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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

Welcome to the Jane Austen Movie Club!

Here at Risky Regencies, we get together the first Tuesday of every month to discuss a Regency-interest movie or TV show.

This month: the 1982 SCARLET PIMPERNEL, starring Anthony Andrews, Jane Seymour, and Ian McKellen!

To aid the discussion, here are the major credits, including a few “you’ve seen him here (you’ve seen him there)” tidbits in italics.

DIRECTOR: Clive Donner

SCREENPLAY: William Bast, based on the novels by Baroness Orczy

CAST:

Anthony Andrews: Sir Percy Blakeney

Jane Seymour: Marguerite Blakeney

Ian McKellen: Chauvelin

James Villiers: Baron de Batz

Eleanor David: Louise

Malcolm Jamieson: Armand St. Just

Jamieson played Colonel de L’Eclin in SHARPE’S RIFLES.

Denis Lill: Count de Tournay

Ann Firbank: Countess de Tournay

Firbank played Anne Elliot in the 1971 BBC PERSUASION.

Richard Morant: Robespierre

Julian Fellowes: The Prince Regent

Fellowes also played the Prince Regent in SHARPE’S REGIMENT, and played Major Dunnett in SHARPE’S RIFLES.

Gordon Gostelow: Duval

Carol MacReady: Mme. Duval

Tracey Childs: Suzanne

Childs played Marianne in the 1981 adaptation of SENSE AND SENSIBILITY.

Dominic Jephcott: Sir Andrew Ffoulkes

Christopher Villiers: Lord Anthony Dewhurst

Villiers played Colonel Horace Bampfylde in SHARPE’S SIEGE, and Tom Bertram in the 1983 MANSFIELD PARK.

Geoffrey Toone: Marquis de St. Cyr

Mark Drewry: Lord Timothy Hastings

Richard Charles: The Dauphin

So: what did you think?

Do you love this version, hate it, admire the costumes, want to recast it?

All answers welcome!

And be sure to stop back the first Tuesday of April, when we’ll be discussing THE MADNESS OF KING GEORGE, and the first Tuesday of May, when we’ll be discussing SHARPE’S RIFLES.


Cara
Cara King, who seeks those french fries everywhere

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In all the rampant Oscar coverage, I’m shocked that no journalist unearthed the fact that the early versions of all five of this year’s Best Picture nominees were actually written by Jane Austen!

There. You didn’t know it either, did you?

What — you don’t believe me?

Here, as proof, are excerpts from all five:

Jane Austen’s SLUMDOG MILLIONAIRE

No one who had ever seen this slumdog in his infancy would have supposed him born to be a millionaire. His situation in life, the poverty of his father and mother, his predatory elder brother, were all equally against him. He was fond of all boy’s plays, and greatly preferred cricket not merely to reading, but even to life itself–for how else might one explain his unaccountable attachment to bowling at the wicket even in the face of rapidly descending airships? His school was three months in teaching him the names of two of the musketeers, but he never was able to remember the third, for he was often inattentive, and occasionally lured by an award-winning soundtrack into running through the streets of Mumbai during school hours.

Jane Austen’s BENJAMIN BUTTON

Daisy, who could not think a man only a few years older than herself so exceedingly ancient as he appeared to the fancy of certain in the room, ventured to clear Grandma Fuller from the probability of wishing to throw ridicule on his age.

“But at least, Grandmamma, you cannot deny the absurdity of the accusation, though you may not think it intentionally ill-natured. Benjamin Button is certainly older than I am, but he is young enough to be my brother. It is too ridiculous! When is a man to be safe from such wit, if youth and vigor will not protect him?”

“Vigor!” said her grandmother, “do you call Benjamin Button vigorous? I can easily suppose that his age may appear much less to you than to one my age; but you can hardly deceive yourself as to his having the use of his limbs! Did not you hear him complain of the rheumatism? and is not that the commonest infirmity of declining life?”

“Grandmamma, you are not doing me justice. You know very well that Benjamin Button is not old enough to make his friends yet apprehensive of losing him in the course of nature. He may live twenty years longer.”

Jane Austen’s MILK

Harvey Milk ascended the podium and began speaking. “There is one thing,” said he, “which a man can always do, if he chuses, and that is, his duty; not by manoeuvring and finessing, but by vigour and resolution. It is the duty of any American to enter a vote in favour of equal rights. He knows it to be so; and if he wished to do it, it might be done. A man who felt rightly would act at once, simply and resolutely, within the ballot box, as well as without.”

