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One of my favorite books to revisit when I’m trying to imagine Georgian England is Gretchen Gerzina’s BLACK LONDON. There are many free blacks from the era with whom some of us may be familiar: Francis Barber, Ignatius Sancho, Olaudah Equiano, Elizabeth “Dido” Belle, Jonathan Strong, Ukawsaw Gronniosaw. There is also the ever present black groom, footman, and page who are seen in art and mentioned commonly in letters and printed sources. What interests me most though is the thriving community of free blacks that clearly populated London. There were Africans sent directly by their families to England to learn English (mostly to further trade). There were shopkeepers, clerks, athletes, and musicians (LOTS of musicians!). Much of what we know about this community comes, sadly, not directly from them, but from their being mentioned in the news or by racists complaining about them. I’m going to quote directing from BLACK LONDON here (p.24):

Portrait possibly of Francis Barber, attributed either to James Northcote or Sir Joshua Reynolds

“A newspaper article from 1764 refers to ‘no less than 57 [black] men and women’ who held a party filled with music at a Fleet Street pub. Dozens of black people sat in the gallery at the famous Somerset suit in 1772, and hundreds celebrated afterwards at a Westminster pub…[Philip Thicknesse] complained in 1778 that, ‘London abounds with an incredible number of these black men, who have clubs to support those who are out of place.’ In other words, not only must a viable communal network have existed, but it could be quickly and effectively mobilized for the purposes of social and political action, even at a time when their political clout seemed non-existent.”

So, when picturing Georgian London, remember black Londoners existed then as now, not in isolation, but in relation to one another and to the community at large.

While everyone is baking sourdough bread for the apocalypse, I thought I’d share something else historical you could bake if all that kneading and proofing isn’t your thing. Out of all the period recipes I’ve tried, the one everyone likes the most, and the one I make pretty regularly, is Rout Cakes.

When I did my original research for these, I found plenty of period references to them (dating from 1807 onward), but no recipes before 1824. Even the recipe in Tea With Jane Austen is from 1840. The recipes I did find bear very little resemblance to one another, especially as there are “drop” versions and versions that sound more like a thin cake batter (which call for icing), some call for currants, some don’t. It seems to be no different from modern recipes, e.g. some chocolate chip recipes call for nuts, some don’t (mine calls for a packet of pistachio pudding mix, but I bet most of yours don’t). Seeing as there’s no one way to make them, I don’t feel an ounce of guild about taking a small bit of creative license here and there.

A New System of Domestic Cookery (1824):

The Cook and Housewife’s Manual (1827):

This 1827 recipe for Kent Drop-Cakes looks remarkable similar to the 1824 one for Rout Drop-Cakes:

So, once again I was left to tinker. I liked the idea of sweet wine (I went with sherry) and brandy. And I think currants are starting to grow on me . . .  I couldn’t find orange blossom water on short notice, so I used a bit of zest. The dough came out at the constancy of Nestle Tollhouse cookie dough, and when baked, the finished product was similar to a modern currant scone (or at least it’s similar to the ones they sell at Peet’s Coffee and Tea here in the Bay Area).

  • 1 cup butter (softened)
  • ¾ cup sugar
  • 2 egg yolks
  • 2 tsp vanilla
  • 2 tsp sherry
  • 2 tsp brandy
  • Zest of one orange
  • OR 2 tsp orange blossom water (if you can find it)
  • OR 2 tsp orange liqueur (Cointreau, Gran Marnier, etc.)
  • 3 ¾ cups flour
  • ½ cup currants

Preheat oven to 350º

Cream butter and sugar. Add egg yolks and beat. Add vanilla, sherry, brandy and zest or orange water/liqueur and mix. Add in flour 1 cup at a time. Add currants with last ¾ cup of flour.

Dough will be cookie-like. Make rounded balls the size of walnuts and bake on a parchment paper or Silpat 20-25 min (until golden). They puff up a bit, but don’t spread so you can put them relatively close together.

My friends’ reactions:

My sister ate the ones I left her and texted “Cookies. Yum!”. Amie thought they were “Medieval, but tasty”. Issa loved them (he’s easy to please). Kristie and I thought they were perfect with a glass of sherry, and would be wonderful with tea. We all agreed that they’d be exceptional with a little orange icing/glaze (orange juice mixed with powdered sugar). Liza’s daughter (who’s just starting to eat real food) ate two (ok, she ate one and crumbled one on the floor for the dogs, who begged for more). Children and pets clearly approve.

Sorry this post is late, but in the fog that is our current existence, I hadn’t processed that my post day was Juneteenth until last night. So I scraped the “historical tea” post I had planned and got up to write up something new today.

The Emancipation Proclamation


I think we’re all familiar with the Emancipation Proclamation. I was always taught that by this act, Lincoln freed “the slaves”. But this was not true. He freed only the enslaved people in the Confederacy, and there were slave states that stayed in the Union or were under Union control at the time. Enslaved people in Delaware, Maryland, Kentucky, Missouri, Tennessee, parts of Louisiana, and those counties of Virginia that were soon to form the state of West Virginia were not freed January 1, 1863, but had to wait until the ratification of the Thirteenth Amendment in December of 1865.


In the District of Columbia, compensated emancipation had been enacted in April of 1862. The District’s 900-odd slaveholders were forced to free their slaves, with the government paying owners an average of about $300 for each (it also paid each emancipated slave $100 if they agreed to immigrate to Haiti or Liberia), so the Emancipation Proclamation did not apply there, either (which is important it terms of the Fugitive Slave Act still being enforce for those still enslaved in the Union states and controlled territories).


