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Today’s the birthday of William Godwin, born March 3, 1756 in Wisbech, Cambridgeshire, the son of a nonconformist Calvinist minister, who became a journalist, novelist, publisher, and founder of philosophical anarchism.

He who should make these principles would not rashly insist upon instant abolition of all existing abuses . . . . Truth, however unreserved by the mode of its enunciation, will be sufficiently gradual in is progress. It will be fully comprehended only be slow degrees, by its most assiduous votaries; and the degrees will be still more temperate by which it will pervade so considerable a portion of the community as to render them mature for a change of their common institutions . . . we shall have many reforms, but no revolutions . . . . Revolutions are the produce of passion, not of sober and tranquil reason.

His life is a fascinating mass of contradictions: the radical who didn’t believe in formal institutions married Mary Wollstonecraft when she became pregnant for reasons of propriety; he strongly disapproved of his daughter Mary‘s elopement with the (married) poet Shelley but accepted Shelley’s money; in his old age he accepted a pension from a Tory government.

Throughout his life, Godwin kept a journal, a brief daily listing of people he had meals, conversations, or meetings with, now transcribed and analyzed online courtesy of the Bodleian Library, Oxford, The Godwin Project. His meetings with Mary are recorded in code.

Godwin and Mary, UR Getting It Wrong…

After three failed attempts to consummate their attraction, recorded concisely in Godwin’s diary as ”chez moi,” ”chez elle” (twice), victory is finally denoted by ”chez elle toute” — surely one of history’s most succinct sexual success reports.

Wollstonecraft’s diary indicated that while it was not entirely ”toute” for her — not the ”rapture” of Imlay, her only other lover — it was an experience of ”sublime tranquillity.”

Once starting their affair they meticulously practiced the most sophisticated birth control of the day: abstention for three days following menstruation and then frequent sex for the remainder of the month (frequency was thought to lower the possibility of conception.) Bingo! Within a few months Wollstonecraft was pregnant and these two outspoken opponents of marriage, married, though they maintained their separate abodes and their mutual, and separate, circles of acquaintances. Toni Bentley’s review for the New York Times of Vindication: A Life of Mary Wollstonecraft by Lyndall Gordon. More.

Here’s the page from Godwin’s diary that records the birth of his daughter on August 30, 1797, in the rather cramped entry added in halfway down the left page: {Birth of Mary, 20 minutes after 11 at night. Ten days later Mary Wollstonecraft was dead of childbirth complications. An entry on the right page reads: …dying in the evening.

I’ll recommend once again Jude Morgan’s wonderful novel Passion about Godwin, Wollstonecraft, and Shelley and Byron and the women who were their lovers and victims.

I’m fascinated by the story of Wollstonecraft and Godwin and the fact that she’s still an icon of feminism whereas he’s pretty much sunk into obscurity. Have you read any of his works? Here’s a bibliography. I’m tempted to try his novel, if only for the reason that anyone Mary Wollstonecraft loved has to be okay.

What do you think? Who are your favorite couples, fictional or historical, where the women outshine their men?

And in self-promoting news (you knew it had to be coming) check out the great review for Mr. Bishop and the Actress at Dear Author. Pam Rosenthal will be holding a contest to win copies of both Mr. Bishop and the Actress and Improper Relations starting tomorrow.

Alas, I can only provide you with a link since I don’t have time to actually steal the content.

As was the custom of late Victorian and Edwardian genre painters, Talbot Hughes had amassed an extensive collection of historical costumes and accessories as studio props dating from the 16th century through the 1870s. The collection was donated to the Victoria and Albert Museum after it had been exhibited at Harrods department store in 1913. Samples of Hughes’s costume collection remain on public view at the V&A to this day in the British Galleries
– Wikipedia

Basically, in 1913, a bunch of folks put on these gowns and they took pictures of them. Scroll down a bit to reach the Regency gowns.

Go here to see the photos.

And, just because I’m nice, here’s the Wikipedia entry for the Victoria and Albert museum, which is a pretty huge time suck. You’re welcome. You should be glad I’m not linking to the V&A because then you’d NEVER get free. Oh wait, I’m not that nice. Victoria&Albert Museum.

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How is everyone this Tuesday? I am still laughing over the train wreck that was the Oscars program Sunday (I wonder if Anne Hathaway had to wander the after-parties with everyone asking her “So, Franco, WTH?”; also, it’s hilarious how everyone in Hollywood is acting like they never heard the f-word before) and plowing ahead with my WIP, which is due at the end of the month (gulp). I am currently at the point I reach in every story where I am tired of my stubborn characters who don’t want to do as I tell them and am therefore considering alternate career choices. I think I may have found a good one.

