Back to Top


I’ve been reading the Letters of Harriet Countess Granville, daughter of Georgiana, Duchess of Devonshire, who married Viscount (later Earl) Granville. She moved in the highest circles, lived an active social life in England and abroad, for her husband served as ambassador to France for intervals between 1824 and 1841. There are lots of interesting tidbits in her letters and I’ll probably talk more about them in future posts.

This week I’d like to talk about how often she wrote about the dangers of carriage travel.

At one point she writes to her sister:

“Let me warn you of Alconbury Hill, that is, of a horse there that will not back. Off we pelted from the middle of a hill with a curl at the bottom, and would not stop for ages. In short, Granville owns that we were run away with. I never met with such a dreadful danger before.”

In another letter she writes:

 

“As I was turning into Berkeley Square I met four soldiers carrying a litter covered with a sheet. I asked Samuel what it was. He said they were carrying a dead man home. I tried to avoid it, but the people got round me and I was obliged to stop whilst they passed quite close to me. I asked one of the crowd how it had
happened and he said he had been squeezed by a mob in Pall Mall. A sort of nervous horror made me scarcely able to get on, when I saw Granville Somerset galloping up to me. He said, ‘You must have seen Worcester’. ‘No.’ ‘You must, they were taking him this way.’ ‘What do you mean?’ ‘They say he has had a dreadful accident, and I am going to my mother.’ I leave you to imagine with what feelings I almost ran to Brook Street. Here I found the lobby full of soldiers and servants, the men standing by the litter, and the Duke of Beaufort above, leaning his arms and head on the banisters. To end my story, they found him on examination only stunned, and severely bruised, but not dangerously hurt. I staid whilst they shaved and probed the head. He had been bled on the spot eighteen ounces by a surgeon who fortunately passed at the time. My first account was incorrect. His horse took a fright, ran away and threw him out of his gig against a door-post.”

I’m not sure which is scarier, the thought of being crushed in a mob, thrown from a gig, or being bled 18 ounces. It’s clear that life in London was not all balls and lobster patties.

In historical romance, we authors sometimes use carriage accidents to kill people off, usually so someone can inherit something: a title, wealth, debts or other serious responsibilities. I’ll admit to killing off the hero’s parents in one book, in an accident going down Kirkstone Pass in the Lake District. My husband and I drove down that pass while on vacation. Later, when I read a historical account of an accident there, I wasn’t surprised. It must have been quite treacherous during the Regency and probably still is, in bad weather.

Other times we use carriage accidents in a more fun way, to force our characters into situations where they’re forced to get to know one another better. Georgette Heyer used the combination of a snowstorm, a curricle-and-pair and a donkey to strand the hero and heroine of Sylvester at a secluded country inn.

What I think is great about these plot devices is they are totally believable. Much as I love horses—I used to ride regularly—some can be a bit nuts, and even the gentlest horse can be spooked. I’ve only once been run away with. Though I managed to stay calm and in the saddle until the horse tired, but it brought home the dangers of the sport to me in a very real way.

To me, the occasional horse-related accident in romance feels realistic, far more so than scenarios in which the hero’s black stallion gallops for hours without rest or teams of horses transport characters from London to Cornwall in less than a day.

Here’s a great page I found at the Regency Collection on the dangers of carriage travel, which apparently ranged from floods and snow to escaped lionesses.

What do you think of horse-related accidents in romance? Do you find them realistic, or do you think they’re overused? Any favorites?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

So last night I saw Drive, starring Ryan Gosling and Carey Mulligan, which did not do well at the box office and got mixed reviews.
I loved it. It’s based on the book of the same name by James Sallis, which I read, and so I was prepared for the darkness, the protagonist’s reticence, the violence. What was conveyed so wonderfully, however, was the developing relationship between Gosling’s character (who’s never named, either in the movie or the book) and Irene, played by Carey Mulligan.
They never say out loud how they feel about each other, but just a few minutes of watching the film and you know.
Eventually, Gosling’s character does something extraordinary for Irene, only he never says it. It’s that kind of selflessness that is the defining moment for the hero in my current WIP, a Regency-set historical. He’s selfish and arrogant, so when the heroine figures out he’s done something selfless, she knows he truly loves her, and that’s when she commits her heart to him.
Gosling’s character and my hero could not be farther apart from each other in terms of personality, but the choice they make for love is the same. Amazing.
Megan
Posted in Writing | Tagged , | 2 Replies

I’m excited. Our guest today is Harlequin Historical author and pal Deb Marlowe, talking about her March release, Tall, Dark and Disreputable. Deb, Amanda, and I have known each other for years, even before Deb and I had books out, but we became especially good friends after the 2003 Regency Tour to England. When Harlequin gave the three of us an anthology, The Diamonds of Welbourne Manor was born, complete with its spin-off books and short stories. (the last of the Welbourne Manor books, A Not So Respectable Gentleman? is mine, coming out in August, by the way)

Deb will be giving away one signed copy of Tall, Dark and Disreputable to one lucky commenter, chosen at random.

