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Category: Regency

First of all, congratulations to Teresa B., winner of It Happened One Christmas. Stay tuned for other guests and giveaways!

Here’s a blog that I originally posted on Dec 5, 2011. It (slightly altered) seemed perfect for today!

Stir Up Sunday is the Sunday before Advent begins, when, according to the Book of Common Prayer, the prayers begin:

Stir up, we beseech thee, O Lord the wills of thy faithful people, that they, plenteously bringing forth the fruit of good works, may of thee be plenteously rewarded, through Jesus Christ our Lord. Amen

Traditionally, the prayer read at Church was supposed to remind cooks that they should mix up their Christmas pudding.

This year Stir Up Sunday would have been on Nov 22, so I am a week late and my pudding will not be ready for Christmas. To us Americans, pudding is some chocolate or vanilla or banana custard-like dessert, but English pudding is a mixture of lots of different ingredients, including some grain product.

In the Regency, meats such as beef or veal could be added to sugar, raisins, sherry, lemon, orange, prunes (the dried plums that give plum pudding its name), cinnamon, cloves, brown bread, and such unfamiliar (to me) ingredients as cochineal (a food dye made from insects), suet, sack (a wine from the Canary Isles), hock (another wine), and treacle (a sugar syrup).

Into the mixture was stirred a coin (for wealth), a ring (for marriage) and a thimble (for blessedness. Each member of the family stirred the mixture and made a wish. The mixture was then boiled in a cloth for hours, and hung on a hook to dry until Christmas.

On Christmas day, the pudding was covered with warm brandy and set aflame, making it a dramatic and exciting addition to the Christmas dinner.

If you would like to make a Christmas pudding for your Christmas the Regency way, you are too late, because it has to age to get the best effect and flavor. But never fear! Modern technology comes to the rescue:

What special “pudding” (aka dessert) do you make for the holiday season?

I’ll bet if I say “Robert Adam” most readers and writers of Regency romance will know that he was a famous architect who greatly influenced architecture, interior design, and furniture design of the times–mostly Georgian times, but I imagine my Regency  characters in houses designed by Adam all the time.

On my England trip last year, though, I learned of another architect of the same period, even more prolific than Adam–John Carr.

John Carr designed Basildon Park, one of the houses we visited on the Duke of Wellington Tour and one I blogged about here shortly after. He, too, was a neoclassicist like Adam.
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If you saw this, would you guess it was by Robert Adam?
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It’s an interior of Basildon Park by John Carr.

Carr was born in Yorkshire and decided to remain there rather than settle in London, thinking there was plenty of wealth in the area to support his business. He lived into his eighties and produced an incredible number of projects.

Tabley House is another house designed by John Carr similar to Basildon Park.
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One characteristic of both these houses is that you have to go up stairs to reach the front entrance which is on the first floor, not the ground floor.  I thought that was rather grand when we visited Basildon Park.

In my current work in progress, Genna’s story in the Scandalous Summerfields series, I used Basildon Park as my model for Summerfield House. It was especially helpful to find floor plans online.
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There was one famous house that both John Carr and Robert Adam designed–Harewood House near Leeds.
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Carr designed the building and Robert Adam, the interiors. Adam also slightly altered Carr’s exterior, including internal courtyards.

Who is up for visiting all these houses? Don’t you sometimes wish we really had a Transporter like in Star Trek?

My friend Kristine Hughes and I spent three days at Chatsworth on our May England trip and it was not enough time!

Chatsworth is the Derbyshire country house of the Duke of Devonshire, one of the first of the great country houses to be open to the public in order to raise enough money to save the place. The rescue of Chatsworth was the work of the late Duke and Duchess and what they achieved was a remarkable gift to their countrymen and the world.

Much of the success of Chatsworth must be given to the late Duchess of Devonshire, the former Deborah Mitford, youngest of the Mitford sisters, so captivating and/or scandalous that we are still talking of them today. Debo, as her sisters called her, had the imagination and drive to make Chatsworth the successful enterprise it is today, employing some 600 workers. In doing so she preserved a place of great beauty, both inside and out.

Here’s what we came upon that first day, after closing time, so there were no cars and very few people. It must have been close to what our Regency characters would have seen had they visited the house.

The beauty of the landscape was the work of Capability Brown, the famous landscape architect who popularized the naturalistic style in the mid-1700s. To enhance the beauty of the views from the front of Chatsworth House, Capability Brown required the 4th Duke of Devonshire to have the village of Edensor moved to a more picturesque location.

