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Category: Risky Book Talk

Posts in which we talk about our own books

I just reached the 70,000 word point in my balloonist story and it occurred to me that I might actually finish this thing sometime in the not distant future!

This is the story that called to me most strongly when I started writing again after the crisis of my husband’s stroke. Since it was a time of creative recovery, I decided to just enjoy the process and not worry about what I was going to do with the result. The industry was (and still is) changing a lot and once the work was finished, I could think about whether to return to traditional publishing or go indie with it. I was happy that there would be options.

Now that the time for a decision is getting closer, I’m reviewing those options more closely. I don’t think there’s one clear answer at this point that works for every writer. I think there are a lot of factors that work into that decision and would never criticize anyone else’s choices. I just have to decide what seems best for this story.

There are good reasons to try the traditional publishing route, leaving self-publishing as a fall back. It’s still a very meaningful accomplishment to get through the gates of traditional publishing. I suspect that for many readers, it’s one potential predictor of quality that helps them with purchasing choices. Traditionally published books have been professionally edited. Traditional publishing is still the way to get into brick-and-mortar bookstores. Traditionally published books are eligible for established contests, like RWA’s RITA. It’s easier to get professional reviews for traditionally published books.

On the other hand, my balloonist story might do better as an indie book. For one thing, it is a bit out of the normal stream and lacks some of the elements that seem very common right now. No duke, no courtesan—again, no criticism against duke/courtesan stories, this just isn’t one. Yet I believe in this story and think there is a potential audience for it. The modest success I’ve achieved independently publishing my reissues may help. Perhaps the readers who enjoyed these reissues will take a chance on a new story?

This book will also go through my talented and long-suffering critique partners, as my other books have done. Said talented and long-suffering critique partners have tended to leave little for my professional editors to do. So I think the quality of writing would not suffer if I go indie.

For those readers who prefer a paper book, I would plan to have a Print on Demand version available. It is easier to price ebooks competitively, but I would still strive for that with a POD version. Lastly, I have enjoyed the indie process. Managing the business end was a little scary at first, but now I enjoy having the immediate visibility into my sales, the ability to develop my own strategies, and greater control over cover art.

Of course, this is my decision to make, but I am interested in what you think. How do you think readers make their buying decisions when looking at traditionally published versus indie books? Am I asking myself the right questions?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

My first book was released today! It’s a strange feeling. I went over to my local bookstore, and there it was — on the shelves! That’s me. My book. My name on the cover. My picture in the back.

The best part? Strangers will go into a bookstore, find my book, and pay five dollars for the privilege of reading it. Isn’t that insane??? Of course, I think my novel is well worth the money, but still — it’s a dizzying feeling.

So…here’s a question for everyone. When was the first time you realized that books were written by real people? Real, flesh-and-blood, might-live-next-door people? Were you a kid? A teen? Did the true realization not hit you until you were an adult? How did it happen? Please share!

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — in bookstores now!!!!

I am thrilled to show the cover for my April 2013 Loveswept release, Hero of My Heart. And here is what it’s all about, too. I’m psyched, I love these colors, and Mr. No Shirt isn’t bad, either.

When Mary Smith’s corrupt, debt-ridden brother drags her to a seedy pub to sell her virtue to the highest bidder, Alasdair Thornham leaps to the rescue. Of course the marquess is far from perfect husband material: Alasdair is too fond of opium, and prefers delirium to reality. Still, Alasdair has come to her aid, and now she intends to return the favor. She will show him that he is not evil, just troubled—and exceedingly handsome, with his perfect, strong body, chiseled jaw, and piercing green eyes.

Mary was a damsel in need of a hero, but Alasdair’s plan is shortsighted. He never foresaw her desire to save him from himself. Alasdair is quite at home in his private torment, until this angel proves that a heart still beats in his broken soul. The devil may have kept her from hell, but will Mary’s good intentions lead them back to the brink—or to heaven in each other’s arms?


Megan

(From Amanda–Last year, I was invited to take part in a very exciting project, a continuity series pitched as “Downton Abbey in the Regency”.  As a huge Downton fan, of course I immediately said yes, and I’m so glad I did!  It was so much fun getting to work with the other authors and watch our new world take shape, and now the hard work is paying off as the first Castonbury Park title launches next month.  Here is more info on the books in the series.  Be sure and comment to win a copy of the guidebook from Kedleston Hall, our inspiration for Castonbury…)

From the eHarlequin website:  “Are you a fan of the Upstairs/Downstairs genre made famous by the UK series Downton Abbey? Then be on the look out for the new Harlequin Historical DIGITALLY EXCLUSIVE series Castonbury Park! Now, the series is not set in the same time period as Downton Abbey, but fret not–these Regency romance novels are a great way to while away those dog days of summer, PLUS they’re written by some of the hottest Harlequin historical authors!


