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Riskies: Hello, Leanna! Welcome to Risky Regencies. Tell us about your debut book, The Strangely Beautiful Tale of Miss Percy Parker.

Leanna: Hello Riskies! I love this blog and its writers and I’m so thrilled to be here–thank you!

This book represents an aching, intense journey of nine long years from idea to publication. This is a cross-genre work that combines my favorite themes into one series, making the project very dear to me. The Strangely Beautiful Tale of Miss Percy Parker is a ghostly, Gothic Victorian Fantasy Romance with paranormal, mythology, suspense, light horror and YA cross-over elements. It begins my Strangely Beautiful series with Dorchester.

From the back cover: “What fortune awaited sweet, timid Percy Parker at Athens Academy? Considering how few of Queen Victoria’s Londoners knew of it, the great Romanesque fortress was dreadfully imposing, and little could Percy guess what lay inside. She had never met the powerful and mysterious Professor Alexei Rychman, knew nothing of the growing shadow the Ripper and other supernatural terrors against which his coterie stood guard. She knew simply that she was different, haunted, with her snow-white hair, pearlescent skin and uncanny gifts. But this arched stone doorway offered a portal to a new life, an education far from the convent–and an invitation to an intimate yet dangerous dance at the threshold of life and death…”

“The Strangely Beautiful Tale of Miss Percy Parker is Bullfinch’s Mythology and Harry Potter and Wuthering Heights mashed in a blender” –New York Times Bestselling Author Alethea Kontis for Orson Scott Card’s Intergalactic Medicine Show

Riskies: Sounds fascinating! What was the inspiration for this story? Did you come across any interesting research tidbits?

Leanna: In college I majored in theater and focused on the Victorian era with a particular eye for Gothic literature, one of my first great loves. My senior year I began adapting 19th century literature for the stage. I graduated, interned with the Cincinnati Shakespeare Company working mad hours surrounded by great theater, and fell head over heels in all with all things JK Rowling and Neil Gaiman and somewhere, after having watched Sense and Sensibility for the thousandth time, in the thick of night…in walks ghostly young Miss Percy Parker into a 19th century school office, speaking in a British accent, wearing Victorian clothes and saying something about Greek mythology and Shakespeare. I knew the day she appeared to me I would never be the same.

Mt favorite research tidbit: an old newspaper article around the time of the Ripper murders bemoaned how street-lamps ended at Commercial and Whitechapel streets. The author cried that if there was just more light, these murders would not have happened as they did under the shroud of darkness. One of my favorite research sites is Casebook.org.

Riskies: What is your background (aside from theater!) that led you to writing?

Leanna: I’ve been writing since I could hold a pen and finish a sentence. I started my first novel around the age of 12, also a Gothic novel set in 1888, so I have themes! Writing has always been the thing I do. I had a discipline about writing early in my life due to the sheer love of it. But until Miss Percy Parker arrived in my mind, I’d never considered being a career novelist. Her story compelled me more than any other, veering me away from continuing my career as a professional actress. (I still work occasionally in television, member of AEA, SAG, AFTRA, etc), away from playwrighting and other ventures. In the end, it’s become clear to me by a lot of trial and error that my books are my most important artistic pursuit.
Riskies: Tell us about your Haunted London blog tour! What is your favorite haunted site?
Leanna: I’ve been celebrating release month with a Haunted London Blog Tour to introduce readers to some of the real, documented London haunts who “ghost star” in my book! I’ve had a lifelong love of 19th century England and ghosts. When I first set foot in London, I felt history sweep over me like a strong wind. Secondly, I felt sure the city was alive not only with the pulsing energy of the living, but the restless energy of the dead. When the character of Alexei Rychman and his Guard of spectral police make their rounds, it is to any number of familiar London phantasms. Since these characters are familiar to The Guard, I don’t get the opportunity to tell their complete story. But these tales are too good not to tell in their full, spooky splendor.

So each day I’ve presented a different ghost story, and each day has been a new chance to win a signed copy of Miss Percy Parker. There are a few days left on the schedule, you can visit the Haunted Tour page on my website. It’s been a lot of fun and I’ve gotten a lot of great response! My essential research book on ghosts has been Richard Jones’ books on Haunted London (which you can see here)
Riskies: Diane and I had such a good time at Lady Jane’s Salon last spring! How did this great organization come about?
Leanna: And we were so very glad to have you! It’s my turn on the 7th and I can’t wait, it’s my official release party. The Salon began via instigation from Beatrice.com‘s Ron Hogan. I was the connective tissue that brought several authors into a bar to talk historical novels. Halfway through the evening Maya Rodale asked Hope Tarr, Ron, and I why there wasn’t a reading series in New York City devoted to romance and women’s fiction. We didn’t have a good answer, so we started a salon. A fabulous bar called Madame X (my favorite Sargent painting, BTW), covered appropriately in red velvet, hosts us. We feature a few readers per evening to read from their latest work. Not only do we hope to celebrate the diverse offerings of our genre (even as historical authors, Hope, Maya, and I represent vastly different sub-genres), but we all have a penchant for philanthropy, and Maya just so happened to have a fitting charity to tie in with our events.