In Tall, Dark and Disreputable, Deb again brings her unique characters, a mystery to be solved, and rich historical detail to a great story, but don’t just take my word for it. Look at what the reviews say:

Marlowe pens another winner full of memorable characters, authentic historical details and lots of action, mystery and passion. Regency historical fans are in for a treat–RTBook Reviews.

A beautifully written tale of two people’s struggle for independence and freedom of choice, Tall, Dark and Disreputable turns into so much more–Cataromance

I didn’t want to put this book down. The pace is fast and the chemistry between Portia and Mateo sizzles off the page–Rakehell

 
Welcome back to Risky Regencies, Deb. Tell us about Tall, Dark and Disreputable.
Tall, Dark and Disreputable started because I fell in love with a character in my first book.  Mateo Cardea is a charmer!  He’s an American of Sicilian descent, a former privateer, and the  smooth talking Captain of a merchant ship.  I couldn’t wait to set him loose on Regency England!  At the start of TDD he’s returned to England because he’s found that his family legacy–the shipping company he’s prepared his whole life to take over–has been willed to someone else.  And not just anyone else, but to the woman he refused to marry long ago!  He arrives in England furious, but he finds Portia Tofton is in trouble too.  She needs his help to save the estate that her late husband gambled away  They find that they have to work together to unravel a family legend–and their feelings for each other.
How did you come up with the idea for Tall, Dark, and Disreputable?
I wanted to explore the idea of a family curse or legend and how it might affect the lives of the people who came after.  It’s hardly fair, is it, that they would have to deal with a situation brought on by others?  But isn’t that what we do?  We thrust our characters into difficult and unfair situations that they must make the best of, then sit back and watch!
What is risky about the book?
I suppose it is risky because Mateo is not a Duke, a Lord, or even an Englishman.  And Portia is the daughter of an Earl, but she’s turned her back on her early life.  It’s a story of two people who want to live according to their own dictates in a time that it was difficult to do so.
Did you come across any interesting research when you were writing the book?
Portia is a gardener and a lover of landscape design.  I had a grand time researching all of the rich history associated with gardening in the period.  So many estates had such lovely grounds and gardens and I immersed myself in the world of Capability Brown and Humpry Repton.  In fact, I have an article about Regency Gardens on my website.  You can check it out at http://www.debmarlowe.com/articles/regencygardens.shtml
Tall, Dark, and Disreputable was released in the UK in 2010. What is it like to promote a book that you probably moved on from two years ago? Did you have to reread the book to remember it? (I would have)
Well, I did get it out to revisit, but it didn’t take long to bring it all back!  I absolutely adore the cover for the NA release–it really lives up to the title!  I’m so thrilled that it has come to North America at last–I really loved writing Portia and Mateo’s story and I’m having a blast reliving it again!
What’s next for you?

In June I have a new release:  Unbuttoning Miss Hardwick.  It’s the tale of a reclusive nobleman and the woman he hires to help him organize and display his incredible weapons collection. It’s a rollicking story with such disparate elements as a mysterious Hindu spear, party planning, an obsession with men in boots and the very difficult feat of dropping the masks we hide behind in order to embrace love.

Question for Readers:  Portia and Mateo both have pressing needs that seem to preclude any chance at them having a real relationship.  They are not sure they can trust each other, let alone give up their most important dreams for a chance at love.  What about you?  Have you ever made a sacrifice in the name of love?  Or known anyone who did?  Did it work out?Comment for a chance to win a signed copy of Tall, Dark and Disreputable. Winner will be announced Monday night.

I love to collect inspirational quotations. I even subscribe to an email Inspirational Quote of the Day. Today’s inspirational quote:

“I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.”
— Robert Fulghum
(author of All I Really Need To Know I Learned In Kindergarden)

Another favorite of mine:

It is never too late to be who you might have been.–George Eliot

This got me thinking to search for some inspirational quotes from “our” era, the Regency:

Let’s start with–who else?

“There will be little rubs and disappointments everywhere, and we are all apt to expect too much; but then, if one scheme of happiness fails, human nature turns to another; if the first calculation is wrong, we make a second better: we find comfort somewhere.”
–Jane Austen (Mansfield Park)

Here’s another:

“Be discreet in all things, and so render it unnecessary to be mysterious about any.”
–Duke of Wellington

This one will surprise you:

“The highest of distinctions is service to others.”
–King George IV

The Poets:

“He ne’er is crowned with immortality Who fears to follow where airy voices lead.”
–John Keats

“Be thou the rainbow in the storms of life. The evening beam that smiles the clouds away, and tints tomorrow with prophetic ray.”
–Lord Byron
(It was hard to find a quote of his that was not pessimistic or cynical)

“I can give you a six-word formula for success: ‘Think things through – then follow through.'”
–Sir Walter Scott

The Brontes:

“There is only one difference between a madman and me. I am not mad.”
–Charlotte Bronte

“I have dreamed in my life, dreams that have stayed with me ever after, and changed my ideas; they have gone through and through me, like wine through water, and altered the color of my mind.”
–Emily Bronte

“But he that dares not grasp the thorn Should never crave the rose.”
–Anne Bronte

What are your favorite inspirational quotes or quotes from the Regency?

(The painting is The Artist in the Character of Design Listening to the Inspiration of Poetry by Angelica Kauffmann 1741-1807)

Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com