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Our guest today is debut author Karen Doornebos whose book, Definitely Not Mr. Darcy, takes on a subject we talk about quite often here–seeing what modern characters would get up to in a Regency setting. Her publishers have kindly agreed to give away three copies of the book (isn’t that a great cover?)

Doornebos gives the historical romance novel a hilarious update in this delightful debut… The amusing secondary characters, sidesplitting faux pas, and fiery romance will make Doornebos an instant hit with readers. Starred Review from Publisher’s Weekly

Doornebos brings readers a fresh take on Jane Austen’s world. Mixing reality television with Regency-style romance, this tale combines a fun plot with witty dialogue, charming characters and a strong-willed heroine. It will leave you laughing in delight and reluctant to put it down until the last page is read. 4 1/2 out of 5 Stars from RT Book Reviews

Janet, how honored I am to step into your parlor here to talk to you about my debut novel, Definitely Not Mr. Darcy. How nice of you to pour me a cup of tea! Thank you for having me…

Most gracious of you to accept and wherever I am, tea is too! How did you come up with the idea?

Funny you should ask this! I was at a writer’s conference sharing the first draft of my book when another writer said, “Regency reality show? That’s been done! It’s called ‘Regency House Party’.”

After I freaked, I thought, well, I better check this thing out. And I did, and of course it was completely different from my book! Still, I did credit the “House” series in my Acknowledgment Page, as I credited “The Bachelor” TV show.

I loved the “House” series and I did use “Regency House Party” for some of my research.
I enjoyed the program, it informed some of my research, but it didn’t inspire the book.

Here’s what did inspire the book: After college graduation I lived and worked in London for six months as an employee communications writer, and I always knew I would write something about my beloved England.

But it wasn’t until my husband and I went to a Victorian (not Regency) health spa in California in the late 1990s (yes, that was in the previous century!) that the idea hit me—literally. The spa had these old, outdoor stone baths with water from the hot springs, and it sounded so romantic, so relaxing—but when we put our swim suits on to head to the baths, a waft of rotten egg smell hit us. My husband informed me the smell was sulphur from the springs.

Now, I’ve always been a Jane Austen fan, but on that vacation the idea hit me: what if a Jane Austen fan gets to “visit” the Regency era—but it stinks!! That was where the idea began.

You’ve managed to have three heroes! Congratulations. Tell us about them.

First we meet George Maxton, the show producer, and he’s hot. All three of the men are hot in their own way. George’s appeal is not only his cropped auburn hair, his snug-fitting jeans and the way he wears his sunglasses, but the fact that he is so NOW. He’s all plugged into his iPhone and his iPad, he talks really fast, and he’s just completely modern.

Soon enough we meet two other heroes, and I can’t divulge their names! But, one has blond hair that falls into his brown eyes. He wears glasses and he’s very attentive and witty. The other is dark-haired, dark-eyed, and buff. He always seems to know exactly what to say to make our heroine happy… Both of these gentlemen look very fetching in their breeches, boots, and cravats.

One of the memorable aspects of the Regency House Party TV show was how bored most of the women are (although I think that was one of the worst inaccuracies of the series). How did you handle this?

Nobody in this reality show is ever bored! There are tasks and challenges galore and I dreamed up every Regency fantasy I would want to enjoy myself, and that included:
• Archery
• A mock fox hunt
• A tea party
• Making her own ink
• Learning fanology
• And a ball, of course!
Chloe Parker, my main character, procrastinates her needlework much to her detriment and her piano playing isn’t up to snuff.

Tell us about your research.

I used so many sources for my research—I couldn’t even begin to count them, however, here are some of the coolest:

• Jane Austen’s letters (Deirdre Le Faye will be having a new edition coming out in November!)
• A Jane Austen Encyclopedia
• Jane Austen’s Regency World Magazine
• Tons of websites, including: The Jane Austen Centre in Bath

If you were in a Regency reality show, what would you miss the most?

Plumbing! I’ve lived my entire life without men in breeches, boots, and cravats (unfortunately) but I couldn’t survive without plumbing!

What would you enjoy the most?

Come on, I would enjoy the gentlemen! But, if I had to choose something else, it would be: the tranquility that must come from being unplugged.

Which is your favorite Austen?

Book: Pride and Prejudice, my first love, but Northanger Abbey, Persuasion, Sense and Sensisbility and Emma rank very close in that order.
Adaptation: 1995 A&E Pride and Prejudice with Colin Firth. Need I say more? You know where I stand! I also happen to ADORE the 1995 BBC version of Persuasion. 1995 was a very good year for me and I relive it via DVD as much as possible.

I love that version of Persuasion too! What’s up next for you?

Great question! I’m promoting my first book right now, have a second one in the works, and I’m putting together proposals for a third…Jane Austen Action figure is on my desk, at the ready!

So ladies … share your favorite Regency fantasy/favorite Regency hero with Karen, and you could win a copy of Definitely Not Mr. Darcy!