Admission is $5 or one gently used romance/women’s fiction novel. All proceeds and books go to Maya’s Share the Love foundation that donates books to women in need, crisis, prison, transition, etc. Lady Jane’s Salon began this February and has received great press locally and in the national romance community, and I feel blessed to be a part of it.
Riskies: And what’s next for you?

Leanna: Working on the rest of the Strangely Beautiful series! Book II will pick up exactly where Book I leaves off, with Percy and Alexei in focus with a greater glimpse into the Guard and a looming, huge spectral fight. Book III is a prequel and Book IV continues in time with the Rychman family until World War I.

Thanks for letting me drop by, Riskies! Keep up the great scandals and flair!
Be sure and comment on today’s post to win your own autographed copy!

My first order of business is to apologize for the brevity and lack of visual interest for this post, but I am on the Jersey shore, and typing on an iPhone. The second is to say I have been reading a lot, since that’s what you do vacation (or any spare moments, actually). I am currently relishing every minute of former Risky interviewee Tessa Dare’s Goddess Of The Hunt. Wow. It is amazingly delicious, and the characters are so real. While on the beach, I have noticed nearly everyone–including adults–reading Stephenie Meyer. Some of the male holdouts are still reading Patterson et al. But they’re reading, and that’s cool. We have only a few more days here, so I’ll scoot, but ask before I go: what is the book you associate with your best holiday? Mine would be Pamela by Samuel Richardson, which I read on my honeymoon.

What is a Risky Regency? Who writes Risky Regencies? What are the challenges, pitfalls, and benefits of writing Risky Regencies?

And so began the Risky Regencies in August, 2005. At that point the lineup was Amanda, Elena, Megan, and me, plus Cara King (now writing YA–or what? Tell us, Cara), Laurie Bishop (now writing contemporaries–calling Laurie, where are you now?).

Megan and I talked about starting a blog when we were at the RWA National conference in Reno, NV in 2005 since we both had books coming out around the same time, and the others came on board too.

I met Elena at the airport waiting for a cab (a very frustrating experience since we could see the hotel but not get to it–Reno is not a place designed for walking. It is a place designed for gambling, period). We had a long discussion about sex and Regencies.

That was a pretty interesting conference for me, my first book about to come out, after a couple of years trying to sell a Golden Heart final ms. that no one wanted, and having my first meeting with my agent. Also I felt stoned the entire time at Reno and it was because extra oxygen was pumped into the hotel (to encourage reckless behavior?) which is why I told my agent-to-be this joke and she still signed me on:

What is the difference between an alligator?
“?”
An alligator swims in the water and walks on the land. Now, what is the difference between a shark?
“?”
A shark doesn’t have a difference. It only swims. What is the difference between a shark and an alligator?
“?”
An alligator has a difference and a shark doesn’t.

Yeah, I know. If you want to see some authentic Regency jokes, go to the joke section at Prints George (a great place to buy reproduction prints) and don’t blame me if you think they’re disgusting.

Four years is a long time for a blog to survive and we couldn’t have done it without you. It’s been wonderful seeing our traffic increase and making new friends.

So, the PRIZE. A $25 Amazon gift certificate, and to be entered for it, tell us your favorite joke; or tell us how long you’ve followed us and how you found us, which sort of posts you enjoy, and what you’d like to see more of. The winner will be announced at the end of the month.

The Bristol Heiress, by Eleanor Sleath, Printed at the Minerva Press, for Lane, Newman and Co., Leadenhall Street, 1809.

Volume 5

Volume 5 because that’s the only one that was for sale… Anybody have Vols 1-4?

Lady Mirvin, who, during the lifetime of the Earl her father, had been restrained from incurring the fatal mischiefs which sooner or later pursue those who are inclined toward the dangerous pleasures of the gaming-table, now indulged in them to excess ; and as those who have deviated from the paths of prudence themselves too often delight in observing the effects of their own pernicious example upon others, she complimented Caroline upon her talents for play ; was sure, she said, when a little more accustomed to it, she would have extraordinary luck, and concluded with observing, that it had really been the opinion of the town at large that Lady Castleton was afraid of her money. Caroline coldly answered that she had declined it party from motives of disinclination, and partly because she had never been used to play at Portland-Place, her father having absolutely interdicted her appearing at her aunt’s card-tables.

