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steelsongSo here I am on Friday morning, and unusually for me, I did not have my post written in advance. From unpacking and catching up from my two week vacation, I’ve moved into Trying-Not-To-Panic Mode while getting ready to send off my oldest to college. So maybe I’ll talk some more about things I enjoyed during vacation—with a tiny bit of Regency interest thrown in.

One thing I love about vacation is having more time to read. One of the many books I enjoyed over break is Steel and Song, the first in a new steampunk series by Ani Bolton. I’ve been intrigued by the idea of steampunk but hadn’t actually read anything before this. I was caught up by the world-building and the compelling characters.

Poseidon_Exhibit_CardAfter the Club Med interlude, I spent a few days in Orlando with my husband’s family and visited two museums. Among the offerings at the Tampa Museum of Art was an exhibit on “Poseidon and the Sea: Myth, Cult and Daily Life” .  I saw some lovely and intriguing ancient objects and realized how much my daughters knew about the mythology (their interest sparked by Rick Riordan’s Percy Jackson and the Olympians series). Some of the depictions of ladies in the exhibit reminded me again of the influence of the classics on the Regency. Not only did Regency ladies often wear classically-inspired clothing and hairstyles, the way they were depicted in fashion prints–that straight line from forehead to nose–resembles ancient depictions of women.

Greek_Eros_vase

Reg_fashion_print

 

 

 

 

 

 

Morse_Museum_CardLater, I visited the Morse Museum in Orlando, which houses “the world’s most comprehensive collection of works by Louis Comfort Tiffany (1848–1933)”. It was a feast for the eyes and I highly recommend it for anyone who loves art and/or needs a break from theme parks.

So what have you enjoyed this summer?  Any good summer reads?

Elena
www.elenagreene.com

Outlander has been a long time coming and it’s finally arrived–you can watch the first episode online here even if you’re not a Starz subscriber. I thought I’d share my thoughts on this first episode. Whatever its faults, I don’t believe there is one careless frame–even the (eeew) field surgery scenes are beautiful in their way. There’s a whole lot of very effective playing around with light and filters–the present day (immediately after WW2) sequences, for instance have a sepia, historic feel to them–and it all looks amazing.

outlander_62462The camera lingers on Caitriona Balfe’s stunning face. Most often she’s gazing at her husband Frank, who is not looking much at her. In fact I liked the scenes with Frank better than the scenes with the Scotsmen, where she comes over as predominantly sulky and stone faced. Maybe she caught it from Sam Heughan, who plays Jamie imageswith a limited repertoire of expressions–I think I counted about three variants on stoic bearing of pain–although there are a couple of flashes of manly thigh. I wait to be impressed.

There is a huge amount of historical filth and grime–the first appearance of a Scotsman suggests a walking collection of rags in the land of bad haircuts. The countryside is gorgeous. The horses are nice.

So what’s not to love? Well, the pacing is off, off, off. Those of us who’ve read the book(s) know that Claire will be going through the stones. Does she get there in episode 1? Eventually, yes. Compared to the brief, brilliant flashback that shows the young Claire on an excavation (lighting a cigarette for her archaeologist uncle, tsk tsk–what, children smoking???–a nice touch) the setup goes on and on and on. I wonder whether it would have been possible to have Claire going through the stones as the end of episode one.

And when she does go through … well, surely this is the Big Moment. We get a black screen. Good. Then … oh dear, flashback to car wreck which is what Claire compares it to, although not I believe in the book, pulling us right out of the moment (and I rarely meets a flashback I don’t like). Bad. I was really hoping for a sort of Hitchcockian Vertigo moment here, lots of wobbly camera effects and panic. Maybe a Blair Witch moment.

Really, all in all, there’s a lot that happens in this first episode but it doesn’t feel that way on the small screen. It’s both disjointed and repetitive. Claire swears, Scotsmen and/or English officers threaten her, she runs, she gets a bit more dirty, performs first aid, rinse and repeat.

I have the greatest admiration for Diana Gabaldon, whose episodic technique was a revelation to me when I heard her speak about twelve years ago: that you can skip onto a scene that you’re dying to write or even a scene that seems to have no particular place to go (yet). Reading her now, I find myself thinking, this scene is great, but really, what are we doing here? Do we ever meet this character again? Do we have to remember him/her? I suspect the TV series will have too many moments like this as well, and it’s too bad.

But, yes, I’ll be watching. Will you, have you? What did you think?