Marguerite Kaye’s prequel short story, Flirting With Ruin, is free here for a few more days!  Be sure and pick it up for an intro to the Castonbury world…

The series kicks off with Carole Mortimer’s The Wicked Lord Montague (August):

“Lord Giles Montague has always lived his life just the way he wants—fighting on the battlefields and fighting off the fawning ladies in London’s clubs. But after the death of his older brother in Spain, the notoriously wicked Montague is now reluctant heir to Castonbury Park!
Having grown up with the Montague family, Miss Lily Seagrove finds her least favourite by far is Lord Giles! He’s arrogant, rude and oh, so infuriatingly handsome… But she’s a girl of Gypsy heritage, and although she might be able to get under Giles’ battle-scarred skin, she can never be Lady of the Manor…”

Helen Dickson’s The Housemaid’s Scandalous Secret (September):

  
Ross Montague is a colonel in the East India Army. Raised at Castonbury Park in Derbyshire with his cousins the Montague children, he has come to look on the six siblings as his brothers and sisters. Ross is no celibate, but two things obsess him – India and the East India company. On receiving a letter informing him that one of his cousins has been killed at Waterloo and another – the Montague heir, listed as missing – and the Montague family in dire financial straits, bound by the ties of present and future relationship to the house of Montague, Ross has returned to England.
Having spent all her life in India, Lisette’s parents have died of cholera and she is forced to return to England to earn her keep, but her heart remains in India. Before leaving India Ross saves Lisette from drowning. Because she is disguised as a native girl, he believes that is what she is.

In London Ross again meets Lisette. Although she is familiar to him he cannot remember where he has seen her before. Intrigued and attracted by her, when he learns she is to lose her position as lady’s maid, he persuades his sister to take her on. Lisette engages his emotions at some deeper level, but Lisette is constantly reminded of her lowly position in life and that men of Ross Montague’s ilk are not for the likes of her. To protect herself from his passions – and her own, she is determined to stay out of his way, and yet there is a bond between them which tugs at her heart.

Marguerite Kaye’s The Lady Who Broke the Rules (October):

Shunned by society since she ended her disastrous engagement, Lady Katherine Montague is determined never to allow any man to hurt her again. Instead, Kate invests all her energy and emotions in philanthropy, building a village school, rescuing fallen women and supporting the abolitionist cause.
 
Virgil Jackson was born into slavery in Virginia, but sold into the north when he led a rebellion which had tragic consequences. Hard work, a brilliant mind and a fierce determination to succeed have earned him freedom, power and wealth, but it seems nothing will ever be enough to satisfy Virgil’s need to pay penance for his past.
 
 Two outcasts, two rebels, Kate and Virgil are instantly drawn to each other. But the past, for each of them, has taken a heavy emotional toll. Can they cut themselves free from its fetters, and take a chance on a love so shocking that even the most liberal of Kate’s aristocratic family will find it impossible to accept?

Anne Lethbridge’s Lady of Shame (November):

When the scandalous Lady Claire returns home to Castonbury Park with her daughter, she is determined to redeem herself in the eyes of the Duke and marry well this time, for the sake of her daughter.
Up and coming chef Andre has his career all planned out, and his employment at Castonbury is an important stepping stone. He cannot allow an alluring woman, particularly one in a position to destroy all he has worked for, to distract his purpose.
Yet how can he use his talents with food to help her catch a husband, when what he really wants is her in his bed…

Sarah Mallory’s The Illegitmate Montague (December):

Adam Stratton hasn’t seen his mother Hannah for ten years. Fiercely independent, he has overcome his dubious birth to become a wealthy manufacturer and now he returns to Castonbury to make amends. Hannah is housekeeper at Castonbury Park, where the family have their own problems and she is reluctant to leave them at this difficult time. Adam therefore has to kick his heels at Castonbury, where he meets the equally proud and self-sufficient Amber Hall.
Amber is a cloth-merchant, a successful woman in a man’s world, but she must fight to maintain her place there. Sparks fly as she and Adam realise their mutual attraction, but dark forces threaten them and when disaster strikes they are thrown into a dangerous game of passion and intrigue, where no one is quite what they seem to be…

Bronwyn Scott’s Unbefitting a Lady (January):