Jane Austen’s FROST/NIXON

Mr. Frost gazed steadily at his companion. “I say again, Mr. Nixon–Did you see what happened to the missing eighteen minutes? And do you feel in your heart any degree of shame or regret for committing actions which were not in complete accordance with legal statute?”

“And now that I understand your question,” cried Mr. Nixon, “I must pronounce it to be a very unfair one. It is always the president’s right to decide on the degree of erasure of any secret record. John Dean must already have given his account.– I shall not commit myself by claiming more than he may chuse to allow.”

“Upon my word! you answer as discreetly as G. Gordon Liddy could do himself. But his account of every thing leaves so much to be guessed, he is so very reserved, so very unwilling to give the least information about any body, that I really think you must say more than you have so far.”

“Must I, indeed?” exclaimed Mr. Nixon. “Then I will speak the truth, and nothing suits me so well. The truth, my dear Mr. Frost, is that if the president does it, it cannot with literal truth be said to be in actual violation of the law.”

Mr Frost’s handsome face betrayed surprise. After a moment, he said quietly, “Excuse me?”

“Do I shock you?”

“No,” said Mr. Frost in some embarrassment. “I simply have no idea what you just said.”

Jane Austen’s THE READER

It is a truth universally acknowledged, that a single woman in possession of a good figure, must be in want of a young, skinny, inexperienced lover.

However little known the feelings or views of such a woman may be on her first meeting any teen boys, this truth is so well fixed in the minds of the boys (if, indeed, such creatures can be said to have minds at all), that she is considered the rightful property of some one or other of them.

“My dear beautiful blonde mystery woman,” said one such skinny teenager, “have you heard that I am available to have an intimate liaison?”

The blonde woman replied that she had not.

“But I am,” returned he; “and I can offer you all the benefits of a regular love affaire except for skill, experience, clever conversation, or any knowledge of the world.”

There you have it! The scoop of the year!

And you saw it here first — on Risky Regencies. (And if you want to read Jane Austen’s versions of STAR TREK, DARK KNIGHT, and more, just click on the “Austen Trek” link at the bottom of this post!)

Cara
Cara King, who was also written by Jane Austen

Posted in Uncategorized | Tagged | 16 Replies

Sorry for the late post!

My brain has been offline since sometime yesterday evening.

I need a massive reboot.

Any suggestions? So far I’ve tried sleep and tea…

(Hence the picture here of tea! I’m massively creative today. Obviously.)

And don’t forget…

on the first Tuesday of March…

we’ll be discussing the Anthony Andrews SCARLET PIMPERNEL!

So please join us…

Cara
Cara King, who can’t think up anything clever for her sig line either

I thought I’d try to write some Regency limericks…and so here goes!

Scientific discussions at White’s,
All too frequently ended in fights.
Until one gloomy day
When Beau Brummell did say:
“Far better invent brighter lights!”

Tom Belcher yelled “Miserable brat!
He’s splattered mud on my cravat!”
But Brummell looked glad,
And said “Don’t hit the lad,
You’ll be famous for looking like that.”

This world lit by candle and lamp,
Which all bears the Regency stamp,
Seems quite free and easy
In flicks from the BBC,
But the real thing was cold and too damp.

Anyone else want to give it a try? Or revise my limericks?

Cara
Cara King, who is hoping Bertie will write one in a comment…

Welcome to the February meeting of the Risky Regencies JANE AUSTEN MOVIE CLUB!

Today, we’ll be discussing the 1934 version of THE SCARLET PIMPERNEL, starring Leslie Howard and Merle Oberon.

(And be sure to come back the first Tuesday of next month, when we’ll be discussing the Anthony Andrews version!)

To aid the discussion, the major credits on the film include:


DIRECTOR: Harold Young

CAST:

Leslie Howard: The Scarlet Pimpernel

Merle Oberon: Marguerite Blakeney

Raymond Massey: Citizen Chauvelin

Nigel Bruce: The Prince of Wales

Bramwell Fletcher : The Priest

Anthony Bushell: Sir Andrew Ffoulkes

Joan Gardner: Suzanne de Tournay

Walter Rilla: Armand St. Just

Mabel Terry-Lewis: Countess de Tournay

So…what did you think?

In particular, is Leslie Howard how you envision the Pimpernel? If not, does he work, in his own way? Or is he your favorite Pimpernel?

Did you like the movie?

All answers welcome!

Cara
They seek her here, they seek her there…Those kitties seek her everywhere…

Posted in Uncategorized | Tagged , | 20 Replies
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