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Category: Writing

Posts in which we talk about the writing craft and process

I hope you’ll cross your fingers for me if you read this post by Saturday evening. My exciting news is that LORD OF MISRULE, my new release from last December, is a finalist for a prestigious 2019 Maggie Award as Best Historical Romance! And Saturday night is when the winners are going to be announced.

I was flabbergasted when I made the finals, but it is so thrilling that my first new book after a 16-year pause in my career has been so well-received. The other thing that makes this honor especially exciting to me is that I write “sweet”, and not only was this book competing with Historical Romances of all sorts of time periods, but it was also up against much hotter reads, which tend to be more popular.

I had the fun exercise of drafting what I’m calling my “fantasy thank you speech” which a friend at the Moonlight and Magnolias Conference in Georgia this weekend will deliver for me in the (rather unlikely) event that my book wins. But in that speech I mentioned that, ” Even though we are all writing about the emotional journeys our characters must take to arrive at deep and lasting love, omitting the explicit sex can make it harder to show the dance of attraction and doubt they go through.”

Thinking about “sweet” versus “hot” has made me think about all the kinds of risks we authors take as we try to do service to our characters’ stories. I tend to write unusual plots, and try to bring something fresh and different to each Regency story I write. Not all readers want that, of course! So it’s often a risk –and that tendency may be how I ended up here in the Risky Regencies sisterhood. Maybe over the coming months, each of us blogging here can talk about what she thinks is “risky” about the writing she does. I admit that I’ve been in a very “ruminative” mood lately, taking stock of where I am and where I’m going now that I am writing again.

What am I working on? Readers wanted more stories from Little Macclow, the Derbyshire village setting of LOM. I hadn’t planned on a series, but it turns out there is enough material there to mine. My current work-in-progress is a prequel to LOM, which I hope to release before or at least by December! It’s the story of Tom & Sally Hepston, who are already married when you meet them in LOM. Is it risky to write a series that wasn’t planned in advance? I guess we’ll find out!!

Do you read both sweet and hot romances? Do you like offbeat stories? What kind of risks do you see authors take, and which ones do you enjoy, or not enjoy?


Annoyed-looking girl stares out at us (front-view), cheek resting against her hand while an open book lies on table in front of her.

Let’s face it, writing isn’t easy. It LOOKS easy, to our readers, and that’s because we authors work hard to make sure what we eventually deliver to them is seamless, smooth prose that tells a logically believable (and well-researched) tale that’s also emotionally satisfying. But how many drafts did we go through to get there?

Granted, some books are easier than others. Sometimes a story is so clear to us that it very nearly writes itself. Some authors are blessed with many of those. But in my experience anyway, that is rare.

“Think of Olympic athletes,” I often told my students years ago when I was teaching romance writing. “Don’t they make their respective sport achievements look easy?” I used the analogy to provide some perspective, as they often came in thinking the writing would be easy. “Think of how smooth and graceful they are, how effortlessly they seem to flow through the motions of their sport. Watching them is like reading a finished story. Then think of the years of practice and study, the repeated successes and failures, the continued drive to keep getting better that they have invested to achieve that apparent ease. That is also the struggle behind most successful stories (and their authors).”

Pair of Olympic swimmers shown in simultaneous action in parallel pool lanes via underwater camera.

The writing does get easier the longer you’re at it. Practice helps just about anything! Yet every book seems to present its own challenges. Just when you think the process is getting comfortable, the next story comes along with its own unique twist you’ve never needed to handle before. New learning curve, every book.

Not to mention there are so many ways a book can go wrong. And I’m not even talking about the marketing part, here. Bad cover? Bad blurb? Oh, no. I’m only talking about the story here. Every aspect of a story, from the tone to the characters, the plot, the emotional arcs and the structure, the pacing, the dialogue–even the balance of those elements, or the choice of point-of-view characters in scenes, and more –all of these can make or break the successful telling of the story. Readers don’t see this, because we hope that all of those issues are smoothed out before they ever see a page.

You may have guessed I am in the throes of revising a book that has “gone wrong” and that’s the inspiration for this blogpost. Yup. I have been working for ages on a prequel to LORD OF MISRULE and had it at least ¾ done, maybe more. But something wasn’t working. Sent it to several critique partners, and it was clear from their comments that I was right, something wasn’t working. But none of them could quite put a finger on it. Their multiple views did help me to do so, I think!

Sometimes when books go wrong, it’s not just one big thing, but an accumulation of many small things. Kind of like dropped stitches in knitting. You might not notice them when they happen, but later as you look back at the completed rows, there they are. A character’s attitude is wrong, the tone is off or someone’s emotional reaction is missing. Some plot developments may happen in the wrong order. And as in knitting, there’s nothing to be done except unravel it back to the rows that were intact, and redo it.

