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Monthly Archives: August 2013

ElenaGreene_FlyWithARogue_800pxFly with a Rogue, my new Regency-set historical romance, is now out on Kindle and Nook. (You can learn more and read an excerpt here.) The paperback version and other e-book formats are still in progress, coming next week. I’m also busy reviewing the audiobook version of Lady Dearing’s Masquerade and taking my daughters back-to-school shopping, so it’s been a crazy week. But how blessed I am to be buried under so many happy tasks!

Those of you who’ve followed this blog for a while know that my husband suffered a severe stroke over four years ago. For several years, I couldn’t write at all and even once I started to schedule time for it, the writing often had to take a back seat so I could deal things like challenges to my husband’s disability status, episodes of bullying in middle school, and times when I thought we should be getting a frequent customer discount from the plumber.

There were times I felt like a fake. Real writers are supposed to write every day, right? So I need to thank everyone here for taking my aspirations seriously, or at least pretending to. I wouldn’t blame anyone for wondering if this story would ever get done!

But here it is, and in celebration I’d like to give away 5 copies of the e-book version. Please share something or someone you’re grateful for. Comment by Thursday, 8/29, and I’ll pick 5 winners at random, to be announced on Friday, 8/30.

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

Today we welcome guest blogger Elf Ahearn, here to talk about her new book, the second in the Albright Sisters Series. Currently at work on the third book, The Duke’s Brother, Elf (and yes, that really is her name) is giving away a download of A Rogue in Sheep’s Clothing (Book I) and Lord Monroe’s Dark Tower (Book II).

roses2Two years of bewildering silence have passed since Claire Albright’s passions were first inflamed by the powerful, brooding, Lord Flavian Monroe. On the brink of her debut in London he suddenly summons her, asking that she use her knowledge of healing to help his ward—a girl who hoards castoffs in memory of her dead brother. Embroiled in a desperate attempt to curb the child’s destructive madness, Claire struggles to understand Flavian’s burning kisses yet cold demeanor. Can she reach his heart before his ward’s insanity undoes Claire’s chance at love?
When he was fourteen, Flavian made a mistake so devastating it ruined all hope for happiness. Years later, he’s still paying for his sin. But before his ward’s troubled mind destroys his home and family, he must see Claire once more. Vowing to keep their relationship professional—she the healer, he the guardian—he finds the bonds of his resolve snapping. Somehow, he must content himself with the love that could have been . . . but he cannot resist . . . one final embrace . . .

Elf CloseupAnd now in Elf’s words, her inspiration for the book:

I find it exceptionally appropriate to introduce my latest novel, Lord Monroe’s Dark Tower, on a blog titled “Risky Regencies,” for its plot is risky indeed.

Naturally, the love story is front and center, but in this book I don’t limit my villain to occasional appearances – she is the hero’s ward – and therefore mingles and interrupts and winds herself around the budding couple’s every action.

My villainess, Abella, is very loosely based on my sister who became a hoarder following the death of my father. My sister is a brilliant, creative woman who ran her own theatre company, which my father supported in every way you can imagine. When he died, I think the floor dropped out beneath her and she just couldn’t cope.

He was a collector of books, maps and Asian antiquities, and our house, which was quite large, was jammed with his stuff. The moment any one of us left for college, he turned our bedroom into a library. By the time he died, we had more than 27,000 volumes in the house—about what a small local library might carry.

My mother invited booksellers from across the country to buy the collection. She emptied the majority of the shelves, but during my father’s last years, he’d taken to purchasing just about anything with pages and a binder. These were the books my sister felt obligated to protect.

In front of her small home by a running stream, under thick pines, my sister stacked about fifty boxes of books then covered them with a black tarp. This makeshift shed was so large the front door couldn’t be seen. The only way to access her house was through a narrow trail banked by teetering boxes. Then she filled the inside of her house with more boxes—boxes of old travel pamphlets, sheafs of the same theatrical flyer and resume shots of actors she’d never auditioned. When she ran out of floor space, she hung possessions from the ceiling.

A nearby theatre company threw out its sets. She brought them all home and built more tarp-covered sheds. Unscrupulous neighbors dumped garbage on her property. The moisture from the stream, trapped by the pine trees, and nurtured in the dense atmosphere in her house caused an outbreak of mold.

Sick from the foul air, my sister could no longer work. With no money she took to “shopping” at the local landfill. More sheds sprouted on her property, more belongings were crammed into her tiny space.

From this wreckage, she planned to start another theatre company. How would she use this string of Halloween lights with some of the owls cracked off? She’d found the other owls—she’d glue the string back together—put on a new plug. It was valuable. We couldn’t throw it out.

Finally, she was diagnosed with a lupus-like disease, and my mother lured her down to Florida for the winter. During their absence, another family member and I cleaned the place up. When she returned, her outrage was absolute. She still suffers from the sting of our betrayal—after all, we took everything of value from her.

What I try to portray in Abella’s character is the strange, impenetrable logic used by people who hoard, but I want to make it clear, her personality is nothing like my sister’s. Abella is a psychopath. My sister is a sweet lady who suffered a mental collapse, but has since gotten herself together, and now leads a successful life.

They say, “Write about what you know.” My hope is that readers will enjoy delving into the mind of someone who hoards, and that the action-packed adventure and steamy love story, will keep them turning the pages.

