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“A keen sense of the era and delightful characters that keep readers coming back for more!” –RT Book Reviews on An Accidental Countess


The Riskies are happy to welcome back Michelle Willingham, to talk to us about her new direction–into the Victorian era! We’ll have three winners this weekend, as Michelle is giving away copies of The Accidental Countess, The Accidental Princess, and a free download of her Undone story An Accidental Seduction!

Riskies: Welcome back, Michelle! You have your Victorian hat on this time. Tell us about your new series…

Michelle: Every author has a “book of her heart,” and for me that was The Accidental Countess! I kept beating down publisher’s doors, trying to sell my first Irish medieval, and in the meantime I wrote a more traditional setting of Victorian England. So The Accidental Countess was technically the second book I ever wrote. I kept trying to sell it, but the heroine was a little too “snarky” for many folks. She was a joy to write, and how often do you get a heroine who considers poisoning the hero on the first page because he forgot he was married to her? I had far too much fun. I wrote it for myself and didn’t worry about the rules. I simply wanted to be entertained. I didn’t have a clue who the villain was until the last chapter, and I think that made the suspense plot believable. It took me selling another 4 books before I offered Countess to Harlequin, and even then my editor wanted to hold off on the release date. She asked me to write a connecting book which became The Accidental Princess. I knew the heroine of Countess had a sister, but she was off at finishing school and I didn’t know much about her. I decided to do a secret royalty story, along the lines of a Gothic romance. I wanted a true fairy tale with a possible prince and a woman who was trapped in the rigid life of a Victorian lady. Since neither heroine ever dreamed she would become a Princess or a Countess, that’s how the “Accidental” part was born!

Last, my editor wanted me to write a connected novella for the Harlequin Historical Undone line. I ended up writing a prequel, telling how the hero and heroine in Countess actually got married, and that was the story of An Accidental Seduction. The novella has its own happy ending, but then Countess starts about 3 months later, and their marriage is tested to the limit…

Riskies: What was the inspiration for these books?

Michelle: The Accidental Countess reminds me a bit of The Bourne Identity with a hero who doesn’t know what happened during 3 months of his life. Unfortunately, he happened to elope during that period, and he remembers nothing about his wife! The story is about falling in love all over again. The Accidental Princess was inspired by all the Victoria Holt fairytale romances I read as a teenager, and it’s a Cinderella reversal where the hero is a common soldier who may or may not be a prince. I was able to incorporate elements of Titanic with the developing romance continuing on board a steam ship bound for Germany. I loved researching the interiors of Victorian steam ships, and they were incredibly luxurious with chandeliers, ballrooms, and promenade decks.

Riskies: I love the recipes on your website! (especially the yummy-sounding sugar gingerbread). How does that fit into the story?

Michelle: The heroine of Countess is a Cinderella figure whose family suffered through poverty, and she had to cook for the family in order to survive. In the book, I wanted to include some of Emily’s recipes, so I consulted some historical cookbooks, made some of my own changes, and tested some of the recipes. It was fun, and I ended up finding a favorite gingerbread recipe for Christmas as a result! Technically the title is “Molasses Cookies” but there’s a tablespoon of ginger in the recipe, so that makes it a perfect gingerbread cookie dough. The recipes are here on my website!

Riskies: What other research did you have to do? Was it a challenge to change gears from the Medieval era to the Victorian?

Michelle: The etiquette and clothing of Victorian England are completely different from Medieval times! Also, I found the pacing of the romance was very different–more subtle, but it could definitely be scandalous in its own way! Out of all the research I really enjoyed learning about steam ships the most (used in The Accidental Princess). I visited the Mariner’s Museum in Newport News, Virginia and asked for primary source photographs of ships from 1855. I used The Great Eastern ship as a model for my boat. Although my ship was only traveling from London to Bremerhaven, in my mind it could also make transatlantic voyages. Okay, so there was a little creative license there, but I wanted the more luxurious interiors!

Riskies: These covers are gorgeous! Do they reflect the stories?

Michelle: It’s a good thing I have nothing to do with covers because otherwise there would be stick people on the front! Princess is probably my favorite of the 3, because the heroine truly is a strong woman. I love the expression on her face, as though she’s already behaving like a princess. Countess had a bit of controversy surrounding the cover. Originally, the woman was lifting her skirt and baring her stocking. The art department ended up nixing the scandalous leg, and I’m glad. I like the gorgeous dresses! Overall, I would say they’re a good representation of the stories.