I hate having to delay this book even longer, but I won’t release a book that I know isn’t right. That’s not to say my books are perfect, but I hope they are as good as I am capable of offering at the time they come out. Alas, I am a “pantser” (meaning I have to discover the story as I go along), so that usually means multiple drafts to sort things out. I have unraveled a big chunk of this book and am busily “re-knitting” it as fast as I can. I hope now to have it repaired and out by June at least. Maybe with a miracle, sooner. But it won’t be in April as I had planned. (sigh)

Have you read books that you thought the author should have “re-knitted” but didn’t? (please don’t name specific titles or authors) If you’re a writer, which would you say happens for you more often, easy ones or hard ones? Do you find there’s any one specific way books most often go wrong for you? If you are a plotter instead of a pantser, what still goes wrong sometimes even though you are following your thought-out plan?

A charming village, a struggling hero, a woman who risks heartbreak for a second time….

Some stories write themselves. Some stories fight you.  I posted about this back in April (here) as I struggled with reworking LORD OF HER HEART. Optimistically, I hoped then the book would be out in June. Ha. Even after I revised it, it still needed so much editing! Yikes, I began to think it would never make it out into the world. But as of today –it’s out!!

LORD OF HER HEART is the start of my new “Tales of Little Macclow” series. “Book Two” in the series is already out—my Christmastide holiday story, LORD OF MISRULE, inspired readers to ask for a series set in the fictional village where there may (or may not) be a bit of magic. The story actually takes place eight months after the action in the new book, so if you haven’t read LOM yet, I would say you’ll enjoy it even more if you read the new one first!  The stories stand alone, but there is a continuing chronology that is going to link the series together.

Here is the blurb for LORD OF HER HEART:

An unexpected return. A new risk for old friends.

As Little Macclow prepares to celebrate May Day, Tom Hepston’s arrival stirs expectations and speculation. Tom left the village fourteen years ago. Now he is back, but he hasn’t come willingly and he has no plans to stay. While he’s proud of the naval career he has left behind, he believes the physical and mental wounds that ended it have made him a madman no woman could—or should—love. Can he leave again before everyone sees the broken man he has become?

Sally Royden’s young heart broke when Tom left the first time. After years of hoping for his return, she now leads a full life caring for her sister and serving as the village seamstress. Tom’s experiences have changed him. Can Sally dare hope for renewed friendship? Or more? Or will her heart be broken twice—by the same man?

Little Macclow—tucked away and maybe touched by magic…. Village tales of love’s triumphs.

I’ve done “wounded heroes” before and bad memories are necessarily a part of them. (If you love this trope, I hope you’ll love Tom Hepston!) But I’ve never attempted one struggling with true PTSD before, which is so much more and can be so complex. I took an entire course on PTSD and did a lot of additional research in order to attempt writing Tom’s character. I had to learn some of the ways it is treated now—so I could figure out ways Tom might recover in a time period when the disorder didn’t even have a name, never mind any sort of therapy. Part of the proceeds from sales of LORD OF HER HEART will be donated to the Wounded Warriors Project and other non-profit organizations that support those struggling with the challenges of PTSD.

Do you like the wounded warrior trope? How about second-chances, and friends-to-lovers? One thing that makes this book different is that the main characters are not aristocracy. They’re not even gentry. Are you willing to read about characters who aren’t wealthy, and never will be? Tom & Sally are at the opposite end from those millionaire dukes who are so popular. I hope you’ll see that their HEA future is just as solid as those earned by those wealthy, high-ranked kinds of characters. And I hope you’ll want to visit Little Macclow again for more books in the series!

The book is available for Kindle and in print through Amazon and in other ebook formats through Smashwords.

One of my favorite parts of the Romance Writers of America (RWA) Annual Conference is that the Beau Monde chapter of RWA holds their annual conference the Wednesday before. I try always to attend. It is a great chance to see old friends and to hear great presentations on my favorite topics–anything about the Regency era!

IMG_0082This years conference keynote speaker was Miranda Neville, who honored her recently deceased father in her speech. Her father nurtured Miranda’s interest in history and took her and her sister to museums throughout Europe as a result. If that wasn’t enough to envy, she also had an idyllic childhood on a farm in Wiltshire and went on to work for Sotheby’s, writing catalogues of rare books and original letters and manuscripts. This meant she was paid to read the personal correspondence of historical figures, including those of “our” time period. Needless to say, Miranda likes to get the history correct in her books!

Our Risky Janet Mullany presented a workshop on servants, but I won’t say much about that, because she may be telling you herself. She told us about Black servants who were in England for many years. She mentioned one of the duties of footmen was to deliver messages for the lords and ladies for whom they worked. I thought it a clever fact to use in a future story that the footmen might take hours to deliver such messages, even though the distances might be nor more that a mile away.

Another Risky who presented a workshop was Isobel Carr, who spoke about the fabrics of the time period, about the different weaves of fabrics and the different materials from which they were made. Isobel has so much expertise to share on this topic, it is much too extensive for me to repeat. One interesting fact, though. We all believed that Scottish clans each had their own tartans. I imagined the clans rushing into battle at Culloden each wearing their clan’s plaids. It turns out that, in the late 18th century, a man named William Wilsons published a pattern book in which he assigned clan names to different tartans. The clans themselves had nothing to do with it.

