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Tag Archives: Gail Eastwood

RiskyRegenciesRMHeader2Congratulations to all our winners!

Lord Langdon's Kiss by Elena GreeneThe winner of Lord Langdon’s Kiss by Elena Greene is Library Pat.

 

 

 

 

poeticjusticeThe winner of Poetic Justice by Alicia Rasley is Susan/DC.

 

 

 

 

rakewallflowerThe winner of The Rake and the Wallflower by Allison Lane is Maribelle.

 

 

 

 

pjourneynewThe winner of A Perilous Journey by Gail Eastwood is Melody Gonser.

 

 

 

 
gabriellaThe winner of Gabriella by Brenda Hiatt is Barbara Literski.

 

 

 

 

rakespinsterThe winner of The Rake and the Spinster by Lynn Kerstan is Edea Baldwin.

 

 

 

 

Winners, Elena Greene will email you to coordinate giving you your prizes.

Thanks to everyone for visiting the Regency Masquerades Ball! We’ve all had a lovely time. 🙂

For anyone who hasn’t yet purchased the Regency Masquerades set and would like to, get it now while it’s still at the introductory price of 99 cents!

Regency Masquerades is available at Amazon, Barnes & Noble, iTunes and Kobo Books. Buy now for just 99 cents!

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Meet the hero and heroine of The Lady from Spain by Gail Eastwood, Book #4 in Regency Masquerades, six sparkling Regency romances in one ebook–currently 99 cents!

At the ballroom door…

Master of Ceremonies: Hmm, this next pair is arriving a bit late –many of the guests are already assembled. He is handsomely attired in evening black, with a fine white silk waistcoat and a cravat that shows considerable artistry. But, with his half mask I can’t quite be certain who he is. Possibly Lord Danebridge? He is on the list and has not yet arrived. I’ve heard he has just returned from abroad and made his appearance at Drury Lane the other night.

The woman with him is attired in a Spanish costume, a tightly fitted black dress adorned with rows of long fringe. She has an admirable figure, indeed! But her lace mantilla hides most of her face. Most ladies are not wearing exotic costumes tonight, so I would lay odds this is the mysterious lady the gossip columns are calling “the Spanish Spitfire,” who was with the baron at the theater. These two are so deeply engaged in their discussion they don’t seem to notice they are approaching the entrance! I can’t help overhearing at least part of what they are saying.

Lady (in a hushed voice tinged with Spanish accents): “You know I did not want to come here, or to socialize with anyone at all. Please tell me we shall not have to stay very long.”

Gentleman: “Ah, but señora, to have refused the invitation would have been the height of discourtesy.”

Lady: “You had no need to involve me. This is not at all how I should be spending my time!”

Gentleman (in a soothing tone): “Did you have a more pressing engagement? Or an expectation to find the men you are hunting for, this very evening?”

Lady: “No.”

Gentleman: “Well, then, I believe the ball should be vastly more entertaining than however else you would have spent the time.”

Lady: “I did not come to London to be entertained, I assure you. This is a mistake!”

Gentleman: (stopping and turning her to face him) “Is it? I am enjoying your company, and I thought you did not seem terribly averse to mine. What could be the harm in it? Are you afraid somehow I will uncover your secrets? (He looks at her intently.) I wish you could bring yourself to truly trust me.”

Master of Ceremonies: This is becoming quite personal! Time to interrupt them. But I do wonder what secrets she is hiding.

Waves to get their attention. “Ahem. Sir? Madam? Are you attending the ball this evening?”

Gentleman: “Oh, I do beg your pardon. Yes, we are. Didn’t mean to stop the flow of traffic, as such.”

Master of Ceremonies: “Not at all. Welcome! May I ask is that you behind the mask, Lord Danebridge?”

Gentleman: “Yes, indeed. You are very sharp tonight, my good man. And the lady with me is Doña Sofia Alomar de Montero, recently of Spain.”

Master of Ceremonies: “Welcome back to Town, my lord. You have been missed. And welcome to London, doña.”

The lady’s striking green eyes seem somehow familiar, although at this moment they are noticeably filled with misgivings. Those do not appear to be the eyes of a Spanish doña. Yet how could she seem in any way familiar? Danebridge did not sound altogether convincing when he stated the lady’s name. And what men could she be hunting for? It is too much of a puzzle.

Giving up, the Master of Ceremonies simply bows to her. “I hope you will enjoy your stay, madam, and enjoy your evening with us here.”

From behind the drapery by the balcony French doors…

Gail Eastwood here, secretly observing. I know that both Jeremy Hazelton, Lord Danebridge, and this lady supposedly from Spain are harboring secrets, from each other and everyone around them as well! Although she just recently arrived on a ship from Spain, the doña is really Falcarah “Falcon” Colburne, returning to England on a mission to avenge her parents’ deaths in Spain. Jeremy has been secretly working for the government during the war, and now on his way home has been asked to do one more assignment –learn if the lady from Spain is a spy. His desire to be with her has moved far beyond investigating her and unveiling her secrets. He would like to unveil a great deal more –including her heart. When his mother and his young son arrive in London, too, and his investigation and “help” expose Falcon to graver danger than she already courts, the course of love is not going to run smoothly!

