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As the Big Day approaches, it’s easy to get swept up in the Holiday Madness: Did I mail out all the cards, is the house relatively clean, watch out for that ornament!, I thought YOU were going to pick up the Christmas Blend coffee, why am I awake at 12:30am?

But the most important thing about this time of year, no matter what your Big Day is like (or what religion or not you prefer), is to remember the Important Things. Family, even if they drive you nuts. Your friends, who are there when you have panic attacks (ahem.), your significant other, whether it’s your spouse or your nicest cat. The rituals of the season, from Secret Santa with your best pals, or taking a detour on the way home so you can view the crazily-decorated tree.

And what does this have to do with being Risky, or writing in the Regency? Nothing–and everything. Because the books we love are our significant others sometimes, too, because the authors create worlds with love, family, friendship, rituals, and Big Day stress.

Over at my own blog, I’ve declared it Delurking Week (thanks to Meljean Brook, who had the idea first), and I encourage all you Risky visitors to say hi and maybe relate a special holiday tradition you cherish, or just what you do to get away from it all. Maybe talk about what book you’re looking forward to opening after you’ve opened all the presents. Or just pipe up and tell us just what’s on your mind right now.

To all my fellow Riskies, Happy Holidays! May the New Year bring New Contracts, Friendly Booksellers, and Loads of Devoted Fans. To the Risky Regencies Visitors, thanks for coming by and becoming a part of the Risky community.

Megan
www.meganframpton.com

No, this isn’t the cover of my next book. It’s a splendid rendition by writer Delle Jacobs, wearing her designer hat, based on an etching by Fragonard called L’Armoire (the closet) after I’ve been tearing my hair out over a new title for my regency chicklit. Delle pointed out the interesting phenomenon of the hat held in place without benefit of hands.

The marketing department at Avon decided that The Chronicles of Miss Wellesley-Clegg with the Occasional Scribbles of Mr. Inigo Linsley was a bit of a mouthful and might confuse booksellers. Furthermore, it’s no longer a romance/regency chicklit. I have been promoted to the status of a historical writer, and it will be released as a HarperCollins historical–ironic, since I consider this the most romance-y thing I’ve written. And my editor invited–or summoned–me to come up with a new title.

My first round of titles, including the brilliant Running with Rakes (suggested by my agent), were rejected as sounding too much like a romance. I suggested Mr. Darcy’s Trousers, which frankly I think says it all about why we like the Regency period. Nope, there’s nothing about Darcy in the book otherwise. My next batch included the immortal Gentlemen in Tight Trousers. Other (rejected) attempts were: The Smallest Room, Tart Rejoinders, Tart and Sweet, Present Imperfections, Tea and Scandal, The Happiest Delineations, and One Polish’d Horde (the last three after an evening with the Oxford Book of Quotations).

My additional challenge here is that the title has to indicate the book is funny, since this line seem to be quite serious, although very nice-looking with fine art and pretty squiggly things. I have yet to suggest Not Another Austen Knock-Off, but I’m keeping it in reserve.

So what makes a title? What makes a title specifically romance-y–is it random use of specific words like passion, scandal, savage, sweet, secret? And what makes a title specifically a historical title? Any thoughts? Or, more important, what makes a title work?

Janet
(hoping the title fairy as well as santa will visit soon)

P.S. Here’s an excerpt from the book from my website, www.janetmullany.com. And check out my Christmas recipe for Cranberry Nut Tart, too, while you’re there.

Well, I’m finally over my stupid sinus infection and getting back into the holiday swing.

Last night we went to my daughter’s 5th grade chorus concert where she sang a short solo in “Masters of this Hall.” One cannot pay for entertainment like that! 🙂 It is one of my favorite holiday tunes, too. Here’s a version from the Christmas Revels Collection: Six Centuries of European & American Christmas Music.

