea of having to use a chamber pot (or worse), slavery and conquest in America, war, revolution in France, colonialism in other parts of the world, smallpox, tuberculosis, barbaric childbirth practices (no, please, wash your hands!)…lack modern of dentistry.

Who’s your casting dream team for the movie version?

o-jennifer-connelly-labyrinth-facebookOh! Well. Even though physically she’s not as I imagine my heroine, Grace, I would want a young Jennifer Connolly. Nobody can do unassumingly powerful and secretly vulnerable like Jennifer Connolly. She’s probably a little too beautiful to be Grace, not the Grace isn’t beautiful, but we could let that point slide.

Silhouette_of_man_facing_left_no_4For my hero I’d want a complete unknown. Someone highly trained on the stage who can do incredible acting with minute expression changes and through his eyes. I’d want the glossy magazines to all be crying in outrage: ‘They cast WHO to play John Merrick?’ and ‘Our list of who we would have cast.’ And then for him to become a huge, iconic star always best known for his breakout role in the movie made from my book.

ltroyFor the Landon Sisters’ mother, Lady Bennington, there is no question. She’s one part Mrs. Bennet, one part —Deanna Troi’s mother in Star Trek: The Next Generation. So she’d definitely have to be played by the (very beautiful) late Majel Barrett.

What do you like to read?

Everything! Well, not true. Without question, I adore historical romance. But romance is where genre fiction begins and ends for me. I’m not a huge fan of crime, thriller, or mystery. I’m too daunted by the doorstops of fantasy to even try (plus I’m a very slow reader). I dabble in historical fiction, capital-L Literature, a few classics. I’m all about voice. Voice to me is huge. HUGE. Jane Austen, in my book, no pun intended, has the very best voice in English literature—not that I’ve read all of English literature, of course. For period voice, I love Patrick O’Brian, although he wrote much later. I like his characters, too. When I (finally) read All the Pretty Horses by Cormac McCarthy, I practically got drunk on the beauty of the language. I followed it up with The Road and was blown away all over again. The story made me cry on the plane, but the language was heaven. I like sharp imagery, reinvented clichés, and having tired, old, everyday things made new and fresh—which makes me the perfect Terry Pratchett fan. Doesn’t hurt that he’s written some of the best characters I’ve ever read, either.

Thought I’m crazy about voice, I’m not really into poetry. I like Mary Oliver, Keats, and Shakespeare, but I find most poetry jarring, inelegant, and trying much, much too hard to be inaccessible. I dabble in poetry in fits and starts, and I have found a few modern poets I like, like Traci Brimhall, and, to some extent, Charles Wright.

What’s next for you?

I am thrilled beyond expression to be working with Entangled again—especially my lovely editor, Erin Molta. My current set of books follow a family, mostly sisters, through the time they fall in love while they’re still grappling with the outfall from their infamous late father’s scandalous downfall. I’m contracted for two more and I have the option of doing the final two if the first three sell well. I’ve had nothing but a wonderful experience with Entangled. I hope my books sell very, very well because I could see myself working with Entangled for quite some time. I’ve had nothing but a 100% positive experience.

Author Photo in GreenIngrid Hahn is a failed administrative assistant with a B.A. in Art History. Her love of reading has turned her mortgage payment into a book storage fee, which makes her the friend who you never want to ask you for help moving. Though originally from Seattle, she now lives in the metropolitan DC area with her ship-nerd husband, small son, and four opinionated cats.

Find Ingrid online at
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Interestingly, the tagline for To Win A Lady’s Heart is

She has lost everything but her dignity…

So, you know what I’m going to ask, don’t you. Yes.

Tell us about an undignified episode in your life.

You know, getting locked in a storeroom with an aristocrat and having to eat your way out. If you dare. Or ask Ingrid questions about herself and her book. The winner–and you don’t have to make any embarrassing revelations, although I really, really hope you will, there are other ways, see the rafflecopter options–will receive a free download of To Win A Lady’s Heart. The contest runs through midnight EST on Saturday and I’ll announce the winner on Sunday.

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I don’t know about you but I’ve become a bit jaded about Pride & Prejudice retellings. All that marital bliss, all that Darcy-Firth-wet shirt angsty goodness, but none of the wit and snarkiness of our dear Jane’s original. Until that is, I was offered, and read, an advance copy of Prejudice & Pride by Lynn Messina. Reader, I loved this book. It has style and wit and funny stuff in spades, and it’s just plain clever. As the blurb says:

PPYou know Darcy: rich, proud, standoffish, disapproving, one of the greatest romantic heroes of all time. But you don’t know this Darcy because THIS Darcy is a woman.

