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Author Archives: Diane Gaston

About Diane Gaston

Diane Gaston is the RITA award-winning author of Historical Romance for Harlequin Historical and Mills and Boon, with books that feature the darker side of the Regency. Formerly a mental health social worker, she is happiest now when deep in the psyches of soldiers, rakes and women who don’t always act like ladies.


Richard Cerqueira returns to tell us more about being a Romance cover model. Below is the picture that is our contest prize! On the right is Comanche Temptation, Richard’s first and favorite cover.

1.Can you walk us through a photo shoot for a romance cover? How much direction are you given? How much is up to you to invent?

Sure, I get a call from the booking agent asking about my availability and the length of my hair. Sounds funny but the hair length is often a deciding factor whether you are right for the hero or not. Once that’s determined I am given an idea as to what kind of shoot it will be, that is will I be an aristocrat in a tuxedo, or a cowboy out on the range, or some Tarzan like figure saving the damsel in distress. One reason we are made privy to this information is that we often use some of our own clothes for a book cover shoot. In the instances that we need to be bare-chested or even more scantily clad we get to know if we need to be tan, and maybe watch the salt consumption the day before to be nice and lean for the camera.

So, come the day of the shoot, the female model and I get into our costumes if so required, and we are shown some pictures and/or sketches made by the artist or art director to give us an idea of what they will be looking for. At the shoot, there may be as little as two people (photographer and a model) or there may as many as eight people (two models, photographer, photographer’s assistant, art director, book author, and the artist). We shoot typically in front of a plain photographic paper backdrop; it’s up to the artist to add in the scenery. The photographer then sets up the lighting using a light meter and sets up a fan in the instances where they need wind tousled hair. Once that is all set up we assume our positions, the photographer then tells us to adjust ourselves to make the best use of the light and a test shot is taken. Before the advent of digital photography, this test shot was done with a Polaroid, now a digital camera can have the shot for all to see instantaneously on a large computer monitor and it can also be seen by an artist or art director across the globe in real time. That test shot will let everyone know if the lighting is right, once that is in check we go at it.

Again, since I started modeling things have changed for the better thanks to digital photography. In the past we took at least three rolls of film to make sure we got the shot, now we might take five pictures and get what they are looking for. It is up to us, the models, to play with the decided pose to capture the shot. The photographer, artist and/or art director will often guide us if they are looking for something special. Sometimes they end up doing something that is nothing like what was originally conceptualized and it turns out being the winning shot; at times, the models come up with the pose. Working with models that are more experienced makes the shoot go much quicker. Typically a book cover photo session takes no more than an hour, but there have been times that it has taken as long as two. It might not seem like much time, but in order to get those hot photos you often have to put yourself in to some unnatural positions and hold them there for long periods of time; I have often left a shoot feeling pretty worn out.

2. What do you think constitutes a good romance cover? What standard are you aiming for when you step in front of the camera?

The models chosen should accurately depict the books heroes. I have done more than one cover where I am not so sure that I was the right man for the job, I did it anyway, and the clients were happy, so that’s all that matters. I think that in the case of a couple they have to look good together, they have to make a good and convincing couple. Then there is the lighting, in art, lighting is everything, a book cover’s image is no different. When I do a cover I try to convey as much passion as I can, the covers usually need a hero who is both strong but human, it’s up to me as a model to pass that along to the photograph. The less the photographer has to direct me the better job I am doing; it’s what I strive for.

3. Tell us what is next for you. Do you have anything exciting coming up for yourself?

Actually, I do have something very exciting coming up, my brother and I participated in a reality show called Bullrun that will start to air on Spike TV March 13th @ 10 pm EST. The show is based on super exclusive road-rally across the USA. We are up against eleven other teams and are all competing for a $200,000 cash prize. The contestants were required to rally across America as well as compete in challenges that tested our cars, skills, and wits; think The Amazing Race meets The Cannonball Run. We shot for 3 weeks and covered over 4000 miles through nine states.

It was an unforgettable experience and I can’t wait until it airs! Its like nothing that has ever been done before, we had a crew of over 200 people and enough equipment rigs to fill a town! Spike TV has already begun running promos and the advertising campaign blitz will be soon to follow. The Spike TV website has information, pictures, and videos of us and the other contestants. www.spiketv.com. I have also made a Myspace page with some info about me, nothing very elaborate but it has some home pictures of me and some stuff from the upcoming show. www.myspace.com/xjguy

Thanks for you and your reader’s interest in me.
Richard

Bullrun premieres on Spike TV March 13 at 10 pm

Prize winner will be announced tomorrow. The prize may take some time to be delivered. Richard broke his thumb in a skiing mishap and can’t sign his name!–He’s been doing our interview with a broken thumb!
Thanks, Richard!!

