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Susanna here, rejoicing that it’s Friday at last. I’m hard-pressed to think when I’ve been more eager to see a week come to its end.

I’m currently reading Consider the Fork: A History of How We Cook and Eat, by Bee Wilson. It’s a fascinating look at the history not of food, but of the implements we use to cook and eat it. I’m only about a third of the way through, but I’ve already learned so much. For example, 19th century vegetables weren’t anywhere near as overcooked as you’d expect based on the long cooking times advised in early cookbooks, because cooks were advised to simmer vegetables rather than cook them at a fast boil, and also because they’d pack a lot of vegetables into a small saucepan rather than a smaller amount in a larger pot like we do today.

Consider the Fork

And here’s another fact that surprised me tremendously: You know how most people have a natural overbite, and if you don’t, your orthodontist will work to give you one? Apparently that’s a recent development in human history, and isn’t the result of a genetic change–it’s developmental, based on how we eat. When you look at older skeletons, you generally see incisors that meet edge-to-edge. The overbite starts to emerge 200-250 years ago in Europe, but 800 to 1000 years earlier in China. In both cases, the change happened first among the upper classes.

The probable explanation? Forks and chopsticks. Once people started carrying food to their mouths already bite-sized rather than tearing it apart with their teeth, their incisors started to grow in differently.

I’ve long been fascinated by culinary history, and I’m starting to incorporate it in my writing. In my July release, A Dream Defiant, my heroine is a naturally gifted cook. She’s a commoner, an ordinary English village girl following the drum in Spain with her soldier husband, and her dream for after the war ends is to take over the inn in her home village, which has a reputation for dreadful food, and turn it into a place all the travelers on the Great North Road will stop to linger over their dinners. And I have an unfinished manuscript I’m thinking of dusting off where one of the characters is a French chef I created to contrast with every fussy, melodramatic French chef ever written. The manuscript in question is a paranormal, so if you picture Anthony Bourdain, Vampire Hunter, armed with garlic and cleaver, you wouldn’t be far off.

What delicious things are you hoping to taste this weekend? I’m planning to bake cookies for the first time in ages.

476px-Edmund_Blair_Leighton_-_The_Windmiller's_GuestYesterday I went to an all day workshop with Bob Mayer, who had many good things to say about bringing your germ of a story idea to fruition into a full-fledged novel.

But he said one thing that gave me, as an author of historical romance, pause….

He said that the best way to do research was from the novels of successful authors in your genre. The best way. He mentioned a best-selling author of military thrillers who researched from other books in his genre.

Bob’s point was that readers have already shown that they like the world created by the best-selling author, so, even if it is inaccurate, it is what sells.

1815 019 no 2In fairness to Bob, he was talking about the sorts of books he writes, not Regency romance, but it made me think about our ongoing debate about the importance of historical accuracy in “our” books. Regency authors (like our marvelous Myretta Robens) love to discuss the pros and cons of historically accurate Regencies to “wallpaper historicals” to those who just get it wrong. And we’ve often talked about the tiny Regency inventions Georgette Heyer put in her books to catch the authors who were using her for their history.

To me part of the fun of writing historicals is to fit the real history into a story that (hopefully) will appeal to the modern reader, but that is not necessarily every historical author’s goal nor is it necessarily what every reader of historicals enjoys.

Bob did mention that the best way to research setting is to actually go to the place and see it for yourself. If that was not possible, he advocated using books, websites, videos, maps to get the setting right. He did stress the importance of getting time and distance correct, which is something that sometimes bugs me in historicals. When I read of characters sailing here and there or traveling by carriage here or there in modern rates of speed, it does pull me from the story and tempt me to throw the book against the wall.

But does even that bother readers?

What do you think? Does any of this matter to you?

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One of my current projects is an as-yet-uncontracted historical romance set mostly in America in the immediate aftermath of the Battle of New Orleans. And the first thing I realized as I developed the idea was just how little I know about my own country’s early 19th century history. What I do know is patchy. I learned a good bit about the War of 1812 researching my 2012 book, An Infamous Marriage, but my focus was on the war in and around Canada. Partly because of that research, I know Tecumseh, but he died in battle before this story started. I’ve learned about Cherokee history and the Trail of Tears–my husband’s family is Oklahoma Cherokee–but that doesn’t directly touch this story, either.