In Prejudice & Pride, Lynn Messina’s modern retelling with a gender-bendy twist, everything is vaguely familiar and yet wholly new. Bingley is here, in the form of Charlotte “Bingley” Bingston, an heiress staying at the Netherfield hotel on Central Park, as is Longbourn, transformed from an ancestral home into a perennially cash-strapped art museum on the edge of the city. Naturally, it employs an audacious fundraiser with an amused glint in his eye called Bennet.

And about the author:Lynn Messina is the author of 14 novels, including Fashionistas, which has been translated into 16 LM headshot 12_15languages, and The Love Takes Root series of Regency romances. Her essays have appeared in Self, American Baby and the Modern Love column of The New York Times. She’s also a regular contributor to the Times Motherlode blog. Lynn lives in New York City with her husband and sons. You can find her on Facebook and Twitter.

Lynn, welcome to the Riskies. You’ve written Regency Romance and several other genres, but why did you take on P&P?
Because I had the idea. When I saw Bride and Prejudice, I was struck by how rude and unpleasant the Elizabeth character was. It seemed to me almost as if the writer had swapped the characters. And when I noticed how neatly their names flipped—Fitzwilliam Darcy becoming Darcy Fitzwilliam—I got really excited. I went home and immediately wrote up a pitch for my agent, who just as quickly shot it down. So I put the idea aside and honestly forgot about it. That was in 2004. Then, recently, I had a nice run with Regency romances, and remembered the idea and thought, Hold on, I can do it myself now.

Which is your favorite character in Austen’s? And in your own?
Elizabeth because she’s so clever and undaunted. As someone who’s sometimes clever and frequently daunted, I admire those traits greatly. In my version, Bingley is easily my favorite. She was an absolute delight to write—funny and frivolous yet smart and astute. In the early drafts, that was actually a problem—she was a little too likable. Obviously, she has to be more amiable than Darcy, but I couldn’t have every reader, including myself, wondering why Bennet doesn’t fall in love with her.

How have die-hard Austen purists responded?
For the most part, the response has been very positive, so I have to assume no die-hard Austen purists have weighed in yet. In 2010, I wrote a mashup of Little Women and vampires, and a woman posted on her blog that when she’d heard about the book, she wanted to chop off my fingers. So I’m prepared for the worst.

What have you learned most from Austen about writing?
Honestly, the thing I learned most was to relax a little. When Austen’s characters speak to each other, they just speak. That is, they converse back and forth without the insertion of attributions or what I like to call tasks. In my books, one character is always doing something while she’s talking—say, pouring tea—and the conversation is interspersed with descriptions of this process. I can’t tell you the hours I’ve lost trying to come up with new tasks. (This partly explains my affinity for historical romance: It’s always teatime in Regency England.)

And about relationships?
That they’re always more complex than I give them credit for and that sometimes in order to remain emotionally true to a character you have to deny yourself a little emotional satisfaction. Naturally, I’m talking about Wickham and how genteelly and calmly Elizabeth registers her disgust of him when they meet after the wedding. I want her to pop him in the nose or at the very least give him a cutting set-down, but it’s not just about her. It’s also the complex web of familial relationships.

Which is your favorite Austen?
I want to say Persuasion because I identify so much with Anne Elliot and the scene where Captain Wentworth writes her a letter while listening to her conversation is one of my most favorite moments in any book ever. But I’ve been reading and rereading Pride & Prejudice at regular intervals since I was thirteen, so clearly that’s the sentimental favorite.

Would you consider another modern interpretation?
I would never say no to anything if I got an idea. But I’m been ransacking the classics for a while now. After Little Vampire Women, there was an updated version of Dickens’s Bleak House, which replaced the court case that never ends and ruins every life it touches with a movie option that never ends and ruins every life it touches. (Um, can you tell I had a movie options that went on for almost a decade?)

What’s next for you?
Omigod, I ask myself that every day. I’m really not sure. I have an idea for something modern that rifts on Emily Post’s Etiquette book from the 1920, which I read because etiquette stuff fascinates me. But the book also gave me an idea for another Regency, so maybe I’ll work on that next. But I’ve had an idea for a screenplay kicking around in my head for a while, so maybe I’ll do that.


Lynn is giving away three digital copies (US only) and one hardback copy (worldwide) and you have various options to win a copy by participating. Easy, fun, and probably even Catherine de Bourgh, assuming she had the taste, could manage it. Please ask Lynn questions, or, since it’s (still, just) December, and we celebrated Jane’s birthday on December 16, answer the question I asked Lynn: What have you learned from Austen about writing and/or about relationships?

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