Hoarding has become increasingly prevalent. I’d like to ask if anyone knows someone who hoards; if they find themselves tending to pack the corners of their own households; or if they dig watching the TV show, Hoarders, which frankly, I find mesmerizing. There’s a free download of both A Rogue in Sheep’s Clothing AND Lord Monroe’s Dark Tower, for the best, most truthful answer.

 

Posted in Giveaways, Guest, Interviews | Tagged | 33 Replies

ElizabethanBarbieIt’s contest time at my Amanda Carmack website!  Sign up for my newsletter list for the chance to win an advance copy of Murder at Hatfield House and an Elizabethan Barbie to help you read it!!  (My site is here, just click on the Contest Page)  I’ve gotten so many emails from people with their own favorite childhood doll stories, so I thought I would take a quick look at the history of dolls here….

 

 

 

 

 

Dolls have been around as long as human civilization.  Though no prehistorical dolls have been found (that I could discover in my research, anyway), but there is a fragment of an alabaster doll with movable arms from Babylonian times.  In ancient Egypt, there were dolls made of flat pieces of wood, with hair made of strings of beads.  There have also been pottery dolls found in graves from as far back as 2000 BC.

Doll (Greek, 500-400 BC) - Terracotta

The ancient Greek and Roman graves of children have also yielded dolls, very lifelike ones of of wood, ivory, or wax, with movable limbs and sometimes little clothes of their own.  I read a legend that sometimes when girls grew up and were considered too “old” for dolls, they donated them to the altars of domestic goddesses…

 

 

 

 

Renaissance and later in Europe saw a boom in the demand for dolls.  Mothers of all social classes made rag dolls for their daughters, but the wealthier classes wanted fine dolls of wax or porcelain.  There were “fashion dolls” for grown women to look at gowns, and girls played with very similar styles.  In the early 1800s, composition (a mix of pulped wood or paper pressed into a mold, made a more affordable and durable alternative).  In the Victorian age, every little girl wanted a French “bebe” (much like every girl wants an American Girl now!).  They were among the first to depict a younger child rather than a grown lady, and her clothes were always very fashionable and elaborate.  Bisque dolls made in Germany were similar, but cheaper.

Doll18thCentury DollBebe

The availability of plastics in the 1940s, and the development of vinyl dolls in the ’50s and ’60s revolutionized dolls, like my mom’s Chatty Cathy and Barbie (both of which were passed down to me!  I played with Barbie, but CC sort of scared me, so she stayed in the closet)

DollBarbie

My husband’s niece was given an American Girl Kit doll for her birthday, and at a family weekend a few weeks ago she carried the doll with her everywhere!!  Her brothers were NOT allowed to touch the doll….

DollKit

What was your favorite childhood doll story??  If you could have any doll now, what would it be?  (and be sure and enter my drawing for your very own Elizabethan Barbie!)

For wont of another topic, none of which come to mind, I decided to give you a picture.

I collect architectural prints of the Regency, when I can find them. Some I have framed and hung in the den. Most are in a folder in my “book room” (too cluttered to be called an office or a library). A few are scanned.

Here are the ones from the den. You will recognize some of them; they are often reproduced.
IMG_0108

Here is a scanned one, Theatre Royal, Covent Garden:
Covent GardenCropped
Most of my prints are post-Regency, I believe around 1828 and I daresay they were cut from books at one time or another, but not by me!

They are one way the Regency stays alive for me. I can just about put myself in the picture and lose myself there.

That brings me to my question.

Even though I love Regency Historical Romances, I don’t read many of them these days (although I loved my friend Mary Blayney’s One More Kiss). I can’t read them when I’m writing one, because if I get lost in that book, I won’t get lost in mine, or I may forget which book I’m lost in altogether.

I am curious though. Have you read a Regency Historical Romance lately that just blew you away? And if so, why?

Inquiring minds want to know!

Posted in Reading, Regency | 4 Replies

Megan sent me a link to 13 Reasons You Wouldn’t Want to Live in Jane Austen’s England.  It’s hard to refute the horror of most of these things, although I find some of them (for example forced marriage) a tad spurious.  But, regardless of the dangers of 18th-19th century England, we still live there in in our imaginations.  Many of the 13 reasons apply to the  lower classes and, whether it’s right or not, these are not the people with whom we commune in our reading and writing.  We’re living with the gentry and the aristocracy as was Jane Austen when she wrote.

somersetWhen we live in Jane Austen’s England, we’re living upstairs, where the air is fresh and someone irons our newspapers and brings us tea.  We walk in the country and stroll through Hyde Park. We take in an exhibit at Somerset House. If want to do manual labor, we’ll go out in the garden and cut some flowers.  If we’re worried about what’s for dinner, we’ll meet with cook.  If our sheets need to be changed, we’ll consult the housekeeper.

LubscombeOur gentlemen are sitting in  Parliament (no doubt solving the problem of child labor), riding in the park, hunting, shooting, hanging out with friends at their club.  If we’re at our country estate, they’re meeting with their steward and caring for their land and their tenants.  They’re helping us host a house party. Or they’re  beside us, making sure we are supremely happy.

Yes.  This is fiction, where we rarely catch fire by standing too near to the hearth, we aren’t subject to poor medical attention and even worse dentistry, and we’d do anything rather than force a poor child to climb our chimney to clean it.  But, as we now have a choice about which Jane Austen’s England we’d prefer to live in, why ever would we choose the one in the Huffington Post?

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