” Lord Castleton, I suppose,” said Lady Mirvin, ” does not disapprove of play, though I believe he does not engage in it himself to any extent?”

” I cannot exactly say how much he may approve of it,” said Caroline ; ” but I recollect he seemed somewhat pleased when I told him I never did play.”

” Well, if he should happen to express any disapprobation, how in such a case do you design to act?”

Well. There you go. The first two pages of Eleanor Sleath’s The Bristol Heiress. I preserved some of the odd punctuation — the spaces around the semicolons and after the initial quotation marks. Though maybe that’s more to do with the size of the actual bit of metal?

Interesting conversational rhythms. I particularly like the phrase I never did play and will probably look for the chance to use it should I ever be so lucky as to contract for more historicals.

I’ve read the volume. If you think that Lady Mirvin is trouble, you’re right. And if you think that Caroline (aka Lady Castleton) is headed for trouble, too, you’d also be right. I was shocked by the outcome to be honest.

Given some of the common prejudices we have about the Regency (Okay so technically this isn’t the Regency, but let’s pretend we got it from the Subscription library in late 1811) what do you think about the author’s casual use of Caroline instead of any of the terms we think would be used today: (lady, Lady Castleton, ladyship

And what about that honking long opening sentence? I thought I’d never get to a period!

Does anybody want to find out more?

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I found out this week that my house is filled with junk. Oh, it doesn’t look too bad–I’ve lived here about 6 years, and things have found niches and hidey-holes so it can at least appear a sane person lives here. Behind cupboard doors, it’s another story. I’m doing a major cleaning-out, and it’s not going too badly if you discount all the angst about giving away some books, and the tragic afternoon I found my prom dress and made the mistake of trying it on. (It has shrunk! That’s my excuse, anyway…)

I need Diane’s favorite show Clean Sweep to come and help me out.

So, it seems appropriate that tomorrow marks the anniversary of one of the biggest ‘clean sweeps’ in history, the Great Fire of London. It began around midnight on September 2, 1666 in the Pudding Lane bakeshop of Thomas Farynor (baker to King Charles II). The baker and his family escaped, but one panicked maid was not so lucky.

In the 16th century most London houses were made of wood and pitch, packed close together, and after a dry, hot summer it took no time at all for the fire to spread. It leaped to the hay piles in the yard of the Star Inn at Fish Street Hill and spread to the Inn itself. A strong wind was also blowing that night and spread the sparks to St. Margaret’s Church and Thames Street, with riverside warehouses and wharves just filled with food for the flames (hemp, oil, hay, timber, coal, and liquor). By the next morning the fire had spread halfway across London Bridge, and the only thing that stopped it from moving into jam-packed Southwark was the gap caused by a fire in 1633 and never rebuilt.

The standard firefighting procedure of the day was create “fire breaks” by destroying structures in its path. The Lord Mayor, though, was too worried about the cost of rebuilding the demolished houses, and by the time a royal command came down it was too late. The fire blazed on for another 3 days before halting near Temple Church. Then it sprang to life again, continuing toward Westminster itself. The Duke of York had the presence of mind to order the Paper House destroyed, and the fire finally died out.

Shockingly, the loss of life was fairly minimal (some sources say about 16, though recent studies have said the lower classes were not counted so it could be much higher), but the loss of property was immense. 430 acres, about 80% of the city, was destroyed, including some 13,000 houses, 89 churches (including St. Paul’s Cathedral), and 52 Guild Halls. One positive effect was the halting of the plague, which had ravaged London the year before, due to the destruction of the rat population.

Charles II quickly appointed 6 Commissioners to redesign the city, with plans providing for wider streets and buildings of brick. By 1671, 9000 houses and businesses were completed and Sir Christopher Wren set out to oversee construction of 50 churches (including the rebuilt St. Paul’s, with the dome we know today). Wren also designed a monument to the Fire, said to stand at the site of the bakery where it started.

I have a few sources of info about the Great Fire on my shelf, including:
Neil Hanson, The Dreadful Judgement: The True Story of the Great Fire of London
TF Reddaway, The Rebuilding of London After the Great Fire
Adrian Tinniswood, By Permission of Heaven: The Story of the Great Fire of London

So, does anyone have any advice for me about the most-organized way to clean out a house? Any criteria for keeping/getting rid of a book? Any interesting facts about the Fire???

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