Do you know the scene in Mary Poppins where Mary, Bert, and the children jump into one of Bert’s chalk paintings on the sidewalk? Something similar happened to me last weekend, though there were no dancing penguins involved nor any chalk drawings. Nevertheless, I suddenly found myself walking through the setting of a long-time favorite novel of mine.

Now, I have visited Britain often enough to know that strange feeling of familiarity that overcomes you when you walk through Burlington Arcade or take a peek into that seventh heaven of bachelorhood of the Regency period, Albany, or visit one of Britain’s numerous country houses: as a reader of historical romance, you’re bound to recognize these places from the novels you’ve read.

But what happened to me last weekend was a bit different, more visceral, probably because it was so unexpected: as a lover of Rosemary Sutcliff’s books set in Roman Britain, you don’t really expect to be easily transported back to that time by any place given that most of the remains of the Roman empire are mere ruins. Even Hadrian’s great northern frontier wall in Britain has been reduced to a mere stubble of its former existence.

I live near the lines of another of these great Roman frontier walls, the Germanic Limes, and a mere 40-minute drive from my town lies a reconstructed Roman fort, the first of its kind, re-built in the late 19th century.

a picture of the main gate to the Saalburg

Saalburg: Porta Praetoria (the main gate)

And as I was walking amongst the reconstructed houses, past the reconstruced barracks, I suddenly remembered a passage from one of Sutcliff’s novels, about how each Roman fort looks the same no matter where you are in the empire. They might not have looked exactly like the Saalburg (all the walls would have been white – something that historians back in 1900 didn’t yet know), but still I felt this sudden, keen connection to Sutcliff’s characters.

Indeed that feeling was so strong, that the sight of the eagle standard nearly made me burst into tears because I was so touched. (Alas, the Saalburg eagle not only is a fake, but it is also anachronistic, for these forts were manned with auxiliary troops rather than legions, and the auxiliaries didn’t have eagle standards. However, Kaiser Wilhelm II, who commissioned the building of the Saalburg museum, insisted on the eagle.)

a sketch of the military standards at the Saalburg

The military standards at the Saalburg

What I always find so fascinating about visiting museums and all those British country houses is that, for me, it is always the small things, the everyday items, that makes me feel a connection to the people of the past who used them. Amidst the exhibits in the Saalburg, you can also find pretty Roman shoes (which would make perfect summer shoes!), pretty dishes and vessels (have I already mentioned that I have this thing about tea sets?)….

a sketch of a small Roman vessel

A small Roman vessel from the Saalburg

…as well as pretty fibulae, Roman brooches. These come in all shapes, including cute, colorful animals:

a sketch of Roman brooches found at the Saalburg

Roman brooches from the Saalburg

You can just imagine a gruff Roman soldier buying such a pretty brooch for his sweetheart. (And then you start to imagine all kinds of things, and all at once your Muse is yelling into your ear how wonderful it would be to write a novel set here at the old Roman frontier, and then she forces you to buy all kinds of research books and… Oh gosh, I don’t just have a tiny problem in regard to tea sets, but also in regard to research books! *blushes*)

a picture of a pile of research books

My Muse made me do it

Now let’s hear it: Which setting of which novel or film would you like to visit? Pemberley, perhaps?

Amanda will be back with her regularly scheduled Tuesday post next week, because this week she is busy being on her honeymoon!  Wedding pics will surely be shared then.  This week, we’re visiting the Wild, Wild West with guest author Linda Carroll-Bradd.  Comment for a chance to win a copy of her latest title….

Stagecoach Travel in Texas– Only The Hardy need Apply

In the mid-1800s, people needed determination and patience to travel from one side of Texas to the other. Early in the Civil War, the government banished the Butterfield Overland route that had been an established route from St. Louis, Missouri to San Francisco through the southern states. Subsequent to the war, shorter routes were established between population centers. Stagecoaches ran on a weekly or bi-weekly schedule. A trip from St Louis to San Francisco involved about 25 days of travel. The coaches were drawn by six horses and stops were made every 12 miles for fresh teams. Depending on the terrain, coaches covered between 5 and 12 miles per day—running day and night. Passengers were grateful to get hot coffee, biscuits and jerky at these stops; on rare occasions, hot meals were available.

BW stagecoachThe suggested items to travel with would have filled a large satchel or three. In addition to their clothing, passengers were admonished to pack 6 pair of thick socks, woolen underdrawers, blankets—one in summer and two in winter, 3-4 towels, heavy overcoat, light coat, hat and their choice of pistol or knife for personal protection. A lady such as Jessamay Morgan from San Antonio reading that list and traveling in summer would probably not worry about the woolens or blankets.

