Back to Top

Self-Help Books and Creativity

How many of you have read and worked with Julia Cameron’s THE ARTISTS WAY? I was introduced to it a long time ago — before I sold my third book (I’m up to twenty) and found it an amazing resource. My writing pal Judy Yoder and I worked our way through it together, meeting once a month to discuss the previous chapter (or “week” as Cameron calls her sections.) It was an enriching experience and helped me regain my focus and head towards the success that was coming my way.

Now I am taking that ride again with a new writing friend, Linda. I am at the end of my career, if only because of my age, and Linda is just beginning. Her enthusiasm is contagious plus I find that after twenty years Cameron’s words still ring true. I resolved many of the issues that held me back then (all conveniently written in the white space of my original copy) but now there are new ones that need to be addressed.

With Linda’s enthusiasm and the proven value of the exercise, I wonder why I am finding it a challenge to recommit to two elements that Cameron considers essential: morning pages and artist’s dates.

Here is what I have decided. As I age I find that without the time pressure of deadlines my whole life is an artist’s date. I take time every day to enjoy nature, read about a subject that interests me and talk to people who I seek out.

Writing at my own pace, telling the story I have to tell is the greatest treat in the world. If there is no editorial interest then I can consider independent publishing. I wonder what Cameron thinks of that game changing aspect of publishing?

As for Morning Pages, I am not at all sure why I do not make the time to do them. I do make time for yoga most days and I am thinking that the time I spend in meditation, after yoga has taken the place of morning pages.

No matter if those details do not work for me any more there are elements of her work that are in my head everyday when I sit down and have been for all these years. “It’s easier to do the work than to worry about doing the work,” and “It is my job to do the work, not judge the work.”

THE ARTISTS WAY is the single most useful writer’s self-help book I have ever used. Where does it rank on your list? What earns high praise from you, as a reader or a writer? (If we’re talking self-help in general for me it’s a contest between DANCE OF ANGER and SEVEN HABITS OF HIGHLY EFFECTIVE PEOPLE. Am I dating myself with those two? )In any case I want to know what works for you . Or if you think the self-help process is pointless. The road to creativity is different for all of us so there are no wrong answers here.

Ridicules and Riticules

I asked in a reader group what topics people were interested in having covered on blogs these days and got a whole list of things that I’ll be tackling in the coming months, but the one that seemed the most fun right off that bat was ridicules/reticules.

When hoops were worn and skirts were full, it was easy for a woman to carry about her sovereign purse, pines, etc. in her pockets. These were large, easy to access through the “slits” formed in the top of the petticoats by their being fashioned as a double-apron. But when the round gown became a thing at the end of the 18th century, pockets were no longer feasible. So what was a lady to do? She still needed to carry a few things with her as she went about. The earliest ridicule I’ve seen looks very much like a single pocket. Which makes perfect sense. You’d just tie the waist ties together to form a loop/handle and carry it with you (fashion historians often surmise that this is where the original name “ridicule” came from, as it women were ridiculed for carrying about their pocket).

The Victorian and Albert Museum has quite a collection of these, and all the images I’m sharing today are from their archive (I’m noting this as per their user agreement). As always, click for a larger copy of the image.

Classic set of pockets. These were tied around the waist, over the stays and underskirts, but beneath the top petticoat (aka the lady’s skirt).

18thC embroidered Pockets (photo credit: Victorian and Albert Museum).

18thC embroidered Pockets (photo credit: Victorian and Albert Museum).

This first bag is transitional, it retains the rough shape of a pocket, but has a drawstring at the top. It’s beautifully embroidered with flowers and a bird, most likely done by the woman herself as the embroidery does not appear professional in quality.

Silk, embroidered with silk thread, with string tassel and straps. c.1790-1800 (photo credit: Victorian and Albert Museum).

Silk, embroidered with silk thread, with string tassel and straps. c.1790-1800 (photo credit: Victorian and Albert Museum).

The museum didn’t give much information about this little bag, but I love the hedgehog styling of the knit dags.

Knit bag, c. 1800 (photo credit: Victorian and Albert Museum).

Knit bag, c. 1800 (photo credit: Victorian and Albert Museum).

Netting was a popular pastime, and it’s possible these bags were made by the woman who used them. The smaller red bag is a “finger-ring purse”, the perfect thing for a lady who just needed enough money on her for vails or small purchases.

Netted silk and thread, with hinged gilt frame, 19thC (photo credit: Victorian and Albert Museum).

Netted silk and thread, with hinged gilt frame, 19thC (photo credit: Victorian and Albert Museum).

This is a very basic square purse with absolutely amazing ribbon embroidery.