And as we know, the proclamation was unenforceable in the states that seceded, leading to enslaved people to remain in bondage until the Union gained control. In Texas, General Gordon Granger announced federal orders on June 19, 1865, proclaiming that all people held as slaves in Texas were free. And today we celebrate that delayed justice.


So Happy Juneteeth. May you and yours be safe in these uncertain times, and may justice prevail in the many cases of state-sanctioned violence against black citizens that we’re still seeing today. If you’d like to support a black author and read a great Juneteeth story, I highly recommend Kianna Alexander’s historical novella Drifting to You.


I have what is very big news for me: I finally got all my ducks in a row, and my old Kalen Hughes books, which have been out of print for several years now, are available again! The eBooks are up on Amazon and enrolled in KU for the first 90 days. The print books are also there, but I’m having a bit of trouble linking them up.

I have spiffy new covers, by Jessica T. Cohen (one of my best friends, who happens to be a professional illustrator). I’m gonna give her a plug here, because she’s really amazing and you should check out her work. She’s got covers coming for Pam Rosenthal soon, and they’re pretty spectacular. She’s open for bookings and she can do fine art styles in a host of different styles and mediums as well as the style you see here. She even did custom “dingbats” for my chapter headings and scene breaks.

Sin Incarnate

Formally Lord Sin

I knew I wanted to try illustrated covers (who knew they’d suddenly be big again and I’d be on trend for the first time in my professional life?!). Jess and I put our heads together and decided on a clean “paper cut” look for them, with additional embellishments. I was blown away by what she came back with. I simply adore the arches. And the putti. Everything is better with putti.

Scandal Incarnate

Formally Lord Scandal

They’ve been brought over to my Isobel Carr pen name, and given new and infinitely better titles (IMO). And look, my half-Turkish hero isn’t BLOND AND HAIRY on the cover this time around. *roll eyes*

I had a ton of fun doing the typography layout on top of Jessica’s amazing art. There was just something really rewarding about combining our two skillsets and making someone beautiful and functional. And yes, the “sexually aggressive heroines” was a theme we’d consciously gone with long before that horror movie poster hit Twitter, LOL! And we’ll be sticking with it.

The whole experience has been very enlightening, and I have to give major thanks to Carolyn Jewel and Zoe York for all their help and advice and handholding. I’ve been a complete wreck trying to figure all this self pub stuff out. It’s actually really hard to find all the basic info on format and size and file type. Every time I thought I had what I needed, I’d get an error message informing me I was wrong. Hopefully things will go smoother from now on … though I’m waiting for the plagiarism notification email from Amazon. You think by now they’d just have a place for you to upload your reversion letter when you’re setting up the book.

There’s a third cover in the works, for my previously “self-published only on my website” novelette, which I’m going to call Temptation Incarnate. I’ll have it up hopefully in the next week or two. And best of all, I finally have my writing mojo back! While I’ve been working on all of this, I have been noodling about (which is as close as I get to plotting) with ideas for then next Incarnate book, and low and behold it’s going to be F/F. My dashing lady rake popped into my head and announced that while she likes men fine, women are where it’s at for her. So the duke that was her destiny will get kicked to the curb early on and she and her lady-love with get their HEA.

Ok, Sapphic muse, let’s roll…

I’ve been putting together another release (I know, it feels like a flood), so I thought I’d talk for a moment about short fiction. Shorts are very popular right now, and while many think it’s because they’re faster to write, honestly, a good novella or short story can take a really long time to produce. A friend who can write a hundred thousand word novel in six weeks once complained that it took her twice that long to write a novella.

Cover by Jessica T. Cohen

I have a short that I wrote years ago for Arabella Magazine (anyone else remember that short-lived publication?) They published one original piece every month, and the novelette I wrote for them was the first thing I ever sold. When they folded before it came out, I was crushed. But then Kindle Shorts was a thing, and I thought I could get into that. I don’t remember exactly what happened, but it didn’t work out.

So I stil have this little novelette (shorter than a novella, longer than a short story)…I put it up on my website as a freebie. I have no idea how many people ever read it. But it seemed reasonable to put it out now that I’m self publishing and shorts are popular and accepted.

I also have an honest-to-god short story laying around. It was written for a Christmas blogathon based on the Twelve Days of Christmas (I got Three French Hens). It’s long since disappeared from the web, and it’s fun, so I added it in as a bonus.

It should be up for pre-sale any minute now…when Amazon gets the link up, I’ll come back and add it. And it’s a pre-SALE. 99-cents and then it goes up to $2.99.

TEMPTATION INCARNATE (sale is live!)

A beautiful viscount falls for his best-friend’s mannish sister. Yes, it’s classic me.

An impossible challenge … Eleanor Blakely is all too aware that her reputation dangles by a very slender thread, unfortunately, she’s found herself in the midst of a delicious series of wagers with a consummate charmer, and she can’t seem to stop herself from saying yes to every wicked proposition. Whatever twist of fate has kept his best friend’s sister on the shelf is a mystery to Viscount Wroxton, but when the inveterate little gamester suddenly catches his attention, she’s entirely is too fascinating to ignore. The fact that she has five enormous brothers is hardly worth thinking about—she’s thrown down the gauntlet, and he has no intention of losing, whatever the cost…

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