Welcome Richard Cerqueira, our Risky guest.

After Richard’s hand appeared on the cover of The Wagering Widow, he agreed to do an interview for Risky Regencies. Richard has done many Romance covers, both contemporary and historical. When his image showed up on Not Quite a Lady, Louise Allen’s January Mills & Boon Historical, the same image as the inside cover of Wagering Widow, the time for the interview seemed right. And how right it was! Tomorrow, in Part 2 of the interview Richard will have some exciting news about his latest venture.

Richard is offering an autographed picture of an actual Romance cover photo shoot to one lucky contest winner. The image will appear in tomorrow’s blog. Make a comment on the blog to enter (a real comment, not a generic one) to enter. Deadline is midnight March 12 EDT.One winner will be picked at random and announced on Tuesday, March 13.

Here’s Richard Cerqueira:

1. Tell us a little about yourself – where you grew up, your life now – anything you wish to tell.

I was born in Elmhurst, Queens NY. My father was born in Portugal, and my mother was born in Brazil. I have a brother who is three years my junior and a sister who is only seven years old. As far as hobbies, I love to ski, I am a car fanatic and I love to create things; as such, I enjoy occupying my spare time with anything that has to do with designing, and fabricating. I am especially fond of home improvements and automotive customization. After attending an all boys high school, I enrolled as a full time student at St. John’s University where I was a pre-med and fine arts student. I graduated with a BS in biology and a minor in fine art… I earned a master’s degree in cellular biology from Adelphi University… I have also completed several acting courses at three different drama schools in NYC. By the way, I am an Aries, born on April 17.

2. How did you get started modeling for romance novel covers?

I was basically invited. At the time of my first cover, I was a fledgling TV actor and a part time mainstream model working on runways, and posing for fashion and fitness magazines. I was doing skits on most of the then novelty daytime TV talk shows. Often acting wasn’t even involved; duties varied from dressing like an Egyptian slave carrying Cybil Shepard (Cleopatra) out to Rosie O’Donnell’s stage, to getting in bed with a sexy female model on the Ricki Lake Show while pretending to be a stuck-up lover that had very little to be stuck up about. On one of the shows that I worked on a nearly daily basis, The Richard Bey Show, Mr. Curvin Krout, a former Ford Models talent scout got in touch with the show’s producers and informed them that he was interested in working with me. In no time, he had me meet with a Media Photo Group studio rep, and about a week later, I did my first cover with Pino himself (the artist responsible for Fabio’s fame). After that, one cover just led to another.

3. Most romance novelists have to keep a day job to pay the bills. Are you able to make your living through your modeling or do you have other employment as well?

There was a time that I only modeled and worked on TV shows and made a pretty good living doing so, nowadays I am no longer a full time model and rarely do any other modeling other than for the book covers; I do it more for fun than anything else. As such, I have a few occupations where I make a living. I am a senior loan officer at a bank, where I help people obtain mortgages and refinancing for their homes. I also own a business called Performance Utility Vehicles, where I design and manufacture specialty automotive components catering to Jeep vehicles.

4. How does modeling for a romance cover differ from other modeling?

Modeling for romance novel covers is much quicker and, dare I say, easier. For one thing, I get to pose with a beautiful girl nearly every time, that’s always a bonus. The shoots typically last only an hour and they do not require much planning nor do they ruin one’s whole day; you can easily hold down a regular job, do a photo shoot on your lunch break and go back to work with no one more the wiser.

5. What is it like for you to depict characters from different time periods?

It’s like “acting-lite”, since we have to look convincingly like the character we have been hired to portray, but we don’t have to speak or memorize any lines. I love it, lets me be all those things that I always thought about when I was “growing up”.

Continued, Monday March 12, when Richard describes a romance cover photo shoot and makes his exciting announcement.

Richard will try to pop in to answer questions, so ask away!

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Oh, this is a week of ANTICIPATION for me!

First, I am eagerly awaiting the Risky Regencies very first COVER MODEL Interview!! Coming March 11 and 12

When my The Wagering Widow came out Feb 2006, the publicist for Richard Cerqueira, romance novel cover model, contacted me to let me know Richard’s hand was on the cover–and a much better image on the inside! I did some promotion for Richard at the Romantic Times Convention last year and he almost-almost-joined me for a booksigning on Long Island at Side Street Books in Patchogue (alas, he was out of town that day).

Now he has agreed to be interviewed here at Risky Regencies! He’s going to tell us all about the nitty gritty of doing a romance shoot and he’s also got some exciting news to share about his life….

Richard also will kindly offer us a prize: an autographed photo of him at a Romance Cover Shoot. Wait until you see it!!

