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Category: Regency

farewelltoscandalI was googling around to see if people during the Regency might have made New Year’s resolutions and found confirmation in a delightful post from The Snug Blog. The author found a 1792 etching “A Long String of Resolutions for a New Year – Design’d by G.M. Woodward” including satirical sketches of people making various resolutions including the one shown here.

I imagine they probably had a similar success rate to what people have now. Googling further, I found statistics saying that about 8-12% of those making New Year’s resolutions end up succeeding. Maybe it’s not so bad–at least those 8-12% made it, and for the rest, there’s always next year.

The problem is that starting a new calendar doesn’t mean I’ve left the baggage of the previous year behind. All the things that hindered me in the past may still be there. Any resolution that doesn’t take those things into account isn’t going to go far.

Also, if I feel the need for a change, I don’t want to wait until the New Year to start it. And if I backslide, I’m also not going to wait until the next year to start over. It’s only through setbacks and recoveries, by stringing together small successes day by day, that my larger goals have ever been met.

So I don’t really believe in New Year’s resolutions as such, although I do think it’s good to take time to reflect on how life is going and whether I’m living as authentic a life as I can.

The small steps I’ve been taking recently toward creative recovery include going to a coffee shop a few times a week to work on a new novella. I’m nearly done with the first draft and more importantly, I’m enjoying it.

Baby steps.

How do you feel about New Year’s resolutions? Have you made any? What helps you succeed?

Elena

illustration of wassailing the apple trees

Illustration by Birket Foster, from Christmas with the Poets (1851)

Today is Epiphany, the day when Christians celebrate the arrival of the Three Magi (or Three Wise Men or Three Kings) with (not particularly useful) presents for Baby Jesus. In some countries, like Spain, this is still the day when children are given their Christmas presents.

While in the English tradition today, Epiphany simply marks the day when you are supposed to take down the Christmas tree and all your other Christmas decoration, back in the Regency era, Epiphany formed a very important part of the whole Christmas festivities as it marked the end of the 12 Days of Christmas.

Especially the evening before Epiphany, Twelfth Night or Twelfth Day’s Eve, was a time for fun and partying with dancing and drinking. In importance, the celebrations were second only to Christmas.

In the country, Twelfth Night was in many places the time for the custom of wassailing the fruit trees, especially the apple trees, in the orchards. The custom was common in most of the southern and western counties of England, though the date could vary, and in some places, the wassailers would visit the orchards several days in a row (hey, it’s a good excuse for a night out with your buddies!).

Typically, the wassailers would go to the orchards at night with lanterns in order to sing songs (no doubt some of them were a bit… eh… vulgar) under the fruit trees and making a great racket by beating against pans and drums. Then the trees (or just the best tree in the orchard) would be beaten with sticks, before cider was poured over the roots (the order of these actions might vary from place to place). According to popular superstition, this would ensure a fruitful year and a good harvest in the next autumn.

In Christmas with the Poets, the following lyrics are given for a typical wassailing song:

“Here’s to thee, old apple tree,
Whence thou may’st bud, and though may’st blow!
And whence though may’st bear apples enow!
Hats full! Craps full!Bushel – bushel – sacks full!
And my pockets full too! Huzza!”

If you look at the illustration above, I’d say it strongly suggests that the wassailers had to try the cider too before giving it to the apple tree (I mean, where would be the fun of going wassailing, if you can’t have a bit of drink yourself, right?)

Today, wassailing the apple trees is very popular with revivalists, who nowadays often wear costumes when visiting the orchards. Sometimes, as in Chesterfield, this is also paired with Morris Dancing:

And speaking of trees: last summer I went to the Black Forest and was interviewed by Michael Portillo about the fairy tales of the Brothers Grimm for the BBC documentary Great Continental Railway Journeys. The episode with yours truly was broadcast last November. If you’d like to see me walking through a very, very muddy forest, you can check out a rather bad quality version of the interview here (the sides of the film have been cut off).  🙂

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Long time visitors to the Riskies know I have a complicated relationship with Christmas. I detest the whole commercial aspect and I also despise the idea that the season magically fixes things. However, I embrace the season in my own way—which is to accept the darkness as well as the light.

Each year, I think of people who are lonely, and of the various wars, large and small, raging through families and countries. Right now it feels as if the whole world is bleeding, and it seems that every day brings more heartbreak.

I know some people like to look away, to lose themselves in a blaze of Christmas lights, of shopping, even of obsessing about “not being ready” for Christmas. (What does “ready” really mean?)