Once Jessamay got inside the stagecoach, she would have had her choice of window or middle position (approximately 15” in width) on either a forward or backward-facing bench seat. She would not have wanted to be the last to board because that would leave her on the middle bench with no backrest. As she set out on her journey, she could read the rules about men forgoing swearing and smoking in a lady’s presence, but tobacco chewing was allowed, as long as the chewer spat downwind. I would hope so. Or if the person (presumed to be a male) couldn’t refrain from drinking alcohol, then he must pass the bottle around. Yum. Snoring loudly or using another passenger’s shoulder as a pillow was frowned upon. Improper advances toward a woman could get the male kicked off the stagecoach in the middle of nowhere. Nothing about a woman making a pass was mentioned. Forbidden topics of conversation were stagecoach robberies and Indian uprisings. Sounds like a smart rule. Passengers were encouraged not to jump from the stage in case of runaway horses so as not to be left victim to the weather, hostile Indians or hungry coyotes. Ouch.

Capturing.the.Marshalls.Heart.webJessamay had a purpose and she looked at all these strictures as part of her great adventure. She was done with the life at Miss Veronica’s Pleasure Palace and wanted to see mountains—at least until she set her gaze on a handsome stage passenger, Slade Thomas. But nothing every goes as planned. The “excitement” of her first trip is interrupted by a holdup, and she and Slade fight the clock to outwit the bandits.

Capturing The Marshal’s Heart is available only on Amazon. http://amzn.com/B00EKS4OHS

More information on Linda Carroll-Bradd and her other titles can be found at www.lindacarroll-bradd.com, http://blog.lindacarroll-bradd.com, Twitter https://twitter.com/lcarrollbradd, and Facebook at http://www.facebook.com/pages/Linda-Carroll-Bradd-author/44081494263528

In just four weeks I’ll be in England! I’m going on the Duke of Wellington tour with my pals Kristine Hughes and Victoria Hinshaw of Number One London Blog. I’ve also talked my sister into going with me, since the dh will still be recovering from back surgery (he’s doing great, by the way!!!)

We’re flying into London a few days before the tour begins so that I can visit the Mills and Boon offices in Richmond and meet with my editors in person. And so we can tour around London a little and go shopping.

I think we can do some shopping at Regency shops!

800px-Floris_of_London_perfumery_shopWe’ll go to Floris on Jermyn Street in Mayfair.

Floris was founded in 1730 by Juan Famenias Floris, who came to England to seek his fortune and found it by creating the scents of his island home of Menorca. His scent shop is in the original location and its beautiful mahogany counters were purchased from the Great Exhibition. Some Regency customers included Beau Brummell, Mary Shelley, and the Prince Regent who, as George IV, appointed J. Floris Ltd. as Smooth Pointed Comb-Makers to the King in 1820.

220px-Fortnum&Mason_Fruit_and_Flowers2I also want to go to Fortnum & Mason on Piccadilly.

Fortnum & Mason was founded in 1707 by William Fortnum and Hugh Mason. Fortnum was an enterprising footman in the royal household of Queen Anne who sold the half-used candles discarded by the Queen and made a tidy profit. He partnered with Mason and opened a small grocery shop on Market Street. Fortnum & Mason specialized in selling luxury food items like fresh poultry or game served in aspic jelly, but it also supplied dried fruit, spices, and other preserves to British officers during the Napoleonic war.

Hatters-225x300My husband wants an English cap, so I’d love to purchase one at Lock and Co. Hatters on St. James’s Street.

Lock and Co. Hatters had its origins in an original hat shop begun in 1676 by Robert Davis. In 1747 James Lock became apprenticed to Charles Davis, Robert’s son, and Lock inherited the business in 1759 when Charles died. He moved the Hatters shop to No. 6 St. James’s Street where it continues today. Lock and Co. made hats for both the Duke of Wellington and Admiral Lord Nelson. Both are on display in the shop.

Then there is Hatchards Bookshop on Piccadilly. I must stop there and see what delights they have to offer. My characters are always purchasing books there as have Londoners since 1797.

Too bad we cannot have an ice at Gunter’s Tea Shop in Berkeley Square. It moved to Curzon Street and then closed in 1956.

Do you have any shopping suggestions for me? We’re also going to Deal, Brighton, and Windsor!

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