Riskies: What’s next for you?

Michelle: In September this year, my last book in the MacEgan Brothers miniseries will be published. Surrender to the Irish Warrior tells the story of Trahern MacEgan, and it was the most challenging book I’ve ever written. The heroine is the survivor of a brutal tragedy, and the two of them have to heal their broken lives and find love in each other. It took a lot of emotional energy out of me, but in the end I think it came out well.

Thanks so much for letting me visit again! I’d like to offer 3 prizes today–a free download of An Accidental Seduction, and signed copies of The Accidental Princess and The Accidental Countess. For a chance to win, just post a comment or a question and tell me what’s your favorite fairytale?


Since last week’s I AM WRITING, GOSH DARN IT post, I have been . . . writing! Yay!

Not to mention doing the other things I do, such as taking care of my son, my husband, the house, my addiction to Scramble, the odd financial detail and therapy. What–you thought my neuroses were organic? Heck, no, they’re carefully cultivated!

Anyway, in therapy, we’ve been discussing low frustration tolerance, the tendency for someone to seek “immediate pleasure or avoidance of pain at the cost of long-term stress and defeatism.” Apparently, I have it, because I try to fix things as soon as they are uncomfortable for me.

While I try to sit with the uncomfortable feelings for longer than I have been able to in the past, I’ve also been thinking about LFT in terms of my writing; specifically, my need to make everything better for my characters. Which, oddly enough, results in pretty boring plots. I mean, who wants to hear about someone who has a hiccup in their life that’s solved easily in the next chapter?

My answer to that would be: “No one.”

So while I’m adjusting my LFT in real life, I’m also examining my plot to make sure I sustain uncomfortable moments for longer so the resolution is ultimately more satisfying. To that end, in my current WIP, I am going to kill off a beloved character (well, beloved by me, at least) because it serves the story better, even though it makes me sad.

How’s your FT? What books have you read where the uncomfortable feeling has been well-sustained? At what point in the books you read or write do you like to resolve things?

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Diane here, with the absolute delight of interviewing Riskies own Janet Mullany about her Little Black Dress release, Improper Relations, released today! If you haven’t already, hurry over to Book Depository (with its free shipping) or any UK book vendor and order this book.

I read Improper Relations and I am absolutely in awe. I don’t think I’ve read anyone who reminded me more of Georgette Heyer, except Janet writes like Heyer after a few drinks.


But don’t just listen to me. Here’s a review of Improper Relations

What I continue to love about Janet Mullany’s books is how she manages to convincingly tell her story in first person from both her hero and her heroine’s perspective. The first person narrative gives an extremely refreshing take on the insanity which populates the plot; from the way her heroine observes the foibles of her own family, to the slowly beautiful dance it takes the hero to discover he’s in love. I can’t wait to see where she goes next–Stacey, Publisher’s Weekly, Beyond the Book.

Janet will give away a signed copy of Improper Relations to one lucky commenter chosen at random. Without further ado, here’s Janet!

Janet, what were you doing? Channeling a very naughty Georgette Heyer? Tell us about Improper Relations!I brought a conversation at a conference to a total embarrassed stop when I told a group of writers (who I’d never met before) that I really wasn’t very interested in men because relationships between women were so much more interesting and that’s what I was currently writing about! To clarify my out-of-the-closet confession, I wanted to write a romance where a friendship between two women is as central to the book as the romantic relationship itself, and loyalty, to the friend or the husband, cause the conflict that drive the plot. And I have to admit I really wanted to start a book with the sentence: My story begins with a marriage.

You did such a clever job of tying all the threads together. It made me very curious about your plotting process. Did you figure it all out ahead of time? Or did you fly by the seat of your pants?
A bit of both. I sold it on proposal, so I knew roughly what was going to happen, but I trusted to luck about how everything would tie in. There was a character, a rather horrible old lady, who appeared quite early on and she turned out be very significant later. I blogged about that at the Riskies after I’d written a scene with her in the middle of the night as an example of trusting your instincts when writing, which I really did with this book. I tend to spend a lot of time thinking about fixing to get ready etc. to write and my first drafts are usually very clean, which is just as well.