My own way of coping is to allow the sadness in as well as the joy. Music is one of the ways I can stay in touch with both.

This year I found another version of the Coventry Carol, arranged by Ola Gjeilo, performed by the CORO Vocal Artists. Its haunting melody helps me find that stillness where I can feel the heartbreak and then let it lead me toward whatever healing action I can take for myself and others.

On the more joyful side and in the spirit of the Regency, here’s a version of the Gloucester Wassail and the Holly and the Ivy by the Waverley Consort, with assorted interesting Georgian and Regency imagery. The Gloucester Wassail was first published in the Oxford Book of Carols in 1928, but it believed to date back to the Middle Ages, so it could definitely have been part of a Regency Christmas. An early mention of The Holly and the Ivy is in a book dated 1823, and the lyrics are reprinted in an 1861 collection, A Garland of Christmas Carols, where it is stated that it was found in “an old broadside, printed a century and a half since” (around 1711), so this is another carol that our Regency characters might have sung.

Here’s the refrain from “The Gloucester Wassail”:

Wassail! wassail! all over the town,
Our toast it is white and our ale it is brown;
Our bowl it is made of the white maple tree;
With the wassailing bowl, we’ll drink to thee.

If you enjoyed this post, you may want to visit some of my posts from past years about traditional Christmas music that hasn’t been used to sell cars, watches, or anything else:

Holiday Music, Traditional and Reinvented

Antidote for Carol of the Bells

Carols and Winners

What are your favorite carols?

Elena

For the very last leg of our big European trip this summer, we went to Spain. When I’d originally envisioned this trip, many years ago, I’d thought of myself starting in Portugal and Spain and carefully tracing the Peninsular War path of Wellington’s army before finally ending up at Waterloo just in time for the bicentennial. But this trip couldn’t be ALL about me, and saving Waterloo for last wasn’t an option given my daughter’s school schedule–Seattle Public Schools don’t start till after Labor Day and run fairly deep into June, so as-is she had to miss the last two days.

So the only other of Wellington’s battlefields we made it to was Salamanca, which we chose because we were told it was the best-preserved of the lot (and also because the city of Salamanca itself is well worth visiting). We hired a guide to give us a private tour of the battlefield, almost a necessity because “best-preserved” in this case means “still open farmland and fields.” Unlike any other battlefield I’ve visited (Waterloo, Culloden, Gettysburg), you could easily drive by it without ever knowing two armies had clashed there. Incidentally, I’m not sure the guide EVER fully adjusted to the fact that I rather than my husband was the Wellington geek and military history buff of the family–he kept turning to him to point out some feature or landmark, only to have Mr. Fraser direct him back to me.

(I apologize in advance for the somewhat blurry quality of some of these pictures–this part of the trip was after I shattered the screen of my iPhone and was left taking pictures with my iPad, which being larger was much tougher to hold steady.)

Salamanca

Salamanca is unusual among Wellington’s Peninsular battles in that he took the offense instead of occupying a position and defending it, as at Waterloo. This had more to do with the circumstances than his personality or abilities, IMHO–he recognized that since the French were the invaders and the British were supporting the invaded Portuguese and Spanish, his objective wasn’t so much total victory as forcing the French to keep pouring resources into the Peninsula. Also, he was leading the only army of any size Britain had available, so he was careful to avoid the risks a commander with a larger population base and the power to conscript from it (like, oh, say, Napoleon) might run.

In fact, the Battle of Salamanca began as a British retreat. The British had occupied the town, but were blocked to the north by French Marshal Marmont, who kept getting reinforcements and started to threaten Wellington’s supply lines. He decided to return to Portugal, so his army marched out, shadowed by Marmont’s men marching in parallel. But when he saw that Marmont had overextended his lines, leaving his army vulnerable, he pounced.

In the picture above, the initial British position (the Lesser Arapile) is the hill to the left, while the French occupied the Greater Arapile to the right. Cavalry played a more important role in this battle than in most Peninsular conflicts, and looking at all that wide, grassy country you can see why.

