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Databases of Advertisements for Fugitive Slaves

I love primary historical sources. Cornell University has just made public a database of historical fugitive slave ads, including one for a slave who ran away from George Washington! (Oney Judge escaped our first president and went on to marry a free black sailor and live out the rest of her life in New Hampshire; sounds like wonderful inspiration for a romance to me).

Advertisement for a fugitive slave in the Oppenheim (New York, 1824) (via Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, New York Public Library)

Though these ads we can discover details of the true lives of the enslaved, and hopefully find inspiration for creating works of fiction that reflect the diverse reality of the past. We can see what they wore, what skills they had, what work they did, and even what ruses they used to escape (we can also see the cruelty of their enslavers exposed in the descriptions of the scars they bore). But more than that, we can see that they were there. That they were real. That they had hopes and dreams and that they fought for those dreams every bit as much as we do today.

But, Isobel I hear you say, I write UK-set historicals. Well, there is another, similar database for researching this topic in the UK: Runaway Slaves in Britain. The ads of slave sales taking place in the UK in the 18th century send my imagination running wild. So many stories waiting to be told…

Finally, finally!! Lord of Misrule

I could NOT be more excited to tell you that, as it says above, finally –FINALLY!! –I have finished LORD OF MISRULE. Not only that, but the ebook version is up at both Amazon and Smashwords –the Kindle version is on pre-order and will be delivered next Wednesday. Please, please head on over there and order a copy? You will have my undying gratitude.

I put “finally’ in caps because really, this is not just about the fact that the poor book kept getting interrupted and has taken a couple of years to complete. This is my first all-new book in sixteen years! Yes, THE RAKE’S MISTAKE was the last entirely new book I wrote, and it was published by Signet in 2002. (That’s the only one of my backlist I still have not re-issued. I’ll get to it, I promise.)

Coming back after that long a break is not easy. First, there’s the “rust” factor –you’re horribly out of practice after not writing for that long (teaching helps, but it’s not the same), and more, at least in my case, you lose your “voice” and have to spend a lot of writing time just finding it again. Second, and it’s related to the first, there’s the “fear” factor. Face it, writing is a scary business. You put your heart on the line every time you write a story and put it out there for people to judge. When you’re rusty at your craft and finding your way back, I think the “fear factor” is tripled! So, I have my fingers crossed and hope readers will enjoy my new effort.

But there’s another “finally” I’m celebrating with this new book. I was detoured during those years by a series of serious health issues in my family –my mom, my younger son, my husband. Each time I started to write again, a new crisis occurred and the correlation of the timing was worthy of the Twilight Zone! I began to believe I just wasn’t meant to be writing during those years, and still believe that. No guilt.

This time when I started again, the health crisis that occurred was mine. The reason to celebrate is not only because I managed to write anyway, but because I believe I have either broken the pattern, or come to the end of the period of not-writing. The joy is back, and I feel that part of my brain is working again. FINALLY! Yippee!

LORD OF MISRULE

On a snowy Christmas Eve day, a vicar’s daughter runs into the Devil himself, or is he just the Lord of Misrule? In a season of miracles and magic, can love bind two unlikely hearts in the days leading to Twelfth Night?

“a bit of Pride and Prejudice, a little Brigadoon and a dollop of Cinderella” –author Terri Kennedy

In trouble for causing a scandal in London, Adam Randall, Lord Forthhurst, is headed home to make amends on Christmas Eve day when he becomes stranded in the tiny village of Little Macclow. Before the night is over, he has become thoroughly entangled in the village’s celebration of the twelve days of Christmas, and fully intrigued by the vicar’s daughter, Miss Cassandra Tamworth.

Cassie has been raised by her widowed father to expect the worst from members of the aristocracy. Lord Forthhurst is a puzzle. Can she trust him? Or is he a devil, as he claims and warns her? Can her mind resist when her heart and body want to be his?

Note: This special full-length holiday book from Gail focuses entirely on the romance between Adam and Cassie and the shenanigans during twelve days of Christmas. In this one, no nefarious doings are afoot and there’s no mystery to be solved beyond the mystery of how two people who belong together ever manage to sort themselves out enough to find love!

BUY LINKS

Kindle:  https://tinyurl.com/y7rofpyo

Nook, Kobo, Sony, etc.:  https://tinyurl.com/y89v9odt

Have you ever had to persevere over a long period of time to complete something, or get back to something? I am so grateful to my readers who have been patiently waiting for me, and for new ones who are willing to give me a try!

Preparing for Christmas

(I first posted this blog on Dec 3, 2012 and, really, it still applies. I still need to prepare for Christmas….)

I am the lady of this house, not an exalted country house, but a respectable one and I must not dally any further. I must prepare for Christmas. It is a daunting task in this modern age – 1820. There is so much to do.

First I must check to see if Cook has prepared the Christmas pudding. She should have done so one week ago on Stir Up Sunday. I must discuss with her all the food we shall need for the holidays, because the rest of the family and some friends will gather here and they will stay through Twelfth Night.