Besides music my other holiday preoccupation is baking. When asked to help out with church or school activities, I always volunteer to do cookies. For one thing, it’s a great way to avoid having to run games with 20 odd sugared up kids. But frankly, I love getting my fingers into squishy dough, I love the smell of cookies baking, and of course, I love eating them.

Last year I blogged about my experiment at Banbury Cakes. They were not especially accurate but good. This year I’ll inflict another recipe on you. This one’s really easy and the results are melting.

VANILLA CRESCENTS

1 cup unsalted butter
1/2 cup confectioners sugar
2 1/4 cups flour
1/2 tsp salt
1 tsp vanilla
1/2 cup finely chopped nuts (pecans, almonds, walnuts, whatever you like best)
Additional confectioners sugar for dusting

1. Cream butter, gradually add in sugar, then vanilla.
2. Sift flour and salt together; add gradually to butter/sugar mixture. Add nuts.
3. Let chill for an hour or so.
4. Roll into balls about 1 inch diameter, then form into crescents.
5. Bake at 350 deg on lightly buttered cookie sheet for about 15 minutes. Cookies will not change color much but they are done when they get just a bit golden around the bottom edges. While still hot, roll in more confectioners sugar.

Another holiday favorite is Grasshopper Squares, a recipe I found in Gourmet magazine. If you like the combination of mint and chocolate and have some time for fussing and assembling, it’s well worth the effort and calories.

I figure by the end of the holidays I may resemble this lady from Gillray’s satire on Following the Fashion (1794). Right now I don’t care. 🙂

So what are your favorite holiday tunes? Cookie recipes? Eating strategies?

Elena Greene
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice, Best Regency Romance of 2005
www.elenagreene.com

Greetings, O Adoring Public! Welcome to the debut of Bertram St. James, Exquisite, in the guise of Critic. I shall now proceed to review the “Regency Christmas Anthology” entitled Mistletoe Kisses.

(First, an aside: why has my beautiful era been named for the eminently less-than-beautiful Prince George? I hereby suggest that we all begin calling it not “The Regency Period”, but “The Bertie Epoch.”)

The first story in Mistletoe Kisses is “A Soldier’s Tale,” by Milady Elizabeth Rolls. This is the touching tale of a young nobleman, who was very handsome and admired, and an officer to boot. (I love those uniforms! I would have bought myself a commission — nearly did, in fact — but it turns out if you do so, you may be sent off to fight, perhaps even getting blood on those lovely uniforms! “Not I,” quoth Bertie. And he didn’t.)

This debonair young officer unfortunately became injured, and lost his looks. What tragedy! I never understood why Hamlet was wailing on about having a dead father — happens to us all, don’t you know? — but when I learned that handsome young Dominic Alderley had lost an eye, become frightfully scarred, and even had his hand damaged, I cried tears of sympathy into my silk handkerchief.

Poor Alderley is filled with shame at his dreadful looks, and hides away in his rooms in London, seeing no one except his faithful man, and — well…certain, er…persons…of a sort… whom he, er…pays…for their…for their…scintillating company. (Pardon my red face.)

Luckily, the story ends happily. It turns out that Alderley is not ugly after all, but piratically dashing. Once he realizes this, all is well in the world, and I cried tears of happiness into my silk handkerchief.

Oh, yes. There is also a romance in the story, but it is obviously a subplot to the much more important saga of Alderley’s manly beauty. In fact, the true meaning of “A Soldier’s Tale” is revealed by the inclusion of a play of “Beauty and the Beast,” clearly showing that the core story here is of Alderley’s beauty, his transition to thinking he looks like a beast, and then his triumphant realization that he has beauty still.

The second story in Mistletoe Kisses is “A Winter Night’s Tale” by Milady Deborah Hale.

The heroine of this story is named Christabel. This put me in mind, of course, of that ghastly poem thing by Mr. Coleridge.
Never could figure out why anyone thought his verses worth reading! I ask you, who could be remotely impressed by a rhyme like:

“O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.”