Embroidered silk satin with chenille thread, appliquéd with silk muslin, lined with silk taffeta. c. 1820-1830 (photo credit: Victorian and Albert Museum). muslin, lined with silk taffeta. c. 1820-1830 (photo credit: Victorian and Albert Museum).

Embroidered silk satin with chenille thread, appliquéd with silk muslin, lined with silk taffeta. c. 1820-1830 (photo credit: Victorian and Albert Museum).

Wool embroidery on canvas (basically needlepoint) bags. This was another common pastime. You see everything from slippers to purses to pocketbooks (wallets) to fire screens worked this way.

Canvas, embroidered with wool. 19th. (photo credit: Victorian and Albert Museum).

Canvas, embroidered with wool. 19th. (photo credit: Victorian and Albert Museum).

Candice Hern also has a lovely collection that’s worth perusing if you haven’t already. She has everything from small beaded sovereign purses, to larger netting reticules and even miser purses of the kind a man might carry in his coattail pocket.

Thanks to Eileen for the question!

 

 

 

 

Let’s Talk Food!

Samian ware bowl (picture by Mercato, from Wikipedia Commons)

Samian ware bowl (picture by Mercato, from Wikipedia Commons)

Hello, Risky Readers, there’s been a slight change of plans and today you get me again. And I’m also rather late with posting – sorry about that! (I also apologize for any typos in this post; it’s really late here in Germany and I’m so ready to head to bed….)

So I thought today I could talk a little about food because tomorrow I will go to that lovely reconstructed Roman fort near where I live and attend a Roman cookery workshop. It’s called “A Look into Apicius’ Pots” and includes not just a guided tour through the fort and museum, but also a hands-on experience of Roman cuisine: we will prepare a meal using Roman recipes (from Apicius’ cook book, I assume) and then we’ll eat said meal from replicas of posh Roman tableware (that would be Samian ware made in what today is southern France).

There might even be garum, that dreadful, shudder-inducing Roman fish sauce that was made by putting fish heads and fish innards into a vessel together with herbs and what not and then putting it out into the sun for a couple of weeks. The Romans poured that stuff basically over everything. Like ketchup.

It’s going to be an interesting afternoon!

Victorian Bakers, BBC

Victorian Bakers, BBC

In addition to doing some practical research on Roman cuisine, I also recently stumbled across a rather fantastic BBC documentary called “Victorian Bakers.” In this documentary a group of modern-day bakers all don Victorian clothing and learn how their 19th-century predecessors made bread.

Bread was incredibly important for 19th-century England, as it was the staple food for large parts of the population. In the Regency period, bread making hadn’t yet become industrialized. Bakers ran their business as they had done for decades: from a bakery in a village, often near – or indeed, even part of – a local mill. They also worked closely with brewers from whom they got the yeast. Compared with more modern forms of yeast (think of dry yeast out of a package), this particular yeast was a bit more temperamental. The dough had to be kneaded much longer and the proofing took much longer as well. On the other hand, bakers had to be careful not to overproof the dough as it was possible the yeast would go bad.

Once the oven was fired up, the bread was baked and then the baker’s boy would go from house to house in the village and deliver bread that had been pre-ordered. As most people didn’t have an oven to bake in at home, bakers also offered a service whereby villagers could come and have their things baked in the baker’s oven.

While in earlier centuries only the upper classes had been able to afford white bread, by the early 19th century white bread had become the standard in all households. The older forms of barley bread and rye bread were disdained by large parts of the population, even though there were several attempts by health reformers to make whole-wheat bread popular again. Thus, in the Mirror of Literature, Amusement and Instruction we can read in 1847:

Nothing is more false to suppose than what is called fine white bread is better than the bread made of good wheat, ground into flour without abstricating from it the digestive principle contained in what is termed the husk, or skin. Nothing is more wholesome or so easy of digestion as this natural pure bread, when made with wheat of proper quality; and though the color is more homely, still the taste is far superior to that of white bread.

What I found perhaps most surprising about that BBC documentary was the realization that 19th-centiry bread would have tasted much, much different from our bread, mainly they used a different kind of wheat as well as that different yeast. That’s something we don’t really think about very often, do we?

And now it’s over to you: What type of historical food would you love to try and recreate?

Releases and News

Hello, Risky Readers!

I am busy writing the third book in the Sinclair Series. This is Emily and Devon’s story. I’m about 30% in. It’s going about as okay as writing tends to go. I’d say this is the hard part, but come to think of it, all the parts are hard. I don’t, yet, have any research subjects that are worth sharing but I expect that to change as I get far enough in that I can’t just type in “RESEARCH THIS.”

