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Monthly Archives: June 2010

My husband the music expert is currently amusing himself with this book, Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time, by Nicholas Slonimsky. On the cover, GB Shaw wields his mighty weapon and Beethoven receives a direct hit.

It makes for some fascinating and cringeworthy reading. Here, for instance, is a Viennese critic’s comment from 1804:

Beethoven’s Second Symphony is a crass monser, a hideous writhing, wounded dragon, that refuses to expire, and though bleeding in the Finale, furiously beats about with its tail erect.

More animal symbolism from a Paris critic of 1810:

Beethoven, who is often bizarre and baroque, takes at times the majestic flight of an eagle, and then creeps in rocky pathways… He seems to harbor together doves and crocodiles.

Whereas The Harmonium, London, in 1823, took this no-nonsense approach:

Opinions are much divided concerning the merits of the Pastoral Symphony of Beethoven, though very few venture to deny that it is much too long.

And moving right along, in my Internet search for more music criticism articles, I ended up here, which is appropriate in a way:

By 1815 London had expanded beyond its medieval walls and the populace had grown to 1.4 million. People began to generate waste at an unprecedented rate. [italics mine]

Now I don’t believe the author of the article, Night-Soil Men, the Human Waste Collectors of Georgian London, meant that, uh, personal production increased, although that was certainly the first thought that came to my mind. Anyway, read the article for everything you always wanted to know on this topic. Isn’t the internet a wonder?

I’d also like to direct you to a fabulous site, Georgian London, a terrific, smart, well-researched resource. I was thrilled to learn that the site owner, Lucy Inglis, will be speaking at the RNA Conference in July, on “Trades for 18th-century women.” Can’t wait! And I’m speaking on a panel about writing for UK and US markets.

I expect you’ve seen the news about the discovery of the world’s oldest shoe (5,500 years old, found in Armenia).

And since I’m encouraging explorations online, please drop by my website to read an excerpt from Jane and the Damned.

What strange internet searches have you performed recently? Where did you start? Where did you end up?

I believe I have mentioned that I have a story in the upcoming Mammoth Book of Regency Romance. Since I have the digital rights to this story, I’ve commissioned some artwork to go with the digital version. I’m really excited about this, by the way. The artwork is so good it makes me wish there were Regency set graphic novels. Well guess what?

There are graphic novels of Jane Austen’s books!

And there’s more! I came across this interview with author Nancy Butler in which she talks about the success of the P&P graphic novel as well as the recently released graphic novel of Sense and Sensibility. It’s a very interesting interview although I’m not sure I quite agree with her take on S&S.  Did any of you know about this? I didn’t. I had no idea at all.

I, for one, would love to see some Regency-set graphic stories. But I’m wondering if they should be adaptations of novels or original stories created for a graphic novel. According to Butler, teens were major buyers of the Austen graphic novel. Well. I find that very interesting.

Don’t you?

What do you, personally, thing about Regency-set graphic novels? Would you read them? What if they were original stories and not adaptations?

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I almost forgot that To Kiss a Count is not the only book I have out in June! I also have a re-issue of two of my older Signet Regencies, Lady Rogue and Star of India, out together as Rogue Grooms. Star is possibly my very favorite of the Signet Regencies I wrote, with a heroine who appeared in an earlier book (she was the hero’s sister in Lady Rogue, and I fell in love with her!), a half-Indian hero, and a mystery surrounding a “cursed” sapphire (the Star). So I’m very glad to see it out there again!

I also have a UK release, High Seas Stowaway, which has a bonus of my “Undone” short story Shipwrecked and Seduced included. (It can be ordered here). And there are some updates on my website, with more info on the “Muses” and some future releases. In the meantime, it’s on to the next project! And a summer of watching new episodes of my favorite shows, True Blood and Mad Men! Yay!

In researching possible topics for today’s post, I found out that the actress Sarah Siddons (possibly the most famous theatrical figure of the Regency period) died on June 8, 1831. I’ve been reading a lot about the theater of period for a new project, so dug out whatever I could find on her life and did some reading.