So I was all set to do this stupendous post about my corset. I visited the staymaker last Saturday armed with my camera and found the batteries had died. So much for that, but my staymaker is indeed hard at work making me a front-lacing corset, and I should say that it is a garment made of stout cotton for my equally stout body, without any ooh la la factor at all, as is the linen shift that I will wear with it.

By one of those strange internet associations I went searching on google for the term “liberty bodice.” Bet you don’t know what a liberty bodice is. Aunt Ada Doom in Cold Comfort Farm sends Judith to find hers when she decides to make a family appearance (great book and excellent movie with a terrific cast including Rufus Sewell as the earthy stud Seth).

The Way to Healthy Development
Free and unrestricted exercise is necessary to healthy growth and development. That is why most mothers choose the “Liberty” Bodice for their children. It gives firm yet gentle support, allows perfect bodily freedom, and transfers the weight of underclothing and “pull” of suspenders to the shoulders. The most hygienic garment made. Wears well and washes splendidly.

Yes, it was the late 19th-early 20th century unisex equivalent of a training bra, probably a direct descendant of the stays that were worn by children in the Georgian period and possibly also worn by elderly women, like Aunt Ada Doom, who’d decided to give up the discomfort of a corset (and by this period they would be uncomfortable). This article about a museum exhibit celebrating the 100th anniversary of the garment, states the factory went out of business in the 1960s. Wow. You do have to wonder, though, about what sort of garments would be termed unhygienic.

Here’s a pair of children’s stays from the mid 18th-century, made of wool with boning and back lacing. Stand up straight, child! Yes, our manly heroes probably wore something like this (and a gown!).

So, tearing myself away from underwear reminiscences and explorations, let me move on to the beer. That, with books, is what the Baltimore Book Festival is all about, and it takes place this weekend. I’ll be there for a few hours beginning at noon on Saturday, reading from Jane Austen: Blood Persuasion, talking about historical romance (and serving tea!) and talking about Jane Austen. Stop by and say hello! I’ll also be raffling off this fine basket of Austen-vamp related items, which includes tea, a teapot, a gorgeous red and black silk scarf, and various other delectable odds and ends.

If you’re green with envy and hundreds of miles from Baltimore, I’m giving away very similar prizes in my most recent contest. If you receive my newsletter, you don’t need to do anything at all: you’re already entered for the drawing (you should have received an issue yesterday if all goes well). If you don’t yet receive my newsletter (and why not? It’s infrequent, mostly harmless, and occasionally amusing) sign up on my website and you’ll be entered for Austen-vamp prize #2. While you’re there you can also read an excerpt from Jane Austen: Blood Persuasion and check out my Blog Tour. I’ll do the contest drawing and announce the winners on October 27.

Do you have a book event in your town? What would your dream line up for a book event be?

tt0178737This past weekend I joined several Washington Romance Writer (WRW) friends at the home of Kathleen Gilles Seidel to watch two film versions of Mansfield Park: The 1999 version with Frances O’Connor and Johnny Lee Miller; and the 2007 TV version with Billie Piper and Blake Ritson. Kathy had invited us to watch the movies with her, because she is scheduled to give a talk about Mansfield Park at WRW’s January meeting next Saturday. Also in preparation for Kathy’s talk, I am rereading Mansfield Park and am about halfway through.

Kathy Seidel’s annual Jane Austen-related talk is a WRW highlight for me. Kathy is an Austen scholar, having written her Ph.D. dissertation on Austen, but she is also hugely entertaining and her talks are always intelligent, stimulating and useful for writers. More on her Mansfield Park talk next week.

tt0847182We’ve discussed the Mansfield Park movies here at Risky Regencies before, most recently after the 2007 TV version was released, and most of us have generally thought the movies pretty dreadful. The WRW group was no different. The 1999 version was particularly abysmal, having very little to do with the book and having almost none of Austen’s sensibilities included. The 2007 version did not change the story quite as drastically, but when it did, it changed it in incomprehensible ways that made no sense at all. In both versions, the main characters were changed very drastically–except for Mary and Henry Crawford, the worldly brother and sister who come for an extended visit. The Crawfords are often described as the most interesting characters in the book.

The Fanny and Edmund of the book are very unlike the heroine and hero we would expect in a book of romantic fiction today.

Fanny is timid, self-effacing, and long-suffering, but she is the moral compass of the book, the one character who consistently acts in a principled manner. In other words, she doesn’t change in the book. She stands firm, no matter what happens to her. This was obviously Austen’s vision for Fanny, but I think today’s reader wants heroines who strive actively to reach their goals, not ones who merely endure what happens to them.

Edmund shares Fanny’s view of morality, but he is very easily swayed by the manipulations and allure of Mary Crawford. That is not the sort of hero who interests me. I want my hero to be strong enough and wise enough to see through the clever manipulations of others, and I do not want him to be tempted to fall in love with a character who is not the heroine.

At the end of the book (or the movies) you are glad Fanny and Edmund wind up together, but it was hard to feel strongly enough about either of them to actually root for them to wind up together.

I was thinking that today’s romance novelist would probably choose Mary and Henry Crawford as more likely candidates to be hero or heroine. Now those are two characters who could do with a strong character arc. Do you know if anyone has written such a version?