I have a writing friend, Alicia Dean, who I try to get together with on Thursdays to hit the happy hour at the Martini Lounge and then watch Vampire Diaries, it’s always good to have someone to yell things with so I’m not just a crazy woman shouting at the TV screen all by myself. And we have decided if the writing gig quits working out we’re going to open a vampire bar where, instead of sports on the TVs, there is Vampire Diaries, True Blood, Moonlight, and whatever else we can think of. We may need to move to New York to do this.

There will be great cocktails. Bloodtinis and something called a Bite Me, I think, as well as a “make your own Bloody Mary” bar…



There will be a dress code, of course, because it’s my bar and I need a place to wear my approximately 50 black cocktail dresses and these great new tall black boots I just bought….



I haven’t quite decided on decor yet. We could go old skool vamp, lots of red and black…

Or sort of Sherlock Holmes Victorian pub…

Or over-the-top Versailles baroque (I really like this one! There could be Marie Antoinette theme nights)

I turned to Megan for help with planning the music (since she knows more about music than anyone else I know!) and these were her (tongue in cheek) suggestions:

Bela Lugosi’s Dead–Bauhaus
Surf Bat–45 Grave
Release The Bats–Nick Cave and the Bad Seeds
Cemetery Without Crosses–Flesh Eaters (from Sex Diary of Mr. Vampire)
Sunglasses After Dark–Cramps
Dracula’s Wedding–Andre 3000
Dragula–Rob Zombie

I seem to have vampires on the brain these days, since I am planning to go to the Vampire Diaries convention at the end of the month! So excited–and watch for an article to appear soon after on the Heroes & Heartbreakers blog. (Admittedly, I will probably faint in the Ian Somerhalder Q&A session and will thus remember nothing afterward)

Now I need your help! This bar needs a good name–anyone have any suggestions? And if you could have any fantasy job you wanted what would it be?

(I also just got this review of The Shy Duchess, which should be on shelves–now…)

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Did you watch the Academy Awards?

I really loved the show, mostly because Colin Firth and The King’s Speech won. Yippee!!! Wasn’t Colin Firth just so witty and charming? And handsome.
What did you think of Anne Hathaway and James Franco as hosts? I thought Anne was beautiful and I loved her changes of clothing, but I’ll leave the fashion assessment to Amanda.
I also thought James Franco had the most amazing smile. It totally transforms his face. He intrigues me, because in addition to being an Academy Award nominee for Best Actor, he’s a Yale Ph.D. student, and he really does seem to put his schoolwork above everything else.
This weekend I’m thinking about movies a lot. I spent the weekend at Inn Boonsboro, the boutique hotel that Nora Roberts renovated in her home town. Fifteen of my Washington Romance Writer friends filled the Inn for an informal writers weekend. More on that experience in my Thursday Blog.
One of the things we did was to watch the movie Die Hard and discuss its “Seven Anchor Scenes,” Lani Diane Rich’s concept about plotting. The seven anchor scenes are those where a turning point occur and the main character makes a decision that furthers his story arc.
I don’t know about seven anchor scenes, but it was fun to discuss the movie as we were watching it. Lots of fun.
While watching the Academy Awards it occurred to me that what movies and books have in common is that, in order for us to like them, they must have interesting characters undergoing some sort of transformation. When we use movie plot structure to help us plot our books (as we were when we watched Die Hard), we should also look to movies to see how they build characters we care about.
Take Colin Firth’s Mr. Darcy….I think why we all love his Mr. Darcy was revealed in his face. Jane Austen didn’t write from the male point of view, so in the book, we only know Darcy from his descriptions and his dialogue. Firth gave us so much more in his interpretation of the character.
And in The King’s Speech, he “showed” us King George VI’s emotional and physical struggle in such a realistic way that we fell in love with the character. But it was because he performed the role so realistically, and that is another lesson for us writers. The emotions and behaviors of our characters have to ring true every time or readers will not be interested in them.
So…Did you see the Academy Awards? Any awards that surprised or disappointed you? If you write, do you look to movies to learn about plotting and character? If you are a reader, do you sometimes “see” books as if they were movies?
Come to Diane’s Blog on Thursday to see more about my weekend at Inn Boonsboro!
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