Category: Regency

Banbury Cakes (sort of)

Updated on January 28, 2013 by Elena Greene

I’ve always wanted to try out a Regency recipe. I rather rashly promised to do a book signing (at an old-fashioned bookshop in a historic town) with the theme of a Regency Tea, so this seemed like a good opportunity to experiment. In LADY DEARING’S MASQUERADE, I had a housewifely 9-year-old make something called Banbury cakes, so I decided to try making them myself.

Here’s the original recipe, from THE COMPLETE SERVANT, by Samuel and Sarah Adams, first published in 1825. (A neat reference, with guidance on the duties of every servant imaginable, and some interesting recipes. I found a nice 1989 reprint from Southover Press.)

Take a pound of dough made for white bread, roll it out, and put bits of butter upon the same as for puff paste, till a pound of the same has been worked in; roll it out very thin, then cut it into bits of an oval size, according as the cakes are wanted. Mix some good moist sugar with a little brandy, sufficient to wet it, then mix some clean washed currants with the former, put a little upon each bit of paste, close them up, and put the side that is closed next the tin they are to be baked upon. Lay them separate, and bake them moderately, and afterwards, when taken out, sift sugar over them. Some candied peel may be added, or a few drops of the essence of lemon.

Here’s my very loose interpretation. Puff pastry dough would be more accurate but I opted to make something more like a filled cookie, as I thought it would transport better.

3 cups all purpose flour
½ tsp baking soda
½ tsp salt
1 cup butter, softened
1 cup sugar
1 egg
3 Tbsp milk
1 tsp vanilla
12 oz jar blackcurrant preserves
1 tsp brandy

1. Combine flour, baking soda and salt in a medium bowl.
2. In a large bowl, beat butter and sugar together until fluffy.
3. Add egg, milk and vanilla and beat well.
4. Add dry ingredients, mix thoroughly.
5. Cover and chill for about half an hour or until dough is easily rolled.
6. Mix blackcurrant preserves and brandy for filling.
7. Flour surface and rolling pin well (dough is very sticky) and roll out fairly thin (a little thicker than 1/8 inch). Cut out 3 or 4 inch rounds, as desired. Put a little filling (not too much so you can close it) in the center and gently crimp the edges together. (Don’t worry if a few break or some filling oozes out. Just be careful to, um, destroy the evidence!)
8. Bake on ungreased cookie sheet at 375 degrees F for about 15 minutes, until golden in center and lightly browned on the edges.
9. Dust with confectioner’s sugar.

This makes about 24 large (using 4 inch rounds) or 36 small (3 inch rounds).

As I said, not quite accurate, but rich and buttery, the currants adding a nice tartness. My kids even liked them, so I hope visitors to my booksigning will, too.
And I do solemnly promise Mr. St. James that there will be no iced or fruit-flavored beverages served!

Elena 🙂
LADY DEARING’S MASQUERADE, an RT Top Pick!
www.elenagreene.com

Posted in Regency, Research | Tagged baking, Banbury cakes, cooking | 13 Replies

Anachronism vs. Anomaly

Updated on January 26, 2013 by megan

I am currently writing a fluffy historical, sometimes called a wallpaper historical–this is the kind of book where the period is there for mere decoration (hence the wallpaper comment), and period experts will rightly say, “That could never happen in the Regency!”

And usually, I cock an eyebrow when a heroine of any time decides to have sex without considering protection, or the consequences, no matter what time period it is.

But in this book, my hero and heroine will not be going all the way until I’ve figured out how to make it work, in any context (not so much the act itself; I do know how that works).

But my heroine will be doing some heavy petting, so to speak, prior to making a commitment to the hero. I don’t think this is anachronistic behavior; I do believe that human beings of any time did things they perhaps should not. I prefer to think of it that my heroine is extraordinary in any time, although in this period she is an anomaly, particularly as a young aristocrat. Young ladies generally did not do such things. But my heroine, in specific, is.

Perhaps it’s justifying what I’m writing, perhaps it’s just looking at the time through my 21st century eyes, but I am okay with it. The characters are having fun figuring themselves, and each other out, and that shouldn’t be anomalous, no matter when it happens.