The Lady from Spain by Gail Eastwood“A wonderful love story full of cleverly plotted intrigue and deception topped off with an intensely powerful resolution.” –Romantic Times

Read Jeremy and Falcon’s story in The Lady from Spain, one of six sparkling Regencies in Regency Masquerades, an ebook set which also includes books by Brenda Hiatt, Lynn Kerstan, Allison Lane, Alicia Rasley and Elena Greene. Regency Masquerades is available at Amazon, Barnes & Noble, iTunes and Kobo Books. Buy now for just 99 cents!

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For updates and news on Regency Masquerades and the authors in the set, like us on Facebook.

And now for a giveaway!

A Perilous Journey features another risk-taking heroine, Gillian Kentwell, who runs away from home to escape a loathsome betrothal. Unable to dissuade her from this, her twin brother tags along on this road trip from Devonshire to Scotland, with Bow Runners in pursuit. Along the way, they are aided by a man who steals Gillian’s heart, but who is he really, and is their love meant to be?

pjourneyoldpjourneynewWinner of the 1994 Golden Leaf Award “Best Regency” and finalist for CoRWA’s Award of Excellence

Also, winner of two national competitions for Regency Romance writing:
–“Top ‘o the Trees” Competition sponsored by The Regency Plume
–“Romancing the Novel” Competition, Regency Division, sponsored by NE Ohio Chapter RWA

“A delightful read that will warm the cockles of your heart…an adventuresome journey, jam-packed with enchanting characters and lively drama.” –Affaire de Coeur

Do you like heroines willing to take risks to act on their goals? Do you forgive characters whose goals may turn out to be mistaken? Comment and fill out the Rafflecopter thingy to be entered to win an ebook copy of my very first Signet Regency, A Perilous Journey. All winners will be announced on Sunday.

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Fig with flashlight-2I’ve been working on a new story, but suddenly I’ve been away from it for a couple of weeks, and now I’m wallowing in doubts. When that happens, I start thinking about things like –where do our stories come from? That’s a question authors often hear from readers at book signings. Do we pluck them out of the ether? Are they gifts? Can we explain how two different thoughts may suddenly connect like flint and steel to spark a story inspiration? If we knew how it works, would it help us when we get stuck? Would it help us write faster? Better?

Since everyone’s creative process works differently, there’s no one answer, anyway, but visualization is most certainly part of it. At a recent workshop at my local writers group (RIRW), the subject was self-hypnosis, on the theory that improving ourselves also improves our writing. It was fascinating and covered a great deal, but one thing that struck me was the great similarity between the techniques of meditation and visualization that were presented by the speaker and the process of story creation. We joke a lot about writers staring off into space and claiming we’re working, but really, that “daydreaming” about our characters and what is happening to them is a lot like a self-induced hypnotic state. The relaxation required to get there helps open our creative receptors and allows the imagination to pull up the sights and sounds and people and events our stories grow from. Like most skills, it improves the more we practice it.

Some writer friends of mine who are very prolific tell me they are able to “skip around” in their stories, writing whatever scene they can ‘see” and eventually fitting all those pieces together. Often they have a view of the entire story, and can put the plot down on paper or even write a more-or-less detailed outline. I have to say I envy that ability! I am a linear writer. Until I know what the characters have done and said in the present scene, I don’t know what they are going to do later on. When it comes to work styles, writers are often classified as “planners” or “pantsers” (pantsers “fly by the seat of their pants” instead of by a map), but most writers fall somewhere in between, a combination. Those who can “see” most or all of their story undoubtedly can be “planners”. How lovely to have a road map!! Many of us –however much we wish otherwise– can’t see that far ahead. I always liken my process to that phrase you read above in the title –stumbling along in the fog at night armed with only a flashlight.

Writing is an act of faith –always. When you can only see a little bit at a time, it becomes a huge act of faith. You get stuck in blind alleys and have to back out. You always hope the path you are following is the right one, the one that will lead to a satisfying ending, the center of the maze. You have to believe there is a reason you were given this story idea in the first place!

The Artists Way coverThere are two resources I often turn to in times of doubt. One is The Artists Way by Julia Cameron. I believe the creative process is also spiritual, and the program of self-examination and inspiration this book lays out helps you to find and reinforce that connection. The other is Bird by Bird, by Anne Lamott, one of the best books of advice for writers. I can open this book to any page and be comforted, inspired, and amused all at once, but the advice to take the writing “bird by bird” (one small thing at a time) is huge when the job starts to appear overwhelmingly impossible.