I should send invitations to the families near here to come for a Christmas meal. I believe I shall have my daughter write them. She has a better hand than I. Soon it will be time to send the footmen out to gather greenery and we must hang a ball of mistletoe to generate some excitement during the party.

Then there are gifts to purchase. I shall make a list and have my husband’s people purchase them in London and send them to me here. And I must exert myself to embroider some handkerchiefs for everyone, because that is the sort of generous person I am.

Speaking of generous, we will also make up baskets of food for those less fortunate than we. I am certain the kitchen staff and maids might take an afternoon away from their duties to assist in filling the baskets. My dh, Lord P–, and I will, of course deliver them to the families. It will take the better part of the day.

Elena reminded me I must make brandy butter and that it needs a great deal of tasting to make it just right.
Now I shall lie down for a bit. All this planning has quite exhausted me (not to mention making the brandy butter)

It is such a busy time!
What are you doing to prepare for the holidays??

New Book Alert

Today I’m going to talk about my new precious: PATTERNS OF FASHION 5: THE CONTENT, CUT, CONSTRUCTION & CONTEXT OF BODIES, STAYS, HOOPS & RUMPS c.1595-1795 by JANET ARNOLD, JENNY TIRAMANI, LUCA COSTIGLIOLO, SEBASTIEN PASSOT, ARMELLE LUCAS & JOHANNES PIETSCH.

Cover

 

This  is the fifth volume of the Patterns of Fashion series, and was recently published by the School of Historical Dress. It includes patterns for 26 pairs of stays, a farthingale, 10 hoops and a rump. And it’s AMAZING. Sadly, I believe it’s also sold out and I don’t know if they’re planning on doing a second printing.

In case this series isn’t familiar, Patterns of Fashion is one of the most influential book of historical clothing studies every produced, and Janet Arnold was basically a goddess among women. Her books set the standard for clothing studies, and the people she trained are doing a great job of carrying on her work.

Just leafing it through it, I encountered information I’d never seen before in my 40+ years as a historical re-enactor and costumer. This is absolutely the best part of research, and fills me with delight. I also confirmed what I’d always thought about 17thC stays, but had never been able to find the resources to confirm (that they are in fact often built into the gowns, especially in the first half of the century).

So, what was new? Metal hoops! I’ve seen cane and reed and rope and all kinds of other stuff used, but I’d never seen metal ones in the 18thC. They appear to be very large and are most likely for a court gown (which would need the extra support). And yes, these are still collapsible.

Metal Hoops, c. 1760-1780 (German)

Here are several examples of 17thC gowns with the stays build in (or with the gown bodice boned, if you prefer). I find the Dutch ones particularly fascinating with their fancy frill. They act as stays and stomacher both.

Boned Bodice, c. 1645-1655 (English)

Boned bodice, c. 1630-1635 (Dutch)

Here is also another example of pregnancy stays, which I get asked about quite a bit at conferences. This pair has two stomachers, so basically the lady is wearing her regular stays, but adapting them to her changing figure. I’ve also seen a gown that was adapted this way in the 18thC, so this must have been a common solution.

Reproduction of pregnancy stays, c. 1665-1675 (English)

And here’s a great example of why these books are so valuable to anyone who wants to make or understand historical clothing. First, the put stuff into a larger context in the front of the books:

Detail page about Reisser & Garsault books about stay making. 18thC. French.

Information about taking measurements and construction, also from Reisser & Garsault. 18thC. French.

Then they offer details of the extant garment:

Details of extant strapless stays, c.1760-1770 (English)

Details of extant strapless stays, c.1760-1770 (English)

Then they have a diagramed study with even more details:

Diagram of extant strapless stays, c.1760-1770 (English)

Diagram of extant strapless stays, c.1760-1770 (English)

In short, this is my favorite series of books ever, and I can’t wait to see what the Historical School of Dress puts out next.

 

To Autumn…again

We have just started seeing the beauty of autumn here in  Virginia. It was 70 on November 2, but brisk and sunny since. Finally the leaves are turning and getting ready to fall.

I wanted to do a Regency homage to autumn. Turns out I already wrote one on Risky Regencies in October 2010. So here it is again, because I could not do better!

On 19 September 1819, John Keats took an evening walk along the River Itchen near Winchester and was inspired to write one of the most perfect poems in the English language:

To Autumn

Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,–
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft,
And gathering swallows twitter in the skies.


Here’s the poem read by Ben Whishaw, the actor who played Keats in the movie, Bright Star:

I think the imagery in To Autumn is just beautiful, giving the mood of autumn as well as the sights and sounds.

The poem was included in volume of Keats’ works printed in 1820 to better reviews than his earlier works. A year later, Keats died.

You could say he wrote the poem in the autumn of his young life.

If you took a walk near your house, like Keats did, what would catch your eye? What’s your favorite part about being outdoors in autumn?

Check out the cover for my next release, Shipwrecked with the Captain, available in paperback February 19 and in ebook March 1. And sign up for my new newsletter , even if you were signed up on my old website.

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