Meanwhile, I am glad I have something warm to write when it is so cold outside! Hope everyone is bundled up, sitting at home with a good book and a great cup of tea.

Megan

Posted in Regency, Writing | Tagged Megan | 12 Replies

Castonbury Park: the Spanish Connection by Joanna Fulford

Updated on January 25, 2013 by Amanda McCabe/Laurel McKee

Today we’re welcoming Harlequin Historical author Joanna Fulford, to talk about Book 7 (of 8!) in the Castonbury Park series! Comment for a chance to win a copy…

Redemption of a Fallen Woman is the seventh book in the Castonbury Park series and is due for release in February. Hoping to save his family from ruin, my hero, ex-soldier Harry Montague, reluctantly returns to Spain to seek vital information about the death of his brother, Jamie. On arrival in Madrid, Harry meets fiery Spanish beauty, Elena Ruiz. Elena is a fallen woman whose chequered past is about to result in her being incarcerated in a convent. Among her transgressions are the two years she spent with a guerrilla group, fighting the French.

The ideas for this story arose from the years when I lived in Madrid. It was the base for subsequent explorations of Iberia, including the wonderful cities of Seville and Cádiz which feature in the book. My travels often took me up-country as well. One weekend, quite by accident, I discovered Patones, a small hillside village in the foothills of the Sierra de Guadarrama. I suspect that most people find Patones by accident. Even by modern standards it’s pretty remote, but at the time of the Peninsular Campaign (1808-1814) it was truly isolated. In spite of their best efforts, Napoleon’s forces never did find the place so it was spared the ravages inflicted on other villages and towns. It must have been an ideal base for guerrilla fighters during that conflict. Years later the memory of that trip gave me the idea for my heroine’s backstory.

The word guerrilla means little war. Although it was an old established method of fighting, the term was first coined in Spain during the Napoleonic Invasion. The guerrillas used hit-and-run tactics in their insurgency against the occupying French. A French sniper called Mignolet wrote home: “We are surrounded by 40,000 Spanish brigands whom we must fight every day – and the situation gets no better, but worse…”

Mignolet’s pessimistic assessment reflects the part played by the local topography. Spain is one of the most mountainous countries in Europe. At its centre are high plains crossed by mountain ranges and rivers. It’s a wild and spectacular landscape, but it’s also ideal terrain for guerrilla warfare. There were numerous bands involved, each with its own agenda. My guerrilla leader, Juan Montera, is fictional, as is the brigand, El Lobo, but they are representative of the different groups in action at the time.

Being undisciplined irregulars, the guerillas were of little use in open battle against cavalry. Where they really came into their own was in providing accurate military intelligence. Wellington had good cause to be grateful for this. After Talavera, for example, he marched off with a force of 18,000 men to attack what he believed to be a detachment of 10,000 French troops. The ‘detachment’ turned out to be three army corps numbering well over 50,000 men. But for a timely warning from the local guerrillas it is likely that Wellington and his force would have been annihilated. Fortunately, he was able to retreat in time.

Spain has been accurately described as a beautiful blood-soaked land. It has shaped my hero and heroine in different ways, and created the deep emotional conflicts that they must resolve. It was fun to go with them on that journey. I hope you’ll enjoy it too.

Posted in Giveaways, Guest, Regency, Research | Tagged Castonbury Park, Joanna Fulford, Peninsular War, Redemption of a Fallen Woman | 19 Replies

Obsessions

Updated on January 25, 2013 by Elena Greene

While I was down with the flu, I was finding it very hard to just rest. I am so unused to lying around and doing nothing! So some of the time I did some crochet and I’ve continued to do bits of it during odd moments, like waiting for my daughter to get out of her play rehearsals, etc… It’s an obsession.

I blogged about Regency Crochet a few years ago. At that point I was unable to discover much evidence of ladies crocheting during the Regency, although it was possible. It was around that time that tambour work (embroidery that resembles crochet on fabric) evolved into what the French called “crochet in the air”. Crochet didn’t become popular in England until the time of Victoria. (Check out that old post if you want to see some examples of truly hilarious modern Bad Crochet.)

