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Category: Regency

the new cover for The Lily Brand by Sandra Schwab
I had hoped to do a re-release party today for The Lily Brand, but alas, I’m still proofreading the dratted book. (Grrrrr!) So let me tell you about the gardens instead.

When I was writing The Lily Brand, I was apparently utterly fascinated with the history of garden planning and garden architecture — or perhaps I was simply inspired by a book on the history of European gardens, which I had received as a Christmas present from one of my great-aunts back in 1997. Leafing through this book now, I certainly recognize several of the photographs as part of the setting of The Lily Brand.

cover picture of Zauber der Gartenwelt
Take the gorgeous statue of Pan on the front cover, for example: in my novel he resides in the overgrown, neglected garden that belongs to the French château of my heroine’s evil (uber-evil!) stepmother. We encounter Pan in the second chapter, when Lillian is wandering around the garden, dragging the bound and gagged hero behind her (poor man — I was in a bit of a bad mood when I wrote that novel…)

Lillian did not hesitate to pick her way through the overgrown garden. She walked carefully, of course, mindful of the thorny branches which lay waiting to trap the folds of her coat and dress.

At this time of the year, the leaves had already started to fall and reveal the branches gray and bare. In many ways, the garden was as ghostly as the mansion itself. But, oh, how many times she had wished that the plants would reach out and envelop the house, bury it under a green blanket!

La belle au bois dormant.

Lillian’s lips turned up in a humorless smile. There would be no prince coming to release her from the evil spell.

In her dreams, the plants would grow and cover the walls of the mansion, would press against the glass of the windows, would seek out the tiniest cracks in the walls. And, once inside, they would grow and grow and twine themselves around Camille. Around and around until there would be no trace left—

Lillian gave herself a mental shake and looked over her shoulder at the man trudging behind her. His chest rose and fell with laborious breaths. What could she say to ease his troubles? For him, there would be no deliverance. And so, she remained silent.

To their left, a lichen-covered Pan peeked out of the bushes, lounging on a bit of rock, flute raised to his lips as if he were about to compete with the absent birds. Just visible under the dark green tendrils was one of the broad, powerful shoulders, a hint of muscles bouncing in his arm. His very presence seemed to mock the man in shackles, for the faun had achieved what the prisoner had not: escape from Camille’s web.


In other news, The Bride Prize, the first novella in my Victorian series is now free on Apple, Kobo, Barnes & Noble, and Amazon (at least it’s free for Amazon customers from the US). So if you’d like to join the reporters of Allan’s Miscellany on their first adventure and accompany them to Scotland to watch a tournament, grab a copy (and bring an umbrella!!!). 🙂

Or if you’d just like to watch me squee (and make other funny noises) over books, you can do that, too. For this is what happened earlier this evening:

 

(My friend Andrea Pickens, aka Cara Elliott, is joining us today to talk about some special new releases!  She and I both wrote for the Signet Regency line, and now we are seeing some of those older titles come back into the world with brand new covers….comment for a chance to win a copy!)

Hi Everyone,

Andrea1It’s always wonderful to be back at the Riskies, but today I’ve switched my Cara Elliott chapeau for my more traditional Andrea Pickens bonnet . . . but hey, we all know Regency bonnets could get quite creative and daring while still staying within the rules. And that’s the great fun of the traditional Regency genre. Yes, there are greater constraints that for a Regency historical. But for those of us who started out writing them—like many of my Risky pals here!—the absence of the “S” word and writing all the rumple-pumple let us add color and texture to our stories and characters by exploring things like offbeat setting and unusual occupations for our heroes and heroines.

DiamondCoverAndreaTake for example, Diamond In The Rough (The above preamble is, as you may have guessed, a rather longwinded introduction to the fact that I have just released two trad Regencies as self-pubbed e-books, which are the first two in a trilogy) It first appeared in the Signet line, and features a story revolving around golf in Scotland. The heroine is a caddie in disguise and she’s a better player than most of the men. When a friend asks her to help an English lord learn the sport in order to win an match and save his ancestral home, the games begin, both on and off the links . . . I loved researching the esoteric elements about the clubs and courses of the times, and weaving them into the decidedly offbeat romance that ensues. It was a classic sporting wager trope, but with a twist. (The Riskies could all offer lots of examples of their books that featured really original plots and people—but for reasons of space I shall let them bang their own drum!)

SweeterCoverThe second book is a brand new original book, entitled Sweeter Than Sin. The hero likes to dabble in . . . chocolate. Now in doing research for a historical mystery series I wrote, I learned a lot about the history of chocolate, and how edible chocolate was known in the Regency era. (Marie Antoinette’s physician mixed her medicine in solid chocolate wafers flavored with fruits or nuts to disguise its bitter taste. He later opened a chocolate shop on the Left Bank of Paris in 1802.) So it was fun to create a plot where that element could “sweeten” the romance. Rafael is a half Spanish-half English war hero who has come to England to recover from a serious wound. To help draw himself out of his black moods, he decides to work on translating his Spanish grandmother’s diaries on the lore of chocolate and her recipes. His neighbor is the disgraced daughter of a duke, who is suffering from guilt. A chance meeting brings them together, and they slowly begin to discover the healing power of chocolate—and of course love. (There is also a dog they rescue from the stews named Hero who helps save the day!)

Now, don’t get me wrong, I love drawing room stories, “comedy of manners” plots and sexy romps too, but trads with offbeat elements have always had great appeal for me. How about you? Do you like regencies that stray off the beaten path. Have any favorites to name? I’ll be giving away a copy of one of my e-books (your choice!) to a winner chosen at random from those who leave a comment here.

This coming Monday, November 24, is launch day for my latest novella release, A Christmas Reunion! is available for preorder now at all the major ebook retailers.