Siddons was born Sarah Kemble in the town of Brecon in Wales on July 5, 1755, into a famous theatrical family. Her father was the actor-manager Roger Kemble and his wife, the actress Sarah (Sally) Ward. The junior Sarah was the elder sister of actors John Philip Kemble, Charles Kemble, and Stephen Kemble. Though initially her parents were a bit reluctant to see her enter the family profession, her obvious talent won them over. She had her first great success as Belvidera in Otway’s popular Venice Preserved in 1774, which brought her to the attention of the famous actor David Garrick, who engaged her to perform at Drury Lane. But she was still young and inexperienced, and her appearances as Portia and other Shakespearean heroines flopped. In her own words she was “banished from Drury Lane as a worthless candidate for fame and fortune.” Poor Sarah!

She went on tour in the provinces for the next few years, and worked in York and Bath, building up a reputation and honing her craft. When she went back to Drury Lane in 1782 things were very different. She had a huge and immediate hit in Isabella, or The Fatal Marriage, adapted by Garrick. She then took on her most famous role, as Lady Macbeth, which held audiences in rapturous silence (an oddity in those exuberant theater-going days!). She had a tall, striking presence that was perfect for the part. She also had hits as Desdemona, Rosalind, Ophelia, Volumnia, and Queen Catherine in Henry VIII (which she said was her own favorire role).

For over 20 years she was the tragic queen on Drury Lane. She maintained a scrupulously respectable reputation (she married actor William Siddons in 1773, at 18, and even though it was not a happy marriage she maintained appearances. They had 7 children before separating) and had intellectual friends in high places, including Samuel Johnson, Hester Thrale, Edmund Burke, and William Windham. It was said that “even the Duke of Wellington attended her receptions, and carriages were drawn up before her door nearly all day long.”

In 1802 she left Drury Lane and went on to appear from time to time at its rival theater Covent Garden while being mostly retired. On June 29, 1812 she gave her farewell performance as Lady Macbeth. The audience refused to allow the play to go on after her sleepwalking scene and persisted in loud applause and tears until she appeared and gave a speech. (Though she did still make special supporting appearances in plays once in a while until 1819). She died in London in 1831 and was buried at St. Mary’s Cemetery at Paddington Green.

If you’re interested in learning more about her life, here are a few sources:
Thomas Campbell, Life of Mrs. Siddons (1834)
Roger Manvell, Sarah Siddons: Portrait of an Actress (1971)
Priscilla Bailey, Sarah Siddons (1953)
Brigid Duffy Gerace, Sarah Siddons: A Tragedienne’s Rise to Fame (1970)

If you could go back in time and see any artistic performance in history, what would it be? And what are you looking forward to this summer???

I had a great idea for a blog today, to blog about one of my favorite paintings, Watson and The Shark, which hangs in the National Gallery of Art. I remember first seeing the painting when I was a child and never forgetting it.


Turns out, though, I wrote that blog already. See it here!

So I thought I would write about another favorite painting, one later than the Regency, dated 1896.

This painting is called Peace by William Strutt, an English history painter who studied in Paris but moved to Australia and lived and painted there from 1850 to 1862. He moved back to England but continued to paint images of Australia. He also painted religious art, like this one.

Peace depicts a biblical verse:

The wolf shall dwell with the lamb, and the leopard shall lie down with the kid, and the calf and the lion and the fatling together, and a little child shall lead them.
The cow and the bear shall feed; their young shall lie down together; and the lion shall eat straw like the ox.
Isaiah 11:6-7

An 1896 print of this painting has been with me all my life. In my childhood it was in an old wooden frame painted gold. My mother had the print reframed and, sadly, replaced what might have been the original frame. What is worse, the reframing nearly destroyed the print. My friend Tony Wallace (to whom Justine and The Noble Viscount in The Diamonds of Welbourne Manor is dedicated) arranged to have the print professionally restored. The print safely hangs in my living room now. It is the first item I point out to new visitors.

I love the images of the animals and the child. The print always made me feel hopeful, even when I was little, because every creature was co-existing in peace with the other. The lion and the wolf were no longer scary. The leopard was curled up exactly like my pet cat, Snoopy.

The painting’s message is such a lovely one–We can all live together in peace no matter what our differences.

Do you have some family heirlooms that hold a special meaning for you? Tell us!

Don’t forget to visit me at Diane’s blog on Thursday when I’ll give away another signed copy of Gallant Officer, Forbidden Lady. I’ll announce last week’s winner there tomorrow.

Blogging at DianeGaston.com

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