I do have a novella to tell you about, though. And, to help celebrate, I’m giving away a stash of print books. All of them are Romance. Leave a comment per the rules below and one person will win ALL THE BOOKS.

An Unsuitable Duchess is on sale now as a standalone story.

A lady demurely looking at a fan. Don't be deceived. George isn't really demure.

Cover of An Unsuitable Duchess.

Where to Get An Unsuitable Duchess

Amazon | iBooks | Kobo | Nook | Google Play | All Romance | Print

 

About An Unsuitable Duchess

The duke of Stoke Teversault has well earned his reputation for bloodless calculation. Indeed, recently widowed Georgina Lark has no idea he’s loved her since before her late husband swept her off her feet. Stoke Teversault means to keep it that way. The cold and forbidding duke and the blithe and open Georgina could not be less suited in any capacity. And yet, when Georgina and her sister arrive at his home, his ice-bound heart may melt away.

Georgina Lark has never thought of the duke of Stoke Teversault as a man capable of inducing passion in anyone. He’s long disapproved of her, but she will be forever grateful to him for his assistance after her husband died. It’s been a year since she’s realized he’s not the man she thought. Can she find a way to convince him to open his heart to her?

An Unsuitable Duchess is a Regency romance novella featuring an austere duke and a sweet, playful widow. If you like charming love, steamy passion, and when opposites attract, then you’ll love Carolyn Jewel’s entertaining read.

Buy An Unsuitable Duchess to watch the Duke stumble into love today!

Rules and How to enter

Void where prohibited. Must be 18 to enter. International is OK. Winner chosen at random via “And The Winner Is” plugin. Leave a comment to this post in which you tell me your favorite flower. Deadline to comment is 11:59:59 PM Eastern, Tuesday, March 15, 2016. No purchase necessary. Multiple comments will not increase your chances. If the winner does not respond to my notification email within 5 days, an alternate winner will be chosen.

Downton Abbey and Historical Romance

imgresLast night we saw the final episode of Downton Abbey, the most popular drama in the history of PBS and a worldwide hit. Needless to say, Julian Fellowes, the creator and writer of Downton Abbey, tied up all the loose strings and brought us what we Romance authors and readers love–the happy ending.

There won’t be any spoilers in this blog. Instead I want to talk about what this series can teach us about writing good historical romances.

Write great characters.
One of the things I love about Downton Abbey was the characters. The characters were vividly drawn and complicated. I know some would say the characters were stereotypes. Certainly they were recognizable in their roles, but each of them came with a few surprises and twists.

Include lots of conflict.
Downton Abbey thrived on conflict, both internal and external, mostly creating barriers to romance between the characters. Consider Lady Mary, whose class snobbery almost cost her each of her husbands. We tuned in to see if she’d choose love or her idea of what an aristocrat should be. Or think of the disasters that befell Edith every time she was close to having a happy ending to her romantic relationships.

800px-Highclere_Castle_(April_2011)Make setting matter.
Downton Abbey was always lush in its settings and paid attention to small details in the setting. Think of all the scenes at meals and how the details of place settings and food and how it was served helped to make those scenes come alive. Think of how the costumes of Downton Abbey enthralled us. The costume designers tried to make the costumes as accurate as possible, down to the smallest detail.

Make the history matter.
From the very first episode, the real history of the times affected the story. The inciting incident was the sinking of the Titanic. Throughout, the history was woven in to the story.

Don’t show the dirty bits.
I don’t mean don’t show love scenes or naked ladies. I mean don’t show the stark reality of the time period. Downton Abbey certainly idealized aristocrats, making them seem more benevolent of their servants than most probably were. And the Crawleys were probably more flexible and forgiving than their real counterparts, but they were what we’d wish them to be. I don’t want to write about Regency sanitation or about the bugs and vermin that were prevalent in the time period. I’d rather create a world my readers and I would enjoy inhabiting.

Watch the pacing.
I’m sure those who watched the final two episodes were left with the impression that the story lines seemed rushed, as if Julian Fellowes was in a hurry to tie up all those loose strings. How often have you read books where the endings seemed rushed? It is a pitfall we need to avoid when we plot our books.

I am sad to see the series end. I find myself hoping the actors all find other good roles to play, as if they were their characters and I want them to go on living. I know it was little more than a costume drama/soap opera. But soap operas have fiercely loyal followers. I should be so lucky to have those numbers of loyal fans.

How about you? Did you watch Downton Abbey? What do you think made it such a popular series?

Follow
Get every new post delivered to your inbox
Join millions of other followers
Powered By WPFruits.com