Anyway, today for fun I tried googling “Regency crochet”.

I found a book called “Austentatious Crochet: 36 Contemporary Designs from the World of Jane Austen”. Some of the patterns use crochet technique effectively; some I’m not so sure about as they use swathes of single or double crochet (boring!) to do what might be done with ordinary fabrics. For instance, I think I would redo the cover pattern by just adding the crochet embellishments to a knit top.

There’s an example of another pretty item that uses crochet more effectively, Lizzie’s Lace Mantelet, on the Ravelry website.

Sense & Sensibility Patterns has some crochet patterns mostly inspired by periods other than the Regency, but cute, like these Edwardian style earrings designed by Jenny Chancey.

At the Jane Austen Centre website, I found a pattern for crocheted gloves. Now these look fun to make although I wonder if they would stretch as easily as the pattern claims. I have longish fingers and gloves often feel a smidge small to me. If I do this, I’m going to check them against my hands frequently and add rows if I need to.

The Jane Austen Centre also has a page on the art of tatting. That’s something I would very much like to try sometime. It says it can be addictive and I don’t doubt it would be for me! I have a plain fabric reticule made to go with my Regency gown and it would be fun to decorate it with tatting like the one below.

Anyone else enjoy handicrafts of any sort, to make or to wear? What should I work on next (besides finishing the mess-in-progress)?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Posted in Frivolity, Regency, Research | Tagged crafts, crochet, tatting | 8 Replies

Regency crochet?

Updated on January 25, 2013 by Elena Greene

Hello, everyone. I actually have a regular post, which I’d planned to do before my husband suffered a stroke in January. But first, since I know many of you are kind enough to be interested, I’ll give a brief update.About a week ago, we celebrated Rich’s return from the rehab center with a banner and an ice cream cake. He is strong enough now that I can care for him safely at home, and he is rising to all the challenges of moving about in a real world environment. He’s managed the 14 steps up to our 2nd floor and though it tires him, it’s good therapy. Until he is able to travel more easily, Rich will get physical and occupational therapy from a home care agency. I’m in the process of arranging for a good speech therapist to come to our home (I can’t seem to light a fire under the one from the agency) but hope to have that problem resolved soon.

I am really enjoying taking an increased role in Rich’s recovery, though it does leave little time for anything else. Writing feels like a terribly distant dream at this point. However there are small miracles to celebrate. I never thought I’d be so excited by a man just wiggling his big toe! LOL

Now to my post. Last December, I started crocheting a scarf for a friend, similar to one she’d admired in a store. After Rich had the stroke, I continued to crochet in hospital waiting rooms, by his bedside while he was sleeping, etc… Keeping my hands busy helped me stay calm during a chaotic and scary time.

Earlier, I’d wondered if Regency ladies crocheted, so I did some research into it. I found some interesting information in the “History of Crochet” by Ruthie Marks.

Although sources differ, some believe crochet originated with tambour work, a form of embroidery that uses a hook to create patterns on a background fabric. Originated in the East but reached Europe around 1860. Sometime around 1800 tambour work evolved into what the French called “crochet in the air”.

So crochet would have been a relatively new craft for a Regency lady. I’ve found little to suggest it was widely popular until Queen Victoria began to crochet. She made eight scarves for selected British soldiers during the South African war.

During the Victorian and Edwardian periods, crochet grew in popularity, reaching heights of virtuosity demonstrated in this example of crochet lace from Clones, Ireland.

Since then, crochet has evolved in various directions from the ugly

to the weird

to the downright eyeball-searing.

These images come from What Not to Crochet, a blog I check out when I’m in desperate need of a good laugh.

No wonder crochet has gotten something of a bad name. Yet there are some artisans out there creating beautiful designs, such as Sophie Digard, several of whose designs are pictured below. Though I no longer have time to crochet, someday it would be fun to attempt something as intricate and lovely. But by then I should be back to WRITING.