Here we’re standing atop the Greater Arapile, Marmont’s position, looking toward the Lesser Arapile where the British artillery was posted:

Lesser Arapile

And here we’re at the base of the Lesser Arapile, looking up toward the French position:

Greater Arapile

Somehow the fact that the ground is still so open and empty, not clustered with monuments and interpretive information, made it all the easier to imagine scenes like this:

Not only was our visit to Salamanca fascinating, we loved Spain. The week we spent in Madrid and Salamanca was our favorite part of the whole trip. Possibly because we were there in the heat of July, everything was less crowded than in London, Brussels, Paris, or Southwest France. We were able to walk straight into great museums like the Prado and the Reina Sofia without having to wait in line. Everyone was friendly and helpful–though I kept getting in trouble by speaking Spanish just well enough that people expected me to understand it well, too! And the food was amazing.

Churros con chocolate for breakfast:

Churros

For dinner we’d go down to the Plaza Mayor, pick one of the outdoor cafes, and have a nice leisurely dinner listening to strolling musicians and watching the world go by. Around 9:30 or 10:00, it got dark enough that the lights came on to cheers from the crowd:

Plaza Mayor

All around that plaza and Salamanca, there are reliefs of various royal and otherwise important figures from Spanish history. There’s just one Englishman–and possibly just one foreigner–Wellington.

Wellington

If you ever get a chance to go to Spain, jump at it, and make sure you go to Salamanca!

cover picture of A Taste of Scandal
Yesterday was release day for A TASTE OF SCANDAL, a multi-author box set I contributed to. Indeed, even the cover is so scandalous that Facebook wouldn’t let one of us boost her “Hooray! New release! With pretty new cover!!!” post. Because, you see, you can plainly discern a man’s neikkid back and shoulder. *gasp*

And biceps!

Let’s not forget that lovely biceps!!! *pats screen*

(I do hope you’re keeping your smelling salts nearby in case you’re overcome by so much scandalous scandalousness!)

And here’s is the scandalous blurb:

Heat up your history with eight amazing novels from USA Today bestselling authors and brand new voices [and, well, me] in this box set! From Regency ballrooms to Victorian bedrooms [and garden follies adorned by giant stone pineapples!!!] [how could you possibly resist those stone pineapples?!!?], there’s something here for every lover of steamy, sexy historical romance. Scottish highlanders, noble spies, and witty aristocrats use humor, wits, and intrigue to get whatever — and whoever — they desire. But these daring heroes meet their match when they encounter bewitching beauties who want more than just a taste of scandal…

(In case you wonder: the fabulous Elizabeth Cole aka the mastermind behind this box set wrote the blurb. Now I just need to find out how I can get her to write all my future blurbs.)

If you don’t quite know how to become properly scandalous yourself, never fear: We have assembled a list of handy tips from some of our heroes & heroines on how to be truly scandalous. Let’s start with a bit of a garden theme:

"The Dovecote" - art by Sandra Schwab “If you suspect a beautiful, unmarried woman is a spy, lead her to a dark garden where you can kiss her senseless while discovering whether she has hidden assets.” ~ Sebastien Thorne from A HEARTLESS DESIGN by Elizabeth Cole

“Garden follies (even those adorned by giant stone pineapples!) are most wonderfully suitable for seduction.” ~ Sebastian “Fox” Stapleton from BEWITCHED by Sandra Schwab

For our next tip, you don’t need a garden, but having a brother is kind of essential:

“Blame everything on your roguish brother so that your darkest secret will never be revealed to the woman you love.” ~ Patrick Rochester from DARK PERSUASION by Vicki Hopkins

So far, our list might lead you to think that only romance heroes have scandal on their minds. But nothing could be further from the truth! So let’s hear from two of our heroines:

"Elinor" - art by Sandra Schwab“The easiest way to get one’s self married is to make a man dizzy with desire. And not let him get undizzy until after the wedding.” ~ Elinor from TO WED THE WIDOW by Megan Bryce

The next one is my personal favorite. It’s a great line to use when you have to deal with a stubborn or annoying hero:

“I don’t think I could kill you, even though you deserve it. They would probably behead me at the Tower if I murdered a duke.” ~ Elizabeth from EDUCATING ELIZABETH by Kate Pearce

"Elizabeth" - art by Sandra Schwab
If you want to find out about all the scandalous things that happen in A TASTE OF SCANDAL, you can pick up your copy for just 99 cents at the following sites:

Amazon US | Amazon UK | Amazon CA | Apple itunes | Kobo

And now let’s hear from you: What is the best scandalous thing you’ve ever encountered in a romance novel?

Leave a comment for a chance to win a signed copy of the very first edition of BEWITCHED (yes, that would be the old Dorchester edition from 2008) (and yes, I still have a few brand new copies of that edition), my contribution to the box set. I’m going to pick a winner (randomly chosen) on Sunday, 11 October.

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