Bird by BirdIf you write, what do you when a spell of doubting happens to you? Are you a planner or a pantser, or a combination? What resources do you turn to when your faith needs to be bolstered? Have you read the ones I mentioned? If you’re a reader, have you ever asked authors where their ideas came from? If you have, what answers did you get?

First of all, Gail would like to thank everyone who participated in the fantastic discussion of epilogues last week. She also asked me to announce the winners of her giveaway. Congratulations to Beth Elliott and Linda, who have won Kindle or Nook versions of The Captain’s Dilemma, the Regency romance which Gail has recently reissued with a lovely new epilogue.

This week I’m celebrating the reissue of my Regency, Lord Langdon’s Kiss, which unlike The Captain’s Dilemma, needed a lot more work than the addition of an epilogue. Lord Langdon’s Kiss was my first book, and although I’m proud that it sold, I’ve learned a lot in the fifteen years that have passed since I wrote it. In this version, I tackled an issue I’d shied away from the first time around and found that it helped me torture the hero a little more. That’s always a good thing. I also pruned out a lot of redundant introspection, cutting about 17,000 words. Maybe I can make a novella out of the chopped bits.

llkAnyway, I feel very happy about the revisions and I’m pretty sure I kept everything that people enjoyed about it the first time around. I’m hoping my favorite review is still true.

Lord Langdon’s Kiss is a fine Regency romp that will satisfy lovers of the genre like ice-cold lemonade on a hot afternoon. This is what Regency romance is all about.” (Four hearts) — The Romance Reader

I think the digital revolution has been a wonderful boon to the traditional Regency genre. It’s helped make many previously published Regencies available to new readers, and also opened up a market for new traditional Regencies, filling the void left when the major publishers ended their Regency lines.

Have you discovered or rediscovered any good traditional Regencies lately? Please share, for the chance to win a copy of Lord Langdon’s Kiss on Nook or Kindle.

Elena

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How do you feel about epilogues? Does it seem to anyone else that there’s a “current trend” going on to include them at the end of every story? I think every recent book I’ve picked up lately has had one. Is it a fad, or a change in readers’ tastes and expectations? Or is having that extra glimpse into the characters’ happy-ever-after ending something readers have always wanted all along? Do romances always need to have one?

TCD Cover-FinalI have been noticing and thinking about this, because I decided to add an epilogue to The Captain’s Dilemma while re-editing that book for reissue. TCD (my third book, published in 1995) is out now, I’m excited to report, on Amazon for Kindle and B&N for Nook, and also for Kobo and other formats through Smashwords. This is my “prisoner-of-war” romance. Read on below for details on the giveaway!

Meanwhile, back to our topic. I used to feel that a good romance that ended properly shouldn’t need an epilogue. If all the obstacles were overcome, the loose ends were tied up, and the hero and heroine finally figured out they were in love, admitted it to each other, and committed to a future together, that certainly seemed very satisfying to me! “Trail off into the sunset” endings were considered bad form.

Yet I think we all enjoy thinking of the characters we come to know and love during a good story as continuing on with lives that last beyond the pages of the book. So the question becomes, do you want the author’s view of it, or would you rather imagine it for yourself? And has this changed over time?

I used to call the lovely but inaccurate Allan Kass cover for my second book, The Persistent Earl, a “visual epilogue”, explaining that it showed the artist’s vision of the hero and heroine together after the story was over. (The heroine, a young widow, wears half-mourning throughout the book, but as you see here, on the cover she is in a beautiful gold satin gown.) Readers always thought that made perfect sense! Can you imagine the rest of this scene without having the words? I consider reading a collaborative process, and even though as an author I give the reader the specifics of my story, each reader brings some of her own imagination into the mix as she reads. I think that’s one of the great pleasures of reading, and one of the (many) reasons movie adaptations of our favorite books don’t always succeed –one director’s view of the story may not match up well with the personal version we have envisioned in our own heads. Ah, but that’s another entire topic.

My decision to write the Captain’s Dilemma epilogue was fairly easy –I never felt the book quite ended with all the loose ends tied up. More information about how the future was going to work for my French hero and English heroine was needed, but for the old Signet Regencies we had some strict length restrictions, and I had no room to add more back then. It has been great fun revisiting my characters and adding the extra scene they so deserved!

So what do you think? Are we seeing a “trend” for epilogues in romance now? Do you like them? If you are a fan of story epilogues, have you always been one? Is the abundance a recent phenomenon, or have I just become more aware of it lately? I’m going to give away a copy of The Captain’s Dilemma to someone randomly chosen among those who comment, and if we get a lot of comments, I’ll give away a second one! Keeping it simple. Please jump in. I’ll be very interested to hear your thoughts!

And if you want to know more about TCD, you can click here to see it on my web site. Or you can click here to see it on Amazon.

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