The next day we took the house tour and walked into the Painted Hall. The 4th Earl and 1st Duke of Devonshire was responsible for the Painted Hall. The artist was Louis Laguerre and the mural depicts the allegorical ascension of Julius Caesar. The upper walls show scenes from Caesar’s life. IMG_0457
The 1st Duke had been one of the Immortal Seven who signed the invitation for William III of Orange to take the English throne, receiving the titles of Duke of Devonshire and Marquess of Hartington for his service. He rebuilt Chatsworth House and decorated it with symbolism celebrating King William’s monarchy. In the murals Julius Caesar sympbolizes William. Unfortunately William never saw the beautiful murals painted in his honor. He never visited Chatsworth.

In every hall and room there is something of interest to see. I took dozens of photos but didn’t cover a fraction of the beautiful art and furnishings of the house. In the music room there is a door ajar, revealing another door–and a violin.
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Look closely at the violin. Bet you can’t tell that it isn’t real. It is the painting of a violin, so realistic-looking that one must take it on faith because they don’t allow you to walk up to it and touch it.

Of course, there is homage to perhaps the most famous Duchess of Devonshire, Georgiana Cavendish. Georgiana, a celebrated beauty, married the Duke when she was a mere seventeen years old. She went on to be a successful political hostess, friend of the then Prince of Wales, campaigned for Charles James Fox. She was also a fashion icon. She was banished to the Continent for a while when she became pregnant by Charles Grey, but she filled her time there collecting minerals and gems. Her collection is on display in Chatsworth House.
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Not much was said on the tour of Georgiana’s friendship with Lady Elizabeth Foster, who became the Duke’s mistress and bore him two children raised a Chatsworth with Georgiana’s children and another of the Duke’s out-of-wedlock children. After Georgiana’s death in 1806, Lady Elizabeth Foster became the next Duchess of Devonshire.

The house tour ends at the sculpture gallery. Most of the works exhibited there were commissioned by Georgiana’s son, “Hart,” who became the 6th Duke of Devonshire and who was responsible for much of the art and improvements to the house and grounds.IMG_0637

After our tour of the house, we visited the farm, which was more like a petting zoo for children, but Chatsworth is a working farm with its very successful farm shop, a place we, unfortunately, did not see.

The next day we took the garden tour and returned to the house again to walk through at our own speed. Here’s a snippet of what we saw on the garden tour.

There was so much more to see and more to see again. I would go back in a minute and do this all over again!

If you have a chance to visit Chatsworth, give yourself more than one day. You’ll be happy you did!

(My thanks to Denise Costello who helped me figure out how to appropriately size the videos to fit the blog!)

I am just finishing up the fourth book in my Scandalous Summerfields series today, Lorene’s story. As befitting the title of the series, scandal plays and important role. Lorene has an abhorrence of scandal, but it does seem to follow her wherever she goes.

The was not the first time I’ve written about scandal so today I’m reprising a blog I wrote on the subject in 2008. Scandalizing the Ton, one of my books that came out that year, was what I called my “Regency Paparazzi” story. It was inspired by our present day obsession with celebrities, but we didn’t invent an interest in the rich and famous. Nor did we invent a press willing to do almost anything for some good gossip about them.

The eighteenth and nineteenth centuries abounded with newspapers. Some of them even reported important news, like what was happening in Parliament, social issues, important events. It was during this period that some of journalism’s standards and ethics were beginning to be established, things like not revealing sources, acting as society’s social conscience, which was not always a good idea.

James Leigh Hunt and his brother, John, published serious news in their London newspaper, The Examiner, including calling the government to task for the heavy taxes levied on the people. In 1812, they printed an article criticizing the Prince Regent for his gambling and womanizing and running up huge debts while not doing anything to better the lives of the citizenry. Although what they printed was true, the Hunts were sued for libel and imprisoned for two years. Leigh Hunt continued to edit The Examiner from his prison cell.

In contrast to the responsible and ethical journalism of the Hunts were the newspapers that flourished by reporting the scandals and peccadilloes of the wealthy, the political elite, and the aristocracy. In his wonderful book, Scandal: A Scurrilous History of Gossip, Roger Wilkes gives examples of the eighteenth and nineteenth century love of gossip, and how the newspaper reporters purchased the juicy tidbits from loose-lipped servants and gentlemen and ladies willing to expose their friends. Not only did newspapers purchase gossip, they also blackmailed their potential victims, taking money to not print some embarrassing incident.