But before next Sunday….. the days will finally be counted down and the wait over.

Gerard Butler’s new move 300 will be released this Friday, March 9 and I will have seen it!

The movie is the cinematic recreation of Frank Miller’s graphic novel, 300, telling of the Battle of Thermopylae in 480 BC. A small force of 300 Spartans led by King Leonidas (Butler) hold back an invasion of the huge Persian army for three days. The brave 300 fight to the death, ultimately losing the battle, but because of them, the Persian army sustained astronomical losses, Greece was never conquered, and Western Civilization was preserved!

The movie, as you can imagine, will be very violent, but the innovative cinematography promises to present the images in a unique form. Like in the movie Sin City, Zack Snyder filmed the actors against a blue screen, computer generating the setting details afterward. To learn more about 300 and to view some amazing movie trailers, go to the 300 internet site

What, besides it being Diane’s latest obsession, connects the movie 300 to the Regency Period?
That is your question of the day, my friends!!!

Ha ha! You think I’m done but there is more anticipation in my beating little heart.

EHarlequin is going to post their Readers Choice Awards on March 14. My A Reputable Rake is up for Favorite Historical and Mistletoe Kisses is up for Favorite Anthology.

Your task, should you choose to accept it, is to go to eHarlequin and vote for your favorites. You will have to sign in or register, but that is an easy matter (just look for the little sign-in icon in the upper right corner). Vote HERE.

I’m not done yet.

By now you know that my Innocence and Impropriety is in bookstores this month. (I’ve only told you a million times!) Now I am anxiously awaiting its Reviews.

So far the reviews have been positive. Check out the ones on Amazon.com and Romance Reviews Today.

But more are due any day now…..

I’ll be Blogging about Innocence and Impropriety and the writing life on Romance Vagabonds on Wednesday, March 7. They call themselves “just a ragtag bunch of writers…” Just my kind of folks, I say!!!

And that is ALL I have to look forward to…….except doing taxes, but that is a whole other kind of anticipation!

Question Number 2 of the day: What are you looking forward to?

Cheers!
Diane

Innocence and Impropriety appears in bookstores today, March 1, shelved with the other Harlequin books. If you cannot find it, please ask for it!

THANK YOU to all who dropped by to talk about Innocence and Impropriety.
The winners of the copies of the book, one a Harlequin Historical, one a Mills and Boon, are:

Kim W and Teresa!!

Ladies, please email me with your contact information at dgastonmail@aol.com

All the best to you and remember…..only 9 days to Gerard Butler’s 300!

Diane

Barbara Metzger is a hard act to follow, so what better to do than show a shark.

This is one of my favorite paintings- Watson and the Shark by John Singleton Copley, painted in 1778, the first of Copley’s “History Paintings.”

One copy of the painting (there are two, I believe) hangs in the National Gallery of Art in Washington DC. I can remember seeing it when a child and now every time I go to the gallery, I must stop by and look at it.

It is a huge painting, a glorious and fearsome sight! I love the drama and emotion of it. The composition is ideal, making the eye travel from the highest figure with the pole to poor Watson, so bright in his nakedness and the shark, so sinister and murky.

The painting depicts a real event that took place in Havana, Cuba. Brook Watson, a 14 year old orphaned crewman, went for a swim and was attacked by a shark. In the painting, Copley successfully makes us wonder if his shipmates could save Watson. They did, although he lost a leg. Watson went on to become a London merchant and even served as mayor of London in 1796.

John Singleton Copley was an American who was urged to move to London by Joshua Reynolds and another American artist, Benjamin West. He and his family settled in London at the dawn of the American Revolution. Watson and the Shark was the painting that brought Copley his membership in the Royal Academy. By “our period” Copley’s works were no longer receiving critical acclaim, although he continued to live and work in England. He died in 1815.

Watson and the Shark appeared in the first book I ever wrote, an unpublished romantic suspense about a mental health social worker (I followed the advice of “write what you know”) who finds her favorite client dead of apparent suicide. The police detective charged with investigating the death believes her that the death was murder, not suicide. A print of Watson and the Shark hung in her office, as a reminder to clients that no matter how desperate and hopeless life becomes, there is always hope. (And, no, I did not have a print of Watson and the Shark in my office in the mental health center)

My pal Colleen Gleason (remember her book The Rest Falls Away and her interview here) told me about this wonderful website that offers art images free of any copyright restraints. I found the painting’s image there.

http://www.the-athenaeum.org/index.php

Whoo hoo! I expect we can have fun with this site!

Have you any painting or other piece of art that has affected you in some special way? Can you find it on Athenaeum?

Cheers!
Diane

Countdown to release of Innocence and Impropriety – 9 days
Countdown to Gerard Butler in 300 – 18 days

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