So I’m now in all-out research mode. Since I’m writing a road romance, I can’t just learn New Orleans. I have to learn about everywhere my hero and heroine would pass through on their way to safety–including what transportation methods and routes actually existed back then in what was still largely frontier country. When I mentioned this to my husband, who’s far more up on the history of technology than I am, the first thing he said was, “Steamboats.”

Now, when I hear “steamboat,” I picture something like the musical Show Boat, or maybe Mark Twain or the Civil War. (Told you the history of technology is one of my weak points!) But because I trust my husband’s instincts, I immediately started looking into it…and discovered that 1815 was just at the dawn of steam travel on the Mississippi. When my story opens, the Enterprise was in New Orleans.

Enterprise

She’d come all the way downriver from Pennsylvania, bringing much-needed supplies for Andrew Jackson’s army. During the rest of the winter and early spring, she mostly shuttled between New Orleans and Natchez. Later in the year she earned fame by sailing all the way upriver (up rivers, plural) to her Pennsylvania home port. Though the journey took many months, it was a portent of the future. Before steamboats, travel upriver on the Mississippi was impractical–rivermen would float down on flatboats, barges, or canoes, then abandon their boats and walk or ride overland to their homes in Kentucky, Pennsylvania, or other points north.

Once I found out there was a steamboat–and one named Enterprise!–I had to set my hero and heroine aboard her. They’ll get off at Natchez, though, and take the Natchez Trace…which is a story for a future blog.

Have you ever stumbled across a piece of history that wasn’t what you expected it to be? And do you have any historica blind spots like mine for technology?

I’m about to start writing Leo’s Story, my Diamonds of Welbourne Manor book. Amanda’s The Shy Duchess will be out in March and Deb Marlowe’s How To Marry a Rake comes in May. And here I am not even started….

When starting an Historical, of course, research is essential. Over the years, I’ve compiled a bunch of bookmarked websites about the Regency to help with research, but, let me tell you, nothing I have is as thorough as this list on Jane Austen’s World.

Take a moment to look at this list! It’s so comprehensive.

Some of my go-to websites appear here, like:

Correct Forms of Address This website always answers any question I have about titles, precedence, and all matters relating to address.

The Regency Reference Book
Emily Hendrickson’s book is a treasure in itself in all the information she presents. This is a book you have to buy but is well worth the cost. I love that it is now on CD because I can search it so easily.

The Georgian Index
I love this site for many reasons, but one reason I return to it over and over is to find specific shops in London, so my characters can visit real places on real streets.

Greenwood’s Map of London
I get very particular about where my characters live and how they walk around London, so this map of London in 1827 works very well for me.

There are so many more research sites listed at Jane Austen’s World, I could spend a year exploring.

Take a look at the site and pick out one of the links that intrigued you. Or tell me your favorite research site.

And if you live in the DC area, come see me moderate a panel of Historical authors on Feb 13 at Borders Bailey’s Crossroads. I’d love to see some Risky readers.

Don’t forget to visit the Harlequin Blog for their Regency Bicentennial Celebration all month.

And, Maureen! email me. You were my last week’s contest winner!

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Dear Readers, I give you this awesome link, which no doubt some of you are already familiar with:

BOPCRIS from the University of Southhampton.

BOPCRIS digitisation projects
Digitisation activities
We provide high quality digital images of texts, pictures and maps from bound volumes, foldouts and single sheet documents. Clients include Jane Austen Chawton House Library, British Library, University of London – The Warburg Institute, British History Online, University of Cambridge, University of Bristol, Durham University, London School of Economics, University of Manchester, Newcastle University, University College London, Oxford University Press, University of Warwick, Southampton City Council and the Archaeological Institute.

You might also consider aiding their efforts to raise money to retain the archives noted here. The Broadlands Archives

Filling more than 4,500 boxes of documents, the Archives include hundreds of thousands of papers relating to Lord Palmerston and Lord Mountbatten. They are one of the UK’s most significant family and estate collections.

There’s also this:

British Pamphlets of the 19th Century

The Plymouth Medical Society Historical Collection

Yorkshire Women’s lives, 1100 to the Present.

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