They also just made up stories. In Punch Thackeray and his colleague Jerrod parodied that sort of newspaper with their creation of the reporter, Jenkins, who rarely left his humble abode, preferring to invent his stories about the latest shocking antics of important people.

In my opinion the worst of them all was Theodore Hook, a charming and pleasing fellow who came into the Regent’s favor as a very young man, winning a government job at the ocean paradise of Mauritius. Hook lived an idyllic life for four years until a clerk embezzled lots of money that was Hook’s responsibility. He returned to London under a cloud and, in 1820, to make back the income he lost with his government job he started the Sunday newspaper, The John Bull.

Unlike the Hunt brothers, Hook allied himself with the Prince Regent and whipped up scandal and gossip about prominent Whigs. Favorite targets included The Regent’s estranged wife Queen Caroline and the ladies who attended her. One he branded as ‘strangely susceptible to the charms of her own sex’ ; another he accused of having “criminal affection” for a menial servant (Wilkes, 2002).

Hook had no qualms about paying servants to betray their employers, but most of what he learned was through his own ears. Hook succeeded in keeping it secret that he was the editor of The John Bull. Because he was well-connected enough to move in high circles, he dug his dirt in anonymity, from the very people who extended him their hospitality. Such inside information had huge appeal and the newspaper flourished.

In this secret position of power, Hook mercilessly pilloried those who crossed him. When suspicion grew that he was the editor of the Bull, Hook even wrote a letter to the editor (himself), protesting that he was not the editor. He was a known prankster. In his most famous prank, The Berners Street Hoax, he wrote 4000 letters calling for tradesmen, delivery men, professional men such as physicians and dentists, potential empoyers, wig-makers, dressmakers, members of Parliament and of the aristocracy, all to descend upon the house of an innocent middle-class woman, Mrs. Tottenham. While the street became clogged with people, Hook and his friend stood by and laughed. All I can think of is what a cruelty this was to all those people who were only going about their ordinary lives. He cost them all time and money and dignity.

When Queen Caroline died The John Bull turned to more serious journalism. Eventually Hook was made to pay for the embezzlement, a huge amount that took all his assets and landed him in debtor’s prison for two years. After prison he turned to writing novels, none of which were particularly distinguished. He continued his high living until his liver gave out and he died at age 53.

In Lorene’s story there isn’t any journalist quite as reprehensible as Theodore Hook, but the shady tactics and irresponsible journalism of the Regency are depicted once again, as I depicted them in Scandalizing the Ton.

The next book in the Scandalous Summerfields series is Genna’s story, Bound By One Scandalous Secret. Watch my website for more news about this new release, coming in print form November 22 and ebook December 1! The cover should be coming soon.

Who else is finishing a book? Are you writing it or reading it? Or both?

Thanks to Scandal: A Scurillous History of Gossip by Roger Wilkes, Atlantic Books, 2002, for most of this information

Bound by a Scandalous SecretGenna, the heroine of my upcoming book (Nov 22), Bound By A Scandalous Secret, is an aspiring artist who wishes to make her living with her art, but she has grown up in the country and has never actually met another artist, let alone another woman artist. I wanted her to meet a real woman artist of the time period.

My research led me to Amelia Long (1762-1837). Amelia, nee Hume, was the daughter of an amateur artist and she studied under watercolorist Thomas Girtin, a friend and rival of Turner, and also of Henry Edridge, a painter of landscapes, miniatures, and portraits. She painted landscapes which were exhibited at the Royal Academy.

After a trip abroad to Italy, Amelia married Charles Long, a politician and art connoisseur who was a friend of William Pitt and an art advisor to the Prince Regent, who later became George IV.

dover_castle_illustration_by_amelia_longAmelia and her husband Charles purchased Bromley Hill where Amelia redesigned the gardens, which were much admired.

In 1826 Charles became Baron Farnborough.

In Bound By A Scandalous Secret, I wanted Genna to tour Carlton House, the extravagant house of the Prince Regent. In my first version, I just made up a guy, but when I discovered Charles advised the Regent, he was perfect for being her tour guide.

I just love when those sorts of synchronism happen!

Do you have a favorite woman artist?

 

 

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