Edmund_Blair_Leighton_-_Singing_to_the_reverendRisky friend Louisa Cornell talked about The Musical Education of a Regency Young Lady. I’ve heard Louisa speak on this topic before and I was so happy to hear Louisa, formerly a professional opera singer, sing some of the examples. She showed us what (and how) a sweet young might sing at a recital, what a talented young lady might sing, and what selections would be scandalous for a young lady to sing. Turns out, singing scandalous songs was acceptable in society.

Jackie Horne spoke about The Material Culture of Childhood and showed how the different cultural views on childhood were reflected in their toys, furniture, and clothing. Before 1750, children were rushed to adulthood, so their furniture, clothing, etc. reflected that. 1750 to 1830 was the era of the Natural Child, the belief that childhood was a special time requiring more freedom of movement than children had experienced previously. One interesting fact Jackie told us. Baby carriages were not invented until 1830, so don’t have your Regency characters pushing one!

Cheryl Bolen shared tons of information on the interiors of Regency houses, both in Town and in the country. She showed us slide after slide of wonderful Regency interiors, including some beautiful Adams rooms. You can see these images on her Pinterest Boards. An interesting fact–her floorplan of a typical Regency town house showed that the master’s bedroom was on the ground floor behind the dining room.

georgette-heyer-biographyThe Beau Monde was honored to have Jennifer Kloester, author of the recent acclaimed biography of Georgette Heyer. Ms. Kloester gave us a lovely picture of Heyer, including many of the insider tidbits she’d learned doing her research. She showed us a photograph of Heyer in her 20s by a then famous photographer. She looked like a 13 year old. Another photo the next year was more like the one on this book cover.

I missed the last workshop, because I needed to get ready for RWA’s huge Literacy Book Signing, but I heard it was wonderful, too. It was about Regency dance and was intriguingly titled Rethinking the Regency Ballroom with special guest Susan de Guardiola.

Miss Guardiola also led us in dance later at the evening soiree, where I joined other Beau Monde members, many in period costume, dancing the dances of the Regency. My dance partner was Joanne Grant, Senior Executive Editor at Harlequin UK. She and I have danced at previous soirees and it was a delight to have her attend this year’s and dance with me again!

It was a wonderful Beau Monde conference. Special thanks to Janna MacGregor, the coordinator of the conference. She did a marvelous job! And has become a great friend of mine, as well!

What topics would you like to hear presented at a Beau Monde conference? I’ll pass on your ideas!

One of the joys of writing Historical Romance is the research and the best way to research is to go to the places you write about.

Some writers get a story idea and then they go to the location of the story and do some research. Me, I visit a place and then make up a story using that setting.

That’s what I did for A Lady Becomes a Governess, Book 1 of my Governess Swap series, out this month from Harlequin Historical and Mills and Boon Historical. A Lady Becomes a Governess was mostly set in the Lake District. I visited the Lake District (and fell in love with it) on my last England trip with Kristine Hughes Patrone’s Number One London Tours.

Kristine and I also spent a day in Bath–the hottest day of the year there–90 degrees F. We walked Bath from one end to the other, seeing most of the famous buildings and streets, so when I needed a setting for Book 2 of my Governess Swap series, Bath was perfect.

My hero and heroine needed to walk Bath much like Kristine and I did. They walked from the Pump Room to the Royal Crescent to the Upper Assembly Rooms. Because I’d been there last year, I remembered vaguely where things were, but, for the book, I needed a map so I could be as accurate as possible.

I found a very cool one, HERE. It shows a present day map that can be overlaid with a historic map. You can move the circle to anywhere on the modern day map. My book is set in 1816, so I used the map from 1818.
This gave me the names of the streets in 1818, some of which were different than today.

Of course my hero and heroine had to visit the Royal Crescent and the Circus.
As I was researching the Royal Crescent and the Circus, I discovered that a navy Admiral, Admiral Sir Richard Bickerton, lived in the Circus and he fit perfectly into my book! I love when that happens.

I also needed two inns and a little searching led me to the AustenOnly blog and to the White Hart Inn, which was where Jane Austen had the Musgroves staying in Persuasion. The White Hart was torn down in 1869, but this wonderful blog even had a picture of the inn.
The second inn was where I briefly had my hero and heroine stay. The Westgate Inn was where the Royal Mail coaches stopped.

This year I’m going to Scotland with Kristine and Number One London Tours. I’ve never set a book in Scotland…….Here’s to a first time!

Do you ever use travel to inspire a story? Do you like to visit places where books, TV, or movies were set?

By the way, A Lady Becomes a Governess is available now in both ebook and paperback if ordered directly from Harlequin. The paperback will be at other online vendors June 19 and the ebook on July 1.

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