ACR cover

Gabriel Shepherd has never forgotten his humble origins. So when he discovers a war orphan at Christmastime, he resolves to find a home for her—even if that means asking help from the very family who found and raised him, only to cast him out for daring to love the wrong woman.

Lady Catherine Trevilian has spent five years poring over the British Army’s casualty list, dreading the day she sees Gabe’s name. She’s never forgotten him, and she’s never forgiven herself for not running away with him when she had the chance, though she’s agreed to a marriage of convenience with a more suitable man.

When Gabe returns home on Christmas leave just days before Cat’s wedding, a forbidden kiss confirms their feelings haven’t been dimmed by distance or time. But Cat is honor-bound to another, and Gabe believes she deserves better than a penniless soldier with an orphan in tow. How can Cat reconcile love and duty? She must convince Gabe she’d rather have him than the richest lord in all of England…

Here’s an excerpt I hope will whet your appetite. Cat’s fiance Anthony has just witnessed her reunion with Gabe, and he has questions…
—–
“Catherine,” he said abruptly, “what is Captain Shepherd to you?”

“What do you mean?” She strove for a light, steady voice. “He grew up with Richard and Harry, so I think of him as a cousin, even though we’re not of the same blood.”

“No.” He huffed out a breath and stepped away from the hearth, watching her carefully. “You don’t fidget and breathe faster every time Richard comes within a yard of you. You and Harry don’t dart glances at each other and turn red every time you happen to look at the same time.”

Cat sighed. Curse Anthony’s perceptiveness. If only Gabe had arrived an hour or two before him, she would’ve had time to school her face and body to calm in his presence. “Very well,” she said. “The reason my uncle sent Gabriel into the army is that he kissed me under the mistletoe, and we were caught at it.”

“Five years ago. That would’ve made you eighteen and him…?”

“Twenty. He’s a few months younger than Harry.” She wished Anthony wouldn’t loom so, but she refused to stand up, lest this conversation become even more of a confrontation.

His eyes narrowed. “Sending him off to war for a mere kiss seems rather extreme. Surely a pretty girl of eighteen and a good-looking lad of twenty under the same roof exchanging a kiss isn’t so shocking, as long as it doesn’t get out of hand.”

His tone and a certain ironic lift of his eyebrow suggested suspicions the kiss had indeed got out of hand. Cat took a deep breath and considered her next words. She was not going to tell Anthony where she and Gabe had been when they were caught, nor how they’d been touching each other.

Instead she turned to one of the lectures her aunt had given her when she’d wept over Gabe’s exile. “That’s just it, you see. Some of my Trevilian relations hadn’t liked it when I came to Edenwell after Papa died because there were three young men in the household. They thought it too dangerous, that I might end up compromised or maneuvered into marrying Richard or Harry whether I freely consented or not. They weren’t so very far wrong, after all. My uncle wouldn’t have gone so far as to force my consent, but he certainly used every lawful means at his disposal to try to convince me to wed Harry.”

“He must’ve been mad. Anyone could see the two of you are entirely unsuited.”

Cat bit her lip and traced a pattern in the rug with one slippered foot. Anthony was so alert to all the little games people played within society. If she claimed that her—call it her infatuation—with Gabe had begun as a game, would it deflect him from suspecting it had become far more? She lifted her chin and met her betrothed’s eyes. “Ah, but Gabriel was much worse in everyone’s eyes. He was entirely unsuitable.”

Anthony studied her in silence for a moment. Then he visibly relaxed, and one corner of his mouth twitched in amusement. “Why, Catherine! You deliberately struck up a flirtation with him to defy your uncle. You did.”

She shrugged. “Uncle Edenwell might have been my guardian until I came of age, but I wanted him to know he couldn’t rule my heart or my mind.”

“Ha! Well done. And a lesson to me never to allow myself to become a dictatorial sort of husband.”

“You’d do well to remember that,” she said archly, then shook her head. “Though it wasn’t well done of me at all, when you consider the consequences. Before that night my uncle had intended for Gabriel to become steward of the family properties when he was a little older. No one had ever thought of the army for him, and I’ve spent the past five years in fear of seeing his name in the casualty lists. If Uncle Edenwell had been in less of a temper, he might’ve sent Gabriel away for a few years to one of his more distant estates to practice his profession, but that wasn’t my uncle’s way. He was never one to be satisfied with merely doing enough, when a more extreme solution was available.”

“Hmph. So Richard often gave me to understand.”

Cat suppressed a sigh of relief. It pained her to speak so lightly of Gabe, who had been her dearest friend even before he became her first love, but at least she thought she had calmed Anthony’s suspicions.

“But he must have meant something to you, beyond a means to annoy your uncle,” he probed, “or you wouldn’t be so—so struck by his presence now.”

Or, perhaps not.
—–

Another excerpt and buy links for A Christmas Reunion are available at my website. And if you’re looking to fill your virtual stocking with festive reads, my short holiday novella from 2013, Christmas Past, is still available too.

One of the stops on the Duke of Wellington tour was Horse Guards. Horse Guards was the office of the Commander-in-Chief of the Forces during “our” era, and it exists today as headquarters of two major Army commands: the London District and the Household Cavalry. We were there to tour the Household Cavalry Museum, but we were able to see the retiring of the guards.
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When we first arrived, a guard on horseback was posted at the gate and the tourists were using him as a photo op, which bothered me. But I took a photo anyway.
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Here’s a short video of the Guards.

https://www.youtube.com/watch?v=78PIWgzfrz4&feature=youtu.be

In Apsley House we saw this painting showing the Duke of Wellington leaving his command at Horse Guards for the last time. It is titled His Last Return From Duty. This is a drawing of that painting in the tunnel under the street between Apsley House and the Wellington Arch.
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More lovely memories from my England trip!

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