Your voice is so distinct. Were there any writers in particular who inspired your style?
I’ve read a lot, but mostly outside romance. I write romance because I think what I write fits in with the genre (which is huge, there’s room for a lot of variants and niches!) so I don’t think I ever fell into the trap of writing as though I were writing a romance (does that make sense?). I don’t analyze what I do a lot, but I’ve always been able to make people laugh. Apparently John Cleese realized that his repressed anger was the inspiration for Monty Python sketches that involved people shut up together shouting at each other (The Argument Sketch here). I tend to like getting groups of people behaving badly together, and I don’t quite know what that says about me (it was at the core of my last book, A Most Lamentable Comedy, where they were all engaged in amateur theatricals in the country). The huge resolution scene in Improper Relations has about six to ten people coming in and out of a room at an inn.

I didn’t see any special research in Improper Relations. Was there any?
Uh. No. Originally Shad, the hero, started off as a military officer, but I was reading Nelson: A Personal History, by Christopher Hibbert (wonderful historian) while I was writing it and so he became a naval man.

What is risky about Improper Relations?
I don’t think it is a particularly risky book, to be honest, other than in style and structure. It’s all very conventional stuff, but I think the risk comes in the delivery. With all my books, either readers are going to get it or they’re going to be confused–I hope more of the former than the latter! If there is an element of risk, it’s in having a heroine who allows herself to be manipulated by someone she loves–and it’s not the hero or another man, it’s her best friend. Oh, and the hero and heroine end up in bed at the end of the book and go to sleep instead of having a boinkfest. I wanted them to fade into domestic tranquillity.

I’m in awe about how you included just about every Regency cliché there is. How did you do that?
I had a sort of shopping list of things I wanted to include, as well as the first sentence! I wanted to do a marriage of convenience because I thought the sex would be interesting to write about; I also wanted a duel, a Vauxhall Garden scene, the heroine to be transformed by a makeover into a ravishing beauty, a John Thorpe, a Wickham … I make absolutely no secret of the fact that I’m writing for my own pleasure and entertainment. And, yes, there’s sex in this, but sex as practiced by uptight Georgian people in an era where men married good girls and had sex for procreation, and paid bad girls for anything else. So great sex in marriage is a delightful, if worrying, surprise.

What amazingly clever, wickedly irreverent, riotously funny book is next for you?
My next Little Black Dress book, for spring 2011, is going to be called Mr. Bishop and the Actress–it’s funny that with all three of the books for Little Black Dress the title has come first or very early in the process. And I hope it’s all of the above! I don’t know if this is generally known outside England, but if you tack on “…as the actress said to the bishop” to an innocent statement, it immediately makes it obscene. For instance, “Do you think it will snow today?” “Yes, we’re supposed to get six inches … as the actress said to the bishop.” (The same thing works with fortune cookies, if you add “in bed.”) Possibly Shad and Charlotte (hero and heroine of Improper Relations) will appear as secondary characters.

In April, I have a Loose-Id e-novella, Reader, I Married Him, a dirty version of Jane Eyre, and then in October I have Jane & the Damned from HarperCollins and my novella which may or may not be called Little to Hex Her, based on Emma, in the anthology Bespelling Jane with Mary Balogh, Susan Krinard, and Colleen Gleason.

I can’t wait!

Remember, everyone, comment for a chance to win a copy of Improper Relations. Ask Janet a question or see how many Regency conventions we can list. What are your favorites?

Thank you to everyone who participated in our Read Along Poll!

Venetia is by far the popular winner with 9 of 40 votes. There is not, however, a Kindle version. Sourcebooks doesn’t seem to have released this book at all (yet) so there’s no digital version available from them either. Paper copies can be purchased just about anywhere and there are library copies available as well.

The next two vote getters are Cotillion and Regency Buck with 5 votes each. There are Kindle versions of each of these as well as Adobe eReader versions available from Sourcebooks.

Google Books has several copies, but none are available for viewing so we’re out of luck there.

There are paper versions available for all these titles.

The Riskies will discuss amongst ourselves, considering any feedback you may care to leave, so please do so in the comments.

I’ll start the comments off by saying it seems a shame not to read the runaway vote getter, even though I totally understand wanting to read it digitally and would probably prefer to do so myself.

Hmm. What an interesting development, though. I think even a year ago we would not be discussing whether the lack of a (legal) digital copy mattered to a reading decision. The issue would have been whether there were sufficient copies available used or via a library, since this is an out of print title.

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