Even I could do better. That is, had I the leisure. However, being decorative takes so very much time! (As does my slavish devotion to the TeleVision Device. I do love the show “Heroes.” It has so many beautiful people in it. As, indeed, does “Lost.” But in the “Lost,” the beautiful people are so dirty!)

The most heart-warming moment in this tale is when the hero manages to circumvent propriety, and make the impoverished heroine a gift of an elegant ball gown, a lace bandeau for her hair, evening gloves, silk stockings, and fine kid slippers. True love at its purest! And, I might mention, if any of you wished to give me silk stockings for Christmas (or Chanukah, or the Winter Solstice, or indeed any other occasion), I would not think it at all improper.

The third story in Mistletoe Kisses is “A Twelfth Night Tale” by Milady Diane Gaston.

This story truly resonated with me. To begin with, the characters in it are all extremely careful about being clean and elegant! Indeed, in one scene, in which a — er — how shall I put this — a new life comes into the world…yes, that will do!
Anyway, in this particular scene, even amidst all the hubbub, the women are all calling for clean linen, and clean clothing. Such admirable attention paid to sartorial aesthetics! This is truly what elevates homo sapiens above the mere animal.

Speaking of the mere animal, there is a dreadful creature in this story, and she is called Lady Wansford. I shuddered each time she was mentioned as she is the exact replica in prose of my much-loathed and feared Aunt Gorgon. Oh, do beg your pardon, I mean my Aunt Gordon, of course. Frightful thing. Always after me to marry her repellent daughter Harriet. The very thought sends me into a paroxysm of hysterical laughter. (By the way, why doesn’t “laughter” rhyme with “daughter”? I will never understand such things.)

Sorry — where was I? Oh, yes. The dreaded daughter. The chit giggled. And slouched. And wore ruffles! “Not I,” quoth Bertie. And he didn’t.

The daughter in this story is just as repellant as my Aunt Gorgon’s daughter, and the mother every bit as bad. Luckily, our hero, the Earl of Bolting, is a handsome young lord, and very wealthy, and our heroine has much beauty and fashion sense herself, so all comes out right in the end, and the gorgons are sent packing (quite literally!)

I highly recommend Mistletoe Kisses. All the talk of greenery and Yule logs carried me back to my childhood, and brought an elegant tear to my eye. Oh, for mince pies and brandy! I must tell my hostess to find me some for Christmas.

If any of you delightful folk have read any of these stories too, do share your impressions of them! I await eagerly your reaction to this, my first foray as Critic.

Yours in clove-scented elegance,

Bertram St. James, Exquisite

Posted in Uncategorized | Tagged , | 10 Replies

My Christmas “gifts” came early this year – two requests for revisions for Diane Gaston’s newest Harlequin Mills & Boon, The Vanishing Viscountess, and Diane Perkins’ latest Warner Forever, Desire in His Eyes.

After an author turns in a completed manuscript, the next step in the publishing process is for the editor to read through it and write a revision letter with things the editor thinks should be changed. It was my luck that my HMB revisions came incredibly fast and my Warner revisions came sorta late and that they both came at Christmas time.

The author has some say so in whether she actually makes the changes that the editors request, but my experience has been that my editors make the books better and I’m happy to take their advice.

Imagine my surprise, however, when both editors asked me to “show” why my heroes and heroines fell in love with each other. In both these books, my heroes and heroines are, shall we say, put in very intimate situations with each other. I could not stop them! My heroes and heroines ganged up on me and demanded a more “sensual” book, but apparently they forgot to remind me to show why they were so “attracted” to each other. Why did they fall in love?


I’ve no doubt I can fix this little problem. The present I’m giving to myself is to not even look at these two manuscripts until after Christmas, but in the meantime, it got me thinking. How do readers like the author to show how the hero and heroine in a romance fall in love?


That’s my question for you today. How do you like your heroes and heroines to show they are falling in love?

Cheers,
Diane

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