Phaedra Montague’s always been wild. Wagering her mother’s pearls on a desperate dream is just the beginning of the adventure. Wagering her heart on Bram Basingstoke might just be the end.
The shocking losses of the past year have sent Phaedra fleeing to the stables, her traditional place of refuge in times of trouble. It’s a place she once shared with her brother, Edward. Only now, she flees there alone. Her beloved brother, Edward, is dead. The only thing left of their childhood together is a shared dream of winning Epsom. Phaedra is determined to make that dream come true as much for Edward’s memory as for herself. Life as she knew it has changed dramatically. She can rely only on herself for securing her future. A win at Epsom would secure that future, giving her a reputation as a breeder.
Ladies have never held any charm for Bram Basingstoke….until Phaedra Montague.
Exiled to the hinterlands of Derbyshire in order to escape his latest scrape with scandal, Bram Basingstoke knows he’ll die of boredom before his six months are out. When an opportunity to work as a groom presents itself at a horse auction in Buxton, Bram takes it. It will give him something to do while he kills time and it’s the perfect revenge on his father , the earl, who’d sought to send his son out of scandal’s way. Bram will show him—his errant second son can create scandal anywhere he goes.
But Bram may have torn off more than he can handle.

Joanna Fulford’s Redemption of a Fallen Woman (February):

Elena Ruiz needs a miracle if she is to escape a life behind convent bars, and Lord Henry Montague seems heaven sent. However, he has his own reasons for returning to Spain and those certainly don’t involve her. Nevertheless, when Elena’s well-intentioned plans unravel he becomes more closely involved than either of them ever anticipated…

Amanda McCabe’s A Stranger at Castonbury (March):

The final installment of the Castonbury Saga!  Catalina lost her husband Jaime in the midst of battle in Spain, and broken-hearted she has come to his family’s home at Castonbury hoping to feel close to him just once more.  But she finds more than she ever bargained for in those palatial halls, when Jaime turns up again…very much alive…

Do you enjoy continuity series?  Are you as intrigued by the idea of “Downton Abbey in the Regency” as I was???  Comment for a chance to win!!

Tomorrow is the Release Day for A Not So Respectable Gentleman?
It should appear in bookstores and can be ordered online. (ebook versions is out Aug 1, and the Mills & Boon version is out Aug 3)

I’m both excited and a little sad that the book is finally here (almost). A Not So Respectable Gentleman? is the last book in the series that began with the anthology, The Diamonds of Welbourne Manor.

In 2007 the adventure began when Harlequin Mills & Boon editor Maddie Rowe invited Deb Marlowe, fellow Risky Amanda McCabe, and me out to dinner during the Romance Writers of America conference in Dallas, Texas. We thought she was just being nice. The Mills & Boon editors always do nice things like that for their authors during the conference. Turns out she offered us a Regency anthology and each a book connected to the anthology.

Deb, Amanda and I were already friends. We’d become especially close on the Regency tour of England in 2003. So this was a fantastic treat. Our only instructions were to set the anthology in the Regency.

When we later met in Williamsburg, Virginia, to plan the anthology, we decided to create connected stories about a scandalous family created by the love affair between a duke and a lady who left her husband, an earl, to live with him. Their children – his, hers, and theirs – became known as the Fitzmanning Miscellany.

The anthology was about the three daughters. Deb’s and Amanda’s books were about the Duke’s legitimate sons, and A Not So Respectable Gentleman? is about the illegitimate son.

Here’s the back cover blurb:

Since Leo Fitzmanning returned to London, he’s kept his seat at the card table warm, his pockets full of winnings and his mind off a certain raven-haired heiress.
Until whispers at the gaming hell reveal that Miss Mariel Covendale is being forced into marriage with an unscrupulous fortune hunter!
Leo must re-enter the society he detests to help her before returning to his clandestine existence. But he hasn’t counted on Mariel having grown even more achingly beautiful than he remembered. Soon Leo realizes that there’s nothing respectable about his reasons for stopping Mariel’s marriage.

Here’s what the reviews are saying:

a lovely romance with a bit of suspense and the power and strength of a family….Gaston’s talents for evoking the era hold true to form….–Kathe Robin, RTBook Reviews

What made this book such an enjoyable read was the quick pace of the story, with characters that were allowed to be intelligent and practical people, while also being flawed…the romance that Leo and Mariel find again in one another kept my attention from beginning to end, and I closed the book with a smile for their future together.–Sara Anne Elliot, Rakehell

It was great fun revisiting the family we created together. Because this was the last book, I made it a point to bring all the Fitzmanning Miscellany back. They play important roles in Leo’s story. In fact, what Leo must learn in this story is that he can rely on his family when all else fails.

In celebration of the A Not So Respectable Gentleman?’s release, I’m giving away one signed copy of The Diamonds of Welbourne Manor and one signed copy of A Not So Respectable Gentleman? to one lucky commenter, chosen at random. I’ll announce the winner on July 25.

A question for you. If a book is part of a series, do you have to read all the earlier books first? Or do you not mind if you don’t know all the details that came before?

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