What do you think are the most important elements in a hero or heroine?

I also watched the first episode of season three of Downton Abbey. It occurred to me that one of the reasons that the series is so successful is that all of the characters are interesting and all have ways they can change, ways we can root for them.

 

Hi all.  My name is Myretta Robens and I’m going to be sharing Saturday blogging with Megan.  If you don’t know me (and millions don’t), I thought I’d make this post about myself – fascinating topic. 

I met Megan when we both preparing for the publication of our first Traditional Regencies.  Hers was for Signet and mine for Zebra (the last two Trad Regency hold-outs).  We were both writing journals about the road to publication for All About Romance and we just hit it off.  We have since become close friends with an alarming tendency to put each other in our books.  We were also both produced close to the last book in the world of print Traditional Regency.  Mine was Just Say Yes, which was a RITA finalist in 2005.  It lost to Riskies’ own Diane Gaston.  I’m just working my way around to forgiving Diane for this.
 
My first love, however, is Jane Austen, about whom I’m sure you’ll be hearing more from me in the future.  In 1997, a friend and I began The Republic of Pemberley web site.  Admittedly, this site was born of the deep-seated lust provoked by Colin Firth in the role of Fitzwilliam Darcy in the BBC’s 1995 adaptation of Pride & Prejudice.  But it’s grown and changed since then to a rather large and highly interactive Jane Austen site that manages to take up quite a lot of my time.  If you love, Jane, you should visit us.
Have I bored you sufficiently talking about myself?  Would you like to also know that I live near Boston with three cats (11, 11, and 21)?  That I worked for Harvard University until recently and that I still do web design for extra dough?  That I use all these excuses when I’m procrastinating?  That I am writing – really! – currently a Regency-set single title which is about half way there?  My own web site is at myrettarobens.com.  Feel free to visit me there.
I’m happy to be among you and look forward to frisking with the Riskies.  Thanks for inviting me.

Last Saturday one of my favorite events occurred. The Washington Romance Writers meeting when Kathy Gilles Seidel, A WRW member, RITA winner and Austen scholar, speaks about one of Austen’s books and the movies made from it.

This year it was Emma, comparing the book and four movie versions: The Gwyneth Paltrow version, the Kate Beckinsale version, the recent BBC mini-series, and Clueless.

The very first WRW meeting I ever attended (back in 1995), Kathy spoke on Austen’s use of the celebration in her endings. Being so very new to romance writing and still under the influence of the popular disparaging viewpoint of romance being “less than” real books, I was thrilled beyond words to hear this intelligent discussion. Since then I’ve heard Kathy speak several times on Austen and on other romance-writing topics and she never disappoints.

Kathy usually speaks at our January meeting, cancelled this year due to snow and rescheduled to June. We had a smaller group than usual, probably because it was a beautiful day and a busy time of year. It worked out marvelously, though, because the talk became a discussion, casual enough for everyone to feel comfortable speaking up, light enough for plenty of joking and fun.

Here are a few random points made throughout the day-long workshop.

1. Emma is not a romance, but a “woman’s journey”story and essentially a book about power. As a story about power, the movie that comes closest is Clueless.

2. In Clueless the heroine, Cher, is constantly underestimated; in Austen’s book, Emma is constantly overestimated. She is seen as doing no wrong, but, in reality, she gets everything wrong.

3. As a story about power, Austen shows how the power is shifting in the society of her day. The book shows the rising power of the middle class and the decreasing power of the landed gentry. Emma starts the book with lots of social power in her community, but her power is challenged by the Coles, representing the rising middle class, who almost do not invite her to their party, and, towards the end, by Jane Fairfax, who refuses her visit.

3. Within Emma, there are lots of secrets characters keep from each other, but in the book Austen gives subtle hints as to what is really going on. Sometimes the hints are only a few words in a long paragraph. It takes an alert reader and many readings to catch these subtleties. Because of this (and for many other reasons), the book is a classic where you discover new things with each reading.

4. Jennifer Enderlin, editor-in-chief, St. Martin’s Press, and Kathy’s editor, says that, in the first chapter of a book, the writer should give the reader someone to love and someone to hate. But Austen sets herself a great challenge in that she gives the reader many reasons to dislike Emma in the first chapter, and few reasons to like her. The reader must learn to like Emma as the book progresses.

5. We watched clips of the beginnings of the four movies. The moviemakers, though, tried to give viewers clear reasons to like the Emma character. In Clueless, we can forgive Cher her self-centeredness, because she is a teenager. Paltrow’s and Beckinsale’s Emmas are very sweet, especially to their fathers. The BBC version goes back in time and shows Emma’s mother’s death and really pulls on the viewers’ heartstrings.

There was so much more in this stimulating discussion, plus both lunch and dinner with writing friends. What could be better?

What’s your favorite sort of day among like-minded people?
Did you read Emma or see any of the movies? What’s your take?

Don’t forget the Harlequin Historical Authors Summer Beach Bag Giveaway. Today starts week two with plenty more prizes and more chances to win a Kindle Fire!

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